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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Disintegration 93-96
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Disintegration 93-96
Disintegration 93-96
Disintegration 93-96
Disintegration 93-96

Disintegration 93-96

director: Miko Revereza
original title: Disintegration 93-96
country: United States, Philippines
year: 2017
running time: 5 min.

synopsis

The personal insecurities and pent-up emotions of a Filipino immigrant to the USA give way to political ruminations and critical commentaries on the colonization of the mind by the American Dream. A montage of family movies from the title’s years presents an anatomy of family ties and a reliving of one’s own identity.

“With every project I think I learn filmmaking from scratch, all over again in a new way, and I say ‘fuck that’ to whatever process I did before.” M. Reverza

biography

Director Miko Revereza (1988) was born in the Philippine capital Manila, but as lived and worked illegally in the USA since childhood. His almost lifelong difficulties and isolation resulting from his lack of documents find expression in his film work. Besides creating music videos and live video installations, he has also shot dozens of short films addressing the Americanization of Filipino immigrants. In 2014, the Ji.hlava IDFF showed his film Drug! (2013).

more about film

director: Miko Revereza
producer: Miko Revereza

other films in the section

Hypnodrome
The simple combination of movements by the camera and the observer creates a hypnotic ride in which, despite a voiceover emphasizing calm and relaxation, rotating objects and lights create an unsettling physical experience and dig the viewer´s imagination deep into grogginess of unsettled look. “Hypnodrome is motion-induced delirium. A cinematographic look through the ‘egocentric camera’ and an homage to cinema as a site of contemplation and trance.” R. Wilhelmer

Hypnodrome

Richard Wilhelmer
Austria / 2017 / 5 min.
section: Fascinations
East European Premiere
Latency Contemplation 2
Natural textures and close-ups of various surfaces of soil, rocks and water are vertically sliced and rhythmically abstracted. Within the stream of images, this tour of the outer world becomes a way of experiencing the landscape and its transformations, in whose regularity we can find stability and inner peace. “Cho´s internal visions and perception of the outer world come together in an abstract meditation on space, place and sound. Natural landscapes are pushed to the edge of abstraction through layering and other forms of manipulation.”

Latency Contemplation 2

Seoungho Cho
United States, South Korea / 2017 / 8 min.
section: Fascinations
Czech Premiere
THE WILDS
A philosophical portrait of situationalists Herbert Holl and Kza Han, who believe in revolution through art. They live on an island where they have written poems and translated the work of Alexander Kluge. Together they enter a landscape with gestures and artifacts as their considerations for symbols and individuality permeate though film sketches from their everyday life."We love Herbert and Kza’s way of thinking. So we tried to traslate that in little performance. Each day we came up with a strange idea. They were surprised, but always put confidence in us."
personal program

THE WILDS

Camille Tricaud, Felix Herrmann
Germany, France / 2019 / 11 min.
section: Fascinations
International Premiere
The Shifting Sands
Philosophical reflections on Israel blend into a personal struggle for identity: The filmmaker’s father came to the British Mandate of Palestine in 1946 as a Jewish refugee. The call for harmonic co-existence is imprinted in the falling grains from one image into another. Some of the scenes come from the documentary film Israel: Land of Destiny (1977, dir. Jacques Madvo).  "By constructing the film entirely with an optical printer, moving images and pictures are drawn to rhythm and meaning. The philosophical words of Martin Buber invokes the reflection upon the reality." M. Piller  

The Shifting Sands

Madi Piller
Canada / 2018 / 9 min.
section: Fascinations
European Premiere
ONE-1-2
An algorithmic composition of 531,441 photographs taken over the course of three decades since 1985 place personal and societal events into various contexts to create a minimalist study of informational value, comprehensibility and memory of events. “After all: what is the nature of these moments/events : 9/11, Hiroshima, Buchenwald, political/economic conditions, art, family, coffee, tea, being here/there. After 531,441 pictures 1985–2015 a sum.” T. Mohr T. Mohr

ONE-1-2

Thomas Mohr
Netherlands / 2017 / 16 min.
section: Fascinations
World Premiere
Beyond the Mirror Rim
A collage of reflections on various artificial and natural surfaces forms fleeting, concrete and variable abstract visual compositions, with a voiceover meditation on forms of perception related to the acquisition and deepening of knowledge, from Antiquity to today’s technical and social influences on how we perceive the world. German director, photographer, cinematographer, and university lecturer Thomas Kutschker (1963) experiments with sound, mixing recordings from social networks from around the world with excerpts from old films to explore human fear and the yearning for knowledge. The Jihlava IDFF previously showed his films Shadow Worlds (2008), Me, Myself and I in the Age of Download (2010), and Financial Locations (Global Mash Up) (2015).“Words, sounds and pictures seem to be independent, disconnected as the appearance of light, shadow and reflexion themselves... But they are woven into each other and connected following their own logical construction.”

Beyond the Mirror Rim

Thomas Kutschker
Germany / 2016 / 14 min.
section: Fascinations
World Premiere
The End of Time
Delving for a brief moment into an everyday scene, we see various movements at various speeds and experience microstories representing the familiarity of the street. The classical technique of analytical slowing down different parts of the image at different speeds is used to capture an otherwise invisible phenomenon. “Sometimes in a flash you become aware of the fact that time does not matter.” M. Manchevski

The End of Time

Milcho Manchevski
Cuba, United States / 2017 / 5 min.
section: Fascinations
Czech Premiere
Les Moutiers
Using the typical method of breaking the image down into digital elementary particles and their subsequently rearrangement, the filmmaker erases and recreates trees in the village of Les Moutiers in western France. The originally lush green and glowing yellow colours are transformed and set in motion until the viewer is unsure as to when the image is real and when it is a parasite that has attacked the digital imprint. The crowns of the trees are illuminated by the radiance of a cloudless sky. The leaves reflect the light, but after just a few seconds the image freezes and dissolves into a mesh of colour fields hinting at the falling leaves in the early autumn.

Les Moutiers

Jacques Perconte
France / 2012 / 18 min.
section: Fascinations
International Premiere
Wax and Feathers
A sensitive, impressive collage of intimate reflections, detailed observations, fragments of memories, and visual and musical allusions conducts an imaginary dialogue about how memory works and identity construction with a father who died a year earlier."What is a film if not collective dreaming made by conscious minds. Symbolism and myths are present in both dreams and films and rely on our memory and imagination for relating to the produced imagery." M. Lizides   

Wax and Feathers

Marios Lizides
United Kingdom, Cyprus / 2018 / 15 min.
section: Fascinations
World Premiere
Reconnaissance
The patient observation of a military building in California leads to the discovery of a quiet part of a dam and the underground tunnels and cement structures of a giant reservoir that was long used as a test site for torpedoes and other underwater army equipment. Imperceptible movements disturb the lethargy of the originally static image, divided into spatial planes whose subtle movements create a fictional environment in which the only thing that seems real is the viewer’s precarious foothold.

Reconnaissance

Johann Lurf
Austria / 2012 / 5 min.
section: Fascinations
Czech Premiere
Liquid Landscape
After spending two years studying and collecting images created using various wet development processes for 16mm film, Wang explores the visual forms of material fluidity in order to celebrate invisible micro- and macrostructures whose chimeras are laid bare in moving patterns.   "I am often inspired by the beauty of errors produced in analogue film production and use unwanted analogue visual noise and patterns, such as dust or watermarks to create imaginary cinematic landscapes." N. Wang

Liquid Landscape

Nan Wang
Netherlands / 2017 / 12 min.
section: Fascinations
Central European Premiere
Fields in Mist
Patiently persistent mist conceals trees in the Eden River valley in northwestern England in a restless image draws the viewer’s attention to the visible image field, while its frame emphasizes the border of the unseen in the phenomenological stillness of the implied landscape. John Woodman (1948) focuses on experimental film and video art, about which he has even written a number of books (Structure of Chance, In Search of the Sacred, Sequences). One of the primary themes of his work is landscape and how it is differently perceived in relation to time, season, and light. His work has been presented at many international festivals.“Fields in Mist, filmed through heavy fo g, is an investigation of light, duration, revelation, visual appearance and disappearance. The scene is gradually revealed and then obscured by mist presenting a reflexive and contemplative viewing experience.”

Fields in Mist

John Woodman
United Kingdom / 2015 / 8 min.
section: Fascinations
European Premiere
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