The Great Ocean (Debris) - Venice

Thee Czech Radio project allows us to see what the young man has seen, when hindering the passage of Soviet tank with his own body. As well we can try position of the soldier who controlled the tank. The experience is based on a real photo of this moment. It is always going through two participants at a time, and their roles will be exchanged.

Coral reefs are disappearing from the world at an unprecedented rate. An exploration of life under the surface of the ocean thanks to a team of scientists, cameramen, and divers is accompanied by the researchers’ narrative, documenting the heretofore unseen changes in the oceans, revealing their worlds and ways of life and extinction.

A metaphorical journey through the physical awareness of your own body and its environment. In a post-apocalyptic-looking world, anthropomorphic fragments and clusters of molecules move through the physical landscape in which structures can replicate, returning to the existential question of what of the "I" remains.    The installation was supported by the Swiss Arts Council Pro Helvetia.

Norwegian painter Edvard Munch created three versions of The Scream, one of the most important Expressionist paintings, between 1893 and 1910. Here it’s the starting point for a suggestive spatial and interactive examination of darkness, inspirations, and interpretations of this embodiment of internal and external terror.

A documentary essay on the social function of a room as a social construct which assigns a function and a set of rules of use to an enclosed space. The five intimate chamber settings show various archetypal uses of rooms to satisfy human needs and cultural roles.

This harrowing documentary account of modern slavery on Indonesian fishing ships interconnects unique footage shot at the ships with the story of Tun Lin from Thailand who was kidnapped  at the age of 14 and worked as a slave on a ship for 14 years until he was saved by a humanitarian organization.

At the training center in Houston, astronauts are tested on how they will enter space. Together with a guide, a French astronaut, the viewer experiences training for a spacewalk, centrifuge simulations, and leaving the vehicle.

A reconstruction of the tumultuous events of 1916, when Russia is torn by war, its economy in ruins, and countless soldiers die every day on the front. People yearning for peace, dissatisfied with the current authorities, start thinking about revolution. 

A combination of various narrative techniques portrays the world as it might look in 2029, when Argos builds personalized realities using neural technologies, and nearly a third of Earth’s population is addicted to uploading and sharing their memories – somehow very similar to today’s reality. 

The soldiers in the trenches of World War I were able to send postcards home but all they were allowed to write on them was their signature. All communication took place using a set of approved phrases. The unique style of drawings inspired by the messages on these postcards also show the circumstances  in which they were written and received.

Through an immersion into the depths of the ocean and the protagonists’ narratives, who have for years engaged in the sensory reaction of humans in the slowly revealed depths, the viewer examines what happens to the human body and mind in this environment.

A hybrid narrative approach tells the true story of Betty and Barney Hill, a mixed-race couple, who reported the first known case of abduction by a UFO in 1961. They recount the supernatural events during a dinner with friends, telling the story while under hypnosis.