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24th Ji.hlava International Documentary Film Festival

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Skokan
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Skokan
Skokan
Skokan

Skokan

director: Petr Václav
original title: Skokan
country: Czech Republic, France
year: 2017
running time: 93 min.

synopsis

Director Petr Václav calls Skokan a documentary film with fairy-tale aspects, mainly because of its emphasis on authenticity in telling the fictional tale of a Romani recidivist in search of career opportunities at the Cannes film festival. The main character is played a by real ex-con, Julius Oračko, whom the filmmakers got out of prison on parole shortly before the start of filming. The film was shot with just a rough script, which was fine-tuned on the set. The scenes from Cannes were shot during the festival. The ending, which recalls the liberation of an enchanted princess, again feels like a fairy tale.

“We improvised most of the scenes during filming – we used the places we were able to get into and the light that was available. Above all, I tried to capture the experiences of the main character,” P. Václav

biography

Petr Václav (1967) is a leading post-1989 creator of social dramas (Marian, 1996; The Way Out, 2014). He created several documentaries while at FAMU’s department of documentary film, including his graduate film, the medium-length portrait of an aging baroness Paní Le Murie (1993). His first feature-length documentary was Confessions of the Vanished (2015, Ji.hlava IDFF 2015) about the composer Josef Mysliveček.

more about film

director: Petr Václav
cast: Julius Oračko, Zdeněk Godla, Klaudia Dudová
producer: Jan Macola, Tom Dercourt, Sophie Erbs, Kateřina Ondřejková
script: Petr Václav
photography: Štěpán Kučera, Priscila Guedes
editing: Florent Mangeot
sound: Michael Míček, Daniel Němec

other films in the section

Entrance to the End
A dark psycho-ethnographic journey of Maria von Hausswolff and Anne Gry F. Kristensen into the depths of the jungle of the human subconsciousness. The footage from the Panama rainforest was shot on 16mm and all sound was recorded on cassette tapes. The film is a subconscious reaction to Ruggero Deodato's Cannibal Holocaust, an ultraviolent Italian film from the 1970s, as well as to all romanticizing depictions of nature as a place of harmony which is in balance with both itself and its inhabitants. Balancing between imagination and reality, this work is on of the most uncompromising films at this year's festival."The film is a mysterious poem-like journey through an eerie jungle where the viewer get to meet all kinds of creatures and spirits, living and dead. It's shot on a 16mm bolex camera accompanied by sounds recorded on analogue tapes.“ M. Von Hausswolff, A. G. Friis Kristensen 

Entrance to the End

Anne Gry Friis Kristensen, Maria Von Hausswolff
Denmark, Sweden / 2018 / 33 min.
section: Opus Bonum
World Premiere
Yellowing
The Hong Kong protests of 2014 known as the “Umbrella Revolution” were an expression of some people’s dissatisfaction with the restrictive interventions in local affairs by the Chinese government. The protestors, primarily young people, rejected the limitations on local autonomy made by the communist government. In his first-person participant documentary, director Tze-woon Chan and his hand-held camera become a part of events in the island city. Over the course of 20 chapters (or “memos”), the film’s young protagonists express their feelings and views of the revolution whose cruel historical momentum rolled right over them.“Hearts might change before China’s assumed complete takeover. But I made Yellowing to document the Umbrella Movement, in the hope that our initial intent and belief might be remembered and be reminded of.”

Yellowing

Tze Woon Chan
Hong Kong SAR China / 2016 / 133 min.
section: Opus Bonum
European Premiere
llllllIIIIl
The film’s title can be seen as an anti-captcha, a text that is easily machine-read but difficult for people to understand. Working in the style of a documentary essay, the film considers the problem of the autocracy of machines. Apocalyptic visions inspired by the film The Terminator are projected onto the reality of destructive protests against the G20 Summit, whose catalyst, means and outcome are statistical analyses of behavioural models realized using the computers and telephones in our pockets. A collage of original images, commented graphs and internet garbage. For the full viewing experience, please have your smartphone ready. “This text can’t be longer than 200 characters. That’s 60 more than a tweet by Donald Trump.” P. Salaba

llllllIIIIl

Petr Salaba
Czech Republic / 2017 / 27 min.
section: Czech Joy
World Premiere
Talking About Adultery
In open testimonies by husbands, wives, and lovers, this highly stylized introspective fi m presents different forms of marriage and searches for the meaning of this institution in our post-consumerist society. Through a visually dominant text conversation between the central couple R. and B., the viewer gradually begins to identify with the stories of anonymous heroes who balance fulfillment of love and sexuality in relationships, cope with their frustration, or describe the rediscovered value of marriage. Metaphors and collages reflect the filmmaker’s perspective, and ultimately a surprising twist of life connected to the filming. “Infidelity is actually a boring topic, yet it can be quite telling about one.” B. Jíchová Tyson
personal program

Talking About Adultery

Bára Jíchová Tyson
Czech Republic, United States / 2019 / 72 min.
section: Czech Joy
Czech Premiere
Heidegger in Auschwitz
Czech Joy - Out of competitionThe German philosopher Martin Heidegger, one of the most important thinkers of the 20th century, goes on a tour of Auschwitz forty years after his death. He takes 2,500 photographs during his visit. On his way back, he visits Prague and his attention is caught by the tail end of a marathon, which conspicuously reminds him of a funeral. The following winter, his Jewish lover and another of the most important thinkers of the 20th century, Hannah Arendt, rises from the grave as well. With a 16mm camera in hand, she aimlessly wanders the area surrounding Heidegger’s chalet in Todtnauberg. She has visions of various motifs from the great philosopher’s central work, Being and Time. All is arranged in a strictly structural shape. Static in movement, kinetic in stillness. “Oh, Germany! People laugh when they hear the talk that comes from your house. But anyone who sees you reaches for a knife.” M. Ježek

Heidegger in Auschwitz

Martin Ježek
Czech Republic / 2016 / 50 min.
section: Czech Joy
Czech Premiere
Normal Autistic Film
Children with autism don’t suffer from an incurable disease. They suffer because they are neurodiverse in a world set up for neurotypicals. With that perspective, Miroslav Janek embarks on a series of live meetings with a number of children and young adults who have been diagnosed with Asperger’s syndrome. He gives them the opportunity to express freely their relationship with the world and with themselves, as well as what sets them apart from “normal”. We find that he’s brought us into the company of fun, fascinating people who often suffer because they are labelled as “disabled”. This excursion into the world of autism redefines the seemingly firm boundaries between “otherness” and normality.“Now let’s talk about Asperger syndrome. What Asperger’s knows how to do. The standard form of Asperger’s syndrome, the milder version, which is what I have, is able to find friends. But the more severe version can’t. He has no friends.”

Normal Autistic Film

Miroslav Janek
Czech Republic / 2016 / 90 min.
section: Czech Joy
Albâtre
Liquid landscapes, each one absorbed into the next, transform the screen into a painter’s canvas. The digital decomposition of images in live interaction with Carlos Grätzer’s music draw attention to the permeability between traditional and abstract painting as well as to the harmony between the fine arts, film, and music. Shots evoking Monet’s Impression, Sunrise, or Renoir’s secluded forest corners, break apart into a raster pattern and are transformed into a shapeless mass of colors that then grow into a new composition. While the impressionists depicted a static moment, Perconte captures a moment that is in constant motion."Albâtre reflects the desire I had to express the energy of this very special part of France where everywhere the wind carries the sea, where nothing is stable, and where I love so much to film: the coast of Upper Normandy between Le Havre and Dieppe." J. Perconte

Albâtre

Jacques Perconte
France / 2018 / 41 min.
section: Opus Bonum
World Premiere
Two Roads
The Jedlička Institute music class currently known as The Tap Tap band was founded 21 years ago by Šimon Ornest to give people with handicaps an opportunity to succeed outside of their daily institutional care. An observing and attentive camera captured the evolution of the personalities of several of the musicians over the course of several years. The attractive energy of the film which is exceptional in its approach to its theme as it avoids the usual compassionate sentiment stems from the relationships among the musicians and between them and their band leader, the motor of the action, whose work improves the public image of people with handicaps in an unorthodox way. “Even if it was hard for me at first, I was trying to make a film in a similar way that the band members are putting up with their destinies: with no sentiment, pointless pity or political correctness involved, yet with a touch of pitch black humour.” R. Síbrt
personal program

Two Roads

Radovan Síbrt
Czech Republic / 2019 / 80 min.
section: Czech Joy
World Premiere
Once More unto the Breach
Because of his Russian origins, Italian soldier Romano Isman is called to the front to act as a military interrogator and translator for the fascist bigwigs and the local population. Isman’s narrative mixes a detailed description of the horrors of war and historical testimony with a lyrical disillusioned contemplation on the insignifi cance of the individual in the midst of war. The filmmaker creates a contrast between historicized illustrative images accompanying the narration of the protagonist and images of modern Ukraine and Russia, which to this day are still dealing with the despair and frustration caused by the events of the twentieth century. “Il varco combines found footage of different origins. it's a fictional story populated by presences: ghosts wandering in the Ukrainian steppe, echoes of bloody pasts, and wars still being fought today.” M. Manzolini, F. Ferrone
personal program

Once More unto the Breach

Michele Manzolini, Federico Ferrone
Italy / 2019 / 70 min.
section: Opus Bonum
International Premiere
At home, walking
This poetic documentary about pilgrims is adapted to the rhythm of their walking. It serves as an act of liberation and knowledge, returning man as well as meditation to the present moment. During the annual pilgrimage through the Deccan Plateau, the differences between the sexes, different religions and castes become blurred. They are all aiming for the same goal. One of the many millions of pilgrims is the author herself, describing her impressions on a journey across the country and her journey in finding herself. Conceptualized as a personal diary, the film also calls for deceleration in an overly technological and fast-paced world.
personal program

At home, walking

Rajula Shah
India / 2019 / 114 min.
section: Opus Bonum
European Premiere
One Last Time in the Fields
A filmed explication and a discovered script, composed of melodies and images for a film that was once supposed to be made. In the beginning was Bohuslav Martinů’s cantata Kytice – or rather, its part titled “Man and Death”, a musical adaptation of Sušil’s collection of folk poetry. Inspired by it, writer and painter Ivan Matoušek created an eschatological still-life that then influenced his novel The Ego. This path is followed not just by the story of the film’s creation but by the film itself, a brief depiction of man on the road towards death, moving slowly amidst a waving field. Images become a parable of our own mortality. “You can only quote yourself in your own work.” P. Havlík

One Last Time in the Fields

Přemysl Havlík
Czech Republic / 2017 / 54 min.
section: Czech Joy
World Premiere
Talks with TGM
Another contribution to the specific subgenre of animated history by the scriptwriter Pavel Kosatík. On 26 September 1928, Karel Čapek and President Masaryk meet in the gardens of Topolčianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Čapek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively.“It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.” J. Červenka

Talks with TGM

Jakub Červenka
Czech Republic, Slovakia / 2018 / 80 min.
section: Opus Bonum, Czech Joy
World Premiere
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