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24th Ji.hlava International Documentary Film Festival

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abiding

director: Ugo Petronin
original title: abiding
country: Netherlands
year: 2019
running time: 5 min.

synopsis

A visual miniature made of a single image strip, evokes the process of wandering through the landscape through both captured images and through images made by motion of their individual parts, resourcefully putting in use optic features of film imprint in order to let the scenes disappear in the structure of the material by blurring and slurring their outlines.

“I build shutterless cameras to bypass sequential frame-by-frame recording and document reality using an uninterrupted flow of light. The world appears melted together in a single image shifting in time.” U. Petronin

biography

French visual artist and filmmaker Ugo Petronin (1985) lives and works in Rotterdam. Although he studied sociology and anthropology first, he ultimately graduated in film and visual art studies. In his current research, he focuses on issues of sequential character of in making a film, using the method of combining individual photographs into continuous motion.

more about film

director: Ugo Petronin
producer: Ugo Petronin

other films in the section

Some Clouds Float Distant
A visual illustration of the process of remembering, when the mind associates the image of an object with similar images based on the person’s mental organization. These are more a reflection of his identity than an imprint of real things and events. “I’m interested in creating works that exist as experience themselves. I consider it necessary to implement the sensitive, the sensual, the experiential into the artwork: to appeal to an erotic of artwork.” G. E. Veloso

Some Clouds Float Distant

Gonzalo E. Veloso
Spain / 2017 / 6 min.
section: Fascinations
World Premiere
1/8
The film’s title refers to the sharpness of human vision when compared to that of a hawk. The deformations and blurriness of the image, dependent on the density of photoreceptors, hide concreteness. The allusion to the myth of Icarus addresses questions of distance and clarity, while the meticulous rhythm of the narrative develops the themes of point of view and falling from great heights.“This film focuses on the world that exists outside of stories. By destroying the main story of man, I wanted to discover all that has been erased from him or that is trapped outside of him.” R. Hayama

1/8

Rei Hayama
Japan / 2017 / 13 min.
section: Fascinations
World Premiere
Field of Infinity
Inspired by Italian Renaissance art, the filmmaker transforms news reports of protests in the Gaza Strip into a painting of people and the landscape, as if the boundaries of fields and meadows were a place for overcoming political limitations and the ability of an expansive viewpoint presented the ideal of inhabiting the visible.  "The struggle for liberation intertwines with nature rejuvenation, creating an array of reflections." G. Silberstein  

Field of Infinity

Guli Silberstein
United Kingdom / 2018 / 5 min.
section: Fascinations
European Premiere
Derrubada não!
Out of the forests of north-eastern Brazil, an essay on the relationships with nature, location and soil grows out, developing into musings on the configuration of space, proprietary demands and care about landscape. Against the background of biological diversity, which stands for a commentary from the perspective of history and culture, it introduces the issue of ownership of forests, conceivably by those who inhabit them. "Kaleidoscopic and impressionistic views from a site in the in Brasilian 's sertão in which anthe Atikum artist Edson Barrus has preserved a tree: the Imburana which is a specy in danger. " Y. Beauvais
personal program

Derrubada não!

Yann Beauvais
Brazil / 2019 / 23 min.
section: Fascinations
European Premiere
Fields in Mist
Patiently persistent mist conceals trees in the Eden River valley in northwestern England in a restless image draws the viewer’s attention to the visible image field, while its frame emphasizes the border of the unseen in the phenomenological stillness of the implied landscape. John Woodman (1948) focuses on experimental film and video art, about which he has even written a number of books (Structure of Chance, In Search of the Sacred, Sequences). One of the primary themes of his work is landscape and how it is differently perceived in relation to time, season, and light. His work has been presented at many international festivals.“Fields in Mist, filmed through heavy fo g, is an investigation of light, duration, revelation, visual appearance and disappearance. The scene is gradually revealed and then obscured by mist presenting a reflexive and contemplative viewing experience.”

Fields in Mist

John Woodman
United Kingdom / 2015 / 8 min.
section: Fascinations
European Premiere
not even nothing can be free of ghosts
Made without a camera, using algorithms programmed to respond to the rhythm of light, this film explores the topology of dark space and tests the senses through vibrating light compositions whose rhythm of appearing and disappearing leaves a trace in the viewers’ minds even after they have left the darkness of the cinema. Austrian-born visual artist Rainer Kohlberger (1982) lives and works in Berlin. He creates experimental films, installations, and videos using algorithms to generate animations that he accompanies with life performance. He is a recipient of the ZKM AppArtAward for artistic innovation. His works test the limits of the viewer’s senses and play with the imperfection and subjectivity of human perception.“In my film, created out of ‘nothing’ with the help of algorithms, a constant pulse unveils materiality in a condition between being and non-being, since matter is merely vacuum fluctuations.”

not even nothing can be free of ghosts

Rainer Kohlberger
Austria, Germany / 2016 / 11 min.
section: Fascinations
Czech Premiere
Cry Havoc
A mass of protestors in remediated scenes, a becomes an expression of the strength and passion of the crowd, while dynamic abstractions and visual shifts show changing interpretations of people´s expressions within a crowd and of their reasons and objectives for protesting, all in a lightning-fast onslaught of media images. “Cry Havoc is part of a long-term research project in which video works process images of violence and protest from TV and online news media, studying the complex nature and impact of these images, and looking for new aesthetic forms.” G. Silberstein

Cry Havoc

Guli Silberstein
United Kingdom / 2017 / 5 min.
section: Fascinations
World Premiere
Hypnodrome
The simple combination of movements by the camera and the observer creates a hypnotic ride in which, despite a voiceover emphasizing calm and relaxation, rotating objects and lights create an unsettling physical experience and dig the viewer´s imagination deep into grogginess of unsettled look. “Hypnodrome is motion-induced delirium. A cinematographic look through the ‘egocentric camera’ and an homage to cinema as a site of contemplation and trance.” R. Wilhelmer

Hypnodrome

Richard Wilhelmer
Austria / 2017 / 5 min.
section: Fascinations
East European Premiere
LATENCY/ CONTEMPLATION 5
Structures of lyrical scenes composed into shifting layers of geometric objects set out to work accompanied by noise minimalism, changeable perspective and close ups. Compositions made in this way, capturing trees, bushes, plants and rivers, recall the fluidity of landscapes and nature (or rather their concepts).  “Frames within a frame, this meticulous dual structure suggests psychological and visual provocations of linear aspects such as time and place, guiding the viewer to the moment of visual meditation.” S. Cho 
personal program

LATENCY/ CONTEMPLATION 5

Seoungho Cho
United States, South Korea / 2019 / 7 min.
section: Fascinations
European Premiere
The Escape Agents
A re-construction of the illegal smuggling of a family across the border from East to West Berlin in 1988. Told in photographs, the film shows a chilling story of escape in the trunk of a car and an encounter with agents of the East German secret police. The images’ unknown origin adds a sense of the universal and calls into question the course of events.  "While researching my first feature, I stumbled across these photos in the Stasi archives and decided to try to make a story around them. I was shocked when I found out the true identity of the people " S. Calonico  

The Escape Agents

Scott Calonico
United Kingdom, German Democratic Republic, Germany / 2018 / 5 min.
section: Fascinations
World Premiere
Obatala Film
An anthology of rituals, masks, skin paintings, and other decorations, captured from up close in Ile-Ife, the legendary holy city of the Yoruba, who live primarily in southwestern Nigeria but also in some parts of Latin America and who consider the god Obatala to be the creator of Earth and of human bodies.  "I understand my cinematic practice as an inquiry into modes of experience and as a gesture of channeling. One of them could be the state of devotion and possession by spiritual and cosmic forces. " S. Wiedemann  
personal program

Obatala Film

Sebastian Wiedemann
Nigeria, Brazil, Colombia / 2019 / 7 min.
section: Fascinations
International Premiere
Mayhem
Minor irregularities are transformed into an elemental disorder of growing, jumping, decaying and reappearing bubbles, only to become focused into a circle of changing colors. Using digital tools, the author depicts the simple process by which water boils and cools again. Japanese experimental filmmaker, producer, and computer artist Yoshiki Nishimura has shown several of his films at previous editions of the Jihlava IDFF. In Fascinating Moments (2014) he followed the choreography of snowflakes, An Observation (2013) is a composition of upside images of the sea, and Orbiting (2015) explored the changing light of the moon as it shines through a visually manipulated digital image.“By using different media, we have great possibilities of expanding our views of reality into various directions.”

Mayhem

Yoshiki Nishimura
Japan / 2016 / 10 min.
section: Fascinations
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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