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24th Ji.hlava International Documentary Film Festival

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The Holiday Inn-Side
The Holiday Inn-Side
The Holiday Inn-Side
The Holiday Inn-Side

The Holiday Inn-Side

director: Charby Ibrahim
original title: The Holiday Inn-Side
country: Australia
year: 2018
running time: 20 min.

synopsis

Using simple animation with outline figures and objects against a dark background that evokes nightmares, an anonymous 16-year-old youth, a repeat offender at a correctional facility for juveniles, recounts his criminal past caused by traumatic experiences with domestic abuse within his family.

biography

Charby Ibrahim (1983) studied Film and Television at the VCA at the University of Melbourne. He completed an internship in Singapore, and now runs Marhaba Films Pty Ltd, a documentary film production company in Australia.

more about film

director: Charby Ibrahim
cast: Roby Favretto
producer: Charby Ibrahim
script: Charby Ibrahim
editing: Charby Ibrahim
music: Jacob Richards
sound: Charby Ibrahim, Jacob Richards, Ramsay Di Marco

other films in the section

Dream
A shop by the side of the road. One after another, people enter and exit the small building. The randomness and illogical nature of the action feels unreal. The sense of timelessness and of being in an unnamed place further heightens the dreamlike nature of the scene. The nearly motionless black-and-white camera records a fragment of life in a place torn from the context of the world.

Dream

Laila Pakalnina
Latvia / 2016 / 7 min.
section: Short Joy
World Premiere
Ten Meter Tower
A humorous conceptual game based on a simple idea – filming amateur swimmers as they get ready to jump from a 10-meter platform. The short scenes are a mixture of slapstick, miniature psychological portraits, and aesthetic studies of physical and verbal expressions and courage.

Ten Meter Tower

Maximilien Van Aertryck, Axel Danielson
Sweden / 2016 / 16 min.
section: Short Joy
Czech Premiere
Mon amour, mon ami
A film about one of the many forms of love, shot sensitively and without pathos. Daniela and Fouad met purely by chance. She is alone and he needs a residence permit. Over time, their pragmatically motivated relationship weaves the two protagonists into a fragile web of intimacy. But Fouad’s professions of love start to be a hindrance for Daniela.

Mon amour, mon ami

Adriano Valerio
Italy, France / 2017 / 15 min.
section: Short Joy
East European Premiere
The Hypothesis
The film’s creator, in the role of an earthling walking the streets of Paris, asks the eternal question: Are we alone in the universe? While attempting to find the truth and therefore quiet the constant musings, the filmmaker holds interviews with astrophysicist Nicolas Prantzos, science historian Florence Raulin Cerceau, and sociologist Pierre Lagrange.

The Hypothesis

Bruno Saboia
France / 2018 / 20 min.
section: Short Joy
World Premiere
Borders
An immobile camera monitors a path winding through the fields. The movements of the crowd are a harbinger of the interruption of the static image. The procession of refugees, under the watchful eye of military forces, winds in an orderly fashion through the Slovenian countryside. They march on, uninterested in the camera’s eye or in the revelation of their existence.

Borders

Damjan Kozole
Slovenia / 2016 / 10 min.
section: Short Joy
Czech Premiere
From Heigths
A young filmmaker sets off for the unknown territory of an African enclave to gather true stories of its inhabitants. Motionless scenery carries human imagination to heights where unforgettable moments of human life unfold. The meditative character of the film’s imagery captures the unique atmosphere of Lesotho. 

From Heigths

Pierre Bisson
Switzerland / 2018 / 15 min.
section: Short Joy
World Premiere
Commodity City
The Yiwu wholesale market in China is more than eight kilometres long. Short episodes follow buyers and the uncompromising negotiations between vendors. The observational documentary shows stalls so covered in goods they completely hide the vendors – and thus also the market’s other world, where their offspring spend their childhoods.

Commodity City

Jessica Kingdon
United States, China / 2016 / 10 min.
section: Short Joy
East European Premiere
Landline
There’s a helpline just for gay farmers. Through authentic recordings and reconstructed situations, the film offers a glimpse into the issue of British gay men from rural areas. For farmers it’s difficult enough to admit their orientation to themselves, let alone to their not-so-gay-friendly surroundings. 

Landline

Matt Houghton
United Kingdom / 2017 / 12 min.
section: Short Joy
East European Premiere
The Cake
An observational look at the interaction between two elderly women: 100-year-old Ema and her six years younger sister Zosie. The camera sensitively documents how these two once famous hostesses try to bake a cake at their advanced age. In so doing, it offers a perceptive portrait of their personalities and their relationships.  

The Cake

Małgorzata Goździk
Poland / 2017 / 18 min.
section: Short Joy
Czech Premiere
Notes on the Shore
This film about the life of Cubans without a roof over their heads shows how they go about their everyday activities: preparing food, discussing politics, singing songs, reading old texts by Fidel Castro, and sleeping off a hangover. Fourteen minutes of detailed observation of people overlooked by others. 

Notes on the Shore

Luis Alejandro Yero
Cuba / 2018 / 14 min.
section: Short Joy
European Premiere
Stand-by Office
The camera enters an office. The receptionist answers the telephone, her co-workers drink coffee during their break and talk about their plans. Later, there is a meeting. The stiffness of the situation reveals a hidden story. What exactly took place from June 2015 to September 2016 in the government building in Amsterdam?

Stand-by Office

Randa Maroufi
Lebanon, France, Netherlands, Romania / 2017 / 13 min.
section: Short Joy
East European Premiere
The Horses of a Cavalry Captain
This politico-aesthetic essay is based on found footage from the filmmaker’s family archive. The horrifying parallel between horse breeding and the Nazi racial ideology takes on sharp contours thanks to the dry commentary and the montages of seemingly meaningless, coldly real images, which do not allow the film to drop down to the level of a mental or emotional exploitation of the topic.

The Horses of a Cavalry Captain

Clements von Wedemeyer
Germany / 2015 / 11 min.
section: Short Joy
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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