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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf
Blending and Blinding
Blending and Blinding

Blending and Blinding

director: Richard Tuohy
original title: Blending and Blinding
country: Australia
year: 2018
running time: 11 min.

synopsis

Strictly working with the film material inside the camera, Tuohy updates slowly forgotten approaches to create a collage of architectural geometries. The monolithic nature of the image blurs the outlines of the buildings as the film frame disintegrates into grids cutting through the layers of the image in multiple exposures. The buildings depicted represent the cultures of the three main ethnic groups of Malaysia.

"This film is dedicated to Paul Clipson and Robert Todd, both of whose works were specifically on my mind while filming this film in Malaysia in 2016." R. Tuohy

 

biography

Richard Tuohy (1969), the founder of Australia’s international festival of experimental films, can trace his sensitive experimental language back to his experience working with raw film material. Overview of his wide-ranging career reveals a love for 8mm and 16mm film. He is also the founder of a specialized film development company, Nanolab, and operates the Artist Film Workshop dedicated to the creation of experimental films.

more about film

director: Richard Tuohy
producer: Richard Tuohy
photography: Richard Tuohy

other films in the section

JEAN LUC NANCY
A miniature inspired by the leading contemporary French philosopher. The fragility of examining the possibilities of uniqueness and subordination in relation to something different. Objects here do not function as symbols; a crystal pendulum and anonymous figures highlight the multitude of loopholes and fundamental non-discursiveness of expressing delicate subjectivities. "The film is about the duality of one’s search for their own individuality versus the desire to belong." A. Zwirchmayr  
personal program

JEAN LUC NANCY

Antoinette Zwirchmayr
Austria / 2018 / 5 min.
section: Fascinations
World Premiere
Filipiniana
An ironic collage offers a reflection on lords and leaders, their gestures, attributes, characteristics, and deeds. The images, which oscillate between the credibility of archival footage and the artificiality of costume dramas on cardboard stage sets, become hyperboles of the typical attributes of power and engage in, are a radically rebellious play with punk expression. Khavn de la Cruz (1973) is a Philippine filmmaker, musician, and writer, a leading figure of the younger generation of Philippine cinema. He has helped produce 47 feature-length and 112 short films, and founded MOV, an international film, music, and literary festival in Quezon City. In addition to a number of feature-length films (Kamias: Memory of Forgetting, 1999, 2006 Jihlava IDFF; Manila in the Fangs of Darkness, 2008, 2008 Jihlava IDFF), a crosssection of his short films were presented at the 2006 Jihlava IDFF in the Translucent Beings section.“To reimage, rewrite, and reread my country’s bastard history, using dismembered icons and scenographies that both affirm and negate remembered mythology.”

Filipiniana

Khavn De La Cruz
Philippines / 2015 / 13 min.
section: Fascinations
European Premiere
Double 8
Christiana Perschon shot her meeting with the artist Linda Christanell, a representative of Austria’s feminist avant-garde of the 1970s, on double 8mm fi lm without cutting. When shown, the fi lm’s split image shows footage of the two women fi lming one another to create a dialogue on seeing and being seen. “Every interaction with an image searches for its own form.  Approaching someone with my camera is not a one-way encounter but an act of getting to know each other: I see you seeing me instead of looking at you.” C. Perschon

Double 8

Christiana Perschon
Austria / 2016 / 3 min.
section: Fascinations
International Premiere
8th October 2016
The title of the film is the date on which the editorial staff of the Hungary´s largest opposition newspaper, Népszabadság, was fred. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context. “Our film is a simple political statement. It was made in two days, right after the shut-down of Népszabadság.” B. Máté, P. Lichter

8th October 2016

Péter Lichter, Bori Máté
Hungary / 2016 / 2 min.
section: Fascinations
European Premiere
Boat People
As essayistic meditation on mass movements of people since the Second World War, including today’s mass flight from war, the possibility of death and environmental catastrophe. Images of the natural elements and scenes taken from the films of, among others, Humphrey Jennings or Derek Jarman explore the relationship between the representation of movements and ideas. “Notes from a country gripped by sudden political insularity: Boat People explores the meaning of welcome and the age-old possibilities of hospitality.” S. Wood

Boat People

Sarah Wood
United Kingdom / 2016 / 22 min.
section: Fascinations
East European Premiere
Afterimage
A frozen frame of a ten-lane boulevard lined by skyscrapers comes to life with past (or future?) movements, cars, advertisements, and people whose distinct as well as subtly visible traces struggle with the image’s punctum for an urgent actuality and the non-linearity of time, which moves forwards and back. Korean director Yi Myun (1973) studied musical composition. He lives in Seoul, where he works as a composer and video artist. The Jihlava IDFF previously showed his short film Field (2014), which explored themes of urban ecology. His films often combine traditional music-based soundtracks with melancholy views of urban landscapes that seem to live their own lives independent of human beings.“적 is the Korean title of this film and the sound of the word has diverse meaning in Chinese characters. It means: target, enemy, be right, build, trace, silence, advance, achievement, tread, watch, expose, angry, meet and fear.”

Afterimage

Myun Yi
South Korea / 2016 / 3 min.
section: Fascinations
World Premiere
Hypnodrome
The simple combination of movements by the camera and the observer creates a hypnotic ride in which, despite a voiceover emphasizing calm and relaxation, rotating objects and lights create an unsettling physical experience and dig the viewer´s imagination deep into grogginess of unsettled look. “Hypnodrome is motion-induced delirium. A cinematographic look through the ‘egocentric camera’ and an homage to cinema as a site of contemplation and trance.” R. Wilhelmer

Hypnodrome

Richard Wilhelmer
Austria / 2017 / 5 min.
section: Fascinations
East European Premiere
Dushanbe
Through the use of animation, the backlit photographs blend with the director’s aunt’s memories of the mountains, the local views, and the inside of the home from which she was forced into exile. The fragments of memory offer insight into life in the diaspora through architectural projects by which the aunt has recreated her native Tajikistan in her new home in Darmstadt.   "Film is grounded in found footage through the photographic, constructing an assemblage from fragments of exile. I focused on colour, texture, and materiality in both image and sound, resuturing diasporic time and space through the slowed-down gesture of animation." K. Friesen  
personal program

Dushanbe

Kandis Friesen
United States, Canada / 2018 / 5 min.
section: Fascinations
European Premiere
Elements 1,2,3
Tree, water, house. An exploration of particles of visual depiction and musical passages composed into impressions and unambiguities with the characteristics of movement, contrast and stylistic attributes that form the foundations in a study of the fragility and solidity of visual depiction. “Celluloid must go on!” T. Burlin

Elements 1,2,3

Tomaž Burlin
France / 2017 / 7 min.
section: Fascinations
East European Premiere
Extrastellar Evaluations III : Entropy : 25800
The melancholic atmosphere of wandering a landscape scarred by kitschy disco rainbows and colorful illustrations opens up the possibility of an extra-planetary consciousness sending a message in which references to the laws of thermodynamics and Mayan symbolism encounter critical interpretations of an expected confrontation between humanity and the cosmos.   "‘IT‘ knows." Yin-Ju Chen
personal program

Extrastellar Evaluations III : Entropy : 25800

Yin-Ju Chen
Taiwan / 2018 / 17 min.
section: Fascinations
Central European Premiere
Pancoran
Motorcycles and cars are lost in the sound of traffic and disappear in bands sliced into film footage of Jakarta’s roads. The horizontal and vertical lines or checkerboard patterns emphasizing the density and chaos of the crowded roads were made by optically printing 16mm film. “Jakarta’s bikes are gloriously arresting. Unified into a flow and yet jerky and autonomous, like a visual ‘gamelan’ of motion, a disparate yet concordant ensemble. I tried to get close to its inherent musicality.” R. Tuohy

Pancoran

Richard Tuohy
Australia / 2017 / 9 min.
section: Fascinations
European Premiere
In This Valley of Respite, My Last Breath...
Wandering on the edge of darkness, the camera records grainy objects and pulls hesitant signs of the searched-for refuge from the darkness. By carefully working with light, the filmmaker sketches a unique place bathed in silence and uncertainty, on the back of specific depictions of buildings and landscapes. “The theme explored in my work is that of ‘journeys’ – both physical and metaphysical; alluding to isolation of the individual and isolation of place.” SJ. Ramir

In This Valley of Respite, My Last Breath...

SJ. Ramir
New Zealand, Australia / 2017 / 5 min.
section: Fascinations
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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