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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf
Apart
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Apart

director: Diana Cam Van Nguyen
original title: Spolu sami
country: Czech Republic
year: 2018
running time: 10 min.

synopsis

In her short, emotional film about life after the loss of a loved one, the author enthrallingly deals with a difficult topic, using techniques of both feature and animated film. Real experiences of the narrators, accompanied by an animated reconstruction of the painful situation, create a mournful insight into the thoughts of three young people untimely exposed to death.

biography

Czech-Vietnamese illustrator and FAMU student Diana Cam Van Nguyen (1993) uses various techniques of animation to describe personal issues. She has already captured sensitivity and an individual perspective in her successful debut Malá (The Little One, 2017).

 

more about film

director: Diana Cam Van Nguyen
hrají: Barbora Vildová, Ondřej Gabaš, Petr Cuker
producer: Karolina Davidová, Alexandra Hroncová
script: Diana Cam Van Nguyen, Lukáš Janičík
photography: Kryštof Melka
editing: Lukáš Janičík
sound: Viera Marinová

other films in the section

Buffer Zone Blues
The almost hallucinogenic whirlwind of virtual views of potential targets of a nuclear attack in a “buffer zone” shows the viewer an unpleasant proximity of total destruction, which threatened Czechoslovakia in the 1950s. The visuality of the film, reminiscent of direction finding, was created using the data from Google Maps.
personal program

Buffer Zone Blues

Franz Milec
Czech Republic / 2018 / 9 min.
section: Fascinations: Exprmntl.cz
European Premiere
Anomaly
A metacommentary movie about a movie, in which the director and the cameraman are filming a report about the extinction of butterflies and ecosystem collapse, while in the editing room they polemise about ways to communicate clearly and comment on their dramaturgical decisions, as well as express frustration with the difficulty of reaching a modern audience with more complex communication.
personal program

Anomaly

Eva Lammelová
Czech Republic / 2018 / 22 min.
section: Fascinations: Exprmntl.cz
World Premiere
Not Shown
Blinking icons, pop-up windows, a blaring alarm clock, and the blipping of unread messages are normal parts of our everyday lives. The creator turns her back on the endless stream of information and attempts to escape from the world of modern communication technologies for at least five minutes to devote some attention to herself.
personal program

Not Shown

Markéta Petříčková
Czech Republic / 2018 / 5 min.
section: Fascinations: Exprmntl.cz
World Premiere
Storyline
An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Storyline

Alžběta Kovandová
Czech Republic / 2017 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
About Me
In this short film, animated natural objects express the artist’s inner world: an unending search for new ways to do projects, searching for hidden meanings, and overcoming the fear of experimentation. The film’s central motif is, however, synesthesia as experienced through the fusion of physical sensory perceptions.

About Me

Anastasia Serdyuk
Czech Republic / 2017 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
Solar Projection
Technology as a silent witness to the permanent movement of celestial bodies... The light installation visualizes the arrival and departure of daylight as contemplation and a dramatic process. By condensing one day into a few minutes, it thematizes the passage of time and the cyclicity of natural processes.
personal program

Solar Projection

Jakub Rajnoch
Czech Republic / 2018 / 15 min.
section: Fascinations: Exprmntl.cz
World Premiere
Extraction
A metaphorical reflection on social exclusion using the participation method reveals the relationship between young Ukrainian Elizaveta and her mother, a dentist. A gritty analogy of an extracted tooth, social essentials, and spiritual purity play out on the screen as a conflict of alienating details and an intimate tableau of family life.
personal program

Extraction

Kateřina Hroníková
Slovakia / 2018 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Moss Ball
In a world where wildlife loses its place, there is a need to replace it. The allusion to a trailer advertising the soft green moss ball breaks down the distance between the sterile human habitat and the sea plant popularized as an organic element of any home.
personal program

Moss Ball

Anežka Horová
Czech Republic / 2018 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
puddles, I don’t know
Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 
personal program

puddles, I don’t know

Anna Petruželová
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
noimage
Civilization at the Crossroads: The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties The screening is a precursor to the exhibition The Self-Awareness of Science: The Scientific-Technical Revolution and the Limits of Emancipation, which will open in December 2018 at Prague’s Display and FUTURA galleries. The exhibition will look at the activities in the 1960s of an interdisciplinary research team led by philosopher Radovan Richta that was expected to present a vision for “the new Czechoslovak model of socialism.” The advent of cybernetics and automatization was expected to help create a more humane socialist society in which people would be liberated from manual labor and from preexisting ideological authorities and predefined roles. The exhibition, which is being prepared by a team of historians, curators, and artists, tries to find the fine line between the liberating potential of science and technology and their use for maintaining and cementing technocratic power or authoritarian regimes. Its aim is to reconstruct the interdisciplinary dialogue of the 1960s, which has recently taken on new meaning, in particular in relation to the subjects of automatization, a society without work, or climate change.   The screening is part of the project “Shape the Future! The Concept of the Science-Technical Revolution,” organized as part of the program “Strategies AV21: Europe and the State: Between Barbarism and Civilization” (Czech Academy of Sciences, 2018)  
personal program

The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties

120 min.
section: Fascinations: Exprmntl.cz
Vilyž
By combining animated real objects, abstract illustrations, and computer graphics, a collage emerges of seemingly incompatible elements through which the filmmakers show the four basic elements – earth, air, water, and fire – and one place – they search for inspiration and passion in structures, shapes, surfaces, and materials of Švihov Castle.

Vilyž

Zbyšek Semelka, Tomáš Červený, Petr Kutek, Marie Píchová, Kristina Bártová, Klára Míčkočková
Czech Republic / 2016 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
How to Stop Watching a Video That Never Ends
A film essay based on the conflict between decorative shots from a bird’s eye perspective and three mechanical, linearly-connected monologues dissects the subconsciousness of an individual saturated with a multitude of differing choices, opinions, and possibilities in the numbers-driven age of digital media.
personal program

How to Stop Watching a Video That Never Ends

Jan Martinec
Taiwan, China, Czech Republic / 2018 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
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