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24th Ji.hlava International Documentary Film Festival

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Under the Sun
Under the Sun
Under the Sun
Under the Sun

Under the Sun

director: Vitaly Mansky
original title: V paprscích slunce
country: Czech Republic, Russia, Germany, North Korea, Latvia
year: 2015
running time: 106 min.

synopsis

Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in one of the famous Korean “Spartakiads”. The ritualised explosions of colour and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal, like a typical life as seen “through the looking glass”. The film portrays North Korea in probably the only possible way: as an unintentional situational tragicomedy. Precisely staged film scenes duplicate principles common for life in “the most beautiful country on the eastern side of the globe”: virtually horrifying selfstaging of the residents’ own lives.

Detail:
“Zin-mi, you have joined Children’s Union, what do you expect from your adult life?” “When joining the Children‘s Union,we enter to the adult life. And begin to think, what else shall you do for the Great Leader Kim Jong Un.”

biography

Vitaly Mansky was born in Lvov and studied film at the Gerasimov Institute of Cinematography in Moscow. He has made over 30 documentary films, and produced over 200 others. He systematically popularises documentary film in Russia and works closely with television stations. His film The Pipeline (2013) was presented at the 2013 Jihlava IDFF, where Mansky also led his own masterclass.

more about film

director: Vitaly Mansky
producer: Filip Remunda, Vít Klusák, Natalia Manska, Simone Baumann, Petr Kubica
script: Vitaly Mansky
photography: Alexandra Ivanova
editing: Andrey Paperniy
music: Karlis Auzans
sound: Anrijs Krenbergs

other films in the section

My Friend Boris Nemtsov
Until his violent death in February 2015, Boris Nemtsov was know as the face of the anti-Putin opposition movement. This intimate portrait brings us closer to his activities during his final years, when voices of protest became stronger in Russian society. The film does not portray grand speeches and gestures, but rather the daily activities of a politician, which included long business trips in addition to appearances in the media or at demonstrations, the everyday office routine, and discussions with people on the street. Nemstov’s close contact with social actors and the director are evidence of his courage and spontaneity, without needless pathos. “It is a film début, a documental tragedy. It took three years to make this portrait of Boris Nemtsov. Murdered in February 2015, the outstanding leader of Russian opposition is shown sympathetically, with humane warmth and irony.” Zosya Rodkevich

My Friend Boris Nemtsov

Zosya Rodkevich
Estonia / 2016 / 70 min.
section: Between the Seas
Czech Premiere
António and Catarina
In one of the gloomy rooms in his flat, seventy-year-old Augusto casts shy glances at the camera behind which stands twenty-five year old Cristina, the film’s director. For three years she repeatedly visited him to record their interviews, during which they used the assumed names of António and Catarina. This game with identity, and mainly with the nature of their mutual relationship, is reflected in small talk, where the topics turn to diverse themes, including masturbation and gender stereotypes. Augusto/António is usually the one talking as well as the one in front of the camera, which records his image in dark details. Cristina/Catarina stands behind the camera and asks questions. “Drawn by the vigour of an old enchanting man, I made this film without knowing where it would take me.” C. Hanes

António and Catarina

Cristina Hanes
Portugal / 2017 / 40 min.
section: Between the Seas
East European Premiere
Abdul & Hamza
The feelings of rootlessness and life concerns that prey on thousands of African and Middle Eastern refugees migrating to Europe resonate in this minimalist documentary about two young Somali emigrants. On the path to a better future, they have found temporary shelter in an abandoned house in the mountains near the Serbian-Romanian border. The camera simulates the perspective of an inconspicuous impartial observer capturing moments that often lack any action, but are still full of internal tension arising from the feelings of uncertainty that the silently waiting men cannot escape.DETAIL:“My friend, everyone who has kids is a lucky man. And what’s the situation with your family? – My three children and my wife are waiting for me. It’s great that they are together.”

Abdul & Hamza

Marko Grba Singh
Serbia / 2015 / 49 min.
section: Between the Seas
Central European Premiere
The Circle
They wanted to create an environmentally friendly and socially sustainable community. Twelve adults and six children began to live beyond traditional social order. However, environmentally conscious behavior and embedded physical work do not result in satisfaction from the social aspect of the community ideal. The need to communicate becomes the theme of the film and it is constantly translated visually into shots of circular interviews that show that mastered interpersonal relationships are an indispensable condition for the sustainability of the community and any functional society. The inevitable implosion is preceded by an archetypal story of a love triangle and the struggle for power.“My motivation for making this film lay in the interest in human psychology, behaviour that surfaces in a closed group is a big revelation. In order to save the world, we really need to start within.” M. Lillak
personal program

The Circle

Margit Lillak
Estonia / 2019 / 93 min.
section: Between the Seas
World Premiere
The Calling
Fathers Gabriel, Vicilentius, and Nazari, three monks of varying ages living at the Orthodox Pochayiv Lavra monastery in Ukraine, spend their time in isolation from the world. Nevertheless, they all came here after having lived a worldly life, and so they harbor memories of the turbulent recent history of their homeland. The film brings these memories to life against the backdrop of their daily routine within the monastery’s majestic architecture. The quiet, meditative observation of the monks’ rituals, work, and free time creates a sympathetic portrait of a place and its inhabitants, using snippets of life to offer a glimpse into their existence. “This film is shows a metamorphosis of a human individual who abandoned the worldly life and decided to follow God.” E. Praus
personal program

The Calling

Erik Praus
Slovakia / 2019 / 70 min.
section: Between the Seas
International Premiere
Victoria
The hypnotic wasteland of Southern California is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo Antonioni, and the deep transcendence of Werner Herzog. It speaks to us through fragments of dialogues from iconic films, and yet it remains elusive and dissolves into abstract shapes, rhythms, and compositions. The landscape as a captivating and intangible, all-encompassing and insubstantial yet full emptiness becomes the means for the transgressive experience of two temporalities – the “real” time of people and the time of natural processes.„How much further do we have to go? I don't know. Not much further. That's what you said this morning. I sometimes say it all day. Really? You say it all day? We don't have much longer. We'll be there soon.“ L. Marxt

Victoria

Lukas Marxt
Austria / 2018 / 63 min.
section: Between the Seas
International Premiere
Cinema Futures
A multi-genre collage consisting of variations on educational films, interviews with famous people (film theorist David Bordwell, director Christopher Nolan), and free-association poetry, Cinema Futures makes humorous use of a subversive and almost conspiratorial commentary. A meditation on the future of film in a world of digital platforms, this wild cinematic “ride” through a labyrinth of museums and archives to bring life classic cinematic and archival methods and contrast them with today’s ubiquitous virtuality. Does the death of celluloid also mean the death of film? Are we losing our audiovisual memory?"A few years before a digitally presented film was exclusive. I disliked it. Scratches, dust and the noise of the silver belong to my formative movie experiences. But nostalgia is not an option."

Cinema Futures

Michael Palm
Austria / 2016 / 125 min.
section: Between the Seas
East European Premiere
Flotel Europa
In an emotionally gripping, deeply personal story about the loss of one’s childhood and a difficult adolescence in a politically unstable time, the director brings to life twenty-year-old memories from the time spent at the side of his mother, older brother, and hundreds of other refugees from war-torn Bosnia and Herzegovina. Together they awaited asylum in temporary housing on the Flotel Europa, which docked on the shores of Denmark in the early 1990s. The director incorporated archival video footage that the refugees themselves shot directly on the boat.DETAIL:“There were many good people, but the divisions caused by the war in Bosnia had slowly but surely settled in between us, refugees on Flotel Europa.”

Flotel Europa

Vladimir Tomić
Serbia, Denmark / 2015 / 71 min.
section: Between the Seas
Czech Premiere
YOU (pl) and ME
The video diary of a young woman involved in a love affair captures the metamorphosis of life and love on the outskirts of the Austrian metropolis. We follow the movements of spirit and body, approaching parenthood and other internal and external changes through the viewfinder of an old camera and the accompanying commentary. Although the film works with only photos and sound, it is full of motion. It creates an intimate atmosphere in which we watch Nica and Ben go through the twists and turns that life brings, which look like the most common and natural life events.DETAIL:“Back then – before you. I had wanted it to stop. I wanted all of these indignities, putdowns, rejections, validity to intimacy, beneath this cloak of hot air called the modern ‘being’ – to stop.”

YOU (pl) and ME

Jasmin Hirtl
Austria / 2015 / 88 min.
section: Between the Seas
World Premiere
TIMEBOX
Professor Ioan-Matei Agapi, an 80-year-old photographer and cameraman from Iași, Romania, owns a unique collection of 16mm films and photographs documenting almost fifty years of the city’s history. His daughter, also a filmmaker, has decided to make a film about her father's archives. In the unconventional surroundings of his old apartment, he reminisces about the past until one day Ioan is informed that he must leave or be evicted from home where he has spent the past 40 years. Ioan’s years of work suddenly transform into a huge burden, and the film unexpectedly changes into drama in which conflicts with city officials reveal old and hidden conflicts within the family. "The deepest thing I learned whilst doing this film is that we are stronger than we think we are." N. Agapi 

TIMEBOX

Nora Agapi
Romania / 2018 / 69 min.
section: Between the Seas
International Premiere
The End and the Means
Massage, doing the laundry, grazing water buffalo, snake charmers, street jugglers and dentists, music and dance lessons. Through his humble contemplation on various expressions of people’s devotion to their work, Paweł Wojtasik shows the web of human activities that each have their fixed place within India’s caste society. Work is not a path out of poverty or towards wealth, but a form of Hindu meditation on the roots of human activity and established working techniques and rituals. Man is a machine controlled by a higher power. This observational documentary, filmed primarily in India’s oldest city, Varanasi, focuses on the sacred Ganges River as a source of all human endeavours. „I wanted to investigate the Indian idea that work can lead to liberation rather than alienation. As a film worker myself, I learned from the people I filmed – to be present with the whole body and mind.“ P. Wojtasik

The End and the Means

Pawel Wojtasik
United States, India, France / 2018 / 99 min.
section: Between the Seas
World Premiere
The Haunted
The Turan tiger, a majestic symbol of the Central Asian landscape, has been extinct for several decades, but it lives on as a sacred symbol in the collective imagination of the local population. In her captivating film essay, Ismailova pays homage to this animal as she shows how firmly bound it is, in people’s minds, with the region’s history. The tiger is a spectre that emerges from the darkness and disappears again, the landscape is like a network of ruins buried under layers of the past. The collage of visual and audio fragments, accompanied by the filmmaker’s passionate commentary, shows that “real” history cannot be separated from shared ideas and dreams."The Haunted is an intimate video letter to the spirit of the extinct Turan tiger, which disappeared from Central Asia in the 20th century. Today, the tiger lives on in people’s collective memory." S. Ismailova

The Haunted

Saodat Ismailova
Norway, Uzbekistan / 2017 / 23 min.
section: Between the Seas
Central European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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