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24th Ji.hlava International Documentary Film Festival

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Looking for Mr. Dice
Looking for Mr. Dice
Looking for Mr. Dice
Looking for Mr. Dice
Looking for Mr. Dice
Looking for Mr. Dice
Looking for Mr. Dice
Looking for Mr. Dice

Looking for Mr. Dice

director: Kaspars Roga
original title: Meklējot Mr. Kauliņu
country: Latvia
year: 2019
running time: 79 min.

synopsis

Many years ago, the film’s director and the man nicknamed Mr. Dice were best friends. In a whirlwind of parties, the famous musician and the influential banker were carried on a wave of the euphoria of wild capitalism after the collapse of the Soviet Union. The bank, however, led by Mr. Dice, went bankrupt and he disappeared without a trace with the money that his friends and clients had entrusted to him. Here begins the documentary search that leads us on an adventure from Latvia to the heat of Africa and far beyond the crime, guilt, and betrayal. It is also a search for the sense of deep friendship and the struggle with common sense and conventional moral categories.

"I hope the film makes the audience to think what it really means "a true friendship” when money gets involved, as well as shows an ordinary man’s struggle through the abstract glory of diamonds." K. Roga

biography

Kaspars Roga (1974) is the drummer and founding member of the popular Latvian band Prāta Vētra. He contributed significantly to the creation of audiovisual materials for musical groups, he filmed clips and concert recordings, and created a stage show. He is the author of the script for the short animated film Singing Hugo and His Incredible Adventures (2017), which premiered at the Berlinale.

more about film

director: Kaspars Roga
producer: Undine Buka, Sandijs Semjonovs
script: Kaspars Roga, Sandijs Semjonovs
editing: Audinga Kucinskaite
music: Aleksis Lurins, Kaspars Roga
sound: Anete Vanaga

other films in the section

Butterflies
Young Alexei is openly homosexual. Although his peers have no problem with his sexual orientation, his mother is unable to accept it. This documentary portrait follows Alexei during summer break, as he spends time with his new lover Grisha, whom he met at a Tarkovsky festival. The film takes an unusual observational approach in that the camera is often right up against people’s bodies and faces during impassioned discussions, arguments, or testimony. As a result, the spontaneous and eccentric manner in which Alexei breaks down gender stereotypes are brought to the fore. “Making a movie always goes hand in hand with fear and shame. This is because the film just now learned to dive into the man. Untill now it only described. During the work on the film Butterflies I always thought about it.” Dmitry Kubasov

Butterflies

Dmitry Kubasov
Russia / 2016 / 79 min.
section: Between the Seas
World Premiere
One Day in Selimpasha
One man and an apartment, about which we know nothing. This is the premise of a conceptual documentary based on the concept of providing a deliberately limited amount of information to the viewer. We look into the intimate space behind the closed front door, where the most ordinary activities are carried out: cooking lunch, preparing tea, eating lunch, starting a fire in the fireplace. In this residential monodrama, a second living actor is desperately lacking, one that would bring to life the plot embodied in speech. It becomes a study of a person’s existence in their most personal space - a dwelling that can be just as much a preserve of peace and security as a golden cage of solitude."What are the feelings of a person who does nothing while everyone expects him to do something? What should he do? In general, is there any difference between the emotions of two humans? What does portrait mean? A human face or something else?" H. Baydarov

One Day in Selimpasha

Hilal Baydarov
Azerbaijan / 2018 / 64 min.
section: Between the Seas
World Premiere
Cinema Futures
A multi-genre collage consisting of variations on educational films, interviews with famous people (film theorist David Bordwell, director Christopher Nolan), and free-association poetry, Cinema Futures makes humorous use of a subversive and almost conspiratorial commentary. A meditation on the future of film in a world of digital platforms, this wild cinematic “ride” through a labyrinth of museums and archives to bring life classic cinematic and archival methods and contrast them with today’s ubiquitous virtuality. Does the death of celluloid also mean the death of film? Are we losing our audiovisual memory?"A few years before a digitally presented film was exclusive. I disliked it. Scratches, dust and the noise of the silver belong to my formative movie experiences. But nostalgia is not an option."

Cinema Futures

Michael Palm
Austria / 2016 / 125 min.
section: Between the Seas
East European Premiere
The Things
Nearly 10 years after the conflict in Georgia, Georgian inhabitants of the Russian-occupied territory are still living in temporary camps, waiting to return home. Their dwellings are cookie-cutter houses. They brought only the few items that they managed to grab from their homes when fleeing from the occupation army. Equally austere, almost as empty as their provisional housing, they live their lives at the mercy of waiting for what is to come. In this meditative documentary, real relics of their past lives, everyday things brought from their original homes, are the most tangible manifestations of the irreversibility of time as measured by losses. “We attempted to reflect about war experience from particular perspective, to meet persons rather than statistics, to observe rather than inquire, to contemplate about something we all share - the attachments.” Nino Gogua

The Things

Nino Gogua
Georgia / 2016 / 62 min.
section: Between the Seas
World Premiere
Among Houses and the Cosmos
In this sensual film essay, the director has assembled her experiences with rituals in various corners of the world, from Europe across Africa to Latin America. The close interaction of the camera with bodies moving in trances encourages active involvement in the frenzied moments in which people lose themselves in Dionysian intoxication. These moments serve the filmmaker to obliterate the distance between the individual and the collective, personal and foreign, internal and external. The film, however, attaches a political meaning to the rituals, or rather shows how uprooted cultures cope with their minority status through rituals, or even turn it to their favor. “I felt the urgency to work with video footage from years of different travels. During editing, I found myself thinking about the human necessity to impose meaningful patterns on life and being.” Koštana Banović

Among Houses and the Cosmos

Kostana Banović
Netherlands, Bosnia and Herzegovina, Portugal, Senegal, Brazil, Angola, Turkey, Gambia, Cuba, Serbia, Aruba, Netherlands Antilles / 2016 / 70 min.
section: Between the Seas
World Premiere
Empty Horses
Mihály Kertész (1886-1962) made more than 150 films, most of them as Michael Curtiz in the United States. He remains known thanks to one of them - the melodrama Casablanca (1942). Gábor Bódy (1946-1985), on the other hand, devoted his short life spent in Hungary creating experimental films, and his filmography is little known to the general public. In this untraditional documentary, we listen in on a conversation between these two directors as they discuss their experience with film work and its sense from somewhere beyond the imaginary cinematic afterlife. An associative collage of excerpts from classic Hollywood movies and the filmmakers’ own avant-garde works evokes not only questions connected with the history and theory of film, but also opens the personal dramas and inner conflicts of their creators.  “Our aim was to imagine a fictional conversation between two film directors, both classical masters but from very different cinematic worlds, all brought to life with rich images of poetic associations.” P. Lichter 
personal program

Empty Horses

Péter Lichter
Hungary / 2019 / 67 min.
section: Between the Seas
International Premiere
The Dazzling Light of Sunset
On dilapidated theater stages, the secular rituals of contemporary Georgian society play out: weddings, fashion shows, beauty pageants, political elections. The static camera, which captures this emotionless choreography of ceremonies in wide-angle shots, contrasts with the dynamic pans of the small camera held by a television reporter whose energetic activities keep a local television station going. A series of carefully framed scenes from the events that Dariko chooses to present to her viewers is juxtaposed with images from inside the run-down television studio, which survives thanks to fees earned from reading obituaries.“It fascinated me how small stories from small towns were so much more important than the big politics. And I wondered what these small stories were.” Salomé Jashi

The Dazzling Light of Sunset

Salomé Jashi
Georgia, Germany / 2016 / 74 min.
section: Between the Seas
Central European Premiere
The End and the Means
Massage, doing the laundry, grazing water buffalo, snake charmers, street jugglers and dentists, music and dance lessons. Through his humble contemplation on various expressions of people’s devotion to their work, Paweł Wojtasik shows the web of human activities that each have their fixed place within India’s caste society. Work is not a path out of poverty or towards wealth, but a form of Hindu meditation on the roots of human activity and established working techniques and rituals. Man is a machine controlled by a higher power. This observational documentary, filmed primarily in India’s oldest city, Varanasi, focuses on the sacred Ganges River as a source of all human endeavours. „I wanted to investigate the Indian idea that work can lead to liberation rather than alienation. As a film worker myself, I learned from the people I filmed – to be present with the whole body and mind.“ P. Wojtasik

The End and the Means

Pawel Wojtasik
United States, India, France / 2018 / 99 min.
section: Between the Seas
World Premiere
A Hole in the Head
Everyone knows about the Roma holocaust, but no one talks about it. The process of eliminating memories of it began more or less at the end of the Second World War, when many mass graves in work and detention camps remained intact. Even for the winners, the Roma were “second class” victims. In a number of European countries (France, Czech Republic, Slovakia, Poland, Germany, Croatia, Serbia), the director confronts a forgetful present with memories of the last surviving witnesses of these horrific events. The result is a partially scripted and staged documentary - an elegy to the victims of a monstrous regime and human indifference. “I think that what helped the Roma and Sinti survive persecution is their non-material relationship with the world, with being, with time. This was my main starting point for the film. The memory they carry with them, and the memory we perceive – our collective consciousness.” Robert Kirchhoff  

A Hole in the Head

Robert Kirchhoff
Slovakia, Czech Republic / 2016 / 90 min.
section: Between the Seas
World Premiere
The Sun Sets in the East
The film depicts the year 1984/85 through the diary entries by the director’s grandfather, a Soviet peasant from Lithuania, which reflect contemporary values associated with faith in God, as well as details about daily routines and political change. Despite its historicizing base, the film is still relevant today. The formal side is made up of live images taken with static cameras that contemplate the depopulated state of the Lithuanian rural areas. The poetic documentary essay about the irreparable impact of man examines the transformation of society from rural to urban and forces the viewer to question the hectic lifestyles we lead today."The Sun Sets in the East is a sincere film that can be watched and felt by anyone, and we hope that everyone will be able to find a reflection of themselves or their family's past in it." A. Dovydaityte, A. Belinski

The Sun Sets in the East

Alexander Belinski, Agne Dovydaityte
Lithuania / 2018 / 83 min.
section: Between the Seas
World Premiere
Sea Tomorrow
This observational documentary examines the disappearance of the Aral Sea and attempts at its restoration. At the location where the majority of maps and atlases show a large, majestic body of water, Katerina Suvorova finds only a largish pond and an arid wasteland, filled with the rusting remnants of wrecks waiting for scrap metal collectors. Shots of the enigmatic landscape, consisting of endless expanses of sand and dust, are alternated with captivating details. Just as fascinating is the strong will and faith of the people who have stayed in this inhospitable environment, such as old gardener, fishermen, and a hydrobiologist. They hope that the sea will return, they are fighting to save it, and they all hope for a better tomorrow. “I see people of the Aral region as a collective image of the last survivors on Earth. Their stories prove that even when the last shuttle abandons our racked planet, there will be people who stay and prefer correction of errors of the past to uncertainty of the future.” Katerina Suvorova

Sea Tomorrow

Yekaterina Suvorova
Kazakhstan, Germany / 2015 / 88 min.
section: Between the Seas
East European Premiere
The Calling
Fathers Gabriel, Vicilentius, and Nazari, three monks of varying ages living at the Orthodox Pochayiv Lavra monastery in Ukraine, spend their time in isolation from the world. Nevertheless, they all came here after having lived a worldly life, and so they harbor memories of the turbulent recent history of their homeland. The film brings these memories to life against the backdrop of their daily routine within the monastery’s majestic architecture. The quiet, meditative observation of the monks’ rituals, work, and free time creates a sympathetic portrait of a place and its inhabitants, using snippets of life to offer a glimpse into their existence. “This film is shows a metamorphosis of a human individual who abandoned the worldly life and decided to follow God.” E. Praus
personal program

The Calling

Erik Praus
Slovakia / 2019 / 70 min.
section: Between the Seas
International Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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