Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

25th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
We Can Do Better
play
We Can Do Better
We Can Do Better
We Can Do Better
We Can Do Better

We Can Do Better

director: Radim Procházka, Robin Kvapil
original title: Máme na víc
country: Czech Republic
year: 2018
running time: 74 min.

synopsis

As the personal advisor to presidential candidate Michal Horáček, documentary filmmaker Robin Kvapil recorded from behind the scenes of the campaign from autumn 2016. He filmed using anything he could get his hands on - camera, mobile phone, notebook computer. The film, co-directed by Radim Procházka, was an attempt to capture an authentic portrait of Horáček’s election campaign, presenting his team’s tactics, interactions with both supporters and opponents, with journalists, and with opposing candidates. With an awareness that they had most likely lost the election, but that there was still a long path ahead of them, Kvapil presented a reflection of their teamwork, commenting on their individual steps.

„Documentarist as a presidential campaign adviser.
‚Nothing‘ and ‚I don‘t know‘ can not win over lies and hatred. The truth scares.“ R. Kvapil

„Hustler, Trasher, Zjeman and Troll in the film about the backstage of democracy.“ R. Procházka

biography

Robin Kvapil (1982) studied theater directing at the Janáček Academy of Music and Performing Arts in Brno and documentary filmmaking at the Academy of Performing Arts in Prague. Ji.hlava has presented his films The Skull Man (2012) and his feature film debut Everything’s Gonna Be Fine in 2017. Radim Procházka (1975) studied documentary filmmaking at the Academy of Performing Arts in Prague and in addition to his own documentary film work, he produced Štěpán Altrechter, Vít Zapletal, and Tomasz Mielnik’s debut films.

more about film

director: Radim Procházka, Robin Kvapil
cast: Michal Horáček, Robin Kvapil, Miloš Zeman, Zdeněk Ondráček
producer: Radim Procházka, Robin Kvapil
script: Radim Procházka, Robin Kvapil
photography: Robin Kvapil, Petr Racek, Petr Salaba
editing: Dimitris Polyzos
music: Miroslav Toth, Vojtěch Procházka
sound: Marek Musil

other films in the section

Once Upon a Time in Poland
Director Karel Žalud, with directors Vít Klusák and Filip Remunda, visited Poland over the course of several years to better understand Poles and their relationship with God. In the film, Žalud turns to casual passers-by, nuns celebrating the anniversary of the baptism of Poland, a representative of the anti-Semitic Radio Maryja, and a priest accused of sexual harassment. While they are all clear on matters of faith, the filmmaker, who himself seeks spiritual support, is increasingly skeptical. Christianity in today’s Poland seems to offer answers, but only to questions agreed upon by the church and the conservative government.     “It’s like a road movie through the medieval Catholic landscape. In short, it is a documentary football match, with one team being the most atheistic nation in Europe, which we are, versus the Poles, who are the most Catholic.” V. Klusák
personal program

Once Upon a Time in Poland

Vít Klusák, Filip Remunda
Czech Republic, Poland, Slovakia / 2020 / 97 min.
section: Czech Joy
International Premiere
DK
This intimate portrait of uncompromising architect David Kopecký – who died of cancer – goes straight to the bone, mixing the extreme personality of a maximalist visionary with the no less intense vision of the director... Kopecký's wife. Archival footage, interviews with friends, and the unbridle energy of a person who lived in a world consisting of light and matter. "A large village shop was being auctioned off, and David was sick with the desire to acquire it... Me and the children's room would be in the meat section, while he would take up everything from the bread aisle to the dairy products."

DK

Barbora Kopecká
Czech Republic / 2013 / 75 min.
section: Czech Joy
noimage
FilmCOLLECTIVE was realized by the Rafani art group known for their diverse works including photography, video and public events. The film treatise has the structure of a city, following the direction from the periphery to the centre, which is perceived as the centre of power, hegemony and normativity. Each part of the city/film introduces a representative of Czech art or Czech thinking.

31 Endings/31 Beginnings

Rafani
Czech Republic / 2011 / 82 min.
section: Czech Joy
World Premiere
FC Roma
A chronicle of the FC Roma football club, whose members have to persuade the other - “gadjo” - teams in the third league to play against them, transforms into an excursion through the various types of everyday Czech xenophobia. The filmmakers’ inconspicuous, observational approach gives a voice to the charismatic coaches, who, with a healthy ironic worldview, comment on a society that gives them virtually no chance. The dialogue of the various protagonists is the most prominent feature of this stirring, yet hopeless sounding documentary. Racism proves to be absurd, often unintentionally comical, but often also chilling.“Hitler doesn’t belong on the playing field.”

FC Roma

Rozálie Kohoutová, Tomáš Bojar
Czech Republic / 2016 / 76 min.
section: Czech Joy
Illusion
In her original concept of a film as a computer game, the author presents her personal report from Budapest where she was spent a year as a student. The viewers take part in a game, going through several levels that put them into everyday situations related to the issues of the contemporary Hungarian society: they see the capital with the eyes of tourists, but they are mostly forced to use the subjective perspective of the Hungarians to think about the freedom of art, the right to education, medical care, and the questionable Hungarian political situation in general where the name of the Hungarian Prime Minister, Viktor Orban, is often heard again and again.“The most demanding part of this film was to fight my own paranoia and the standardized thinking constantly produced by my characters and the system I made the film about.” K. Turečková

Illusion

Kateřina Turečková
Czech Republic / 2018 / 52 min.
section: Czech Joy
World Premiere
Burning
An intimate portrait of a director who almost involuntarily devoted her life to film, and who was willing to sacrifice three marriages and motherhood to the cult filmmaking. The film portrays Drahomíra Vihanová as a hard-headed shaman of images who shares her religion from its early days of being damned by the regime for Zabitá neděle (Squandered Sunday, 1969) to the public execution of Zpráva o putování studentů Petra a Jakuba (The Pilgrimage of Students Peter and Jacob, 2002). An existential essay that, in contradictions and paradoxes, fluctuates between documentary and acted film, between adoration, forgetting, and cats.

Burning

Miroslav Janek
Czech Republic / 2012 / 57 min.
section: Czech Joy
Czech Premiere
White on White
White on White is director Viera Čákanyová’s video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film FREM (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that’s free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.   „How can you think something fundamentally inhuman? I'm making a film about artificial intelligence, but it's getting harder, more absurd. The Antarctic landscape works like a drug. Am I walking in the white darkness, looking for a sense of relief? I am matter with consciousness, far from thermodynamic equilibrium. That’s is the only thing I can report on.“ V. ČákanyováQ&A with the director Viera Čákanyová:
personal program

White on White

Viera Čákanyová
Slovakia, Czech Republic / 2020 / 74 min.
section: Czech Joy
World Premiere
One Last Time in the Fields
A filmed explication and a discovered script, composed of melodies and images for a film that was once supposed to be made. In the beginning was Bohuslav Martinů’s cantata Kytice – or rather, its part titled “Man and Death”, a musical adaptation of Sušil’s collection of folk poetry. Inspired by it, writer and painter Ivan Matoušek created an eschatological still-life that then influenced his novel The Ego. This path is followed not just by the story of the film’s creation but by the film itself, a brief depiction of man on the road towards death, moving slowly amidst a waving field. Images become a parable of our own mortality. “You can only quote yourself in your own work.” P. Havlík

One Last Time in the Fields

Přemysl Havlík
Czech Republic / 2017 / 54 min.
section: Czech Joy
World Premiere
Enclosed World
This four-hour documentary – a compilation of Czech Television’s eponymous series – systematically charts life in prison and the associated societal circumstances. Through looking at human fates, on both sides of the bars, it explores imprisonment as something that, although often addressed in the media, is something with which most of us have no personal experience. Using the powerful stories of several individuals who are at different stages of their incarceration, the film presents not only a cross-sectional view of the current correctional system but also contemplations about guilt, punishment, justice, and whether an individual caught in the gears of a repressive system can actually remedy their behavior and change.“Enclosed world has undoubtedly been the longest, most demanding and most exhausting project I have worked on. I don’t know how many such things you can do in your life if you don’t slow down to survive. Maybe just one…” K. Žalud

Enclosed World

Karel Žalud
Czech Republic / 2018 / 229 min.
section: Czech Joy
World Premiere
Talking About Adultery
In open testimonies by husbands, wives, and lovers, this highly stylized introspective fi m presents different forms of marriage and searches for the meaning of this institution in our post-consumerist society. Through a visually dominant text conversation between the central couple R. and B., the viewer gradually begins to identify with the stories of anonymous heroes who balance fulfillment of love and sexuality in relationships, cope with their frustration, or describe the rediscovered value of marriage. Metaphors and collages reflect the filmmaker’s perspective, and ultimately a surprising twist of life connected to the filming. “Infidelity is actually a boring topic, yet it can be quite telling about one.” B. Jíchová Tyson

Talking About Adultery

Bára Jíchová Tyson
Czech Republic, United States / 2019 / 72 min.
section: Czech Joy
Czech Premiere
Czech Journal: Don’t Take My Life
One day, documentary filmmaker Andrea Culková learned that she faced attachment of assets because of a minor error that she learned about too late. She thus became one of the many people to find themselves caught in a debt trap. In her contribution to the Czech Journalseries, Culková delves into an examination of the phenomenon of debt, debt recovery, and debt payments in Czech society from a personal as well as investigative viewpoint. She interviews various actors in the field, from debtors to the Minister of Justice, attends conferences of debt collectors, and explores how the issue is addressed in other countries."You can’t just take my film from me!!!!"

Czech Journal: Don’t Take My Life

Andrea Culková
Czech Republic / 2016 / 63 min.
section: Czech Joy
World Premiere
I Want You If You Dare
Single mother Martina raised twin girls, one of whom was born blind and the other with polio, leaving her disabled. Both children are now adults, and disabled Jana would love to leave her mother and live on her own in institutional living. And she would also like to experience sex, perhaps with a paid assistant. The documentary offers a brutally unsentimental view into the life of an impoverished rural family with two permanently disabled members. It delicately captures both everyday and exceptional situations, focusing mainly on the personal, emotional and relationship problems between the protagonists.  „The harder the fates I make films about, the more I appreciate when my heroes can laugh at them. And when I can make the audience laugh well, I am happy.” D. Smržová

I Want You If You Dare

Dagmar Smržová
Czech Republic / 2019 / 84 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt