Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
The Circle
play
The Circle
The Circle
The Circle
The Circle

The Circle

director: Margit Lillak
original title: The Circle
country: Estonia
year: 2019
running time: 93 min.

synopsis

They wanted to create an environmentally friendly and socially sustainable community. Twelve adults and six children began to live beyond traditional social order. However, environmentally conscious behavior and embedded physical work do not result in satisfaction from the social aspect of the community ideal. The need to communicate becomes the theme of the film and it is constantly translated visually into shots of circular interviews that show that mastered interpersonal relationships are an indispensable condition for the sustainability of the community and any functional society. The inevitable implosion is preceded by an archetypal story of a love triangle and the struggle for power.

“My motivation for making this film lay in the interest in human psychology, behaviour that surfaces in a closed group is a big revelation. In order to save the world, we really need to start within.” M. Lillak

biography

Margit Lillak studied screenwriting at Royal Holloway College in the UK. She has directed several short documentaries f.e. , Ars Longa (2008), Babyface(2009), and Pastacas (2010) which was awarded the main prize at Toronto’s EstDocs Film Festival. In 2012 she directed her first feature-length documentary 40+2 weeks as a first-person film about her own pregnancy and home-birth.

more about film

director: Margit Lillak
producer: Johanna Trass
photography: Mihkel Soe, Margit Lillak
editing: Jaak Ollino Jun.
music: Sten Sheripov
sound: Harmo Kallaste

other films in the section

Steam on the River
Like the steam that silently appears and then disappears over a flowing river, the life of every human is just as fleeting, and this particularly applies in the case of artists. The transience of their fame is the main topic of this documentary, which provides a glimpse into the lives of three ageing jazzmen: trumpeter Laco Deczi, saxophonist Ľubomír Tamaškovič, and contrabass player Ján Jankeje, who fled from the Soviet-occupied Czechoslovakia to the West, where their stars shone alongside those of the world’s famous musicians. The reflective melancholy mood of the film, capturing the mist of fame just before it dissipates, is reflected in the overall relaxed, contemplative rhythm of the narrative.DETAIL:“Worldly fame – empty name... When the mist rises off the water, it exists only briefly and then disappears. The same applies to us humans. Each one of us spends some time here... and it is a bad idea to be in a hurry.”

Steam on the River

Filip Remunda, Robert Kirchhoff
Slovakia, Czech Republic / 2015 / 90 min.
section: Between the Seas
World Premiere
The Betrayed Square
The Arab Spring of 2011. Day after day, thousands of young Egyptian protesters flooded Tahrir Square in Cairo. Poet and sound artist Stéphane Montavon assembled a psychedelic collage composed of freely accessible images of the revolution, adding an acoustic probe full of tension, rebellion and aggression of the repressive forces. The revolutionary turmoil is expanded into a sonic dimension of auteur installation. It is an impressive story of symbolic moments of ecstatic struggles for democracy and a new Constitution. It exposes mottos, protesters’ slogans and dialogues of the massacred victims. The images of repressive government forces are confronted with everyday life. On a cold morning, the betrayed revolution melts into a day-to-day routine."Rebuilding the revolution with found footage reminds us not only of the past fight, but most importantly of the Egyptian’s revolutionary will still awaiting to be accomplished." Maciej Madracki, Michał Mądracki, MML collective

The Betrayed Square

MML collective
Switzerland, Poland / 2018 / 45 min.
section: Between the Seas
World Premiere
PhoeniXXX
Two young Romanian women make money as models on an erotic video chat site. All while they try to lead normal family lives, get along with their parents, and raise children. This observational documentary captures exactly this - their private space. The filmmakers let them speak freely about not only their jobs, but also how they themselves see their lives. At the same time, they show how a publicly condemned profession influences people’s behavior and their view of the world. The film also presents dramatic generational differences in contemporary Romanian society in which the older generation, working in agriculture, wants their children to remain at home while the younger one seems to be moving coninously to the bigger cities, leaving behind their past. "For a good documentary you have to go out and live among your characters." M. G. Dragolea

PhoeniXXX

Mihai Gavril Dragolea
Romania / 2017 / 53 min.
section: Between the Seas
International Premiere
Blind Cinema
An unusual group sets sail from St. Petersburg to Finland. The crew, which consists of vision-impaired people and people with normal eyesight, learns to work together in order to successfully complete their undertaking. The observational documentary shows the crew’s first contact with the boat, which is done by touch, and then follows their daily routine while at sea. The disinterested camera records a reality that overcomes our prejudices regarding the helplessness of blind people. The problem-free journey gives the sailors space for new sensations. Excerpts from the ship’s log show us aspects of the mission – i.e., the transformation of oneself that can change the world. „What do you see when you cannot see? How do you interact with a world with fewer visual elements to distract you? Blind Cinema explores the realm of sightless people who sail the sea and expand the boundaries of self.” G. Glyants

Blind Cinema

Grigory Glyants
Russia / 2017 / 50 min.
section: Between the Seas
International Premiere
Balaton Method
This documentary journey, which explores the landscape surrounding Hungary’s largest lake and its recreational resorts, includes live concert footage of seventeen local bands – well-established names and newcomers to the music scene alike. Their performances, including the participation of a hundred other musicians, are recorded at various times of day in diverse locations, ranging from harbours and hotel balconies to churches, helping to create a portrait of the distinctive atmosphere at each of the sites. This independent musical road movie shot around Lake Balaton is the first Hungarian feature-length film financed through a crowd-funding campaign.DETAIL:“Balaton! This word has magical power! It makes all eyes kindle, puts a smile on everybody's face. The shining sun and the naughty waves paint all the faces golden brown. The lake is full of tourists.”

Balaton Method

Bálint Szimler
Hungary / 2015 / 85 min.
section: Between the Seas
International Premiere
One Day in Selimpasha
One man and an apartment, about which we know nothing. This is the premise of a conceptual documentary based on the concept of providing a deliberately limited amount of information to the viewer. We look into the intimate space behind the closed front door, where the most ordinary activities are carried out: cooking lunch, preparing tea, eating lunch, starting a fire in the fireplace. In this residential monodrama, a second living actor is desperately lacking, one that would bring to life the plot embodied in speech. It becomes a study of a person’s existence in their most personal space - a dwelling that can be just as much a preserve of peace and security as a golden cage of solitude."What are the feelings of a person who does nothing while everyone expects him to do something? What should he do? In general, is there any difference between the emotions of two humans? What does portrait mean? A human face or something else?" H. Baydarov

One Day in Selimpasha

Hilal Baydarov
Azerbaijan / 2018 / 64 min.
section: Between the Seas
World Premiere
Enticing, Sugary, Boundless or Songs and Dances about Death
How can we talk about death and still enjoy the beauty of life? Who can we tell if we have no one? People from all corners of the world deal with the perspective of death and ask similar questions. This documentary collage by Tetiana Khodakivska and Oleksandr Stekolenko (1980) is a patient enterprise, working with intimate portraits of both ordinary people and the brilliant filmmakers, and thoughtfully placing them within a three-part mosaic about the greatest riddle of human existence. Only the motif of death gives life a purpose and links us all – but what must happen in order for us take it seriously? This imaginatively edited work of docufiction is a contemplation of life in relation to our own mortality. "This movie is about awareness of death. The story is built on documentary and fiction narrative techniques blended together. " T. Khodakivska, O. Stekolenko

Enticing, Sugary, Boundless or Songs and Dances about Death

Oleksandr Stekolenko, Tetiana Khodakivska
Ukraine / 2017 / 95 min.
section: Between the Seas
World Premiere
Dialogue with Joseph
Yosef Yosade, a Lithuanian landscape artist, has worked for many years in Israel. His daughter Elżbieta has set the camera on him to capture the nuances of his creative process. Artfully framed static scenes of the master at work, in contemplation, or absorbed in discussions reveal the painter’s distinctive approach based on searching for the visual structure of a landscape. The director also presents visual depictions of landscapes in mutual conflict with their filmed versions, thereby linking the “abstract” and “concrete” perspectives. The film therefore reflects not only individual creation, but also examines the relationship between two specific media. “The film relates the structure of a landscape to that of a human being. Unstable, arid, peopled by other creatures, by footprints from the past; those are features which Joseph shares with the desert he paints.” Elżbieta Josadė

Dialogue with Joseph

Elžbieta Josadė
Lithuania, France / 2016 / 42 min.
section: Between the Seas
World Premiere
Our Daily Water
Drinking water deliveries by boat to remote Croatian islands is a great opportunity to observe often humorous daily life. Especially when the ship’s captain has a tendency to make coarse comments, regaling his young nephew, the newest member of the crew, with his choleric outbursts. Our Daily Water is an observational film, but it gives inner energy and humor to its protagonists. The film’s creators successfully convey the atmosphere of lazy days along the hot Croatian coast and the explosive temperament of the locals."Through this Mediterranean comedy about a Captain and his crew I wanted to tell a story of invisible people who work honestly in order to prevent our country from becoming an "accidental state"." V. Vorkapić

Our Daily Water

Vlatka Vorkapic
Croatia / 2018 / 57 min.
section: Between the Seas
International Premiere
No Place for Fools
The internet, madness, and old and new Russia - these are the touchpoints of this film standing at the fine line between performance and raw documentary. Sergei Astahov is a mentally disabled man who spends most of his time closed up in his Moscow flat, sending his messages out into the world in the form of videoblogs. For a single man, the camera becomes his sole partner and repetitive speaking a demonstration of life. In his missives, he confesses his homosexuality, his admiration for President Putin, and his belief in the Orthodox faith. Paradoxically, his mind is the meeting point for all the extremes of the Russian world, which has no place for the mentally ill.DETAIL:“I, Astahov, Sergiy, am a Russian’s Russian. I live in the capital, in the city of Moscow, in the capital of our country of Russia, Russ’ and the Russian Federation. I know all the laws and the laws of God.”

No Place for Fools

Oleg Mavromatti
Russia, United States, Bulgaria / 2014 / 87 min.
section: Between the Seas
Czech Premiere
The Last Self-portrait
Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers."I’ve long felt that through documentary filmmaking I can’t say what I want to, what calls out to me. I’ve butted against internal and external boundaries that have paralyzed me as a documentarian. " M. Kuboš

The Last Self-portrait

Marek Kuboš
Slovakia / 2018 / 72 min.
section: Between the Seas
International Premiere
Sea Tomorrow
This observational documentary examines the disappearance of the Aral Sea and attempts at its restoration. At the location where the majority of maps and atlases show a large, majestic body of water, Katerina Suvorova finds only a largish pond and an arid wasteland, filled with the rusting remnants of wrecks waiting for scrap metal collectors. Shots of the enigmatic landscape, consisting of endless expanses of sand and dust, are alternated with captivating details. Just as fascinating is the strong will and faith of the people who have stayed in this inhospitable environment, such as old gardener, fishermen, and a hydrobiologist. They hope that the sea will return, they are fighting to save it, and they all hope for a better tomorrow. “I see people of the Aral region as a collective image of the last survivors on Earth. Their stories prove that even when the last shuttle abandons our racked planet, there will be people who stay and prefer correction of errors of the past to uncertainty of the future.” Katerina Suvorova

Sea Tomorrow

Yekaterina Suvorova
Kazakhstan, Germany / 2015 / 88 min.
section: Between the Seas
East European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt