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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Of her Kingdom
Of her Kingdom
Of her Kingdom
Of her Kingdom

Of her Kingdom

director: Vincent Guilbert
original title: Kanojo no ôkoku ni tsuite
country: Japan
year: 2019
running time: 10 min.

synopsis

Memories of sounds, everyday artefacts, fragments of situations, visual traces of gestures along with fleeting expressions of inner movements bring about in a gentle way the blanks and losses in this diary essay on the paramount importance of space and behaviour, duration of (un)happiness and focus on the present moment as a means of defence against exhaustion.

“A film about absence/bereavement; trying to remember "her" gestures and presence through scattered fragments of memories, reminiscences of sounds and a decaying silence.” V. Guilbert     

biography

French filmmaker and photographer Vincent Guilbert (1976) works basically in France, but also in Japan, the latter being a fact influencing his choice of topics. The motifs he tends to develop in his films include the issues of time and memory. He often makes his films by simply switching on the camera and letting his protagonist exist in front of the lens without any major editing interventions.

more about film

director: Vincent Guilbert
producer: Vincent Guilbert
music: Loren Connors

other films in the section

JEAN LUC NANCY
A miniature inspired by the leading contemporary French philosopher. The fragility of examining the possibilities of uniqueness and subordination in relation to something different. Objects here do not function as symbols; a crystal pendulum and anonymous figures highlight the multitude of loopholes and fundamental non-discursiveness of expressing delicate subjectivities. "The film is about the duality of one’s search for their own individuality versus the desire to belong." A. Zwirchmayr  

JEAN LUC NANCY

Antoinette Zwirchmayr
Austria / 2018 / 5 min.
section: Fascinations
World Premiere
Field of Infinity
Inspired by Italian Renaissance art, the filmmaker transforms news reports of protests in the Gaza Strip into a painting of people and the landscape, as if the boundaries of fields and meadows were a place for overcoming political limitations and the ability of an expansive viewpoint presented the ideal of inhabiting the visible.  "The struggle for liberation intertwines with nature rejuvenation, creating an array of reflections." G. Silberstein  

Field of Infinity

Guli Silberstein
United Kingdom / 2018 / 5 min.
section: Fascinations
European Premiere
Biblion
A visual study of the book as a medium and cultural artefact. Parallel images analyse books from the point of view of appearance and material with the film plunging into the depths of their microscopic fabric while, at the opposite end of the spectrum, the variety of their surfaces, textures, fonts and shapes blossoms into structured volumes ordered on a bookshelf. “Born from observing the phenomena of quietly vanishing old book stores, our work first became an exploration of the medium of the book itself, and then grew in to something more haunting.” E. Tammi, S. Ekström  
personal program

Biblion

Saara Ekström, Eero Tammi
Finland / 2019 / 13 min.
section: Fascinations
World Premiere
In This Valley of Respite, My Last Breath...
Wandering on the edge of darkness, the camera records grainy objects and pulls hesitant signs of the searched-for refuge from the darkness. By carefully working with light, the filmmaker sketches a unique place bathed in silence and uncertainty, on the back of specific depictions of buildings and landscapes. “The theme explored in my work is that of ‘journeys’ – both physical and metaphysical; alluding to isolation of the individual and isolation of place.” SJ. Ramir

In This Valley of Respite, My Last Breath...

SJ. Ramir
Australia, New Zealand / 2017 / 5 min.
section: Fascinations
World Premiere
Displacement
The image’s fragile cohesiveness, disturbed by digital disintegration and overlays to create a visually impressive composition, emphasizes the need to think about remediated messages on the subject of nationalism and militarism, for the filmmaker works with images of Palestinian fields being burnt by Jewish settlers and vows taken by Israeli soldiers at the Wailing Wall in Jerusalem. “My work tracks patterns in nature, landscape and human form, perceived by camera and mind, struggling to comprehend the vast intensity of the living experience of the world through electronic media.“ G. Silberstein     
personal program

Displacement

Guli Silberstein
United Kingdom / 2019 / 5 min.
section: Fascinations
World Premiere
When You Awake
A scary yet funny tale about the journey to collective unconsciousness via experiments with hypnosis through a collage of found footage from instructional, documentary, and fictional films, layered with themes of personal experiences and frustrations, reflections on social stereotypes and desires, and images of wild or strange animate and inanimate nature. Jay Rosenblatt (1955), American independent filmmaker and trained psychotherapist, is the creator of over thirty films in which he examines the nature and limits of the human psyche and emotions. He has received over a hundred various awards for his work. In addition to teaching, he also organizes the San Francisco Jewish Film Festival. His films I Just Wanted To Be Somebody (2006), Four Questions for a Rabbi (2008), and I Used to Be a Filmmaker (2003) have been screened at the Jihlava IDFF.“When You Awake was a pleasure to create, and hopefully that will come across to the audience. It was a nice departure for me since it is more playful than many of my films.”

When You Awake

Jay Rosenblatt
United States / 2016 / 12 min.
section: Fascinations
Czech Premiere
The Moons of Palaver
Images originally from the tests of spotlights are inserted into models where they evoke the phases of the Moon and in regular intervals combine to hint at a harmonic line of bright reflections. A fleeting arrangement of the traces of humans and machines forever trapped in the depths of the night.  "The Moons of Palaver had to be short, quiet, with soft light, gently mechanical, edited late in the night, a paradox and a mystery. It had to be a poem that I couldn’t possibly write." E. Gaucher  

The Moons of Palaver

Eric Gaucher
Canada / 2018 / 3 min.
section: Fascinations
European Premiere
Latency Contemplation 2
Natural textures and close-ups of various surfaces of soil, rocks and water are vertically sliced and rhythmically abstracted. Within the stream of images, this tour of the outer world becomes a way of experiencing the landscape and its transformations, in whose regularity we can find stability and inner peace. “Cho´s internal visions and perception of the outer world come together in an abstract meditation on space, place and sound. Natural landscapes are pushed to the edge of abstraction through layering and other forms of manipulation.”

Latency Contemplation 2

Seoungho Cho
United States, South Korea / 2017 / 8 min.
section: Fascinations
Czech Premiere
Garden Exercises
A tour of botanical gardens in Bilbao, Toronto and Quito, filmed on a haptic camera as part of a project for developing a camera that will record the things its owner touches. The filmmakers explore the diversity of visual identities at a time dominated by the combination of sight and sound. “The video is a part of the collaborative ‘Haptic/Visual Identities’ project investigating ‘haptic visuality’ through film via a digital DIY prototype. The work presents ‘macro images’ of a garden in a former colonial paradise.” A. Mergler

Garden Exercises

Cristian Villavicencio, Agata Mergler
Ecuador / 2017 / 7 min.
section: Fascinations
World Premiere
Exhumation
Desire without its object is like an image made unrecognizable by cutting out its parts; by scratching away part of the visible image, the image becomes a hole sliced into a pained body, fumbling about for what is missing, seeking physical contact and tangible proof of co-existence.  ""Exhumation" is my interpretation of the reports of Dali's death mask recently. I worked to physically peel back layers of representation to reveal disintegrated memories of figures that once were." D. McIntyre  

Exhumation

Daniel McIntyre
Canada / 2018 / 8 min.
section: Fascinations
Central European Premiere
Wax and Feathers
A sensitive, impressive collage of intimate reflections, detailed observations, fragments of memories, and visual and musical allusions conducts an imaginary dialogue about how memory works and identity construction with a father who died a year earlier."What is a film if not collective dreaming made by conscious minds. Symbolism and myths are present in both dreams and films and rely on our memory and imagination for relating to the produced imagery." M. Lizides   

Wax and Feathers

Marios Lizides
United Kingdom, Cyprus / 2018 / 15 min.
section: Fascinations
World Premiere
rack-pinion (wired-glass No.4)
As the film comes undone from the projector, the perforated edges become visible and reveal the illuminated image as an imprint of light. Splotches of colour with vague meanings enter into the picture frame. “In the early 19th century, watches had a rack and pinion lever escapement. No longer used, I still find it endearing and try to create a similar beauty in my own way.” H. Kawaguchi

rack-pinion (wired-glass No.4)

Hajime Kawaguchi
Japan / 2017 / 4 min.
section: Fascinations
International Premiere
Ministerstvo kultury
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Evropská unie
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Česká televize
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