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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
ONE-1-2
ONE-1-2

ONE-1-2

director: Thomas Mohr
original title: ONE-1-2
country: Netherlands
year: 2017
running time: 16 min.

synopsis

An algorithmic composition of 531,441 photographs taken over the course of three decades since 1985 place personal and societal events into various contexts to create a minimalist study of informational value, comprehensibility and memory of events.

“After all: what is the nature of these moments/events : 9/11, Hiroshima, Buchenwald, political/economic conditions, art, family, coffee, tea, being here/there. After 531,441 pictures 1985–2015 a sum.” T. Mohr

T. Mohr

biography

German-born Dutch filmmaker Thomas Mohr (1954) likes to invent new ways of generating images. Since 1985 he has put together a photographic archive of 300,000 images. For his films, he uses computer algorithms to arrange photographs into geometric compositions in order to explore the endurance of memories and the function of memory during the digital media age. The Ji.hlava IDFF previously showed his films Gedankenstrich(e) (2014) and Impact-9.2 (2016).

more about film

director: Thomas Mohr
producer: Thomas Mohr
music: Michael Bonaventure

other films in the section

Exhumation
Desire without its object is like an image made unrecognizable by cutting out its parts; by scratching away part of the visible image, the image becomes a hole sliced into a pained body, fumbling about for what is missing, seeking physical contact and tangible proof of co-existence.  ""Exhumation" is my interpretation of the reports of Dali's death mask recently. I worked to physically peel back layers of representation to reveal disintegrated memories of figures that once were." D. McIntyre  

Exhumation

Daniel McIntyre
Canada / 2018 / 8 min.
section: Fascinations
Central European Premiere
The End of Time
Delving for a brief moment into an everyday scene, we see various movements at various speeds and experience microstories representing the familiarity of the street. The classical technique of analytical slowing down different parts of the image at different speeds is used to capture an otherwise invisible phenomenon. “Sometimes in a flash you become aware of the fact that time does not matter.” M. Manchevski

The End of Time

Milcho Manchevski
Cuba, United States / 2017 / 5 min.
section: Fascinations
Czech Premiere
The Pioneer
A collage of early films by the first female director presents her meditations over the film image and dense storytelling, shows her feminist viewpoints, the ability to make a points and her attempt at moving cinematic expression forward. In this sensitively edited portrait, we also hear the voice of Alice Guy.The footage from Parisian Opera starts at the end. Alice Guy discusses meeting the Lumiére brothers, her enchantment with the cinematograph, and how she was allowed to make a film only if it wouldn’t interfere with her work as a typist for the Gaumont company.

The Pioneer

Daniela Abke
Germany / 2013 / 13 min.
section: Fascinations
East European Premiere
On the Border
The filmmaker takes hundreds of photographs of ocean trash that has washed up on the shores of Japan and uses the photogrammetry technique to turn them into sculptures. When filmed in the virtual space, they become mementos of environmental irresponsibility and examples of the excesses of our affluent way of everyday life. "Looking through the eyes of new technologies, we can have unexpected and incredible views of the reality." Y. Nishimura  

On the Border

Yoshiki Nishimura
Japan / 2018 / 7 min.
section: Fascinations
World Premiere
For Delia
Made on 35mm film without the use of a camera, this film is dedicated to British musician and composer of electronic and concrete music Delia Derbyshire. The filmmaker works with drawings of Derbyshire’s scores and visualizations of her sound and music inventions, accompanied by a musical collage of sound compositions for theater performances. British filmmaker Mary Stark’s artistic roots are in textile design, which she uses as inspiration for her films. Her audiovisual works experiment with the sounds of factories and recording and projection equipment. Besides making films, she also creates audiovisual installations in which she works with the human body, light, shadow, and the materiality of the filmstrip.“My approach is led by directly handling the filmstrip and considering film as a sculptural mass, exploring how it can be presented as a visible tactile material and placed centre stage.”

For Delia

Mary Stark
United Kingdom / 2016 / 17 min.
section: Fascinations
International Premiere
Song
This traditional film by a legend of experimental filmmaking offers a quiet testimony to autumn in San Francisco, as the rhythm and texture of the images create a melody. The ephemeral camera and meticulous editing give rise to introspective images with a focus on light and the fragile movement of visual fragments of intimately familiar surroundings. The images’ impact is further heightened by the use of Kodachrome, a colour film that Kodak produced from 1935 to 2009. Dorsky’s recent films are some of last ever to be made on this film stock.

Song

Nathaniel Dorsky
United States / 2013 / 18 min.
section: Fascinations
European Premiere
Domus
This portrait of architect Carlo Mollino looks at the vision of organizing space, buildings or sculptures. Contours and surfaces, as well as the absence present in crossed-out notes, crumpled sketches and the shapes and textures of material and scratched patters of houses, construct a rhythmic collage of expressions to the landscape. “By way of story, C. Mollino pledged himself to his craft and foreshadowed a brilliant lifetime of architecture. In telling this story, Domus configures its author’s own intentions, transposed from architecture and housed within cinema.” R. Vermette

Domus

Rhayne Vermette
Canada / 2017 / 15 min.
section: Fascinations
International Premiere
The Thread
An old seamstress’s recollections are woven into a dreamlike postcard in which the sea carries away a house, God takes in a child, and the burden of life shines through into a blindness in which the most sensitive organs are the hands that meticulously work the loom."The Thread that connects all, from energy to matter, from energy to idea, from idea to symbol, from light to story, from photon to silver halide, from silver grain to moving image, living image. It's a film about dream and reality, about life and dead. Connected through a wool thread." P. Bulgarelli

The Thread

Pietro Bulgarelli, Pablo Polanco
Chile, Costa Rica / 2017 / 5 min.
section: Fascinations
European Premiere
In This Valley of Respite, My Last Breath...
Wandering on the edge of darkness, the camera records grainy objects and pulls hesitant signs of the searched-for refuge from the darkness. By carefully working with light, the filmmaker sketches a unique place bathed in silence and uncertainty, on the back of specific depictions of buildings and landscapes. “The theme explored in my work is that of ‘journeys’ – both physical and metaphysical; alluding to isolation of the individual and isolation of place.” SJ. Ramir

In This Valley of Respite, My Last Breath...

SJ. Ramir
Australia, New Zealand / 2017 / 5 min.
section: Fascinations
World Premiere
3 Dreams of Horses
Raw film material consists in part of gelatin, which is made of the skin and bones of animals, including horses. The traces of light that shape our audiovisual dreams are thus imprinted on parts of animal bodies. Through the subtle use of audio, this found-footage collage focuses on images of the horse as an attraction, an animal of burden, and a mythological creature.  "In 1900 there were 130,000 working horses in Manhattan. Horses were a central part of our lives. Jeremy Bentham: "The question is not: can they reason? Nor, can they talk? But, can they suffer?" M. Hoolboom  

3 Dreams of Horses

Mike Hoolboom
Canada / 2018 / 6 min.
section: Fascinations
International Premiere
Man in Motion, 2012
Inspired by the analysis of movement in the studies of Eadweard Muybridge and Etienne-Jules Marey, the filmmakers depict the movement of a person going upstairs – except that they use a mirror effect to give the images a new sense of time existing outside of reality, and they replace an analysis of motion with a construction of infinite reproduction.The original chronophotography enabled the depiction of the individual stages of motion through a series of photographs. In the 1870s, such photographs were taken using a flash exposure of a thousandth of a second.

Man in Motion, 2012

Christophe M. Saber, Ruben Glauser, Max Idje
Switzerland / 2013 / 3 min.
section: Fascinations
European Premiere
Garden Exercises
A tour of botanical gardens in Bilbao, Toronto and Quito, filmed on a haptic camera as part of a project for developing a camera that will record the things its owner touches. The filmmakers explore the diversity of visual identities at a time dominated by the combination of sight and sound. “The video is a part of the collaborative ‘Haptic/Visual Identities’ project investigating ‘haptic visuality’ through film via a digital DIY prototype. The work presents ‘macro images’ of a garden in a former colonial paradise.” A. Mergler

Garden Exercises

Cristian Villavicencio, Agata Mergler
Ecuador / 2017 / 7 min.
section: Fascinations
World Premiere
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