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24th Ji.hlava International Documentary Film Festival

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The Great Ocean (Debris) - Venice
The Great Ocean (Debris) - Venice
The Great Ocean (Debris) - Venice
The Great Ocean (Debris) - Venice

The Great Ocean (Debris) - Venice

director: Michael Geidel
original title: The Great Ocean (Debris) - Venice
country: Germany
year: 2018
running time: 25 min.

synopsis

A hybrid documentary about climate change and polluting plastics and their effects on the oceans.  The viewer follows the water cycle in Venice, where the sea level is rising. It’s not just an exploration or an enlightening experience - the consumer must change the environment for the better in this world. 

more about film

director: Michael Geidel
producer: Michael Geidel

other films in the section

August 68
Thee Czech Radio project allows us to see what the young man has seen, when hindering the passage of Soviet tank with his own body. As well we can try position of the soldier who controlled the tank. The experience is based on a real photo of this moment. It is always going through two participants at a time, and their roles will be exchanged.

August 68

Czech Republic / 2018 / 10 min.
section: Virtual Reality
Chasing Coral
Coral reefs are disappearing from the world at an unprecedented rate. An exploration of life under the surface of the ocean thanks to a team of scientists, cameramen, and divers is accompanied by the researchers’ narrative, documenting the heretofore unseen changes in the oceans, revealing their worlds and ways of life and extinction.

Chasing Coral

Jeff Orlowski
United States / 2017 / 6 min.
section: Virtual Reality
HanaHana
A metaphorical journey through the physical awareness of your own body and its environment. In a post-apocalyptic-looking world, anthropomorphic fragments and clusters of molecules move through the physical landscape in which structures can replicate, returning to the existential question of what of the "I" remains.    The installation was supported by the Swiss Arts Council Pro Helvetia.

HanaHana

Naëm Baron, Melodie Mousset
Switzerland / 2016
section: Virtual Reality
The Scream
Norwegian painter Edvard Munch created three versions of The Scream, one of the most important Expressionist paintings, between 1893 and 1910. Here it’s the starting point for a suggestive spatial and interactive examination of darkness, inspirations, and interpretations of this embodiment of internal and external terror.

The Scream

charles ayats, Sandra PAUGAM
France / 2019 / 15 min.
section: Virtual Reality
Rooms
A documentary essay on the social function of a room as a social construct which assigns a function and a set of rules of use to an enclosed space. The five intimate chamber settings show various archetypal uses of rooms to satisfy human needs and cultural roles.

Rooms

Christian Zipfel
Germany / 2019 / 23 min.
section: Virtual Reality
Ghost Fleet VR
This harrowing documentary account of modern slavery on Indonesian fishing ships interconnects unique footage shot at the ships with the story of Tun Lin from Thailand who was kidnapped  at the age of 14 and worked as a slave on a ship for 14 years until he was saved by a humanitarian organization.

Ghost Fleet VR

Shannon Service, Lucas Gath
United States / 2018 / 8 min.
section: Virtual Reality
BEING AN ASTRONAUT, PART 1
At the training center in Houston, astronauts are tested on how they will enter space. Together with a guide, a French astronaut, the viewer experiences training for a spacewalk, centrifuge simulations, and leaving the vehicle.

BEING AN ASTRONAUT, PART 1

Pierre-Emmanuel Le Goff, Jürgen Hansen
France, Germany / 2018 / 15 min.
section: Virtual Reality
In the trenches of World War I
A reconstruction of the tumultuous events of 1916, when Russia is torn by war, its economy in ruins, and countless soldiers die every day on the front. People yearning for peace, dissatisfied with the current authorities, start thinking about revolution. 

In the trenches of World War I

Eduard Chizhikov
Russia / 2017 / 2 min.
section: Virtual Reality
The Argos file
A combination of various narrative techniques portrays the world as it might look in 2029, when Argos builds personalized realities using neural technologies, and nearly a third of Earth’s population is addicted to uploading and sharing their memories – somehow very similar to today’s reality. 

The Argos file

Josema Roig
United States / 2016 / 4 min.
section: Virtual Reality
Nothing to be Written
The soldiers in the trenches of World War I were able to send postcards home but all they were allowed to write on them was their signature. All communication took place using a set of approved phrases. The unique style of drawings inspired by the messages on these postcards also show the circumstances  in which they were written and received.

Nothing to be Written

Lysander Ashton, Anna Meredith
United Kingdom / 2018 / 6 min.
section: Virtual Reality
Dolphin Man
Through an immersion into the depths of the ocean and the protagonists’ narratives, who have for years engaged in the sensory reaction of humans in the slowly revealed depths, the viewer examines what happens to the human body and mind in this environment.

Dolphin Man

Benoît Lichté
France / 2017 / 4 min.
section: Virtual Reality
Dinner Party
A hybrid narrative approach tells the true story of Betty and Barney Hill, a mixed-race couple, who reported the first known case of abduction by a UFO in 1961. They recount the supernatural events during a dinner with friends, telling the story while under hypnosis. 

Dinner Party

Angel Manuel Soto
United States / 2017 / 13 min.
section: Virtual Reality
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