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24th Ji.hlava International Documentary Film Festival

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La Notte Salva
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La Notte Salva
La Notte Salva
La Notte Salva
La Notte Salva
La Notte Salva

La Notte Salva

director: Giuseppe Boccassini
original title: La Notte Salva
country: Germany, Italy
year: 2019
running time: 12 min.

synopsis

Tiny animals of different kinds were filmed by night and then magnified under semi-transparent spherical glasses. The activity of constantly moving organisms subjected to magnification results in unexpected images of unrest, changeability, migration and creativity in altering shapes.

„La notte salva is a path of sensations that attempts to gather around its nature without revealing it, without opening itself to any human language.“ G. Boccassini

biography

Italian filmmaker Giuseppe Boccassini (1979) studied film theory at Bologna University and film direction in Rome. By the method of rapid editing, he assembles compilations of archival footage, often complemented by distinct music accompaniment.

more about film

director: Giuseppe Boccassini
producer: Giuseppe Boccassini
music: Antonio Bertoni

other films in the section

Hrvoji, Look at You from the Tower
An archeological collage of observations of the traces left by life on the landscape, combined with reflections on ephemerality and historical legacy, set to a music-and-noise composition. Motifs of reincarnation and a possible return, collected while traveling through the former Yugoslavia, culminate with a visit to an abandoned family farm, now accessible only by illegally crossing the border to the European Union. “Through collaborative ways of experiencing how history collides with the present, my work embraces the complexity of a landscape while in the process questioning my own nostalgic and desiring gaze.” R. Ferko
personal program

Hrvoji, Look at You from the Tower

Ryan Ferko
Canada, Serbia, Croatia, Slovenia / 2019 / 17 min.
section: Fascinations
European Premiere
I Was Here
The combination of static photographs taken with various exposure times creates a moving portrait of a place where the stone building has stood for centuries, but the people are just indistinct traces on the sidewalk in front of it. We see only those who stop long enough to leave their imprint on the short-term memory of the place. The flow of time-lapse images also records changes in the solid structure as the light gives shape to the architecture.

I Was Here

Philippe Léonard
Canada / 2012 / 6 min.
section: Fascinations
East European Premiere
Synthetic-free
Wave follows wave. Real movements of the ocean, redrawn by computer-generated animation, flow into the picture frame in relation to real-time wind speeds, their visibility defined by natural light levels. The monotonous sound further emphasises the endless irregularity of the observed. “3D Computer Graphics have powers for making new images. They are mostly used for entertainment. However, they can surely be applied more to creating new methods and ideas for exploring experimental expressions.” Y. Nishimura

Synthetic-free

Yoshiki Nishimura
Japan / 2017 / 9 min.
section: Fascinations
World Premiere
Garden Exercises
A tour of botanical gardens in Bilbao, Toronto and Quito, filmed on a haptic camera as part of a project for developing a camera that will record the things its owner touches. The filmmakers explore the diversity of visual identities at a time dominated by the combination of sight and sound. “The video is a part of the collaborative ‘Haptic/Visual Identities’ project investigating ‘haptic visuality’ through film via a digital DIY prototype. The work presents ‘macro images’ of a garden in a former colonial paradise.” A. Mergler

Garden Exercises

Cristian Villavicencio, Agata Mergler
Ecuador / 2017 / 7 min.
section: Fascinations
World Premiere
THE WILDS
A philosophical portrait of situationalists Herbert Holl and Kza Han, who believe in revolution through art. They live on an island where they have written poems and translated the work of Alexander Kluge. Together they enter a landscape with gestures and artifacts as their considerations for symbols and individuality permeate though film sketches from their everyday life."We love Herbert and Kza’s way of thinking. So we tried to traslate that in little performance. Each day we came up with a strange idea. They were surprised, but always put confidence in us."
personal program

THE WILDS

Camille Tricaud, Felix Herrmann
Germany, France / 2019 / 11 min.
section: Fascinations
International Premiere
Pastoral
A rural countryside without people stretches out into patterns of nature that overlap with the detailed tracing of the contours of herbs and trees. This rural peace is disturbed by the nervous camera and the layered traces of clumps of grass, branches, and bushes. The blades of grass leave behind their contours, which are sketched into a fleeting image of a meadow with low grass and, here and there, the shadows of trees.

Pastoral

JB Mabe
United States / 2012 / 2 min.
section: Fascinations
European Premiere
Phantasma
In rhythmically changing parallel scenes, this visual atlas of the underwater world shows animals and their natural movements, waving plants and growing crystals, but also the rooms, machinery and equipment at the Copenhagen aquarium that has exhibited these living being for more than 70 years. “While filming I was pulled into a melancholic and haunted realm. The collapsing aquarium became an allegory of a shared past and time itself. It represents an enchanted place where both the struggle to remember and to forget intertwine.”

Phantasma

Saara Ekström
Finland / 2016 / 9 min.
section: Fascinations
World Premiere
The Philosophy of Horror (Part I): Etymology
The first part of a seven-part adaptation of the influential 1990 book of the same name by American philosopher and art theorist Noël Carroll. In the spirit of cinematic philosophy (filmosophy), Lichter explores various aspects of the horror genre – in this part, primarily the position of the characters, the human bodies, and the types of gazes to which they are subjects – by directly manipulating the body of the film. “The Philosophy of Horror: A Symphony of Film Theory is an immersive meditation on genre theory, which aims to demonstrate the eternal beauty of Art Philosophy and Pop Culture’s interconnectedness.” B. Máté, P. Lichter    
personal program

The Philosophy of Horror (Part I): Etymology

Bori Máté, Péter Lichter
Hungary / 2019 / 7 min.
section: Fascinations
International Premiere
Tudor Village: A One Shot Deal
Winnipeg is becoming depopulated. Today it is even emptier because its residents have gone to watch a solar eclipse. But one building administrator is encouraging people to endure. He shows his house and praises the living conditions. An unassuming sketch providing an everyday picture of the city’s residential district.Familiar everyday places give rise to subtle moments such as the darkening sun shimmering among the building’s interior and exterior.

Tudor Village: A One Shot Deal

Rhayne Vermette
Canada / 2012 / 5 min.
section: Fascinations
East European Premiere
#57
A visualization of the workings of the high-frequency oscillators once used to test military sonars and medical ultrasound devices is juxtaposed with abstract illustrations of a Chinese mathematician’s differential equations, and their visualization through analogue computer processes shows the subtle exactness of changing textures.  "Technology is a deforming mirror that shows us what humans think and do. For that reason I make my work in a dialogue with machines that I develop myself, trying to learn from what they tell us." J. Rekveld

#57

Joost Rekveld
Netherlands / 2018 / 14 min.
section: Fascinations
Central European Premiere
The Image that Spits, the Eye that Accumulates
The color of skin and of film become the center of discourse: The filmmaker’s mixed-race background is reflected in imprints of the landscape and ruptures within it, but also in the color of the faded Kodachrome film, whose typical visual characteristics have dissolved in time. Hues are barely visible and only with difficulty capture the image of a body that does not fall into any clear categories.  "Where does film fail or resist us? Working on celluloid I make images which affirm mixed race culture and the cultural in between." R. Storr  

The Image that Spits, the Eye that Accumulates

Rhea Storr
United Kingdom / 2018 / 11 min.
section: Fascinations
World Premiere
In This Valley of Respite, My Last Breath...
Wandering on the edge of darkness, the camera records grainy objects and pulls hesitant signs of the searched-for refuge from the darkness. By carefully working with light, the filmmaker sketches a unique place bathed in silence and uncertainty, on the back of specific depictions of buildings and landscapes. “The theme explored in my work is that of ‘journeys’ – both physical and metaphysical; alluding to isolation of the individual and isolation of place.” SJ. Ramir

In This Valley of Respite, My Last Breath...

SJ. Ramir
Australia, New Zealand / 2017 / 5 min.
section: Fascinations
World Premiere
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