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24th Ji.hlava International Documentary Film Festival

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Tangled
Tangled
Tangled
Tangled

Tangled

director: Pille-Riin Jaik
original title: Tangled
country: Austria
year: 2017
running time: 6 min.

synopsis

Stitched-together photographs become a drama in which memories are tangled, pierced by holes, and deformed in order to hide the seams of a story of falling in love, being in love, and the end of love, and to inspire further stories in which a family picture reflects norms of behaviour and stereotypes associated with the experience of love.

“Relationships with loved ones are always complicated tangled threads. Fragile and solid, addictive and lonely, forming beautiful patterns and painful collisions. The film is an attempt to transmit that vortex into an apprehensible form.” P.-R. Jaik

biography

Pille-Riin Jaik (1991) was born in Estonia but lives and works in Austria, where she is currently studying the Academy of Fine Arts in Vienna. Her diverse range of work is focused around sculpture, installations and photography. She has also shot three short films that relate to her performance art and other artistic creation.

more about film

director: Pille-Riin Jaik
producer: Pille-Riin Jaik
photography: Pille-Riin Jaik

other films in the section

8th October 2016
The title of the film is the date on which the editorial staff of the Hungary´s largest opposition newspaper, Népszabadság, was fred. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context. “Our film is a simple political statement. It was made in two days, right after the shut-down of Népszabadság.” B. Máté, P. Lichter

8th October 2016

Péter Lichter, Bori Máté
Hungary / 2016 / 2 min.
section: Fascinations
European Premiere
Latency, Contemplation 1
A digitally distorted seascape brings out the horizon, which together with the rolling waves creates a visually hypnotic abstract composition of horizontal surfaces, moving in time to minimalist piano music and electronically manipulated ocean sounds, in a seemingly continuous observation of the shore. “Each line with its own intrinsic ‘intuition’ metamorphoses my perception, exploring how all these personal, inner experiences, both illusionary and tactile, shift and transform into a visual poem.”

Latency, Contemplation 1

Seoungho Cho
United States, South Korea / 2016 / 6 min.
section: Fascinations
Czech Premiere
Dushanbe
Through the use of animation, the backlit photographs blend with the director’s aunt’s memories of the mountains, the local views, and the inside of the home from which she was forced into exile. The fragments of memory offer insight into life in the diaspora through architectural projects by which the aunt has recreated her native Tajikistan in her new home in Darmstadt.   "Film is grounded in found footage through the photographic, constructing an assemblage from fragments of exile. I focused on colour, texture, and materiality in both image and sound, resuturing diasporic time and space through the slowed-down gesture of animation." K. Friesen  

Dushanbe

Kandis Friesen
Canada, United States / 2018 / 5 min.
section: Fascinations
European Premiere
Wax and Feathers
A sensitive, impressive collage of intimate reflections, detailed observations, fragments of memories, and visual and musical allusions conducts an imaginary dialogue about how memory works and identity construction with a father who died a year earlier."What is a film if not collective dreaming made by conscious minds. Symbolism and myths are present in both dreams and films and rely on our memory and imagination for relating to the produced imagery." M. Lizides   

Wax and Feathers

Marios Lizides
United Kingdom, Cyprus / 2018 / 15 min.
section: Fascinations
World Premiere
Dead End, rewind reversal
This inventive experiment with a stereo 3D image follows a train track ending at a ruined bridge and then back again through the forest. The focus is on the spatial perception of diverse depictions of the journey laid side by side, captured with a film camera and confusing the eye of the viewer with various overlays and inversions of time levels. “Stereo3D films shall be done such a kind that they make no – or another – sense if they where only in mono2D. What we know from flat filmmaking is no help. So filmmakers have to start from scratch again and spectators too.”

Dead End, rewind reversal

Björn Speidel
Germany / 2016 / 11 min.
section: Fascinations
World Premiere
Of her Kingdom
Memories of sounds, everyday artefacts, fragments of situations, visual traces of gestures along with fleeting expressions of inner movements bring about in a gentle way the blanks and losses in this diary essay on the paramount importance of space and behaviour, duration of (un)happiness and focus on the present moment as a means of defence against exhaustion. “A film about absence/bereavement; trying to remember "her" gestures and presence through scattered fragments of memories, reminiscences of sounds and a decaying silence.” V. Guilbert     
personal program

Of her Kingdom

Vincent Guilbert
Japan / 2019 / 10 min.
section: Fascinations
World Premiere
Nutrition Fugue
This ironic found-footage collage created from raw footage originally shot for the Közért (“For the Public”) retail chain, a state-run network of shops in Hungary during communism, shows the problems of eating and nutrition in state-run economies, lives and images. "35 mm reels of socialist food advertisements were put in the soil to rot and decay." P. Lichter  

Nutrition Fugue

Péter Lichter
Hungary / 2018 / 4 min.
section: Fascinations
World Premiere
Afterimage
A frozen frame of a ten-lane boulevard lined by skyscrapers comes to life with past (or future?) movements, cars, advertisements, and people whose distinct as well as subtly visible traces struggle with the image’s punctum for an urgent actuality and the non-linearity of time, which moves forwards and back. Korean director Yi Myun (1973) studied musical composition. He lives in Seoul, where he works as a composer and video artist. The Jihlava IDFF previously showed his short film Field (2014), which explored themes of urban ecology. His films often combine traditional music-based soundtracks with melancholy views of urban landscapes that seem to live their own lives independent of human beings.“적 is the Korean title of this film and the sound of the word has diverse meaning in Chinese characters. It means: target, enemy, be right, build, trace, silence, advance, achievement, tread, watch, expose, angry, meet and fear.”

Afterimage

Myun Yi
South Korea / 2016 / 3 min.
section: Fascinations
World Premiere
Portbou
An exploration of the place, plants, stones, and buildings in a village located in a rocky bay in northeastern Catalonia near the French border, where Walter Benjamin died and is buried. A tactile encounter with a place, made using a prototype haptic camera that records the objects its user touches from unexpected perspectives. Agata Mergler is a postgraduate student of the humanities at Canada’s University of York, where she is involved in developing apparatus that record what their users touch. Cristian Villavicencio Ruiz (1984) is from Ecuador and is studying at the University of the Basque Country in Leioa. His work explores the relationship between tangible and visible perception and how it changes during the digital transfer of stimuli using modern technologies.“In our collaborative work using DIY digital prototype ‘haptic cameras’ provides us with opportunity to question the hegemony of the visual and the role of touch in moving image production.”

Portbou

Agata Mergler, Cristian Villavicencio
Spain, Canada / 2016 / 4 min.
section: Fascinations
World Premiere
Heavy Eyes Remastered
Consistent manipulation of found footage showing people and faces in an urban landscape dissolved their movements into visual echoes. The melancholy remnants of the original film are subjected to the digital poetry of blurriness and the loss of meaning, gestures, and physical movements. “Producing a film includes the process of creating copies. Duplication is built into the medium itself. The change in to new form creates a different experience, though nothing has changed in the content.” S. A. Fruhauf

Heavy Eyes Remastered

Siegfried Alexander Fruhauf
Austria / 2017 / 9 min.
section: Fascinations
World Premiere
The Moons of Palaver
Images originally from the tests of spotlights are inserted into models where they evoke the phases of the Moon and in regular intervals combine to hint at a harmonic line of bright reflections. A fleeting arrangement of the traces of humans and machines forever trapped in the depths of the night.  "The Moons of Palaver had to be short, quiet, with soft light, gently mechanical, edited late in the night, a paradox and a mystery. It had to be a poem that I couldn’t possibly write." E. Gaucher  

The Moons of Palaver

Eric Gaucher
Canada / 2018 / 3 min.
section: Fascinations
European Premiere
Concrete Cinema
Working with the principle of concrete music, the filmmaker layers and meticulously overlays images into such a mightiness that it creates abstract compositions of memories, thus exploring how they progressively change thanks to the selective nature of memory and the possible resolution of the digital medium. The work of Japanese filmmaker and programmer Makino Takashi (1978) is influenced by London’s Brothers Quay, and is marked by an eclectic approach that makes use of video art and a diverse range of cinematic techniques. Takashi sees the image and musical soundtrack as equal components in his work. His film Generator (2012) won the Tiger Award at the Rotterdam International Film Festival.“The challenge was to start from the concrete, go to the abstract, and then use the abstract to create a concrete abstractness.”

Concrete Cinema

Makino Takashi
Japan, Netherlands / 2015 / 24 min.
section: Fascinations
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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