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24th Ji.hlava International Documentary Film Festival

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abiding

director: Ugo Petronin
original title: abiding
country: Netherlands
year: 2019
running time: 5 min.

synopsis

A visual miniature made of a single image strip, evokes the process of wandering through the landscape through both captured images and through images made by motion of their individual parts, resourcefully putting in use optic features of film imprint in order to let the scenes disappear in the structure of the material by blurring and slurring their outlines.

“I build shutterless cameras to bypass sequential frame-by-frame recording and document reality using an uninterrupted flow of light. The world appears melted together in a single image shifting in time.” U. Petronin

biography

French visual artist and filmmaker Ugo Petronin (1985) lives and works in Rotterdam. Although he studied sociology and anthropology first, he ultimately graduated in film and visual art studies. In his current research, he focuses on issues of sequential character of in making a film, using the method of combining individual photographs into continuous motion.

more about film

director: Ugo Petronin
producer: Ugo Petronin

other films in the section

Extrastellar Evaluations III : Entropy : 25800
The melancholic atmosphere of wandering a landscape scarred by kitschy disco rainbows and colorful illustrations opens up the possibility of an extra-planetary consciousness sending a message in which references to the laws of thermodynamics and Mayan symbolism encounter critical interpretations of an expected confrontation between humanity and the cosmos.   "‘IT‘ knows." Yin-Ju Chen

Extrastellar Evaluations III : Entropy : 25800

Yin-Ju Chen
Taiwan / 2018 / 17 min.
section: Fascinations
Central European Premiere
#57
A visualization of the workings of the high-frequency oscillators once used to test military sonars and medical ultrasound devices is juxtaposed with abstract illustrations of a Chinese mathematician’s differential equations, and their visualization through analogue computer processes shows the subtle exactness of changing textures.  "Technology is a deforming mirror that shows us what humans think and do. For that reason I make my work in a dialogue with machines that I develop myself, trying to learn from what they tell us." J. Rekveld

#57

Joost Rekveld
Netherlands / 2018 / 14 min.
section: Fascinations
Central European Premiere
Some Clouds Float Distant
A visual illustration of the process of remembering, when the mind associates the image of an object with similar images based on the person’s mental organization. These are more a reflection of his identity than an imprint of real things and events. “I’m interested in creating works that exist as experience themselves. I consider it necessary to implement the sensitive, the sensual, the experiential into the artwork: to appeal to an erotic of artwork.” G. E. Veloso

Some Clouds Float Distant

Gonzalo E. Veloso
Spain / 2017 / 6 min.
section: Fascinations
World Premiere
Biblion
A visual study of the book as a medium and cultural artefact. Parallel images analyse books from the point of view of appearance and material with the film plunging into the depths of their microscopic fabric while, at the opposite end of the spectrum, the variety of their surfaces, textures, fonts and shapes blossoms into structured volumes ordered on a bookshelf. “Born from observing the phenomena of quietly vanishing old book stores, our work first became an exploration of the medium of the book itself, and then grew in to something more haunting.” E. Tammi, S. Ekström  
personal program

Biblion

Saara Ekström, Eero Tammi
Finland / 2019 / 13 min.
section: Fascinations
World Premiere
Dushanbe
Through the use of animation, the backlit photographs blend with the director’s aunt’s memories of the mountains, the local views, and the inside of the home from which she was forced into exile. The fragments of memory offer insight into life in the diaspora through architectural projects by which the aunt has recreated her native Tajikistan in her new home in Darmstadt.   "Film is grounded in found footage through the photographic, constructing an assemblage from fragments of exile. I focused on colour, texture, and materiality in both image and sound, resuturing diasporic time and space through the slowed-down gesture of animation." K. Friesen  

Dushanbe

Kandis Friesen
Canada, United States / 2018 / 5 min.
section: Fascinations
European Premiere
Wanderlust Iteration #1
64 trees in a valley are presented in 3D, becoming both the object and space for every eye – exteriorized on the basis of various principles. The filmmaker continues to explore various possible approaches to spatial representation of creates ingeniously thrilling wanderings among images. "Stereo3D films shall be done of such a kind that they make no - or another - sense than if they where only in mono2D. What we know from flat filmmaking is no help." B. Speidel  

Wanderlust Iteration #1

Björn Speidel
Germany / 2018 / 9 min.
section: Fascinations
World Premiere
8th October 2016
The title of the film is the date on which the editorial staff of the Hungary´s largest opposition newspaper, Népszabadság, was fred. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context. “Our film is a simple political statement. It was made in two days, right after the shut-down of Népszabadság.” B. Máté, P. Lichter

8th October 2016

Péter Lichter, Bori Máté
Hungary / 2016 / 2 min.
section: Fascinations
European Premiere
Engram of Returning
Fragmentary images reflect the ability of the neural network to preserve an imprint of what we see (even if as a mere flash) and provide a strong visual experience from specific found motifs that dissolve into their constituent parts, while encouraging moments of intense introspection and leaving room for our imagination, all of it presented as a provocative dialogue with immediate memory. Daïchi Saïto hails from Japan but studied literature, Hindi, and Sanskrit in the USA. He first started working with film in Montreal, where he co-founded the Double Negative art group. He is an author of many short films and video installations. Jihlava IDFF screened his rees of Syntax, Leaves of Axis (2009).“My films d on’t talk about so cial or political issues, but instead it is important for me to think about the mode of filmmaking as having so cial and political implications.”

Engram of Returning

Daïchi Saïto
Canada / 2015 / 18 min.
section: Fascinations
Czech Premiere
Fields in Mist
Patiently persistent mist conceals trees in the Eden River valley in northwestern England in a restless image draws the viewer’s attention to the visible image field, while its frame emphasizes the border of the unseen in the phenomenological stillness of the implied landscape. John Woodman (1948) focuses on experimental film and video art, about which he has even written a number of books (Structure of Chance, In Search of the Sacred, Sequences). One of the primary themes of his work is landscape and how it is differently perceived in relation to time, season, and light. His work has been presented at many international festivals.“Fields in Mist, filmed through heavy fo g, is an investigation of light, duration, revelation, visual appearance and disappearance. The scene is gradually revealed and then obscured by mist presenting a reflexive and contemplative viewing experience.”

Fields in Mist

John Woodman
United Kingdom / 2015 / 8 min.
section: Fascinations
European Premiere
Latency Contemplation 2
Natural textures and close-ups of various surfaces of soil, rocks and water are vertically sliced and rhythmically abstracted. Within the stream of images, this tour of the outer world becomes a way of experiencing the landscape and its transformations, in whose regularity we can find stability and inner peace. “Cho´s internal visions and perception of the outer world come together in an abstract meditation on space, place and sound. Natural landscapes are pushed to the edge of abstraction through layering and other forms of manipulation.”

Latency Contemplation 2

Seoungho Cho
United States, South Korea / 2017 / 8 min.
section: Fascinations
Czech Premiere
Twenty Nine Minutes at Sea
Other possibilities of the sea. Digital impressionism, expressed through a patient deconstruction of the image into moving colours, set to the subtle sound of a never-ceasing wind. The rocking motion, further emphasized by contemplating slowness, evokes a sense of the permanently changing waves. “It is a long and deep inner journey in our relationship with violence and memory. Digital moving images are made to maintain information stable. But we can break it. ” J. Perconte

Twenty Nine Minutes at Sea

Jacques Perconte
France / 2016 / 30 min.
section: Fascinations
World Premiere
African Film School
Found 8mm home movies from safaris in South Africa and Zimbabwe in the 1960s – i.e., during the apartheid era. The filmmaker finds inspiration in Peter Kubelka’s avant-garde work Unsere Afrikareise and uses montage and editing to critically refl ect on the colonial representation of the African landscape. “Having lived in South Africa for almost a decade, I wanted to find an abstract way to reflect on my journey as a filmmaker and highlight my concerns regarding the visual misrepresentations of Southern Africa.” R. Horn

African Film School

Roger Horn
South Africa / 2017 / 5 min.
section: Fascinations
International Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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