Don’t Give Up: Hope for the Arhuaco

A documentary look at this current political issue presents unique scenes of life in the annexed territory where foreign journalists and television crews are not allowed. The film is a mosaic portrait of several men and women, whose everyday lives have been affected by the political crisis between Ukraine and Russia. Just as international pressure and sanctions have made the Crimean peninsula a de facto island, so too are the supporters and opponents of Russian annexation isolated (pen)insulas in search of their identity within the sea of a divided society. 

Being a civic activist, Ukrainian film director and screenwriter of Russian origins Oleg Sencov openly spoke up against the annexation of Crimea. Subsequently, he was arrested by the Russian Security Service and accused, among other crimes, of planning terrorist attacks. The evidence produced and the development of the trial made many doubt his guilt and caused a number of international protests. The current Russia and a chilling probe into the way how its legal system operates.

The Second Republic was relatively short-lived. But those few months were one of the most dramatic and important periods in our history. In 1938 in Munich, all the ideals and values on which Czechoslovakia had been built came crumbling down. Czech society ceased to believe in democracy and began to admire authoritarian fascist governments. At the same time, hundreds of thousands of refugees fled the occupied Sudetenland for what remained of the country, but nobody wanted to take them in. The media was subjected to censorship, and an aggressive strain of anti-Semitism appeared among the Czech population. And on top of it all, there were further territorial demands by Germany, Poland, and Hungary, and separatist tendencies in Slovakia.

A look at the lives of three photographers. Josef Koudelka, Antonín Kratochvíl, and the Moravian photographer Vojta Dukát all spent the majority of their lives outside Czechoslovakia. The film explores the differences in their work, which often shares similar themes, places, or encounters.

Fifty years ago, they lived through the invasion of Czechoslovakia; now they revisit moments captured on film. Věra Křesadlová and her young sons quickly left to be with her husband Miloš Forman in Paris. Petr Semerád witnesses soldiers shooting into crowds of people by the main radio station in Prague. Czech Television’s documentary series on the 50th anniversary of the 1968 invasion was inspired by the popular Israeli series Capturing the Moment, which has been adapted in eight different countries.

This documentary analyses the quality of infowar and the effects of disinformation in the Czech Republic. It tries to find out who is behind false reports that spread mainly through social networks and so called conspiracy webs. The film also tries to answer the question whether these false reports, stories and emotions are spread as part of Russian propaganda and whether those Czechs who are for various reasons unhappy with the direction their country chose after 1989 are in on the scheme.

The largest antelope in the world, the giant eland, lives in the Senegalese savannah and is on the verge of extinction. Its numbers hover somewhere around the last two hundred individuals. A team led by engineer Karolína Brandlová has managed something unprecedented: At the Bandia Reservation just a few kilometers from the country’s capital, they have succeeded – through careful breeding and with the help of Senegalese preservationists and the operators of a local safari – to turn a group of just six antelopes into a herd numbering several dozen animals. The second episode of a documentary series hosted by Dan Bárta about endangered animals throughout the world.

Documentary filmmaker Pavel Štingl engaged in a three-year dialogue with sculptor Jaroslav Róna as he worked on one of the world’s largest bronze sculptures. The film also offers a chance to get to know an exceptional artistic individual and a member of the Hard-Heads art group.

Sticking to the asphalt. Zipping through space. Everything in motion. Skateboard! In the gray atmosphere of 1970s and ’80s communist Czechoslovakia, it was something completely new and different. Love at first sight. A never-ending party. Adrenaline. Cult figures of the era’s skateboard scene tell their stories of broken bones, unbroken friendships, and wild rides towards freedom amidst communism.

A look at a forgotten chapter in modern Czech history. The “armed fist of the working class,” formed from various factory guard units on the instigation of the Czechoslovak Communist Party, began operating under the guidance of the Central Union Committee in May 1945. After the communist takeover in 1948, the People’s Militia was sent upon orders of the Communist Party to “defend” the borders or to act against students, farmers, the church, demonstrators protesting the currency reform. Their actions against anti-regime gatherings in 1969 resulted in several deaths. They also acted brutally during the demonstrations in Prague in 1988 and 1989.

They have spent nearly their entire childhood growing up in institutions. They have no home and no family, no idea where they will leave or how they will earn a living. Lukáš wants to be a famous hip-hopper, Simona is planning to get a sex-change operation, and Jarda would like to have a big family. This longitudinal documentary follows the lives of three young people as they leave the children’s home where they have been living, and try to go it alone.

At age 36, Jakub Hrůša was awarded the Sir Charles Mackerras Prize for his contribution to presenting the work of Leoš Janáček – just a few meters from the place in Brno where the great composer wrote the score to The Makropulos Affair. Exactly one month after receiving the award, Hrůša makes his debut with the Vienna State Opera for a new production of the opera. A documentary about one of the most difficult tasks in the young conductor’s career.