Marie

Sima is a 20-year-old student of history. Both her mother and her father – the latter a famous hippie and Soviet dissident known as “Jura the saboteur” – died when she was still a child. In this diary-like film, Sima, confronted with the people who knew her father, tries to find out who he was and what values he represented, and in this way to perhaps find her own place in life.

During the 1940s, Polish writer Andrzej Bobkowski headed from the south of France to occupied Paris, describing everything he saw in diaries in which his hundreds of kilometers of cycling were transformed into a deep reflection on wartime Europe. Decades later, Angelika and Filip retraced his route and filmed everything along the way. During the exploration of Bobkowski’s path through the landscape and in culture, a conflict arises on the interpretation of the author’s diaries, with the pair’s creative debate leading to a reflection on their own relationship. In this documentary video diary and from the literary work, a reflection on modern life, work, and love arises.“Relationship as eternal circle around eternally the same things. No matter how many times you discuss, you will never fully understand each other. But what holds you together?” A. Herta, F. Jacobson

Pigeons are sitting down on the roof of a dilapidated farmhouse; a truck is dumping old bread on a pile; cattle is running around among the cars at the scrapyard; goats are grazing in the vicinity of large shipping containers... The leitmotif of the documentary is the fact that unprocessed foods are used as fertilizers and feed material for livestock, and the film shows one of the forms of agriculture in the 21st century in a series silent prose scenes. The slow pace and cyclic variation of the same stylistic parameters evokes the poetics of decline and decomposition. “In the course of four seasons, I'verecorded a place where our overproduction ends up. A cemetery where leftovers devour the leftovers.  The never ending cycle of crestion and demise.” N. Krutilová

In this documentary, we are not going to discover anything about the eponymous musical genre but instead will meet a group of workers dismantling a high-rise building made of concrete and metal. The filmmakers observe and register their labour using ingenious, visually stunning images, sometimes joined into several composition plans.

This student-made documentary from the Kyrgyz Mountains region is a sensational viewing experience thanks to its interplay of form and content. Captured in the cinematographic style of a shaking image from a handheld camera, episodic moments such as milking goat milk and bathing in a healing spring in the middle of a pasture compose an authentic record of the life of local herdsmen, who must lead their herds to graze through the pasture despite the adversity of the elements working against them. In its clarity, the film's unkempt style, shot in the mountains above Lake Issyk-kul, allows it to reflect on nature and naturalism.   „In childhood,I helped my brother drive the horses from the village to the mountains after I had good memories,then when I studied directing at the documentary film courses i chose this topic after.“ E. Omurbekov       

A sensitive film portrait tells the life story of 93-year-old Rosemarie Aschenbach, revealing the world of her thoughts. After a number of life setbacks, she was able to free herself and is now writing her dissertation in philosophy. The ordinariness of life contrasts with the richness of her opinions on life and death.

Like other miners, Chyngyz works twenty four hours under difficult conditions of the confined space of a shaft where miners risk a lot all the time. Although they work in fear for their lives, they are grateful for the work in the mine because it allows them to feed their families. The observation camera moves from stylized pictorial compositions of a morning journey to the mine to long sequences following the movement of miners in the shaft and their routine work to show their fate in an intense and immediate composite image.“One of the heroes of this film reenacts the famous pose in film Titanic, he wants to be Jack. He sings as he asks for raindrops when the time of love comes.” E. Tashbaeva

A man who finds it difficult to stay in one place for too long. He has moved 16 times over the past seven years, and he is moving now. As he packs his things, he observes his neighbours through the window, filming them so that he won’t forget them. The film thus consists of footage of windows in which people are moving, with the voiceover of a hidden observer. 

On average, the population of Lithuania is twice as poor as it was ten years ago. A contemplative film comprises scenes of a girl harvesting and selling strawberries during five years of economic and political changes in Lithuania. The film is about the circle of life and the market, and the influence of national economics on human existence.

Katya and Matvei live together in the Belarusian countryside. Then something happens that causes them to reassess their relationship. In this directorial debut – a melancholic study of the dynamic between two lovers – the intense sense of tension between the two protagonists contrasts with the calm co-existence of two friends who have come to visit. 

The small Estonian village of Soonlepa is home to its last three residents – a witch, an artist, and a philologist. All their lives will change when Aino the witch is diagnosed with cancer. This melancholy film captures everyday life in an abandoned village with interviews full of memories of youth and discussions of art and poetry. 

Some consider television to be just a marginal entertainment, but for others it’s an essential part of everyday life. The film follows two friends - social actresses - who entertain themselves by participating in various TV shows. Their lives seem very empty, and they can only find happiness in the TV shows.