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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

puddles, I don’t know

director: Anna Petruželová
original title: nevím, kaluže
country: Czech Republic
year: 2018
running time: 10 min.

synopsis

Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 

biography

Anna Petruželová (1998), student at the Documentary Film Department, Film and TV School of the Academy of Performing Arts (FAMU) in Prague, discovers an abstract dimension of material reality in moving images of shapes, areas and surfaces.

more about film

director: Anna Petruželová
producer: Tomáš Šimon
photography: Anna Petruželová
editing: Anna Petruželová
music: Patrik Trska
sound: Anna Kolářová

other films in the section

Buffer Zone Blues
The almost hallucinogenic whirlwind of virtual views of potential targets of a nuclear attack in a “buffer zone” shows the viewer an unpleasant proximity of total destruction, which threatened Czechoslovakia in the 1950s. The visuality of the film, reminiscent of direction finding, was created using the data from Google Maps.
personal program

Buffer Zone Blues

Franz Milec
Czech Republic / 2018 / 9 min.
section: Fascinations: Exprmntl.cz
European Premiere
Solar Projection
Technology as a silent witness to the permanent movement of celestial bodies... The light installation visualizes the arrival and departure of daylight as contemplation and a dramatic process. By condensing one day into a few minutes, it thematizes the passage of time and the cyclicity of natural processes.
personal program

Solar Projection

Jakub Rajnoch
Czech Republic / 2018 / 15 min.
section: Fascinations: Exprmntl.cz
World Premiere
Below the Black Sun
Short postdigital meteorological film poem about black sun and its light, mostly composed of manipulated found footage materials combined with original music. The main storyline is derived from the remixed section of the 1967 film Above the Horizon by American meteorological company.
personal program

Below the Black Sun

Kilián Kuděla
Czech Republic / 2018 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
Dog Days
imperfect media image can make you give in to emotional illusions. The combination of animation and stable shots of the forest ground is accompanied by the author’s comment on the absurdity of the situation presented.
personal program

Dog Days

Martina Holá
Czech Republic / 2018 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Extraction
A metaphorical reflection on social exclusion using the participation method reveals the relationship between young Ukrainian Elizaveta and her mother, a dentist. A gritty analogy of an extracted tooth, social essentials, and spiritual purity play out on the screen as a conflict of alienating details and an intimate tableau of family life.
personal program

Extraction

Kateřina Hroníková
Slovakia / 2018 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Insection
The slow movement of various species of insect in an abstract, brightly lit setting creates suggestive allusions to incontrollable chaos, apathy, and the decay of social structures. The minimalist visual imagery is accompanied by ambient music that works with realistic sound and static. 
personal program

Insection

Michal Kindernay
Czech Republic / 2018 / 3 min.
section: Fascinations: Exprmntl.cz
World Premiere
This Kind of Spring Has Never Been Yet
This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.
personal program

This Kind of Spring Has Never Been Yet

Tereza Kozáková
Czech Republic / 2018 / 21 min.
section: Fascinations: Exprmntl.cz
World Premiere
How to Stop Watching a Video That Never Ends
A film essay based on the conflict between decorative shots from a bird’s eye perspective and three mechanical, linearly-connected monologues dissects the subconsciousness of an individual saturated with a multitude of differing choices, opinions, and possibilities in the numbers-driven age of digital media.
personal program

How to Stop Watching a Video That Never Ends

Jan Martinec
Taiwan, China, Czech Republic / 2018 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
The conglomerate eternity
An archaeologically significant site diffuses its memory through levels of the myths, rituals, and folk tales in an essayist discourse on the forms of historical continuity. Absence of contact sound and minimalist music emphasizing the visual motifs of both alive and inanimate tracks in the landscape.
personal program

The conglomerate eternity

Petr Pololáník
Czech Republic / 2018 / 14 min.
section: Fascinations: Exprmntl.cz
World Premiere
A state of mind: Free fall
Stairs leading from nowhere to nowhere, narrow shafts, bridges, ladders from which we fall in our dreams. A string of raster photographs depicting different places imitates a course of dreaming, making the subconscious look real. Frightfully unfamiliar images from the archives of collective memory sneak into the most inward corners of our existence.
personal program

A state of mind: Free fall

Andrea Sobotková
Czech Republic / 2018 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
Not Shown
Blinking icons, pop-up windows, a blaring alarm clock, and the blipping of unread messages are normal parts of our everyday lives. The creator turns her back on the endless stream of information and attempts to escape from the world of modern communication technologies for at least five minutes to devote some attention to herself.
personal program

Not Shown

Markéta Petříčková
Czech Republic / 2018 / 5 min.
section: Fascinations: Exprmntl.cz
World Premiere
Moss Ball
In a world where wildlife loses its place, there is a need to replace it. The allusion to a trailer advertising the soft green moss ball breaks down the distance between the sterile human habitat and the sea plant popularized as an organic element of any home.
personal program

Moss Ball

Anežka Horová
Czech Republic / 2018 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt
UPP
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