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24th Ji.hlava International Documentary Film Festival

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Soar
Soar

Soar

director: Patrick Bokanowski
original title: L'envol
country: France
year: 2018
running time: 8 min.

synopsis

A digital miniature in which the form into which the image is deconstructed emphasizes the things we leave in our wake – trajectories of movement, actions, decisions, gestures. This guide of the traces we leave behind dissolves into a depiction of the things that remain; the simple visual approach raises the imperative of understanding the consequences of the movements of mind, body, and things.

"Choreography of an imaginary journey 
Color / 7 minutes 40" P. Bokanowski

biography

Patrick Bokanowski (1943) tears down our assumptions regarding the essence of the cinematic medium. His visual experimentation with contrasts, compositions, rhythm, and perspective inexorably shatters documentary’s lens of supposed objectivity and attacks the reliability of the viewer’s senses. His experiments take on the form of a sensory amusement park that grinds down the bizarreness of everyday reality and offers the viewer an uplifting, intimate experience.

 

more about film

director: Patrick Bokanowski
producer: Patrick Bokanowski
music: Bokanowski Michèle

other films in the section

Out of Autofocus
An image of the sea that comes close to the boundaries of abstraction, set against a backdrop of fishing nets mounted on stilts. Birds disrupt the peace of the salty air with their unpredictable trajectories of rapid flight during which the camera fights to find a focal point, so that within the limits of its automatic functions it creates an engagingly lyrical scene. In his films, Mikhail Basov (1977) explores the interaction of consumer goods and materials in the landscape and their metaphorical implications. His works have been presented at a number of international festivals and shows such as International Video Art Biennial VIDEOAKT in Barcelona, Experimental Film Festival Portland, and Festival Art Deco de Cinema in São Paulo.“A short story about the unrequited love of a videocamera for a bird.”

Out of Autofocus

Mikhail Basov
Russia / 2016 / 2 min.
section: Fascinations
European Premiere
Morphology of a Dream
A visual composition based on a study of the rhythm of sleep cycles during REM sleep. The flowing images melt into overlapping splotches of color to create shapes of fleeting sleep images at various speeds, thus reflecting the impossibility of capturing any concrete motifs.   "Connecting my observation with an intuitive way of filming, I document phenomena in the natural world to reveal evocative visual rhythms through the ecstatic clash of color and form." M. Szlam  

Morphology of a Dream

Malena Szlam
United States, Canada / 2018 / 6 min.
section: Fascinations
World Premiere
Firefly
A performative film that compiles close-up shots of concentrated faces with abstract images converging towards a distinct point of light and geometric shots of dancing figures to create an associative image of fireflies, which in Cuban mythology represent ghosts, echoes of fires, or souls passing in the night. “Through collaborative processes and experimentation, I make films that allow a sensory experience, expanding the spectator’s perception of the social/political/cultural/personal phenomenon portrayed.” C. Claremi 
personal program

Firefly

Claudia Claremi
Cuba / 2019 / 17 min.
section: Fascinations
World Premiere
Song
This traditional film by a legend of experimental filmmaking offers a quiet testimony to autumn in San Francisco, as the rhythm and texture of the images create a melody. The ephemeral camera and meticulous editing give rise to introspective images with a focus on light and the fragile movement of visual fragments of intimately familiar surroundings. The images’ impact is further heightened by the use of Kodachrome, a colour film that Kodak produced from 1935 to 2009. Dorsky’s recent films are some of last ever to be made on this film stock.

Song

Nathaniel Dorsky
United States / 2013 / 18 min.
section: Fascinations
European Premiere
Inside
Fragments of a body chiseled from darkness carve out a study of a nude female figure, sensual at specific moments, and in places disappearing into digital darkness. A lyrical treatise on intimacy and secrecy and an implicit polemic with a voyeuristic gaze create a longing for constrained completeness. "I dissect the perception and the mental state that arise while being watched, penetrated and examined and the experience of the viewer, involuntary being forced to follow the gaze of the camera." T. Kjellmark  

Inside

Tove Kjellmark
Sweden / 2018 / 10 min.
section: Fascinations
East European Premiere
Tangled
Stitched-together photographs become a drama in which memories are tangled, pierced by holes, and deformed in order to hide the seams of a story of falling in love, being in love, and the end of love, and to inspire further stories in which a family picture reflects norms of behaviour and stereotypes associated with the experience of love. “Relationships with loved ones are always complicated tangled threads. Fragile and solid, addictive and lonely, forming beautiful patterns and painful collisions. The film is an attempt to transmit that vortex into an apprehensible form.” P.-R. Jaik

Tangled

Pille-Riin Jaik
Austria / 2017 / 6 min.
section: Fascinations
International Premiere
Mold
The image of a city broken down into a series of planes of view rolls towards us, its echoes enabling us to fill in the imaginary whole. This urban symphony of minimalism builds up a panoramic view into the distance while calling into question reality by visualizing the overcrowding of the urban environment.  "Life is surprisingly simple. Because all human beings are in a moment of repetition of the irreversible destiny of nature. Everything is only a trace and disappears." M. Yi

Mold

Myun Yi
South Korea / 2018 / 3 min.
section: Fascinations
World Premiere
Mayhem
Minor irregularities are transformed into an elemental disorder of growing, jumping, decaying and reappearing bubbles, only to become focused into a circle of changing colors. Using digital tools, the author depicts the simple process by which water boils and cools again. Japanese experimental filmmaker, producer, and computer artist Yoshiki Nishimura has shown several of his films at previous editions of the Jihlava IDFF. In Fascinating Moments (2014) he followed the choreography of snowflakes, An Observation (2013) is a composition of upside images of the sea, and Orbiting (2015) explored the changing light of the moon as it shines through a visually manipulated digital image.“By using different media, we have great possibilities of expanding our views of reality into various directions.”

Mayhem

Yoshiki Nishimura
Japan / 2016 / 10 min.
section: Fascinations
World Premiere
Of her Kingdom
Memories of sounds, everyday artefacts, fragments of situations, visual traces of gestures along with fleeting expressions of inner movements bring about in a gentle way the blanks and losses in this diary essay on the paramount importance of space and behaviour, duration of (un)happiness and focus on the present moment as a means of defence against exhaustion. “A film about absence/bereavement; trying to remember "her" gestures and presence through scattered fragments of memories, reminiscences of sounds and a decaying silence.” V. Guilbert     
personal program

Of her Kingdom

Vincent Guilbert
Japan / 2019 / 10 min.
section: Fascinations
World Premiere
Action, Almost Unable to Think
A visually ingenious portrayal of a life story and inner world of a soldier killed in an explosion is told through hypnotically visualized allegoric scenes and objects during an imaginary encounter of views by a scientist searching for a relation to reality, a filmmaker reflecting on a role of time in art and a refugee stripped of the possibility to live in his hometown. “The film was originated from the real story that a solder was killed by bomb while greeting to a civilian. It tries to recapture that moment of contradictories and fragilities.” H. Mao     
personal program

Action, Almost Unable to Think

Haonan Mao
China / 2018 / 11 min.
section: Fascinations
World Premiere
SOU
The texture of minerals meticulously stacked one on top of the other emphasizes solidity but also the changes wrought by time. Some of the patterns are absorbed by others; undestructiveness is lost in transparency. The animation of the earth’s non-living surfaces and subsurfaces condenses geological transformation that in real time take millions of year.The gap between stones slowly grows, a rock is transformed as if were an organic body, a fault is quickly covered in another layer, the original colour is absorbed to create new matter.

SOU

Tatsuto Kimura
Japan / 2012 / 10 min.
section: Fascinations
East European Premiere
Where Shapes Come From
A description of non-randomness in the processes by which atoms join to form matter, accompanied by images from a museum laboratory. Subtle alterations to the real image are Formulas with scenes of a mineralogist’s work. Chemical equations and virtual bodies and shapes give form to the invisible processes involved in the creation of substances. “We spent an intensive three months as artists in residence in the Mineral Sciences Laboratory at the Smithsonian National Museum of Natural History; this is the work that came out. The green workshop has since been redecorated and is no longer home to all these amazing curiosities.” R. Jarman, J. Gerhardt

Where Shapes Come From

SEMICONDUCTOR
United Kingdom, United States / 2016 / 11 min.
section: Fascinations
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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