24th Ji.hlava International Documentary Film Festival
A personal essay inspired by Kurt Vonnegut’s Player Piano (1952). Using machins learning on the level of deep reading, the film processes visual and audio records, distorting them, rearranging them, and subsequently submitting them to an algorithm created in part by artificial intelligence that reconstructs the sequences and arranges them in chronological order.
Franz (František) Milec (1993) is a student of FAMU’s Centre for Audovisual Studies. In 2014, the Ji.hlava IDFF showed his short experimental film I Couldn’t Help But Wonder (2014).
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|sound:||Sara Pinheiro, Luboš Rezler|