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24th Ji.hlava International Documentary Film Festival

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I Want You If You Dare
play
I Want You If You Dare
I Want You If You Dare

I Want You If You Dare

director: Dagmar Smržová
original title: Chci tě, jestli to dokážeš
country: Czech Republic
year: 2019
running time: 84 min.

synopsis

Single mother Martina raised twin girls, one of whom was born blind and the other with polio, leaving her disabled. Both children are now adults, and disabled Jana would love to leave her mother and live on her own in institutional living. And she would also like to experience sex, perhaps with a paid assistant. The documentary offers a brutally unsentimental view into the life of an impoverished rural family with two permanently disabled members. It delicately captures both everyday and exceptional situations, focusing mainly on the personal, emotional and relationship problems between the protagonists. 

„The harder the fates I make films about, the more I appreciate when my heroes can laugh at them. And when I can make the audience laugh well, I am happy.” D. Smržová

biography

The film’s name links it with Smržová’s (1966) earlier documentary Love Me If You Can (2016) about the sexuality of the disabled. The filmmaker explores disabled people and their families in other films such as Saving Edwards (2010) and The Hardest Choice (2010). She also directed the series GEN, Eye and The 13th Chamber as well as the documentary film War in the Memory of Women (2005).

more about film

director: Dagmar Smržová
producer: Miloš Lochman
photography: Adam Kruliš
editing: Adéla Špaljová
sound: Petr Neubauer

other films in the section

Viva Video, Video Viva
Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.  “’The computers, which are here with me, quietly tell me they want me to understand them, to live with them. Because we will live with them. But either they’re devils, or they will be gods.’ Radek Pilař.” A. Komrzý
personal program

Viva Video, Video Viva

Adéla Komrzý
Czech Republic / 2018 / 85 min.
section: Czech Joy
World Premiere
Nekyia: Inner portrait of the poet Hradecky
Poet Daniel Hradecký is the main actor of of this inter-genre film about a journey into the depths of his own consciousness. The black and white documentary parable looks into the human soul with interplay of sounds and raw images. Several episodes take place in the rough landscape of North Bohemia, accompanied by dramatic music. Their narrative includes fragments of the poet’s texts and his memories, reconstructed in the film: Daniel starts a shift in a factory, or he meets the devil in the dark. The film maps the poet’s inner world, and sinks deeper and deeper to the bottom of the raw imagination with him. “Is the man who likes dreaming happy?” A. Hospodářský The protagonist of the film, Daniel Hradecký will be reading poems as well works of other author after the screening of the film on Friday 25.10 in 18:00 in the Café Etage. 
personal program

Nekyia: Inner portrait of the poet Hradecky

Albert Hospodářský
Czech Republic / 2019 / 25 min.
section: Czech Joy
World Premiere
The Sound is Innocent
In this documentary essay, the director personally presents the history of electronic and experimental music from the pre-war years to the present day. The film takes place in an almost dream-like space-time that serves both as a recording studio and as a museum of technological artifacts, which allow the filmmaker to take playful grasp of the concept of talking heads. The sonically and visually layered excursion to the beginnings of the efforts to liberate and conceptualize sound is also a debate about the forms, possibilities, and perspectives of the acoustic relations to the world, in which the voices of the past constantly overlap with the sounds of the future. „Music documentaries usually tend to build a monument to a composer, band or subculture… My aim was to treat this topic in an essay-like style, using all available means that film as an audiovisual medium offers.” J. Ožvold
personal program

The Sound is Innocent

Johana Ožvold
Czech Republic, France, Slovakia / 2019 / 68 min.
section: Czech Joy
Czech Premiere
Peasant Common Sense
Originally, this film – which made waves in Czech society – was supposed to be about Czech agriculture and about the factors that have the greatest impact on it. But one of the most important factors turned out to be the entrepreneurial and political activities of Andrej Babiš. A documentary with elements of investigative journalism, the film follows journalists Zuzana Vlasatá and Jakub Patočka as they uncover Babiš’s business style and its impact on society and the environment. Through inventive editing, framing and the use of animation, the film goes beyond a mere presentation of facts to create an original report, made using various tools of the cinematic medium. “The government must by guided by peasant common sense!” Z. Piussi

Peasant Common Sense

Zuzana Piussi, Vít Janeček
Czech Republic / 2017 / 73 min.
section: Czech Joy
World Premiere
Sólo
Martín Perano is a young Argentinean piano virtuoso and composer whose life has been turned upside-down by mental illness. He spent the past few years in the largest psychiatric hospital in South America, El Borda in Buenos Aires. After his release he returned to the nearly empty house of his parents, where his biggest concern was to learn to live without walls and to go back to the piano, which he played every day in the institute. The director patiently observes Martín’s return; in interviews with his loved ones, he learns more about Martín’s past, lyrically approaching the inner workings of a person obsessed with creation, capable of taking strength from their own hypersensitivity. “The other patients sat in respectful silence listening to this curious sonata of fingers rapping the table. After a few minutes, Martín finished playing. Strong emotions could be read in the eyes of his audience, as though they had been listening to real music.” A. Benki
personal program

Sólo

Artemio Benki
Czech Republic, France, Argentina, Austria / 2019 / 84 min.
section: Czech Joy
Czech Premiere
Moravia, O Fair Land III.
After centuries of oppression, the spirit of Moravian Slovakia (Slovácko) awakens to the rhythm of folk music and speed metal. A folk costumed zombie horror under the supervision of a modern Adam and Eva from a Czech TV quiz show mixes classical tragedy and ethnographic studies, biblical parable and low-brow genres. Petr Šprincl subverts the sacred myths, satirically revealing the dark foundations of social rituals against a background of folklore motifs. After nationalism and fascism, the subjects of the first two parts of this Moravian Epic, the series continues with variations on the Mrštík brothers’ play Maryša, imbued with Satanism.   „The Trilogy Moravia, Beautiful Land starts with belonging to tribe, folk costume and folklore, continues with the birth of the fascist of Slovácko and his defeat of the devil, and pagan inferno breaks out in the final volume.“ P. Šprincl
personal program

Moravia, O Fair Land III.

Petr Šprincl
Czech Republic / 2019 / 65 min.
section: Czech Joy
World Premiere
Normal Autistic Film
Children with autism don’t suffer from an incurable disease. They suffer because they are neurodiverse in a world set up for neurotypicals. With that perspective, Miroslav Janek embarks on a series of live meetings with a number of children and young adults who have been diagnosed with Asperger’s syndrome. He gives them the opportunity to express freely their relationship with the world and with themselves, as well as what sets them apart from “normal”. We find that he’s brought us into the company of fun, fascinating people who often suffer because they are labelled as “disabled”. This excursion into the world of autism redefines the seemingly firm boundaries between “otherness” and normality.“Now let’s talk about Asperger syndrome. What Asperger’s knows how to do. The standard form of Asperger’s syndrome, the milder version, which is what I have, is able to find friends. But the more severe version can’t. He has no friends.”

Normal Autistic Film

Miroslav Janek
Czech Republic / 2016 / 90 min.
section: Czech Joy
The State Capture
After the murders of the journalist Jan Kuciak and his fiancée Martina Kušnírová, the shooting of the documentary about a new kind of social establishment in which the traditional state structures become replaced with Mafia and oligarchy took a huge turn. By interviewing various persons - lawyers, bloggers, journalist, security experts, and former secret service agents -, the author tries to uncover the complex network of those influencing the Slovakian public space. The investigative film about a country in which the communist regime fell thirty years ago offers overwhelming facts about the unclear relationships among former secret service agents and interest groups, and shows the issues and threats faced by both journalists and the public. “The murder of a journalist raised more questions than just who the killer was. The tragedy illuminated the real picture of social institutions and created a short window when it was possible to capture it with a camera.” Z. Piussi
personal program

The State Capture

Zuzana Piussi
Slovakia, Czech Republic / 2019 / 79 min.
section: Czech Joy
Czech Premiere
Why Do I Feel Like A Boy?
In a small village in the southern Czech Highlands, the director meets with sixteen-year-old Ben to examine the issue of defining his identity in person: Ben is living in a girl’s body, but feels like a boy. With his real feelings, he flees into the online world and truly feels happy, for example, when using greenscreen technology to participate in Prague Pride. The film indirectly captures the (mis)understanding and (un)acceptance he meets with at school and his focused insight is completed by interviews conducted by the director with his mother and sister, who involuntarily embody everything that Ben hates about himself. “What I like about it the most is how the story of a teenage transgender boy can disrupt the conservative structures of a television film, go beyond the media, and challenge the inhumane sterilization of transgender people in the Czech Republic.” K. Turečková    
personal program

Why Do I Feel Like A Boy?

Kateřina Turečková
Czech Republic / 2019 / 26 min.
section: Czech Joy
World Premiere
We Can Do Better
As the personal advisor to presidential candidate Michal Horáček, documentary filmmaker Robin Kvapil recorded from behind the scenes of the campaign from autumn 2016. He filmed using anything he could get his hands on - camera, mobile phone, notebook computer. The film, co-directed by Radim Procházka, was an attempt to capture an authentic portrait of Horáček’s election campaign, presenting his team’s tactics, interactions with both supporters and opponents, with journalists, and with opposing candidates. With an awareness that they had most likely lost the election, but that there was still a long path ahead of them, Kvapil presented a reflection of their teamwork, commenting on their individual steps.„Documentarist as a presidential campaign adviser. ‚Nothing‘ and ‚I don‘t know‘ can not win over lies and hatred. The truth scares.“ R. Kvapil „Hustler, Trasher, Zjeman and Troll in the film about the backstage of democracy.“ R. Procházka

We Can Do Better

Radim Procházka, Robin Kvapil
Czech Republic / 2018 / 74 min.
section: Czech Joy
World Premiere
Will the World Remember Your Name?
Fetal ultrasound screening. Tourists pointing their mobiles at themselves using selfie sticks. Mannequins in store windows. People walking down the street examining their reflections in glass storefronts. Photographing models for 3D printers. A series of commonplace scenes shows us the various forms of images and depiction with which we surround ourselves, which we use to observe ourselves, understand ourselves, and also form and archive ourselves. At the same time, the question asked in the film title points out how our attention is shifting from words to images. The issue is no longer whether the world will remember our name, but whether we can imprint our image into its memory. “In the main role: The ego.” M.-M. Kochová

Will the World Remember Your Name?

Marie-Magdalena Kochová
Czech Republic / 2017 / 17 min.
section: Czech Joy
World Premiere
Bo Hai
In his new work of docufiction, Vietnamese-born Czech director Dužan Duong continues to explore the life of the Czech Republic’s Vietnamese community. Bo Hai takes an intimate look at a young man who helps out at his father’s mini-market. By showing everyday situations, the films introduces us to the life of young Vietnamese who have lived most of their life in the Czech Republic and are losing touch with the culture of their parents but at the same time are prevented from becoming fully-fledged members of Czech society. Filmed primarily using longer static shots in real-life settings, Bo Hai recalls the approach of contemporary cinematic realists. At the same time, it is also a personal statement about the director’s generation. “#FilmfromMini-market” D. Duong

Bo Hai

Dužan Duong
Czech Republic / 2017 / 26 min.
section: Czech Joy
World Premiere
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