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24th Ji.hlava International Documentary Film Festival

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Oblivion
Oblivion

Oblivion

director: Tom Chomont
original title: Oblivion
country: Canada
year: 1969
running time: 4 min.

synopsis

A passionate observation of a lover, whose body is imbued with grainy texture and the explosive flares of the film material. Using rapid cuts, the director fuses contrasting black and white negatives and color positives of the same images, so that the diary-like captured moments or evasive allusions can disappear in the fluidity of consciousness and the unsettled volatility of excited passion.

biography

American experimental filmmaker Tom Chomont (1942) is the creator of more than forty short, mostly silent, films, in which he strives to capture spirituality and sexuality using poetic everyday images. He was introduced to Ji.hlava audiences in the documentary Tom (2003), filmed by Mike Hoolboom.

more about film

director: Tom Chomont

other films in the section

Gilette o Juliette
The intensities of physical experience and mental passion are reflected in physical and metaphorical splices of cultural, political and personal mythologies. In intimate scenes of transforming photographs into food or masturbation with a razor blade, the image and body become the subject of borderline desire, injury, disruption and harm.

Gilette o Juliette

Sirio Luginbülh
France / 1978 / 15 min.
section: Fascinations: Eroticism
Central European Premiere
Fireworks
This classic example of experimental and queer cinema weaves together a sadomasochistic fantasy of a violent conflict between the main protagonist and a group of well-built sailors. The film’s director, appearing in the role of the young man, explores desire and the imagination, supplementing sexual motifs with references to the conservative American dream shortly after the Second World War.

Fireworks

Kenneth Anger
United States / 1947 / 14 min.
section: Fascinations: Eroticism
Czech Premiere
Pure beauté
A lyrical composition of sculptural fragments of the body is celebrated for its precise framing, editing and animation techniques that explores the connections between abstract shapes, sensuality, and erotic attraction. The film was shot using “totalization” - long exposures of movement result in the impression of a static object.

Pure beauté

Alexandre Alexeïeff
France / 1954 / 1 min.
section: Fascinations: Eroticism
Central European Premiere
Erotique
This poetic found-footage collage explores how little is needed in order to recognize desire. Through the use of rapid-cut close-ups of the female face and body, sometimes nearly unrecognizable flashes of arms, eyes, and lips, and accompanied by a similarly fragmentary composition of sounds, the film creates a set of pulsating allusions to physical and fantasy delight.

Erotique

Peter Tscherkassky
Austria / 1982 / 2 min.
section: Fascinations: Eroticism
Czech Premiere
Removed
In her collage of pornographic films from the 1970s, Uman uses white paint and nail polish remover to erase the actresses. The blank spots in the shape of the female bodies emphasize and critique their position within the filmed act of sex and seduction, ironically reducing the men to cheap gazes and possessive physical contact.

Removed

Naomi Uman
Mexico, United States / 1999 / 7 min.
section: Fascinations: Eroticism
Czech Premiere
Geography of the body
The wrinkles and curves of a naked female and male body, shot from unexpected angles through a magnifying glass, provoke an associative stream of commentary by British poet George Barker, whose ornamental tongue wrapped with a raw gaze of the skin is concluded by Aristophanes's exclamation: "The desire and pursuit of the whole is called love."

Geography of the body

Willard Maas
United States / 1943 / 7 min.
section: Fascinations: Eroticism
East European Premiere
Of Special Merit
A radical political gesture criticizing the new law on film funding in Germany, which included a clause on "immorality" that shook the film community into a sharp debate about whether or not to adopt the film at the Oberhausen festival. The initiator of the law is represented by a talking penis and manifestations of political propagation or servility towards power are made ironic through masturbation between the projected images.

Of Special Merit

Hellmuth Costard
German Democratic Republic / 1968 / 11 min.
section: Fascinations: Eroticism
Czech Premiere
Sexual Meditation: #1 Motel
This material experiment and a film avant-garde classic uses both physical and chemical interferences with the film stock, creating a parallel between the shown (human) body and the (celluloid) body of the 8-mm film in the situation of a single-occupied hotel room.

Sexual Meditation: #1 Motel

Stan Brakhage
United States / 1970 / 7 min.
section: Fascinations: Eroticism
Czech Premiere
Baby Doll
New York go-go dancers Ferne and Irene are preparing to perform and talk about their work. In a witty and empathetic observation, they reflect on their experience, their own dignity and the transformation of the perception of public behavior, which was more of an art form than a utilitarian service.

Baby Doll

Tessa Hughes-Freeland
United Kingdom / 1982 / 5 min.
section: Fascinations: Eroticism
Czech Premiere
Return to Reason
The magnum opus of Dadaist film celebrates the photogenics of discreet objects, where among the captured objects, their mobile rayograms, and engaging asymmetrical shadows, we see a shot of the naked body of Kiki from Montparnassus, muse of the entire interwar artistic generation in Paris, who becomes a graceful projection surface for the penetration of light through the window in a perfect geometry of desire.

Return to Reason

Man Ray
France / 1923 / 3 min.
section: Fascinations: Eroticism
steifheit 1–3 / 7
Long term observation of masturbation. Sackl, who uses extreme methods to explore ways of depicting the human body, used a time-lapse camera to record himself masturbating once every ten years, compiling the individual frames and films into a radical ascetic film showing aging and physical transformation.

steifheit 1–3 / 7

Albert Sackl
Austria / 2018 / 9 min.
section: Fascinations: Eroticism
International Premiere
Flaming creatures
This legendary film on the free poetics of the body works with the DIY aesthetic, sprightly staging, performances, and humor. It transgressively refers to the approaches of melodrama and burlesque which Smith uses to create an unconventional and - for the period - radical depiction of sex. For its erotic scenes, it was banned in many countries, and in the United States it ignited a debate on censorship.

Flaming creatures

Jack Smith
United States / 1963 / 45 min.
section: Fascinations: Eroticism
Czech Premiere
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