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24th Ji.hlava International Documentary Film Festival

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The Makavejev Case or Trial in a Movie Theater
The Makavejev Case or Trial in a Movie Theater
The Makavejev Case or Trial in a Movie Theater
The Makavejev Case or Trial in a Movie Theater

The Makavejev Case or Trial in a Movie Theater

director: Goran Radovanovic
original title: Slučaj Makavejev ili proces u bioskopskoj sali
country: Serbia
year: 2019
running time: 73 min.

synopsis

In 1971, the film WR: Mysteries of the Organism, an outstanding example of the Yugoslav Black Wave, was enthusiastically received at the Cannes Film Festival. Back home, however, this radical and ironic exploration of sexuality and communism was banned by the Yugoslav regime, and director Dušan Makavejev subsequently emigrated. The ban was decided during the film’s premiere screening, which turned into an unofficial trial. The Makavejev Case plays a newly discovered audio record of the debate in its entirety, accompanied by images of the incredulous faces of people listening to the audiotape recording: actors from Makavejev’s film, random passers-by on the street, and monkeys in a cage.

„Makavejev - is my favorite Serbian director. WR: Mysteries of the Organism became a symbol of Makavejev’s heritage: a film language as a play game and an everlasting experiment in in directing." G. Radovanovic

biography

Former film critic Goran Radovanović (1957) has since the 1980s focused primarily on short- and medium-length documentaries, including Casting (2003), in which he called attention to the difficult economic situation of people in eastern Europe; Pileci izbori (2005), a look at life in the Serbian countryside; and his portrait of contemporary Cuba titled With Fidel Whatever Happens (2011). He also directed the fiction film Enclave (2015).

more about film

director: Goran Radovanovic
cast: Svetozar Cvetkovic, Milena Dravic
producer: Goran Radovanovic
script: Boris Trbic, Goran Radovanovic
photography: Dragan Djordjevic
editing: Maja Kokic
music: Ognjan Milosevic
sound: Ognjan Milosevic

other films in the section

The Betrayed Square
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The Betrayed Square

MML collective
Switzerland, Poland / 2018 / 45 min.
section: Between the Seas
World Premiere
No Place for Fools
The internet, madness, and old and new Russia - these are the touchpoints of this film standing at the fine line between performance and raw documentary. Sergei Astahov is a mentally disabled man who spends most of his time closed up in his Moscow flat, sending his messages out into the world in the form of videoblogs. For a single man, the camera becomes his sole partner and repetitive speaking a demonstration of life. In his missives, he confesses his homosexuality, his admiration for President Putin, and his belief in the Orthodox faith. Paradoxically, his mind is the meeting point for all the extremes of the Russian world, which has no place for the mentally ill.DETAIL:“I, Astahov, Sergiy, am a Russian’s Russian. I live in the capital, in the city of Moscow, in the capital of our country of Russia, Russ’ and the Russian Federation. I know all the laws and the laws of God.”

No Place for Fools

Oleg Mavromatti
Russia, United States, Bulgaria / 2014 / 87 min.
section: Between the Seas
Czech Premiere
Our Daily Water
Drinking water deliveries by boat to remote Croatian islands is a great opportunity to observe often humorous daily life. Especially when the ship’s captain has a tendency to make coarse comments, regaling his young nephew, the newest member of the crew, with his choleric outbursts. Our Daily Water is an observational film, but it gives inner energy and humor to its protagonists. The film’s creators successfully convey the atmosphere of lazy days along the hot Croatian coast and the explosive temperament of the locals."Through this Mediterranean comedy about a Captain and his crew I wanted to tell a story of invisible people who work honestly in order to prevent our country from becoming an "accidental state"." V. Vorkapić

Our Daily Water

Vlatka Vorkapic
Croatia / 2018 / 57 min.
section: Between the Seas
International Premiere
Victoria
The hypnotic wasteland of Southern California is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo Antonioni, and the deep transcendence of Werner Herzog. It speaks to us through fragments of dialogues from iconic films, and yet it remains elusive and dissolves into abstract shapes, rhythms, and compositions. The landscape as a captivating and intangible, all-encompassing and insubstantial yet full emptiness becomes the means for the transgressive experience of two temporalities – the “real” time of people and the time of natural processes.„How much further do we have to go? I don't know. Not much further. That's what you said this morning. I sometimes say it all day. Really? You say it all day? We don't have much longer. We'll be there soon.“ L. Marxt

Victoria

Lukas Marxt
Austria / 2018 / 63 min.
section: Between the Seas
International Premiere
Blind Cinema
An unusual group sets sail from St. Petersburg to Finland. The crew, which consists of vision-impaired people and people with normal eyesight, learns to work together in order to successfully complete their undertaking. The observational documentary shows the crew’s first contact with the boat, which is done by touch, and then follows their daily routine while at sea. The disinterested camera records a reality that overcomes our prejudices regarding the helplessness of blind people. The problem-free journey gives the sailors space for new sensations. Excerpts from the ship’s log show us aspects of the mission – i.e., the transformation of oneself that can change the world. „What do you see when you cannot see? How do you interact with a world with fewer visual elements to distract you? Blind Cinema explores the realm of sightless people who sail the sea and expand the boundaries of self.” G. Glyants

Blind Cinema

Grigory Glyants
Russia / 2017 / 50 min.
section: Between the Seas
International Premiere
Picturesque Epochs
The main focus of the new series A Private Hungary consists of 8mm footage from the private archives of the painter Mária Gánóczy (1927), whose rhythm is accentuated by the director’s syntactic additions. Gánóczy’s melancholic narration contrasts with the ideological rhetoric of the era’s news weeklies and police reports. The portraits of her family and friends and contemporary images from her canvas-filled studio, accompanied by the poetry of Dezső Tandori, are condensed into a sense of open possibilities for how to depict the past. At the same time, the fragile and unique nature of human experience appear especially vulnerable when we touch on eternity."A time travel through 200 years of Hungarian art & history through the eye and lenses of painters. This weaved art-and-film grand patchwork streams like the currents of the river of times, ripples and floats." P.  Forgács

Picturesque Epochs

Péter Forgács
Hungary / 2016 / 133 min.
section: Between the Seas
International Premiere
The Last Self-portrait
Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers."I’ve long felt that through documentary filmmaking I can’t say what I want to, what calls out to me. I’ve butted against internal and external boundaries that have paralyzed me as a documentarian. " M. Kuboš

The Last Self-portrait

Marek Kuboš
Slovakia / 2018 / 72 min.
section: Between the Seas
International Premiere
Trapped By Law
In 2010, thousands of Kosovo Roma were forcibly repatriated from the European Union to their original home. And this despite the fact that many had spent years living in the EU. They had grown up there, studied there, some had even been born there. This engaged documentary follows the story of brothers Kefaet and Selami, rappers from Essen who, from one day to the next, find themselves in Kosovo, cut off from the rest of the world and from their family in Germany. The director does not remain neutral in recording their many years spent trying to get out of a trap of absurd and unfriendly laws, and to return from their native homeland to their real one.DETAIL:“We also had hard situations, you know, where we were maybe thinking about this, you know, to get separated, go separate ways, but no – In the end it was always just differences here and there, that you have to compromise with.”

Trapped By Law

Sami Mustafa
Kosovo, Germany / 2015 / 90 min.
section: Between the Seas
World Premiere
The Circle
They wanted to create an environmentally friendly and socially sustainable community. Twelve adults and six children began to live beyond traditional social order. However, environmentally conscious behavior and embedded physical work do not result in satisfaction from the social aspect of the community ideal. The need to communicate becomes the theme of the film and it is constantly translated visually into shots of circular interviews that show that mastered interpersonal relationships are an indispensable condition for the sustainability of the community and any functional society. The inevitable implosion is preceded by an archetypal story of a love triangle and the struggle for power.“My motivation for making this film lay in the interest in human psychology, behaviour that surfaces in a closed group is a big revelation. In order to save the world, we really need to start within.” M. Lillak
personal program

The Circle

Margit Lillak
Estonia / 2019 / 93 min.
section: Between the Seas
World Premiere
Call Me Marianna
At the center of this film stands an attractive forty-year-old woman who has decided to fulfill a lifelong dream at the cost of great sacrifice - to be herself. She alienated her parents and lost loved ones when she underwent a long-desired sex change. The film attempts to explain to viewers and help them understand the difficult decision that Marianna had to face. While in the first, staged, part of the film the woman comes to terms with her own past through autobiographical theater performance, in the second, documentary part of the film, she is, however, confronted with unexpected twists and precarious situations that fate has set before her.DETAIL:“I’ll finally be able to look at myself in the mirror naked and not feel disgusted by my own body. – There are men and women. There’s male and female. The world doesn’t really allow any third options.”

Call Me Marianna

Karolina Bielawska
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section: Between the Seas
Czech Premiere
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The video diary of a young woman involved in a love affair captures the metamorphosis of life and love on the outskirts of the Austrian metropolis. We follow the movements of spirit and body, approaching parenthood and other internal and external changes through the viewfinder of an old camera and the accompanying commentary. Although the film works with only photos and sound, it is full of motion. It creates an intimate atmosphere in which we watch Nica and Ben go through the twists and turns that life brings, which look like the most common and natural life events.DETAIL:“Back then – before you. I had wanted it to stop. I wanted all of these indignities, putdowns, rejections, validity to intimacy, beneath this cloak of hot air called the modern ‘being’ – to stop.”

YOU (pl) and ME

Jasmin Hirtl
Austria / 2015 / 88 min.
section: Between the Seas
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Depth Two

Ognjen Glavonić
Serbia, France / 2016 / 80 min.
section: Between the Seas
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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