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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

Soar

director: Patrick Bokanowski
original title: L'envol
country: France
year: 2018
running time: 8 min.
Central European Premiere

synopsis

A digital miniature in which the form into which the image is deconstructed emphasizes the things we leave in our wake – trajectories of movement, actions, decisions, gestures. This guide of the traces we leave behind dissolves into a depiction of the things that remain; the simple visual approach raises the imperative of understanding the consequences of the movements of mind, body, and things.

"Choreography of an imaginary journey 
Color / 7 minutes 40" P. Bokanowski

biography

Patrick Bokanowski (1943) tears down our assumptions regarding the essence of the cinematic medium. His visual experimentation with contrasts, compositions, rhythm, and perspective inexorably shatters documentary’s lens of supposed objectivity and attacks the reliability of the viewer’s senses. His experiments take on the form of a sensory amusement park that grinds down the bizarreness of everyday reality and offers the viewer an uplifting, intimate experience.

 

more about film

producer: Patrick Bokanowski
hudba: Bokanowski Michèle

other films in the section

Musical Landscape
This conceptual experience in which differences in color are translated into notes on a piano looks at the area surrounding the port of Marseille. The result is a musical composition created through an abstracted reflection of the nature, look, and visual diversity of a place where ships arrive and depart. "Through video artworks, I ruminate both on the notions of temporality and duality of digital arts - the interplay of the sound and the image - to build new realities to the world around us." J.-M. Rolland  
personal program

Musical Landscape

Jean-Michel Rolland
France / 2018 / 8 min.
section: Fascinations
East European Premiere
3 Dreams of Horses
Raw film material consists in part of gelatin, which is made of the skin and bones of animals, including horses. The traces of light that shape our audiovisual dreams are thus imprinted on parts of animal bodies. Through the subtle use of audio, this found-footage collage focuses on images of the horse as an attraction, an animal of burden, and a mythological creature.  "In 1900 there were 130,000 working horses in Manhattan. Horses were a central part of our lives. Jeremy Bentham: "The question is not: can they reason? Nor, can they talk? But, can they suffer?" M. Hoolboom  
personal program

3 Dreams of Horses

Mike Hoolboom
Canada / 2018 / 6 min.
section: Fascinations
International Premiere
On the Border
The filmmaker takes hundreds of photographs of ocean trash that has washed up on the shores of Japan and uses the photogrammetry technique to turn them into sculptures. When filmed in the virtual space, they become mementos of environmental irresponsibility and examples of the excesses of our affluent way of everyday life. "Looking through the eyes of new technologies, we can have unexpected and incredible views of the reality." Y. Nishimura  
personal program

On the Border

Yoshiki Nishimura
Japan / 2018 / 7 min.
section: Fascinations
World Premiere
Mold
The image of a city broken down into a series of planes of view rolls towards us, its echoes enabling us to fill in the imaginary whole. This urban symphony of minimalism builds up a panoramic view into the distance while calling into question reality by visualizing the overcrowding of the urban environment.  "Life is surprisingly simple. Because all human beings are in a moment of repetition of the irreversible destiny of nature. Everything is only a trace and disappears." M. Yi
personal program

Mold

Myun Yi
South Korea / 2018 / 3 min.
section: Fascinations
World Premiere
The Will
A meditative evocation of the South Korean “Candlelight Revolution” in the winter of 2016/17. The hybrid mosaic, in which archival and contemporary footage is altered by visual manipulation and performative moments, shows artifacts, situations, and gestures reflecting the desire for political change.  "The sense of vulnerability facing the unimaginable change made it only possible to borrow the quotations from the past and the future." S. Kim, J. Cho  
personal program

The Will

Jenny Cho, Sungeun Kim
South Korea / 2018 / 20 min.
section: Fascinations
World Premiere
Blending and Blinding
Strictly working with the film material inside the camera, Tuohy updates slowly forgotten approaches to create a collage of architectural geometries. The monolithic nature of the image blurs the outlines of the buildings as the film frame disintegrates into grids cutting through the layers of the image in multiple exposures. The buildings depicted represent the cultures of the three main ethnic groups of Malaysia. "This film is dedicated to Paul Clipson and Robert Todd, both of whose works were specifically on my mind while filming this film in Malaysia in 2016." R. Tuohy  
personal program

Blending and Blinding

Richard Tuohy
Australia / 2018 / 11 min.
section: Fascinations
European Premiere
Dushanbe
Through the use of animation, the backlit photographs blend with the director’s aunt’s memories of the mountains, the local views, and the inside of the home from which she was forced into exile. The fragments of memory offer insight into life in the diaspora through architectural projects by which the aunt has recreated her native Tajikistan in her new home in Darmstadt.   "Film is grounded in found footage through the photographic, constructing an assemblage from fragments of exile. I focused on colour, texture, and materiality in both image and sound, resuturing diasporic time and space through the slowed-down gesture of animation." K. Friesen  
personal program

Dushanbe

Kandis Friesen
United States, Canada / 2018 / 5 min.
section: Fascinations
European Premiere
Extrastellar Evaluations III : Entropy : 25800
The melancholic atmosphere of wandering a landscape scarred by kitschy disco rainbows and colorful illustrations opens up the possibility of an extra-planetary consciousness sending a message in which references to the laws of thermodynamics and Mayan symbolism encounter critical interpretations of an expected confrontation between humanity and the cosmos.   "‘IT‘ knows." Yin-Ju Chen
personal program

Extrastellar Evaluations III : Entropy : 25800

Yin-Ju Chen
Taiwan / 2018 / 17 min.
section: Fascinations
Central European Premiere
Inside
Fragments of a body chiseled from darkness carve out a study of a nude female figure, sensual at specific moments, and in places disappearing into digital darkness. A lyrical treatise on intimacy and secrecy and an implicit polemic with a voyeuristic gaze create a longing for constrained completeness. "I dissect the perception and the mental state that arise while being watched, penetrated and examined and the experience of the viewer, involuntary being forced to follow the gaze of the camera." T. Kjellmark  
personal program

Inside

Tove Kjellmark
Sweden / 2018 / 10 min.
section: Fascinations
East European Premiere
The Bed and the Street
Protests against austerity measures, read as an expression of resistance to the state, are intermingled with an expression of intimate consonance. A demonstration of connection, this essayistic collage blurs the boundaries between private and public as it reflects on the politics of co-existence. "What if the revolution started at home, in the micro-politics of hand to hand, of our kitchen life, our bedroom life? If we said no to the old models of family, could we bring together bed and street?" M. Hoolboom, H. Frise  
personal program

The Bed and the Street

Mike Hoolboom, Heather Frise
Canada / 2018 / 5 min.
section: Fascinations
World Premiere
Lviv Intervision
A found footage reminiscence of the beginnings of Ukrainian TV broadcast in 1957 and the first 20 years of its operations, when the first factory for manufacturing televisions began operating in Lviv, presents not only programs broadcast at that time, but also the way television transformed the household and family structures. "Despite it’s archival form, our film is not about the soviet past but today’s virtuality - a dramatic story of the the gaze and the sedation of a newly emerged TV-spectator, which continues until now." A. Onufrienko, S. Menzelevskyi, E. Parvulesco  
personal program

Lviv Intervision

Anna Onufrienko, Elias Parvulesco, Stanislav Menzelevskyi
Ukraine / 2018 / 14 min.
section: Fascinations
International Premiere
Wanderlust Iteration #1
64 trees in a valley are presented in 3D, becoming both the object and space for every eye – exteriorized on the basis of various principles. The filmmaker continues to explore various possible approaches to spatial representation of creates ingeniously thrilling wanderings among images. "Stereo3D films shall be done of such a kind that they make no - or another - sense than if they where only in mono2D. What we know from flat filmmaking is no help." B. Speidel  
personal program

Wanderlust Iteration #1

Björn Speidel
Germany / 2018 / 9 min.
section: Fascinations
World Premiere
Ministerstvo kultury
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