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24th Ji.hlava International Documentary Film Festival

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Or / Or, Hawick, may 18
Or / Or, Hawick, may 18
Or / Or, Hawick, may 18
Or / Or, Hawick, may 18

Or / Or, Hawick, may 18

director: Jacques Perconte
original title: Or / Or, Hawick, may 18
country: France
year: 2018
running time: 9 min.

synopsis

In the middle of the Teviot River in Scotland, the filmmaker saw a color in the sky like in the paintings of Gustav Klimt. He translates his amazement at this moment into fluid patterns of a digitally decomposed scene, all the way to its radical ending when the variously colored grids flowing on the screen like a calm horizon again dissolve into Klimt’s golden color.

"Making films is opening my heart and letting the magical powers of life shine in my imagination to merge them in images. I try to thrill those who watch colour and time flow in my films." J. Perconte

 

biography

Jacques Perconte (1974) is a leading figure in the French experimental scene and a pioneer of internet art. He works with decomposition of digital images using compression algorithms and codecs; his work blurs the boundary between film and fine art. The Ji.hlava IDFF premiered his films Patrias (2017) and Twenty-Nine Minutes at Sea (2017). 

 

more about film

director: Jacques Perconte
producer: Jacques Perconte
photography: Jacques Perconte

other films in the section

Exhumation
Desire without its object is like an image made unrecognizable by cutting out its parts; by scratching away part of the visible image, the image becomes a hole sliced into a pained body, fumbling about for what is missing, seeking physical contact and tangible proof of co-existence.  ""Exhumation" is my interpretation of the reports of Dali's death mask recently. I worked to physically peel back layers of representation to reveal disintegrated memories of figures that once were." D. McIntyre  

Exhumation

Daniel McIntyre
Canada / 2018 / 8 min.
section: Fascinations
Central European Premiere
Pixel Jungle
This view of a city, its houses, the seashore, and orange groves – all of it transformed into colors and shapes – was created by digitally enlarging 35mm footage of Madrid in order to create abstract graphic patterns that were printed, like photograms, onto transparent strips and pasted directly onto 16mm film. Spanish filmmaker and photographer Klara Ravat (1986), lives and works in Berlin. Her films explore the interrelationship between memories and the present day, address the way in which archetypal patterns affect human behavior, and work with the concept of landscape as a painted canvas. Her installations (such as Connected Smells) explore the ability of smell to mediate hidden experiences and memories.“The grain of one image originates airy particles that impregnate our vision. The images become the smell of night at the coastal town...”

Pixel Jungle

Klara Ravat
Germany, Spain / 2015 / 3 min.
section: Fascinations
East European Premiere
Latency Contemplation 3
The disappearance of flowing textures of fluid and rocky landscapes alternates with patterns set in a grid of homogenous horizontals in a simple lyricism of hypnotic image and sound compositions and views of unexpected rhythms in flowing montages. "My ongoing questioning of the oscillations between my internal visions and the outer world comes with its own intrinsic intuition and metamorphoses my perceptions." S. Cho  

Latency Contemplation 3

Seoungho Cho
United States, South Korea / 2018 / 10 min.
section: Fascinations
East European Premiere
Matters Of Time
A matrix of experiences and reflections from the author’s journeys between Berlin and Hiroshima was constructed by gushing together systems containing from 4 (or 2 times 2) to 625 (25x25) artist’s Facebook statuses in 7 identically long intervals of time. A suggestive accumulation of images evokes oversaturation in which the meaning and uniqueness of individual moments get lost. "There is a tension between past en presence I like to explore. Contemplating the riddles of cause and effect, may be. No text, no word, experience. Nothing logical within a conceptual framework." T. Mohr     
personal program

Matters Of Time

Thomas Mohr
Netherlands / 2019 / 12 min.
section: Fascinations
World Premiere
Out of Autofocus
An image of the sea that comes close to the boundaries of abstraction, set against a backdrop of fishing nets mounted on stilts. Birds disrupt the peace of the salty air with their unpredictable trajectories of rapid flight during which the camera fights to find a focal point, so that within the limits of its automatic functions it creates an engagingly lyrical scene. In his films, Mikhail Basov (1977) explores the interaction of consumer goods and materials in the landscape and their metaphorical implications. His works have been presented at a number of international festivals and shows such as International Video Art Biennial VIDEOAKT in Barcelona, Experimental Film Festival Portland, and Festival Art Deco de Cinema in São Paulo.“A short story about the unrequited love of a videocamera for a bird.”

Out of Autofocus

Mikhail Basov
Russia / 2016 / 2 min.
section: Fascinations
European Premiere
The Trembling Giant
A view of the landscape of the American Southwest, where the largest organism on Earth grows – a 60,000-year-old colony of quaking aspens – was filmed with a digital camera through the take-up reel of a 16mm projector in order to emphasize the characteristic effect of projected film material which rhythmically warps the space in front of the projector. Patrick Tarrant (1969) is originally from Melbourne, Australia and teaches at London South Bank University. He is the author of meditative films, that draw on the atmosphere of cities and urban peripheries.“My repurposing of a 16mm film projector warps space in three dimensions in order that we might reflect on our journey from a people who feared the natural world to people who must now fear for the natural world.”

The Trembling Giant

Patrick Tarrant
United Kingdom / 2016 / 19 min.
section: Fascinations
East European Premiere
The Image that Spits, the Eye that Accumulates
The color of skin and of film become the center of discourse: The filmmaker’s mixed-race background is reflected in imprints of the landscape and ruptures within it, but also in the color of the faded Kodachrome film, whose typical visual characteristics have dissolved in time. Hues are barely visible and only with difficulty capture the image of a body that does not fall into any clear categories.  "Where does film fail or resist us? Working on celluloid I make images which affirm mixed race culture and the cultural in between." R. Storr  

The Image that Spits, the Eye that Accumulates

Rhea Storr
United Kingdom / 2018 / 11 min.
section: Fascinations
World Premiere
Dushanbe
Through the use of animation, the backlit photographs blend with the director’s aunt’s memories of the mountains, the local views, and the inside of the home from which she was forced into exile. The fragments of memory offer insight into life in the diaspora through architectural projects by which the aunt has recreated her native Tajikistan in her new home in Darmstadt.   "Film is grounded in found footage through the photographic, constructing an assemblage from fragments of exile. I focused on colour, texture, and materiality in both image and sound, resuturing diasporic time and space through the slowed-down gesture of animation." K. Friesen  

Dushanbe

Kandis Friesen
Canada, United States / 2018 / 5 min.
section: Fascinations
European Premiere
The Bed and the Street
Protests against austerity measures, read as an expression of resistance to the state, are intermingled with an expression of intimate consonance. A demonstration of connection, this essayistic collage blurs the boundaries between private and public as it reflects on the politics of co-existence. "What if the revolution started at home, in the micro-politics of hand to hand, of our kitchen life, our bedroom life? If we said no to the old models of family, could we bring together bed and street?" M. Hoolboom, H. Frise  

The Bed and the Street

Mike Hoolboom, Heather Frise
Canada / 2018 / 5 min.
section: Fascinations
World Premiere
The Will
A meditative evocation of the South Korean “Candlelight Revolution” in the winter of 2016/17. The hybrid mosaic, in which archival and contemporary footage is altered by visual manipulation and performative moments, shows artifacts, situations, and gestures reflecting the desire for political change.  "The sense of vulnerability facing the unimaginable change made it only possible to borrow the quotations from the past and the future." S. Kim, J. Cho  

The Will

Jenny Cho, Sungeun Kim
South Korea / 2018 / 20 min.
section: Fascinations
World Premiere
Action, Almost Unable to Think
A visually ingenious portrayal of a life story and inner world of a soldier killed in an explosion is told through hypnotically visualized allegoric scenes and objects during an imaginary encounter of views by a scientist searching for a relation to reality, a filmmaker reflecting on a role of time in art and a refugee stripped of the possibility to live in his hometown. “The film was originated from the real story that a solder was killed by bomb while greeting to a civilian. It tries to recapture that moment of contradictories and fragilities.” H. Mao     
personal program

Action, Almost Unable to Think

Haonan Mao
China / 2018 / 11 min.
section: Fascinations
World Premiere
LATENCY/ CONTEMPLATION 5
Structures of lyrical scenes composed into shifting layers of geometric objects set out to work accompanied by noise minimalism, changeable perspective and close ups. Compositions made in this way, capturing trees, bushes, plants and rivers, recall the fluidity of landscapes and nature (or rather their concepts).  “Frames within a frame, this meticulous dual structure suggests psychological and visual provocations of linear aspects such as time and place, guiding the viewer to the moment of visual meditation.” S. Cho 
personal program

LATENCY/ CONTEMPLATION 5

Seoungho Cho
United States, South Korea / 2019 / 7 min.
section: Fascinations
European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt