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24th Ji.hlava International Documentary Film Festival

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Displacement
Displacement
Displacement
Displacement

Displacement

director: Guli Silberstein
original title: Displacement
country: United Kingdom
year: 2019
running time: 5 min.

synopsis

The image’s fragile cohesiveness, disturbed by digital disintegration and overlays to create a visually impressive composition, emphasizes the need to think about remediated messages on the subject of nationalism and militarism, for the filmmaker works with images of Palestinian fields being burnt by Jewish settlers and vows taken by Israeli soldiers at the Wailing Wall in Jerusalem.

“My work tracks patterns in nature, landscape and human form, perceived by camera and mind, struggling to comprehend the vast intensity of the living experience of the world through electronic media.“ G. Silberstein     

biography

Israeli artist Guli Silberstein (1969) lives and works in London. In his digital videos, he works with personal recordings and footage found in the media, which he “violates” using tools that distort the image. The result often feels out of focus and unsettling – a sense further underscored by the soundtrack. The Ji.hlava festival has shown numerous of his films since 2008.

more about film

director: Guli Silberstein
producer: Guli Silberstein

other films in the section

Exhumation
Desire without its object is like an image made unrecognizable by cutting out its parts; by scratching away part of the visible image, the image becomes a hole sliced into a pained body, fumbling about for what is missing, seeking physical contact and tangible proof of co-existence.  ""Exhumation" is my interpretation of the reports of Dali's death mask recently. I worked to physically peel back layers of representation to reveal disintegrated memories of figures that once were." D. McIntyre  

Exhumation

Daniel McIntyre
Canada / 2018 / 8 min.
section: Fascinations
Central European Premiere
utopia 360°
Points of light, volatile images of a computer screen and motherboard, faces hidden behind virtual reality goggles, voices chopped into fragments that bring Cuba's past, colonisation, and revolution to the fore… all these elements help paint a picture of the virtual reality game, Utopia 360. Two young Cuban gamers test out this VR experience where, through a series of flashes and snippets, the spectator becomes the architect who controls the overall course of the game.  
personal program

utopia 360°

Ampudia Violena
Cuba / 2020 / 6 min.
section: Fascinations
International Premiere
La Notte Salva
Tiny animals of different kinds were filmed by night and then magnified under semi-transparent spherical glasses. The activity of constantly moving organisms subjected to magnification results in unexpected images of unrest, changeability, migration and creativity in altering shapes. „La notte salva is a path of sensations that attempts to gather around its nature without revealing it, without opening itself to any human language.“ G. Boccassini

La Notte Salva

Giuseppe Boccassini
Germany, Italy / 2019 / 12 min.
section: Fascinations
World Premiere
Non-Places: Beyond the Infinite
This essayist collage visually develops French anthropologist Marc Augé’s concept of nonplace (ephemeral places characterized by anonymity or blurred identity) and turns images of highways and rest stops upside down, thus emphasizing the difficult-to-grasp images of these worlds “Marc Augé’s essay (Non-Places: Introduction to an Anthropology of Supermodernity) meets with Stanley Kubrick’s 2001: A Space Odyssey in some Hungarian highway rest areas.”

Non-Places: Beyond the Infinite

Péter Lichter
Hungary / 2016 / 6 min.
section: Fascinations
European Premiere
The Image that Spits, the Eye that Accumulates
The color of skin and of film become the center of discourse: The filmmaker’s mixed-race background is reflected in imprints of the landscape and ruptures within it, but also in the color of the faded Kodachrome film, whose typical visual characteristics have dissolved in time. Hues are barely visible and only with difficulty capture the image of a body that does not fall into any clear categories.  "Where does film fail or resist us? Working on celluloid I make images which affirm mixed race culture and the cultural in between." R. Storr  

The Image that Spits, the Eye that Accumulates

Rhea Storr
United Kingdom / 2018 / 11 min.
section: Fascinations
World Premiere
The Thread
An old seamstress’s recollections are woven into a dreamlike postcard in which the sea carries away a house, God takes in a child, and the burden of life shines through into a blindness in which the most sensitive organs are the hands that meticulously work the loom."The Thread that connects all, from energy to matter, from energy to idea, from idea to symbol, from light to story, from photon to silver halide, from silver grain to moving image, living image. It's a film about dream and reality, about life and dead. Connected through a wool thread." P. Bulgarelli

The Thread

Pietro Bulgarelli, Pablo Polanco
Chile, Costa Rica / 2017 / 5 min.
section: Fascinations
European Premiere
An Angry Crowd
The paths of a flock of gulls diving for thrown pieces of bread are inverted into traces of light transforming the idyllic image into captivating abstract composition that evokes frenetic expressions of apparent anger or chaos. The effect is further underscored by his work with the sound, in which the cries of the gulls are converted into nervous echoes. “I’m working on the image and the sound /// in order to give new realities to ordinary life /// and share my audiovisual vision of the world /// in experimental video artworks /// since 2010.” J.-M. Rolland     

An Angry Crowd

Jean-Michel Rolland
France / 2019 / 4 min.
section: Fascinations
European Premiere
Latency Contemplation 3
The disappearance of flowing textures of fluid and rocky landscapes alternates with patterns set in a grid of homogenous horizontals in a simple lyricism of hypnotic image and sound compositions and views of unexpected rhythms in flowing montages. "My ongoing questioning of the oscillations between my internal visions and the outer world comes with its own intrinsic intuition and metamorphoses my perceptions." S. Cho  

Latency Contemplation 3

Seoungho Cho
United States, South Korea / 2018 / 10 min.
section: Fascinations
East European Premiere
When You Awake
A scary yet funny tale about the journey to collective unconsciousness via experiments with hypnosis through a collage of found footage from instructional, documentary, and fictional films, layered with themes of personal experiences and frustrations, reflections on social stereotypes and desires, and images of wild or strange animate and inanimate nature. Jay Rosenblatt (1955), American independent filmmaker and trained psychotherapist, is the creator of over thirty films in which he examines the nature and limits of the human psyche and emotions. He has received over a hundred various awards for his work. In addition to teaching, he also organizes the San Francisco Jewish Film Festival. His films I Just Wanted To Be Somebody (2006), Four Questions for a Rabbi (2008), and I Used to Be a Filmmaker (2003) have been screened at the Jihlava IDFF.“When You Awake was a pleasure to create, and hopefully that will come across to the audience. It was a nice departure for me since it is more playful than many of my films.”

When You Awake

Jay Rosenblatt
United States / 2016 / 12 min.
section: Fascinations
Czech Premiere
The Pit
Contemporary and archival footage of the Berkeley Pit, an open pit copper mine in Montana – today filled with contaminated water – is chemically altered using poisonous substances from this water containing copper, arsenic, cadmium, zinc, and sulfuric acid in order to call attention to the destructive consequences of mining. “The film shows the destructive consequences of mine waste through a variety of photochemical processes using the same contaminants found in the water of the pit.“ J. Gerlach

The Pit

Jona Gerlach
United States / 2019 / 10 min.
section: Fascinations
European Premiere
Some Clouds Float Distant
A visual illustration of the process of remembering, when the mind associates the image of an object with similar images based on the person’s mental organization. These are more a reflection of his identity than an imprint of real things and events. “I’m interested in creating works that exist as experience themselves. I consider it necessary to implement the sensitive, the sensual, the experiential into the artwork: to appeal to an erotic of artwork.” G. E. Veloso

Some Clouds Float Distant

Gonzalo E. Veloso
Spain / 2017 / 6 min.
section: Fascinations
World Premiere
Song
This traditional film by a legend of experimental filmmaking offers a quiet testimony to autumn in San Francisco, as the rhythm and texture of the images create a melody. The ephemeral camera and meticulous editing give rise to introspective images with a focus on light and the fragile movement of visual fragments of intimately familiar surroundings. The images’ impact is further heightened by the use of Kodachrome, a colour film that Kodak produced from 1935 to 2009. Dorsky’s recent films are some of last ever to be made on this film stock.

Song

Nathaniel Dorsky
United States / 2013 / 18 min.
section: Fascinations
European Premiere
Ministerstvo kultury
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Creative Europe
Město Jihlava
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