Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf
The Betrayed Square
The Betrayed Square
The Betrayed Square
The Betrayed Square

The Betrayed Square

director: MML collective
original title: Trahir la Place
country: Switzerland, Poland
year: 2018
running time: 45 min.

synopsis

The Arab Spring of 2011. Day after day, thousands of young Egyptian protesters flooded Tahrir Square in Cairo. Poet and sound artist Stéphane Montavon assembled a psychedelic collage composed of freely accessible images of the revolution, adding an acoustic probe full of tension, rebellion and aggression of the repressive forces. The revolutionary turmoil is expanded into a sonic dimension of auteur installation. It is an impressive story of symbolic moments of ecstatic struggles for democracy and a new Constitution. It exposes mottos, protesters’ slogans and dialogues of the massacred victims. The images of repressive government forces are confronted with everyday life. On a cold morning, the betrayed revolution melts into a day-to-day routine.

"Rebuilding the revolution with found footage reminds us not only of the past fight, but most importantly of the Egyptian’s revolutionary will still awaiting to be accomplished." Maciej Madracki, Michał Mądracki, MML collective

biography

The MML Collective (2008) features Swiss filmmaker, graphic artist and illustrator Gilles Lepore (1972) and two brothers: Polish novelist and screenwriter Michał Mądracki (1979) and filmmaker, film critic and film direction graduate from Katowice Film School Maciej Mądracki (1984). His film Work of the Machines screened at Ji.hlava IDFF in 2010. Stéphane Montavon is an author of dozens of sonic and audiovisual installations.

more about film

director: MML collective
producer: Stephane Montavon, Michał Mądracki
script: Stephane Montavon
editing: MML collective
sound: Stéphane Montavon

other films in the section

The Sun Sets in the East
The film depicts the year 1984/85 through the diary entries by the director’s grandfather, a Soviet peasant from Lithuania, which reflect contemporary values associated with faith in God, as well as details about daily routines and political change. Despite its historicizing base, the film is still relevant today. The formal side is made up of live images taken with static cameras that contemplate the depopulated state of the Lithuanian rural areas. The poetic documentary essay about the irreparable impact of man examines the transformation of society from rural to urban and forces the viewer to question the hectic lifestyles we lead today."The Sun Sets in the East is a sincere film that can be watched and felt by anyone, and we hope that everyone will be able to find a reflection of themselves or their family's past in it." A. Dovydaityte, A. Belinski
personal program

The Sun Sets in the East

Agne Dovydaityte, Alexander Belinski
Lithuania / 2018 / 83 min.
section: Between the Seas
World Premiere
THE GOOD DEATH
Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of her loved ones are interwoven with Janette’s story."Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa
personal program

THE GOOD DEATH

Tomáš Krupa
Switzerland, France, Austria, Czech Republic, Slovakia / 2018 / 83 min.
section: Between the Seas
World Premiere
A Two Way Mirror
This poetic documentary presents one woman’s journey towards finding self-confidence, inner peace, and harmony. The filmmaker returns to Croatia’s Lika region, where her family comes from. In the bosom of nature, she tries to come to terms with the losses she has suffered in her life, her illness, and her fear of the future. The film is structured into six parts (prologue, spring, summer, autumn, winter, epilogue), each linked to a different stage of human life. It is a very open and intimate confession, framed in a mosaic of memories and experiences, thoughts and feelings. The film is also therapeutic, helping the filmmaker find the strength to fight. The film received the Croatian Oktavijan Award for Best Documentary Film. “Every fear comes with the reason. To cure my fears I merged secret patterns and knowledge of my family with the cycles of nature. Through this collision I revealed what is the human in beasts and the beastly in humans.” Katarina Zrinka Matijević Veličan

A Two Way Mirror

Katarina Zrinka Matijević
Croatia / 2016 / 42 min.
section: Between the Seas
European Premiere
Extra-Terrestrial Ecologies (Retroflectors: the astronaut, the robot, the alien)
What new things can we learn about ecology from science fiction? According to this video essay by artist Ralo Mayer, quite a lot. A flow of thoughts and analogies inspired not only by such sci-fi films as The Martian, E. T. the Extra-Terrestrial and Silent Running, but also by Biosphere 2, a project simulating an enclosed ecosystem located far away in outer space, have led the artist to reevaluate the way in which ecology is currently considered.  For his new view of things, which relies more on a cosmic rather than an earthly perspective, the key concepts consist of humans as space travellers, robotic technologies, and extraterrestrials as apparitions whom we suspect exist in distant star systems."Ecology in outer space, far from our home planet, is literally unheimlich–uncanny, or better: unsettling. After years of research about Biosphere 2, I met E. T. & we talked Haraway in a Redwood forest." R. Mayer
personal program

Extra-Terrestrial Ecologies (Retroflectors: the astronaut, the robot, the alien)

Ralo Mayer
Austria / 2018 / 43 min.
section: Between the Seas
International Premiere
People Pebble
Stones form the landscape, they crunch underfoot as we walk, and children use them in their games. In this experimental film by the directing duo of Darakchiev and Gamot, the fascination with one particular object reaches its peak. The associative images, brought together by the lens of a 16mm camera, create a loosely related series of stream-of-consciousness ideas: Monumental shots of the cliffs of Dover, stone houses, people walking on a stone beach, and a metronome in the shape of a hammer. Ordinary images accompanied by cacophonous sounds and excerpts from unrelated interviews create new associations among familiar aspects of human existence. International Premiere shared with DocLisboa "People Pebble figuratively associates two disparate patrimonial identities, inciting a new dialogue through and beyond the traces of the human hand, all encompassed by the impermanence of nature." J. Darakchiev, P. Gamot

People Pebble

Perrine Gamot, Jivko Darakchiev
France, United Kingdom / 2017 / 18 min.
section: Between the Seas
International Premiere
Opera about Poland
A travelogue collage in search of Polish identity in an uncertain world. A carefully composed dream about the unfound unity of nation, old injustices and moments of glory that fade away under the burden of petty thoughts and the fear of non-existent enemies. A selection of period footage, newspaper articles, and bitterly current citations from the internet, mixed with journal entries by the author Andrzej Stasiuk to create a personal reflection of events. The staged portraits of ordinary Poles set to a tension-filled disharmonic operatic soundtrack at first seems like a series of unrelated images and thoughts, but they slowly come together to form a portrait of the soul of the Polish nation."To begin the repair or therapy you need to be diagnosed. You need to see what mistakes have been made in the past. Or check if you are living with untrue myths and beliefs." P. Stasik

Opera about Poland

Anna Gawlita, Piotr Stasik
Poland / 2017 / 41 min.
section: Between the Seas
International Premiere
Enticing, Sugary, Boundless or Songs and Dances about Death
How can we talk about death and still enjoy the beauty of life? Who can we tell if we have no one? People from all corners of the world deal with the perspective of death and ask similar questions. This documentary collage by Tetiana Khodakivska and Oleksandr Stekolenko (1980) is a patient enterprise, working with intimate portraits of both ordinary people and the brilliant filmmakers, and thoughtfully placing them within a three-part mosaic about the greatest riddle of human existence. Only the motif of death gives life a purpose and links us all – but what must happen in order for us take it seriously? This imaginatively edited work of docufiction is a contemplation of life in relation to our own mortality. "This movie is about awareness of death. The story is built on documentary and fiction narrative techniques blended together. " T. Khodakivska, O. Stekolenko

Enticing, Sugary, Boundless or Songs and Dances about Death

Oleksandr Stekolenko, Tetiana Khodakivska
Ukraine / 2017 / 95 min.
section: Between the Seas
World Premiere
Butterflies
Young Alexei is openly homosexual. Although his peers have no problem with his sexual orientation, his mother is unable to accept it. This documentary portrait follows Alexei during summer break, as he spends time with his new lover Grisha, whom he met at a Tarkovsky festival. The film takes an unusual observational approach in that the camera is often right up against people’s bodies and faces during impassioned discussions, arguments, or testimony. As a result, the spontaneous and eccentric manner in which Alexei breaks down gender stereotypes are brought to the fore. “Making a movie always goes hand in hand with fear and shame. This is because the film just now learned to dive into the man. Untill now it only described. During the work on the film Butterflies I always thought about it.” Dmitry Kubasov

Butterflies

Dmitry Kubasov
Russia / 2016 / 79 min.
section: Between the Seas
World Premiere
The End and the Means
Massage, doing the laundry, grazing water buffalo, snake charmers, street jugglers and dentists, music and dance lessons. Through his humble contemplation on various expressions of people’s devotion to their work, Paweł Wojtasik shows the web of human activities that each have their fixed place within India’s caste society. Work is not a path out of poverty or towards wealth, but a form of Hindu meditation on the roots of human activity and established working techniques and rituals. Man is a machine controlled by a higher power. This observational documentary, filmed primarily in India’s oldest city, Varanasi, focuses on the sacred Ganges River as a source of all human endeavours. „I wanted to investigate the Indian idea that work can lead to liberation rather than alienation. As a film worker myself, I learned from the people I filmed – to be present with the whole body and mind.“ P. Wojtasik
personal program

The End and the Means

Pawel Wojtasik
France, India, United States / 2018 / 99 min.
section: Between the Seas
World Premiere
My Granny from Mars
Babushka Zina is originally Ukrainian, but because of the current political situation she has remained in Russian-occupied Crimea. Separated from her family, she lives in a forgotten seaside town while trying to decide whether to stay or to leave. The sounds of Russian contemporary music and folk songs add to the atmosphere of her exile town, which is seen through a sensitive lens filled with sentimentality. But the consequences of the unsatisfactory political situation are ever-present in this place, which is like a different planet. The way in which the director records Zina’s relationship to her friends and family betrays a deep respect for this old woman, her life wisdom, and her experiences."After the annexation of Crimea my old Ukranian granny Zina had to face the fact of living on a 'new planet'. For many reasons, the time has come for her to make a crucial decision." A. Mihalkovich
personal program

My Granny from Mars

Alexander Mihalkovich
Estonia, Ukraine, Belarus / 2018 / 83 min.
section: Between the Seas
World Premiere
Depth Two
A history of the armed conflict in Kosovo, in which NATO forces also eventually took part, includes many heretofore unexamined events, including mass murders of civilians which the Serbian police attempted to cover up. Ognjen Glavonić’s poetic documentary presents shocking witness testimony and leaves it to the viewer to piece together the events of the time. Unsettlingly stunning visuals give the events a current dimension - long shots of the locations in which the atrocities took place create a symbol of surviving the past in the present that the inexorable forward passage of time usually softens.“By using light and sound, a combination of spoken testimonies and images of the places where the crimes happened, the film speaks directly to the sensations, imagination and emotions of the viewer.” Ognjen Glavonić

Depth Two

Ognjen Glavonić
Serbia, France / 2016 / 80 min.
section: Between the Seas
Czech Premiere
Birthday
A lonely life made up of daily routine tasks is depicted in this documentary made by the director about his own mother. It’s her birthday – her husband has been dead for years and her children have forgotten her, with the exception of her son, who remains behind the camera. Despite this, the ageing woman cleans, cooks, and makes ready for a possible celebration. Cursory inspections of her mobile phone screen show that she would have been happy with just a phone message. Birthdays give new meaning to loneliness, just as the director cuts away various natural barriers of the camera image and amplifies the sound effects track to allow silence to emerge and envelop the main character."One day of any person is the summary of his life. What we feel in one day is the same for all our life. Nothing changes. Repetitions, Repetitions and Repetitions. Just like my mother on her birthday." H. Baydarov
personal program

Birthday

Hilal Baydarov
Azerbaijan / 2018 / 63 min.
section: Between the Seas
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt