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24th Ji.hlava International Documentary Film Festival

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Loathing...
Loathing...
Loathing...

Loathing...

director: Franz Milec
original title: Loathing...
country: Germany, Czech Republic
year: 2017
running time: 17 min.

synopsis

A personal essay inspired by Kurt Vonnegut’s Player Piano (1952). Using machins learning on the level of deep reading, the film processes visual and audio records, distorting them, rearranging them, and subsequently submitting them to an algorithm created in part by artificial intelligence that reconstructs the sequences and arranges them in chronological order.

biography

Franz (František) Milec (1993) is a student of FAMU’s Centre for Audovisual Studies. In 2014, the Ji.hlava IDFF showed his short experimental film I Couldn’t Help But Wonder (2014).

more about film

director: Franz Milec
producer: Ondřej Šejnoha
sound: Sara Pinheiro, Luboš Rezler

other films in the section

Vilyž
By combining animated real objects, abstract illustrations, and computer graphics, a collage emerges of seemingly incompatible elements through which the filmmakers show the four basic elements – earth, air, water, and fire – and one place – they search for inspiration and passion in structures, shapes, surfaces, and materials of Švihov Castle.

Vilyž

Zbyšek Semelka, Tomáš Červený, Petr Kutek, Marie Píchová, Kristina Bártová, Klára Míčkočková
Czech Republic / 2016 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
puddles, I don’t know
Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 

puddles, I don’t know

Anna Petruželová
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
Insection
The slow movement of various species of insect in an abstract, brightly lit setting creates suggestive allusions to incontrollable chaos, apathy, and the decay of social structures. The minimalist visual imagery is accompanied by ambient music that works with realistic sound and static. 

Insection

Michal Kindernay
Czech Republic / 2018 / 3 min.
section: Fascinations: Exprmntl.cz
World Premiere
WhereWhoYouMeAre
The filmmaker explores the principles of movement while dreaming, and constructs them outside of the world of dreams by inserting graphic elements into images from the real world and simulating the space of a computer game in the virtual world. As she passes through these fictional worlds, the main character takes on a real as well as animated form.

WhereWhoYouMeAre

Jakub Krejčí
Czech Republic / 2016 / 4 min.
section: Fascinations: Exprmntl.cz
This Kind of Spring Has Never Been Yet
This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.

This Kind of Spring Has Never Been Yet

Tereza Kozáková
Czech Republic / 2018 / 21 min.
section: Fascinations: Exprmntl.cz
World Premiere
Buffer Zone Blues
The almost hallucinogenic whirlwind of virtual views of potential targets of a nuclear attack in a “buffer zone” shows the viewer an unpleasant proximity of total destruction, which threatened Czechoslovakia in the 1950s. The visuality of the film, reminiscent of direction finding, was created using the data from Google Maps.

Buffer Zone Blues

Franz Milec
Czech Republic / 2018 / 9 min.
section: Fascinations: Exprmntl.cz
European Premiere
Funeral
Through performances in the post-industrial landscape of the Most Basin, the filmmaker addresses the consequences of exploiting natural resources. Live tableaux, in which symbolic funerals for the devastated landscape - paradoxically full of strange unnatural beauty – are held, are a critical commentary on how we deal with the natural environment.

Funeral

Vladimír Turner
Czech Republic / 2016 / 10 min.
section: Fascinations: Exprmntl.cz
Dialogue
A dialogue between audio and video reinterprets a scene from the movie The Stranger (1967, dir. Luchino Visconti), in which the condemned debates with a priest about the absurdity of life, death, and the non-existence of God. The debate is abstracted by the skewed image as seen through cut glass and the meanings of their words take on a certain timelessness.

Dialogue

Kryštof Strejc
Czech Republic / 2015 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
War memorial
The film essay brings the audience right into the heart of a historical battle re-enactment. The hundreds of soldiers fighting in historical costumes imitate organized violence; the film oscillates between a game, a theatre play, a Spartakiad and Land art. The multiplied projections evoke war turmoil, further enhanced by quotes from Karel Čapek’s anti-war drama The Mother.
personal program

War memorial

Martin Ježek
Czech Republic / 2019 / 35 min.
section: Fascinations: Exprmntl.cz
World Premiere
The Colonel’s Photograph
Excerpts from a television interview with Eugène Ionesco in an adaptation of his absurd story The Colonel’s Photograph, which is dominated by the motif of a swimming pool that conceals drowned bodies. The visual pun is a compilation of techniques: animation, video, 3D graphics, and text, which give the seemingly random scenes a sort of structure.

The Colonel’s Photograph

Martina Holá
Czech Republic / 2015 / 4 min.
section: Fascinations: Exprmntl.cz
Moréna Rex
The video and rap clip confronts contemporary feminism and capitalism. The sober environment of economic forecasts and cash flows is transformed into a psychedelic 3D animation depicting a witch session. The film culminates with the author’s rap that hyperbolically criticizes the power and role of money in today’s society.
personal program

Moréna Rex

Marie Lukáčová
Czech Republic / 2019 / 11 min.
section: Fascinations: Exprmntl.cz
World Premiere
Water Pure Azure
People’s limited view of the world often places the human perspective above the natural cycles. Visual details capture the egotism that often causes us to not see the essence of things, Together with an apt and uncompromising voiceover they call on us to become aware of the impact our actions have on our surroundings.

Water Pure Azure

Adéla Kudlová
Czech Republic, Finland / 2016 / 4 min.
section: Fascinations: Exprmntl.cz
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