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24th Ji.hlava International Documentary Film Festival

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About-hair
About-hair
About-hair
About-hair

About-hair

director: Josefina Lubojacki
original title: O-chlup
country: Czech Republic
year: 2019
running time: 17 min.

synopsis

Why do we have hairs, what is their purpose, what are they made of, and when did we stop loving them? The hybrid audiovisual essay with performative moments gives us various perspectives of the hair. Instructional video elements based on facts and macroscopic details are interspersed with staged and highly stylized scenes.

biography

Josefína Lubojacki (1986) graduated from FAMU in the fields of scriptwriting and dramaturgy and continues in her studies of documentary film making. Her works focus on gender equality, gender binarity and the beauty construct.

more about film

director: Josefina Lubojacki
producer: Lenka Medová
script: Josefina Lubojacki
photography: Tomáš Kotas
editing: Simona Donovalová
music: Kazety , Midi Lidi
sound: Martin Kuhn

other films in the section

Transformations /  Vapors / Melanosis
An essay focusing on the topic of the exploitation of natural resources has as its primary theme water, showing its forms and changes in the chain of industry. The deep soundtrack is as dark as dirty water leaking from a power plant and, together with images of industry, evokes a sense of ecological anxiety.

Transformations / Vapors / Melanosis

Michal Kindernay
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
Water Pure Azure
People’s limited view of the world often places the human perspective above the natural cycles. Visual details capture the egotism that often causes us to not see the essence of things, Together with an apt and uncompromising voiceover they call on us to become aware of the impact our actions have on our surroundings.

Water Pure Azure

Adéla Kudlová
Czech Republic, Finland / 2016 / 4 min.
section: Fascinations: Exprmntl.cz
noimage
Civilization at the Crossroads: The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties The screening is a precursor to the exhibition The Self-Awareness of Science: The Scientific-Technical Revolution and the Limits of Emancipation, which will open in December 2018 at Prague’s Display and FUTURA galleries. The exhibition will look at the activities in the 1960s of an interdisciplinary research team led by philosopher Radovan Richta that was expected to present a vision for “the new Czechoslovak model of socialism.” The advent of cybernetics and automatization was expected to help create a more humane socialist society in which people would be liberated from manual labor and from preexisting ideological authorities and predefined roles. The exhibition, which is being prepared by a team of historians, curators, and artists, tries to find the fine line between the liberating potential of science and technology and their use for maintaining and cementing technocratic power or authoritarian regimes. Its aim is to reconstruct the interdisciplinary dialogue of the 1960s, which has recently taken on new meaning, in particular in relation to the subjects of automatization, a society without work, or climate change.   The screening is part of the project “Shape the Future! The Concept of the Science-Technical Revolution,” organized as part of the program “Strategies AV21: Europe and the State: Between Barbarism and Civilization” (Czech Academy of Sciences, 2018)  

The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties

120 min.
section: Fascinations: Exprmntl.cz
Tradition
The town of Kyjov has two traditions: folk culture and methamphetamine. Dressing up in folk costumes is one of the things that the region of Moravian Slovakia is known for, but it is a façade funded from the municipal budget. Then there is the less idyllic reality of daily life, the status of men and women, and drinking at the 24-hour bar or in one’s basement. An exacting rhythmic film poem, shot and edited like its subject – traditionally, i.e., using analogue film.

Tradition

Kateřina Turečková
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
Broken Windows
This audiovisual collage places shots from Hitchcock’s Rear Window into paper set decoration, expanding the original movie’s ideas in a playful and provocative mode. As viewers, we must get through to the characters within a maze of colourful layers and alien objects that visualize the process of medialization and point out the framework limiting our view.
personal program

Broken Windows

Daniel Pitin
Czech Republic / 2018 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
The Silk Road Vertigo
Out of desire to prove the power of socialism, Marshal Tito had a railway line built across all of Yugoslavia. In the post-ideological 21st century, the counterpart example to his deed might be the modern-time Chinese megalomaniac Silk Road portfolio of projects. A video essay shot in Montenegro, Hong Kong, Kazakhstan and China brings out a perspective on the global vision of Chinese state-run capitalism.
personal program

The Silk Road Vertigo

Vilém Duha, Pavel Sterec
Czech Republic / 2019 / 11 min.
section: Fascinations: Exprmntl.cz
World Premiere
Solar Projection
Technology as a silent witness to the permanent movement of celestial bodies... The light installation visualizes the arrival and departure of daylight as contemplation and a dramatic process. By condensing one day into a few minutes, it thematizes the passage of time and the cyclicity of natural processes.

Solar Projection

Jakub Rajnoch
Czech Republic / 2018 / 15 min.
section: Fascinations: Exprmntl.cz
World Premiere
puddles, I don’t know
Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 

puddles, I don’t know

Anna Petruželová
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
Loathing...
A personal essay inspired by Kurt Vonnegut’s Player Piano (1952). Using machins learning on the level of deep reading, the film processes visual and audio records, distorting them, rearranging them, and subsequently submitting them to an algorithm created in part by artificial intelligence that reconstructs the sequences and arranges them in chronological order.

Loathing...

Franz Milec
Germany, Czech Republic / 2017 / 17 min.
section: Fascinations: Exprmntl.cz
World Premiere
Sequence
A melancholic metaphor depicts transportation links and the logistical construction of a futuristic view of a dark, sterile environment. Fluorescent machines and vehicles that serve man live their own lives until their last moment, when they fall into pieces of the material from which they were constructed.

Sequence

Jakub Korselt
Czech Republic / 2018 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
Traffic
A bustling scene somewhere between documentary, abstraction, and animation, based on a static view of the intersection of Adam Mickiewicz and Józef Piłsudski Streets in Warsaw, is transformed into an audiovisual jumble of noises, shapes, colors, and movement, among which we see pedestrians, cars, and public transport vehicles.

Traffic

Zbyšek Semelka
Poland, Czech Republic / 2017 / 52 sec.
section: Fascinations: Exprmntl.cz
World Premiere
Wet Wedding
Behind the curtain of the film strip the concreteness of images appears and disappears again with varying levels of visuals shifts and deformations. The sounds of the film’s movement mix with voices that give the scenes context but nevertheless prevent a reconstruction of the fable. – The story dissolves, and during this layering we move further away from it ever being one.

Wet Wedding

Jan Daňhel, Jakub Halousek
Czech Republic / 2017 / 24 min.
section: Fascinations: Exprmntl.cz
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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