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24th Ji.hlava International Documentary Film Festival

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Proof of Memory
Proof of Memory
Proof of Memory
Proof of Memory

Proof of Memory

director: Yosuke Kawata
original title: Proof of Memory
country: Japan
year: 2017
running time: 10 min.

synopsis

Visual memories collected during the first year after the filmmaker’s graduation from university, altered using computer graphics to create disconnected particles of overlapping scenes showing various forms of depression from burnout, relationship crises, and a lack of physical and mental strength.

"Feelings that are impossible to be expressed by words can be shown through a camera or a computer." Y. Kawata

biography

Japanese experimental filmmaker Yosuke Kawata (1992) studied film and computer graphics at the prestigious Tohoku University. He has been making films since 2012, with a particular focus on the relationship between computer-generated images and reality. He has been searching for new forms of visual expression since his time at university. His films are always based on real images, especially of animals or nature, which are subsequently digitally manipulated.

more about film

director: Yosuke Kawata
producer: Yosuke Kawata
photography: Yosuke Kawata
editing: Yosuke Kawata
music: Yosuke Kawata

other films in the section

Disintegration 93-96
The personal insecurities and pent-up emotions of a Filipino immigrant to the USA give way to political ruminations and critical commentaries on the colonization of the mind by the American Dream. A montage of family movies from the title’s years presents an anatomy of family ties and a reliving of one’s own identity. “With every project I think I learn filmmaking from scratch, all over again in a new way, and I say ‘fuck that’ to whatever process I did before.” M. Reverza

Disintegration 93-96

Miko Revereza
United States, Philippines / 2017 / 5 min.
section: Fascinations
East European Premiere
Spectator
The filmmaker’s father walks wordlessly around his home. He sits in a chair, reading the newspaper. The image, veiled in dust that reflects the afternoon sun, shows only parts of the reader before eventually revealing the entire person, while the director is a silent observer of events. “Suzuki: In the beginner’s mind there are many possibilities, but in the expert’s there are few.” M. Hoolboom

Spectator

Mike Hoolboom
Canada / 2017 / 8 min.
section: Fascinations
East European Premiere
Distance
The filmmaker returns to a Hungarian village for her last visit to her grandmother. The blurring images emphasize the mental distance resulting from physical distance, but also the time that has passed since the childhood memories remembered in her quiet voiceover, which make up for the disappearing memories of the aging body. “The film grew out from a personal life situation when my grandmother got dementia at the age of 85. While she was losing her memories I tried to keep them even stronger than ever.” D. Zurbó

Distance

Dorottya Zurbo
Hungary / 2017 / 8 min.
section: Fascinations
Czech Premiere
Elements 1,2,3
Tree, water, house. An exploration of particles of visual depiction and musical passages composed into impressions and unambiguities with the characteristics of movement, contrast and stylistic attributes that form the foundations in a study of the fragility and solidity of visual depiction. “Celluloid must go on!” T. Burlin

Elements 1,2,3

Tomaž Burlin
France / 2017 / 7 min.
section: Fascinations
East European Premiere
Save (My heart from the world)
The movements of the ferry, creating additional disturbances in the waves of the Mediterranean Sea, enable the creation of colorful compositions, unexpectedly degraded algorithmic interventions of digital compression which in inventive surfaces and grids mask and repeatedly renew the authenticity of the record of the voyage, while the horizon becomes an escaping uncertainty. Jacques Perconte (1974) is a leading figure on the French avant garde film scene. He experiments with digital images, codecs, and compression algorithms that he himself creates. Thematically he focuses primarily on the relationships of contemporary culture and technologically advanced civilizations with nature. His work has been screened at past Jihlava IDFFs: L (2014), Les Moutiers (2012), and Ettrick (2015), among others.“The wind blew from the starting of the ferry. Offshore, the swell could make the travel difficult, but that boat would split the sea and project its Mediterranean blue in the golden sky and the fire light of the setting sun in the waves.”

Save (My heart from the world)

Jacques Perconte
France / 2016 / 10 min.
section: Fascinations
East European Premiere
Extrastellar Evaluations III : Entropy : 25800
The melancholic atmosphere of wandering a landscape scarred by kitschy disco rainbows and colorful illustrations opens up the possibility of an extra-planetary consciousness sending a message in which references to the laws of thermodynamics and Mayan symbolism encounter critical interpretations of an expected confrontation between humanity and the cosmos.   "‘IT‘ knows." Yin-Ju Chen

Extrastellar Evaluations III : Entropy : 25800

Yin-Ju Chen
Taiwan / 2018 / 17 min.
section: Fascinations
Central European Premiere
The Bed and the Street
Protests against austerity measures, read as an expression of resistance to the state, are intermingled with an expression of intimate consonance. A demonstration of connection, this essayistic collage blurs the boundaries between private and public as it reflects on the politics of co-existence. "What if the revolution started at home, in the micro-politics of hand to hand, of our kitchen life, our bedroom life? If we said no to the old models of family, could we bring together bed and street?" M. Hoolboom, H. Frise  

The Bed and the Street

Mike Hoolboom, Heather Frise
Canada / 2018 / 5 min.
section: Fascinations
World Premiere
Field of Infinity
Inspired by Italian Renaissance art, the filmmaker transforms news reports of protests in the Gaza Strip into a painting of people and the landscape, as if the boundaries of fields and meadows were a place for overcoming political limitations and the ability of an expansive viewpoint presented the ideal of inhabiting the visible.  "The struggle for liberation intertwines with nature rejuvenation, creating an array of reflections." G. Silberstein  

Field of Infinity

Guli Silberstein
United Kingdom / 2018 / 5 min.
section: Fascinations
European Premiere
abiding
A visual miniature made of a single image strip, evokes the process of wandering through the landscape through both captured images and through images made by motion of their individual parts, resourcefully putting in use optic features of film imprint in order to let the scenes disappear in the structure of the material by blurring and slurring their outlines. “I build shutterless cameras to bypass sequential frame-by-frame recording and document reality using an uninterrupted flow of light. The world appears melted together in a single image shifting in time.” U. Petronin
personal program

abiding

Ugo Petronin
Netherlands / 2019 / 5 min.
section: Fascinations
European Premiere
Hypnodrome
The simple combination of movements by the camera and the observer creates a hypnotic ride in which, despite a voiceover emphasizing calm and relaxation, rotating objects and lights create an unsettling physical experience and dig the viewer´s imagination deep into grogginess of unsettled look. “Hypnodrome is motion-induced delirium. A cinematographic look through the ‘egocentric camera’ and an homage to cinema as a site of contemplation and trance.” R. Wilhelmer

Hypnodrome

Richard Wilhelmer
Austria / 2017 / 5 min.
section: Fascinations
East European Premiere
Twenty Nine Minutes at Sea
Other possibilities of the sea. Digital impressionism, expressed through a patient deconstruction of the image into moving colours, set to the subtle sound of a never-ceasing wind. The rocking motion, further emphasized by contemplating slowness, evokes a sense of the permanently changing waves. “It is a long and deep inner journey in our relationship with violence and memory. Digital moving images are made to maintain information stable. But we can break it. ” J. Perconte

Twenty Nine Minutes at Sea

Jacques Perconte
France / 2016 / 30 min.
section: Fascinations
World Premiere
below
A surface rhythmised by reappearing image segments of a forest, gets projects during a walk, brought about also by the sound, into a space in which black-and-white and colour footage reveals monochromatic parts. These build up to create an effect of the third dimension, pulling our view into the depth and turning the ingenious schedule of the whole into a cognitive game using 3D representation."Below is not so much about borne suffering or the history of a memorial place. It tells more about the relation of depth-time and space-duration being interwoven in every moment of an image. " B. Spiegel
personal program

below

Björn Speidel
Germany / 2019 / 7 min.
section: Fascinations
World Premiere
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