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24th Ji.hlava International Documentary Film Festival

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Czech Journal: Children of the State
Czech Journal: Children of the State

Czech Journal: Children of the State

director: Ivana Pauerová Miloševič
original title: Český žurnál: Děti státu
country: Czech Republic
year: 2017
running time: 57 min.

synopsis

A great wave of criticism was aroused in 2011, when the Norwegian Child Welfare Services, Barnevernet, took away both of the Micháleks’ sons. The documentary director, who has two children of her own, set out to Norway to discover whether the state is indeed dictating how parents should raise their children. This investigative documentary uses individual stories and interviews with experts to reveal that the issues are much more complex than the way they are presented by the Czech media. Although the defined rules may be restrictive, they are also apparently one of the reasons why Norway is ranked as one of the happiest countries in the world.

“Do what degree do we overlook cases in our surroundings, when parents are not able to handle the raising of their children? Are we respecting privacy? Or is it indifference? Are we able to view the state as other than a necessary evil?” I. P. Miloševičová

biography

Sarajevo-born Ivana Pauerová Miloševičová (1976) is a graduate of FAMU. She collaborated in the making of the documentary triptych E-Day (2004, Ji.hlava IDFF 2004). In Ladies in White (2008) she observed the wives of Cuban dissidents. Her Diva (2014, Ji.hlava IDFF 2015) portrays a young girl coming to terms with her parents’ divorce. As a dramaturge for Czech Television, she has been involved in the production of the documentaries DK (2013, Ji.hlava IDFF 2013), and Hotelier (2013, Ji.hlava IDFF 2013).

more about film

director: Ivana Pauerová Miloševič
producer: Petr Kubica, Filip Remunda, Vít Klusák
script: Ivana Pauerová Miloševič, Margareta Hruza
photography: Yvona Teysslerová
editing: Hedvika Hansalová
sound: Jiří Hruban, Ivan Horák

other films in the section

Jaroslav Kučera A Journal
Jaroslav Kučera was the husband of director Věra Chytilová and one of the most original cameramen of the Czechoslovak New Wave. Footage that he captured in his free time for private purposes served a few decades later as the basis for the creation of a fragile, intimate portrait which dispenses with words. In it, the master of the image freely sketches the innermost space of his family. Thanks to the director’s sensitive selection, we observe scenes of spontaneous posing before the lens and moments of repose, compellingly woven together with a soundtrack by producer Aid Kid. “The most important information about Czech literature of the recent decades can be found in literary journals by Jan Zábrana, Ivan Diviš, and Pavel Juráček. With that in mind, we approached the processing of cameraman Jaroslav Kučera’s film diary.” J. Felcman  
personal program

Jaroslav Kučera A Journal

Jakub Felcman
Czech Republic / 2019 / 67 min.
section: Czech Joy
World Premiere
The End of Light
On a most real stage of all, a director of this hybrid film lets an unreal story flow. While Croatian nationalists stage a protest in front of the Rijeka theatre against its art director Oliver Frljić (a well-known figure to Czechs, among others), on a nearby island of Goli otok, amateur actors rehearse a surrealistic performance. Dilapidated buildings of a former concentration camp, secretly erected by Tito’s régime to hold political prisoners, serve as props of a Lynch-like scene in which smeared-faced actors become objects in the waxworks of their own dreams. The world of imagination and the world of bleak reality start moving away from each other.“Call to me and I will answer you and tell you great and unsearchable things you do not know. Jeremiah 33:3” A. Suk

The End of Light

Aleš Suk
Croatia / 2018 / 62 min.
section: Czech Joy
World Premiere
Central Bus Station
Only recently, Tel Aviv’s Central Bus Station was still the largest in the world. But this oversized space only serves more than its original purpose to bring in masses of people who, confused by its complicated interior design, succumb to shopping fever. Over time this concrete monster, which won’t be easy to tear down, has become a temporary refuge for people on the margins of society – refugees, criminals, prostitutes. Like its main protagonist, the tourist guide Yonatan, the film’s director is fascinated by one of the wonders of the world of redundancy and the microcosm of the people who live here.“To me, the Central Bus Station is not only a strange place, but also a place where everyone can find a kind of home.” T. Elšík

Central Bus Station

Tomáš Elšík
Czech Republic / 2018 / 75 min.
section: Czech Joy
East European Premiere
Viva Video, Video Viva
Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.  “’The computers, which are here with me, quietly tell me they want me to understand them, to live with them. Because we will live with them. But either they’re devils, or they will be gods.’ Radek Pilař.” A. Komrzý
personal program

Viva Video, Video Viva

Adéla Komrzý
Czech Republic / 2018 / 85 min.
section: Czech Joy
World Premiere
The State Capture
After the murders of the journalist Jan Kuciak and his fiancée Martina Kušnírová, the shooting of the documentary about a new kind of social establishment in which the traditional state structures become replaced with Mafia and oligarchy took a huge turn. By interviewing various persons - lawyers, bloggers, journalist, security experts, and former secret service agents -, the author tries to uncover the complex network of those influencing the Slovakian public space. The investigative film about a country in which the communist regime fell thirty years ago offers overwhelming facts about the unclear relationships among former secret service agents and interest groups, and shows the issues and threats faced by both journalists and the public. “The murder of a journalist raised more questions than just who the killer was. The tragedy illuminated the real picture of social institutions and created a short window when it was possible to capture it with a camera.” Z. Piussi
personal program

The State Capture

Zuzana Piussi
Slovakia, Czech Republic / 2019 / 79 min.
section: Czech Joy
Czech Premiere
Czech Journal: Teaching War
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.“In order to identify the reason for which people prepare for war in the name of peace, I have started to portray the rising military spirit in a kaleidoscopic image.”

Czech Journal: Teaching War

Adéla Komrzý
Czech Republic / 2016 / 69 min.
section: Czech Joy
World Premiere
Will the World Remember Your Name?
Fetal ultrasound screening. Tourists pointing their mobiles at themselves using selfie sticks. Mannequins in store windows. People walking down the street examining their reflections in glass storefronts. Photographing models for 3D printers. A series of commonplace scenes shows us the various forms of images and depiction with which we surround ourselves, which we use to observe ourselves, understand ourselves, and also form and archive ourselves. At the same time, the question asked in the film title points out how our attention is shifting from words to images. The issue is no longer whether the world will remember our name, but whether we can imprint our image into its memory. “In the main role: The ego.” M.-M. Kochová

Will the World Remember Your Name?

Marie-Magdalena Kochová
Czech Republic / 2017 / 17 min.
section: Czech Joy
World Premiere
Moravia, O Fair Land III.
After centuries of oppression, the spirit of Moravian Slovakia (Slovácko) awakens to the rhythm of folk music and speed metal. A folk costumed zombie horror under the supervision of a modern Adam and Eva from a Czech TV quiz show mixes classical tragedy and ethnographic studies, biblical parable and low-brow genres. Petr Šprincl subverts the sacred myths, satirically revealing the dark foundations of social rituals against a background of folklore motifs. After nationalism and fascism, the subjects of the first two parts of this Moravian Epic, the series continues with variations on the Mrštík brothers’ play Maryša, imbued with Satanism.   „The Trilogy Moravia, Beautiful Land starts with belonging to tribe, folk costume and folklore, continues with the birth of the fascist of Slovácko and his defeat of the devil, and pagan inferno breaks out in the final volume.“ P. Šprincl
personal program

Moravia, O Fair Land III.

Petr Šprincl
Czech Republic / 2019 / 65 min.
section: Czech Joy
World Premiere
Arms ready
Firearms are a multifaceted phenomenon in contemporary society. For some they are a symbol of power, for others they represent certainty, and for others still they are a source of danger. Barbora Chalupová interviews gun owners and people interested in a gun permit, and explores the availability (both legally and illegally) of firearms in the Czech Republic. Her film makes partial use of the internet as an unconventional narrative tool, but is otherwise a typical interview-style documentary. The filmmaker also explores legal gray areas related to homemade weapons.“You see, it’s more about finding out why to have one or not have one. A gun, I mean. Legal… Illegal… But maybe I am just protecting myself with this pilfered political manifesto, or creating an alibi for myself.“

Arms ready

Barbora Chalupová
Czech Republic / 2016 / 39 min.
section: Czech Joy
World Premiere
Instructions for Use of Jiří Kolář
Roman Štětina returns to the subject of radio in a documentary project created in collaboration with radio director Miroslav Buriánek. In documenting Buriánek and the members of the KLAS theater ensemble as they prepare a radio adaptation of Kolář’s poetry collection Instructions for Use, Štětina tries to explore radio directing as a distinctive but hidden artistic act. Without showing the viewer the final radio production, Štětina offers us a unique chance to witness the creative process involved in creating a radio adaptation. The voiceover features commentary on the events in the studio.“Speak, create, share geometrically. No slapped on layers of lyricism. Just sorrow and yearning. And respect the rule of the right angle.” (Miroslav Buriánek)

Instructions for Use of Jiří Kolář

Roman Štětina, Miroslav Buriánek
Czech Republic / 2016 / 130 min.
section: Czech Joy
World Premiere
Dunaj of Consciousness
Members of the Brno alternative rock legend Dunaj (Danube) meet after several years, determined to forget their grievances and disagreements of the past to perform a concert in the Romanian city of Banat, where they still have a strong fan base. On the way there, they take a boat down the Danube River, whose waves and mysterious nature evokes memories of the past among the band members and reflections on their careers, helped out by a meeting with former member Iva Bittová. The poetically infused film reveals the backstage of the band and, accompanied by the captivating tones of Dunaj’s songs, paints a complex portrait of the legendary music group. “Former members of the Dunaj band, now twenty years older, meet to find out they don’t have to do anything. They just want to let something special flourish, something created mainly by their being together. All the original pieces come together to create something compellingly impressive again.” D. Butula
personal program

Dunaj of Consciousness

David Butula
Czech Republic / 2019 / 83 min.
section: Czech Joy
World Premiere
Traces, Fragments, Roots
A museum of rotting apples, a Christmas tree shedding its needles, a splintered tree trunk, maggots crawling over a honeycomb… The sound of a falling apple hitting the ground, speech classes, Christian sermons, the baaing of sheep… Images and sound continuously come into contact with each other in the twenty-minute film Prints, Shards, Roots, presenting creative encounters between the human world and nature. The film could be termed an experiment, but it is more of an evocative lyrical series of images and sounds, which gain power through the effective shots taken with a 16mm camera. The beauty of the decaying natural items that is consistently called is set against a backdrop of human artefacts, which is slightly indifferent but no less mysterious.“‘I really don’t know what’s wrong with it, no matter how much water I add, it’s still too runny.’ I once ran into this sentence somewhere – it’s about mixing mortar – and I like it more and more.”

Traces, Fragments, Roots

Květa Přibylová
Czech Republic / 2016 / 20 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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