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24th Ji.hlava International Documentary Film Festival

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director: Lucie Navrátilová
original title: Konzerva
country: Czech Republic
year: 2017
running time: 14 min.

synopsis

This experimental film collage makes use of documentary, fiction and animated film techniques. The fading traces of childhood are mixed with the folk culture of the Haná region, all of it shot on 16mm film. The filmmaker thus preserves her chosen motifs, which are slowly but irrevocably disappearing from the present day.

biography

Lucie Navrátilová (1994) is a student of editing at FAMU, where she shot the short film Bloody Lover (2016). She also worked on the documentary film Trabant: From Australia To Bangkok (2016).

more about film

director: Lucie Navrátilová
cast: Helena Buiglová, Tomáš Borůvka, Eliška Raiterová
producer: Ondřej Šejnoha
script: Lucie Navrátilová
photography: Jan Hecht
editing: Lucie Navrátilová
sound: Miroslav Chaloupka

other films in the section

The Colonel’s Photograph
Excerpts from a television interview with Eugène Ionesco in an adaptation of his absurd story The Colonel’s Photograph, which is dominated by the motif of a swimming pool that conceals drowned bodies. The visual pun is a compilation of techniques: animation, video, 3D graphics, and text, which give the seemingly random scenes a sort of structure.

The Colonel’s Photograph

Martina Holá
Czech Republic / 2015 / 4 min.
section: Fascinations: Exprmntl.cz
How to Stop Watching a Video That Never Ends
A film essay based on the conflict between decorative shots from a bird’s eye perspective and three mechanical, linearly-connected monologues dissects the subconsciousness of an individual saturated with a multitude of differing choices, opinions, and possibilities in the numbers-driven age of digital media.

How to Stop Watching a Video That Never Ends

Jan Martinec
Czech Republic, China, Taiwan / 2018 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
Traffic
A bustling scene somewhere between documentary, abstraction, and animation, based on a static view of the intersection of Adam Mickiewicz and Józef Piłsudski Streets in Warsaw, is transformed into an audiovisual jumble of noises, shapes, colors, and movement, among which we see pedestrians, cars, and public transport vehicles.

Traffic

Zbyšek Semelka
Poland, Czech Republic / 2017 / 52 sec.
section: Fascinations: Exprmntl.cz
World Premiere
Trace I Leave (behind)
Analogue film as an analogy for the physical world; the digital image as an analogy for the immaterial world. An experimental film that combines two substances to become an audiovisual imprint of our life within a space defined by material boundaries but that nonetheless possess the potential to “rise up” to the level of dimensionless.Fascinations: Exprmntl.cz - Out of competition

Trace I Leave (behind)

Simona Donovalova
Slovakia, Czech Republic / 2016 / 8 min.
section: Fascinations: Exprmntl.cz
De Potentia Dei
Potentia dei is a notion difficult to translate, but possible to explain. The same goes for a film essay by Ondřej Vavrečka, with signs and information, their interpretation and secrets as its main theme. The collage-like film uses sharp audiovisual contrasts to make people think.

De Potentia Dei

Ondřej Vavrečka
Czech Republic / 2016 / 66 min.
section: Fascinations: Exprmntl.cz
World Premiere
Feeling My Own Body
Personal reflections by a woman with a distorted image of herself. The twin voiceover presents the stream of negative as well as comforting thoughts that run through the head of a women suffering from bulimia. The film thus reveals the changing nature and uncertainty of personal experience, while also exploring parts of the naked figure to share her beautiful yet despised body.

Feeling My Own Body

Šárka Holečková
Czech Republic / 2017 / 3 min.
section: Fascinations: Exprmntl.cz
World Premiere
Moss Ball
In a world where wildlife loses its place, there is a need to replace it. The allusion to a trailer advertising the soft green moss ball breaks down the distance between the sterile human habitat and the sea plant popularized as an organic element of any home.

Moss Ball

Anežka Horová
Czech Republic / 2018 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Storyline
An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Storyline

Alžběta Kovandová
Czech Republic / 2017 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Sequence
A melancholic metaphor depicts transportation links and the logistical construction of a futuristic view of a dark, sterile environment. Fluorescent machines and vehicles that serve man live their own lives until their last moment, when they fall into pieces of the material from which they were constructed.

Sequence

Jakub Korselt
Czech Republic / 2018 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
Wet Wedding
Behind the curtain of the film strip the concreteness of images appears and disappears again with varying levels of visuals shifts and deformations. The sounds of the film’s movement mix with voices that give the scenes context but nevertheless prevent a reconstruction of the fable. – The story dissolves, and during this layering we move further away from it ever being one.

Wet Wedding

Jan Daňhel, Jakub Halousek
Czech Republic / 2017 / 24 min.
section: Fascinations: Exprmntl.cz
Czech Premiere
Solar Projection
Technology as a silent witness to the permanent movement of celestial bodies... The light installation visualizes the arrival and departure of daylight as contemplation and a dramatic process. By condensing one day into a few minutes, it thematizes the passage of time and the cyclicity of natural processes.

Solar Projection

Jakub Rajnoch
Czech Republic / 2018 / 15 min.
section: Fascinations: Exprmntl.cz
World Premiere
Home
When represented using 3D computer graphics, private artefacts become symbols showing home not just as a collection of iconic objects but above all as the personal stories associated with them. Through the ritual of, for instance, putting on slippers, home can be defined as an intimate private sphere that this act is meant to protect.

Home

Adéla Kudlová
Czech Republic / 2017 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
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