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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
The Betrayed Square
The Betrayed Square
The Betrayed Square
The Betrayed Square

The Betrayed Square

director: MML collective
original title: Trahir la Place
country: Switzerland, Poland
year: 2018
running time: 45 min.

synopsis

The Arab Spring of 2011. Day after day, thousands of young Egyptian protesters flooded Tahrir Square in Cairo. Poet and sound artist Stéphane Montavon assembled a psychedelic collage composed of freely accessible images of the revolution, adding an acoustic probe full of tension, rebellion and aggression of the repressive forces. The revolutionary turmoil is expanded into a sonic dimension of auteur installation. It is an impressive story of symbolic moments of ecstatic struggles for democracy and a new Constitution. It exposes mottos, protesters’ slogans and dialogues of the massacred victims. The images of repressive government forces are confronted with everyday life. On a cold morning, the betrayed revolution melts into a day-to-day routine.

"Rebuilding the revolution with found footage reminds us not only of the past fight, but most importantly of the Egyptian’s revolutionary will still awaiting to be accomplished." Maciej Madracki, Michał Mądracki, MML collective

biography

The MML Collective (2008) features Swiss filmmaker, graphic artist and illustrator Gilles Lepore (1972) and two brothers: Polish novelist and screenwriter Michał Mądracki (1979) and filmmaker, film critic and film direction graduate from Katowice Film School Maciej Mądracki (1984). His film Work of the Machines screened at Ji.hlava IDFF in 2010. Stéphane Montavon is an author of dozens of sonic and audiovisual installations.

more about film

director: MML collective
producer: Stephane Montavon, Michał Mądracki
script: Stephane Montavon
editing: MML collective
sound: Stéphane Montavon

other films in the section

Picturesque Epochs
The main focus of the new series A Private Hungary consists of 8mm footage from the private archives of the painter Mária Gánóczy (1927), whose rhythm is accentuated by the director’s syntactic additions. Gánóczy’s melancholic narration contrasts with the ideological rhetoric of the era’s news weeklies and police reports. The portraits of her family and friends and contemporary images from her canvas-filled studio, accompanied by the poetry of Dezső Tandori, are condensed into a sense of open possibilities for how to depict the past. At the same time, the fragile and unique nature of human experience appear especially vulnerable when we touch on eternity."A time travel through 200 years of Hungarian art & history through the eye and lenses of painters. This weaved art-and-film grand patchwork streams like the currents of the river of times, ripples and floats." P.  Forgács

Picturesque Epochs

Péter Forgács
Hungary / 2016 / 133 min.
section: Between the Seas
International Premiere
The Calling
Fathers Gabriel, Vicilentius, and Nazari, three monks of varying ages living at the Orthodox Pochayiv Lavra monastery in Ukraine, spend their time in isolation from the world. Nevertheless, they all came here after having lived a worldly life, and so they harbor memories of the turbulent recent history of their homeland. The film brings these memories to life against the backdrop of their daily routine within the monastery’s majestic architecture. The quiet, meditative observation of the monks’ rituals, work, and free time creates a sympathetic portrait of a place and its inhabitants, using snippets of life to offer a glimpse into their existence. “This film is shows a metamorphosis of a human individual who abandoned the worldly life and decided to follow God.” E. Praus
personal program

The Calling

Erik Praus
Slovakia / 2019 / 70 min.
section: Between the Seas
International Premiere
Under the Sun
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in one of the famous Korean “Spartakiads”. The ritualised explosions of colour and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal, like a typical life as seen “through the looking glass”. The film portrays North Korea in probably the only possible way: as an unintentional situational tragicomedy. Precisely staged film scenes duplicate principles common for life in “the most beautiful country on the eastern side of the globe”: virtually horrifying selfstaging of the residents’ own lives.Detail:“Zin-mi, you have joined Children’s Union, what do you expect from your adult life?” “When joining the Children‘s Union,we enter to the adult life. And begin to think, what else shall you do for the Great Leader Kim Jong Un.”

Under the Sun

Vitaly Mansky
Czech Republic, Russia, Germany, North Korea, Latvia / 2015 / 106 min.
section: Between the Seas
Czech Premiere
Christ Lives in Siberia
After the breakup of the Soviet Union, a Siberian policeman claimed to be the reincarnation of Jesus Christ, and together with his followers set up Sun City in remote Siberia as an outpost of Christian life. Over a decade later, a mother of four children decides to leave her husband and life in Saint Petersburg behind and heads east with her offspring. The expected classic denouement of this tale does not, however, come to pass. To the contrary - this purely observational documentary shows that the coexistence of the breakaway religious group is problematic in some aspects, but despite that, it is a functional way of life in today’s complicated world.DETAIL:“We have to work for the children, for the future. That’s the right way, then everything will turn out right. They won’t have to live through the convulsions, the tough times which we had. It can all be different for them.”

Christ Lives in Siberia

Arbo Tammiksaar, Jaak Kilmi
Estonia, Finland / 2015 / 85 min.
section: Between the Seas
International Premiere
Among Houses and the Cosmos
In this sensual film essay, the director has assembled her experiences with rituals in various corners of the world, from Europe across Africa to Latin America. The close interaction of the camera with bodies moving in trances encourages active involvement in the frenzied moments in which people lose themselves in Dionysian intoxication. These moments serve the filmmaker to obliterate the distance between the individual and the collective, personal and foreign, internal and external. The film, however, attaches a political meaning to the rituals, or rather shows how uprooted cultures cope with their minority status through rituals, or even turn it to their favor. “I felt the urgency to work with video footage from years of different travels. During editing, I found myself thinking about the human necessity to impose meaningful patterns on life and being.” Koštana Banović

Among Houses and the Cosmos

Kostana Banović
Netherlands, Bosnia and Herzegovina, Portugal, Senegal, Brazil, Angola, Turkey, Gambia, Cuba, Serbia, Aruba, Netherlands Antilles / 2016 / 70 min.
section: Between the Seas
World Premiere
The Last Self-portrait
Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers."I’ve long felt that through documentary filmmaking I can’t say what I want to, what calls out to me. I’ve butted against internal and external boundaries that have paralyzed me as a documentarian. " M. Kuboš

The Last Self-portrait

Marek Kuboš
Slovakia / 2018 / 72 min.
section: Between the Seas
International Premiere
Waiting room
Waiting, as a condition in which people spend a large part of their lives, is the central theme of this narrative film. The lives of seven women of various ages, who do not know each other, intersect for a brief period of time. They are linked by one place – the waiting room at the main railway station – where each one of them, in deep contemplation, is looking for something or someone different. The slow non-dramatic narration, with stiff stylised camera movements places the viewer in the role of stalker. In this film, in which the director admittedly combines elements from both fictional film and documentary practice, he worked with non-professional actresses.DETAIL:“Believe it or not, for me otherness is what is real, what is normal. I love those who are different. They are my people. My life is in God’s hands. That is how I received it, just like everyone else.”

Waiting room

Palo Korec
Slovakia / 2015 / 72 min.
section: Between the Seas
International Premiere
Birthday
A lonely life made up of daily routine tasks is depicted in this documentary made by the director about his own mother. It’s her birthday – her husband has been dead for years and her children have forgotten her, with the exception of her son, who remains behind the camera. Despite this, the ageing woman cleans, cooks, and makes ready for a possible celebration. Cursory inspections of her mobile phone screen show that she would have been happy with just a phone message. Birthdays give new meaning to loneliness, just as the director cuts away various natural barriers of the camera image and amplifies the sound effects track to allow silence to emerge and envelop the main character."One day of any person is the summary of his life. What we feel in one day is the same for all our life. Nothing changes. Repetitions, Repetitions and Repetitions. Just like my mother on her birthday." H. Baydarov

Birthday

Hilal Baydarov
Azerbaijan / 2018 / 63 min.
section: Between the Seas
World Premiere
The Things
Nearly 10 years after the conflict in Georgia, Georgian inhabitants of the Russian-occupied territory are still living in temporary camps, waiting to return home. Their dwellings are cookie-cutter houses. They brought only the few items that they managed to grab from their homes when fleeing from the occupation army. Equally austere, almost as empty as their provisional housing, they live their lives at the mercy of waiting for what is to come. In this meditative documentary, real relics of their past lives, everyday things brought from their original homes, are the most tangible manifestations of the irreversibility of time as measured by losses. “We attempted to reflect about war experience from particular perspective, to meet persons rather than statistics, to observe rather than inquire, to contemplate about something we all share - the attachments.” Nino Gogua

The Things

Nino Gogua
Georgia / 2016 / 62 min.
section: Between the Seas
World Premiere
António and Catarina
In one of the gloomy rooms in his flat, seventy-year-old Augusto casts shy glances at the camera behind which stands twenty-five year old Cristina, the film’s director. For three years she repeatedly visited him to record their interviews, during which they used the assumed names of António and Catarina. This game with identity, and mainly with the nature of their mutual relationship, is reflected in small talk, where the topics turn to diverse themes, including masturbation and gender stereotypes. Augusto/António is usually the one talking as well as the one in front of the camera, which records his image in dark details. Cristina/Catarina stands behind the camera and asks questions. “Drawn by the vigour of an old enchanting man, I made this film without knowing where it would take me.” C. Hanes

António and Catarina

Cristina Hanes
Portugal / 2017 / 40 min.
section: Between the Seas
East European Premiere
Blind Cinema
An unusual group sets sail from St. Petersburg to Finland. The crew, which consists of vision-impaired people and people with normal eyesight, learns to work together in order to successfully complete their undertaking. The observational documentary shows the crew’s first contact with the boat, which is done by touch, and then follows their daily routine while at sea. The disinterested camera records a reality that overcomes our prejudices regarding the helplessness of blind people. The problem-free journey gives the sailors space for new sensations. Excerpts from the ship’s log show us aspects of the mission – i.e., the transformation of oneself that can change the world. „What do you see when you cannot see? How do you interact with a world with fewer visual elements to distract you? Blind Cinema explores the realm of sightless people who sail the sea and expand the boundaries of self.” G. Glyants

Blind Cinema

Grigory Glyants
Russia / 2017 / 50 min.
section: Between the Seas
International Premiere
The Circle
They wanted to create an environmentally friendly and socially sustainable community. Twelve adults and six children began to live beyond traditional social order. However, environmentally conscious behavior and embedded physical work do not result in satisfaction from the social aspect of the community ideal. The need to communicate becomes the theme of the film and it is constantly translated visually into shots of circular interviews that show that mastered interpersonal relationships are an indispensable condition for the sustainability of the community and any functional society. The inevitable implosion is preceded by an archetypal story of a love triangle and the struggle for power.“My motivation for making this film lay in the interest in human psychology, behaviour that surfaces in a closed group is a big revelation. In order to save the world, we really need to start within.” M. Lillak
personal program

The Circle

Margit Lillak
Estonia / 2019 / 93 min.
section: Between the Seas
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt