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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf
puddles, I don’t know
puddles, I don’t know
puddles, I don’t know
puddles, I don’t know

puddles, I don’t know

director: Anna Petruželová
original title: nevím, kaluže
country: Czech Republic
year: 2018
running time: 10 min.

synopsis

Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 

biography

Anna Petruželová (1998), student at the Documentary Film Department, Film and TV School of the Academy of Performing Arts (FAMU) in Prague, discovers an abstract dimension of material reality in moving images of shapes, areas and surfaces.

more about film

director: Anna Petruželová
producer: Tomáš Šimon
photography: Anna Petruželová
editing: Anna Petruželová
music: Patrik Trska
sound: Anna Kolářová

other films in the section

A state of mind: Free fall
Stairs leading from nowhere to nowhere, narrow shafts, bridges, ladders from which we fall in our dreams. A string of raster photographs depicting different places imitates a course of dreaming, making the subconscious look real. Frightfully unfamiliar images from the archives of collective memory sneak into the most inward corners of our existence.
personal program

A state of mind: Free fall

Andrea Sobotková
Czech Republic / 2018 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
Prologue Of Signum Supra
Signum Supra presents art as a shamanic ritual, as an aestheticized tool materializing principles that cannot be grasped by consciousness. Gripping structures that resemble rocks and landscape contours float in indeterminate space, serving as a springboard for contemplating the patterns of perception beyond the visible and the tangible.
personal program

Prologue Of Signum Supra

Kryštof Brůha
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
Wet Wedding
Behind the curtain of the film strip the concreteness of images appears and disappears again with varying levels of visuals shifts and deformations. The sounds of the film’s movement mix with voices that give the scenes context but nevertheless prevent a reconstruction of the fable. – The story dissolves, and during this layering we move further away from it ever being one.

Wet Wedding

Jan Daňhel, Jakub Halousek
Czech Republic / 2017 / 24 min.
section: Fascinations: Exprmntl.cz
Czech Premiere
This Kind of Spring Has Never Been Yet
This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.
personal program

This Kind of Spring Has Never Been Yet

Tereza Kozáková
Czech Republic / 2018 / 21 min.
section: Fascinations: Exprmntl.cz
World Premiere
Transformations /  Vapors / Melanosis
An essay focusing on the topic of the exploitation of natural resources has as its primary theme water, showing its forms and changes in the chain of industry. The deep soundtrack is as dark as dirty water leaking from a power plant and, together with images of industry, evokes a sense of ecological anxiety.

Transformations / Vapors / Melanosis

Michal Kindernay
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
Loathing...
A personal essay inspired by Kurt Vonnegut’s Player Piano (1952). Using machins learning on the level of deep reading, the film processes visual and audio records, distorting them, rearranging them, and subsequently submitting them to an algorithm created in part by artificial intelligence that reconstructs the sequences and arranges them in chronological order.

Loathing...

Franz Milec
Czech Republic, Germany / 2017 / 17 min.
section: Fascinations: Exprmntl.cz
World Premiere
Film as an Art Object. The Films of Stanislav Hora, 1980–2016
Fascinations: Exprmntl.cz - Out of competitionThe little-known Super 8mm films of Stanislav Hora (1959) from the 1980s are a little studied area of artistic film in our country. With his background in sculpture, Hora approaches film more as an artistic material – he uses it to animate the creation of sculptures, he draws on it, scratches and attacks its surface or uses it as a medium for art happenings. For Hora, film is a tool for expanding his artistic practice into other forms, a means for capturing visual processes or a kind of sculptural object. The Ji.hlava screenings are the premiere of newly digitized versions.Curator and author of the texts: Martin Blažíček (CAS FAMU)Digital reconstruction of the films: Lukáš Janičík, Emiliya VereshchaginaAudio mastering: Sara PinheiroThe films of Stanislav Hora were reconstructed at FAMU’s Centre for Audiovisual Studies thanks to the Academy of Performing Art’s institutional support for long-term conceptual development.Screening:BabraeCzechoslovakia, 1980, 6 min.Černý hadice / Black HoseCzechoslovakia, 1982, 3 min.Dobře posazená figura / Well-Positioned ModelCzechoslovakia, 1987, 3 min.Oko / EyeCzechoslovakia, 1987, 1 min.Pavouk / SpiderCzechoslovakia, 1987, 4 min.Kameny / StonesCzechoslovakia, 1987, 4 min.Fragment II – West BerlinCzechoslovakia, 1989, 6 min.FILCzech Republic, 2016, 5 min.

Film as an Art Object. The Films of Stanislav Hora, 1980–2016

90 min.
section: Fascinations: Exprmntl.cz
Dare Nativitatis
This intimate essay presents the inner experiences of pregnant woman before and during childbirth. As she tries to come to terms with physical pain and as she mentally processes the situation, more complex questions arise as well. A documentary record mixed with questions and visions that reflect the mind and brain of a birthing woman.

Dare Nativitatis

Eliška Cílková
Czech Republic / 2017 / 14 min.
section: Fascinations: Exprmntl.cz
World Premiere
Life in Patterns
Domlátil’s short animated film shows the daily rhythms of life at a speed of twelve frames per second. He works with real objects that we use in our regular lives or that we pass by without noticing them. Working with the textures, patterns and symbols he finds on them, he creates a visual continuity.

Life in Patterns

Vojtěch Domlátil
Czech Republic / 2017 / 1 min.
section: Fascinations: Exprmntl.cz
Today
A portrait of sunlight, created on 35mm film negative using a camera obscura built by the filmmaker. The camera records a plant from morning to evening at several-minute intervals. The sequence of images compiled from these photographs create a cinematic sundial.

Today

Simona Donovalova
Slovakia / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
About Me
In this short film, animated natural objects express the artist’s inner world: an unending search for new ways to do projects, searching for hidden meanings, and overcoming the fear of experimentation. The film’s central motif is, however, synesthesia as experienced through the fusion of physical sensory perceptions.

About Me

Anastasia Serdyuk
Czech Republic / 2017 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
Can
This experimental film collage makes use of documentary, fiction and animated film techniques. The fading traces of childhood are mixed with the folk culture of the Haná region, all of it shot on 16mm film. The filmmaker thus preserves her chosen motifs, which are slowly but irrevocably disappearing from the present day.

Can

Lucie Navrátilová
Czech Republic / 2017 / 14 min.
section: Fascinations: Exprmntl.cz
World Premiere
Ministerstvo kultury
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