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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

Dog Days

director: Martina Holá
original title: Psí dny
country: Czech Republic
year: 2018
running time: 7 min.
World Premiere

synopsis

imperfect media image can make you give in to emotional illusions. The combination of animation and stable shots of the forest ground is accompanied by the author’s comment on the absurdity of the situation presented.

biography

In the film, visual artist Martina Holá (1987) examines various concepts of motion and time. In the past editions of the Ji.hlava International Documentary Film Festival, she presented her films I Base My Existence on the Fact I Know You (2012) and La Photo du colonel (2015).

 

more about film

producer: Martina Holá
script: Martina Holá
photography: Martina Holá
editing: Jiří Havlíček
hudba: Ondřej Holý

other films in the section

Solar Projection
Technology as a silent witness to the permanent movement of celestial bodies... The light installation visualizes the arrival and departure of daylight as contemplation and a dramatic process. By condensing one day into a few minutes, it thematizes the passage of time and the cyclicity of natural processes.
personal program

Solar Projection

Jakub Rajnoch
Czech Republic / 2018 / 15 min.
section: Fascinations: Exprmntl.cz
World Premiere
Sequence
A melancholic metaphor depicts transportation links and the logistical construction of a futuristic view of a dark, sterile environment. Fluorescent machines and vehicles that serve man live their own lives until their last moment, when they fall into pieces of the material from which they were constructed.
personal program

Sequence

Jakub Korselt
Czech Republic / 2018 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
puddles, I don’t know
Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 
personal program

puddles, I don’t know

Anna Petruželová
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
Extraction
A metaphorical reflection on social exclusion using the participation method reveals the relationship between young Ukrainian Elizaveta and her mother, a dentist. A gritty analogy of an extracted tooth, social essentials, and spiritual purity play out on the screen as a conflict of alienating details and an intimate tableau of family life.
personal program

Extraction

Kateřina Hroníková
Slovakia / 2018 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Below the Black Sun
Short postdigital meteorological film poem about black sun and its light, mostly composed of manipulated found footage materials combined with original music. The main storyline is derived from the remixed section of the 1967 film Above the Horizon by American meteorological company.
personal program

Below the Black Sun

Kilián Kuděla
Czech Republic / 2018 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
This Kind of Spring Has Never Been Yet
This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.
personal program

This Kind of Spring Has Never Been Yet

Tereza Kozáková
Czech Republic / 2018 / 21 min.
section: Fascinations: Exprmntl.cz
World Premiere
The Weather of Time
A metaphorical weather forecast portrays human emotions and sentiments in confrontation with contemporary social debates. The lightly satirical tone of the tv moderator’s presentation accompanies a video collage featuring a central motif of the Earth in which Africa is shrouded by clouds of existential questions and a spiritual crisis front threatens Europe.
personal program

The Weather of Time

Adéla Součková
Czech Republic / 2018 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Prologue Of Signum Supra
Signum Supra presents art as a shamanic ritual, as an aestheticized tool materializing principles that cannot be grasped by consciousness. Gripping structures that resemble rocks and landscape contours float in indeterminate space, serving as a springboard for contemplating the patterns of perception beyond the visible and the tangible.
personal program

Prologue Of Signum Supra

Kryštof Brůha
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
How to Stop Watching a Video That Never Ends
A film essay based on the conflict between decorative shots from a bird’s eye perspective and three mechanical, linearly-connected monologues dissects the subconsciousness of an individual saturated with a multitude of differing choices, opinions, and possibilities in the numbers-driven age of digital media.
personal program

How to Stop Watching a Video That Never Ends

Jan Martinec
Taiwan, China, Czech Republic / 2018 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
A state of mind: Free fall
Stairs leading from nowhere to nowhere, narrow shafts, bridges, ladders from which we fall in our dreams. A string of raster photographs depicting different places imitates a course of dreaming, making the subconscious look real. Frightfully unfamiliar images from the archives of collective memory sneak into the most inward corners of our existence.
personal program

A state of mind: Free fall

Andrea Sobotková
Czech Republic / 2018 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
Moss Ball
In a world where wildlife loses its place, there is a need to replace it. The allusion to a trailer advertising the soft green moss ball breaks down the distance between the sterile human habitat and the sea plant popularized as an organic element of any home.
personal program

Moss Ball

Anežka Horová
Czech Republic / 2018 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
noimage
Civilization at the Crossroads: The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties The screening is a precursor to the exhibition The Self-Awareness of Science: The Scientific-Technical Revolution and the Limits of Emancipation, which will open in December 2018 at Prague’s Display and FUTURA galleries. The exhibition will look at the activities in the 1960s of an interdisciplinary research team led by philosopher Radovan Richta that was expected to present a vision for “the new Czechoslovak model of socialism.” The advent of cybernetics and automatization was expected to help create a more humane socialist society in which people would be liberated from manual labor and from preexisting ideological authorities and predefined roles. The exhibition, which is being prepared by a team of historians, curators, and artists, tries to find the fine line between the liberating potential of science and technology and their use for maintaining and cementing technocratic power or authoritarian regimes. Its aim is to reconstruct the interdisciplinary dialogue of the 1960s, which has recently taken on new meaning, in particular in relation to the subjects of automatization, a society without work, or climate change.   The screening is part of the project “Shape the Future! The Concept of the Science-Technical Revolution,” organized as part of the program “Strategies AV21: Europe and the State: Between Barbarism and Civilization” (Czech Academy of Sciences, 2018)  
personal program

The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties

120 min.
section: Fascinations: Exprmntl.cz
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt
UPP
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