Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
I Want You If You Dare
play
I Want You If You Dare
I Want You If You Dare

I Want You If You Dare

director: Dagmar Smržová
original title: Chci tě, jestli to dokážeš
country: Czech Republic
year: 2019
running time: 84 min.

synopsis

Single mother Martina raised twin girls, one of whom was born blind and the other with polio, leaving her disabled. Both children are now adults, and disabled Jana would love to leave her mother and live on her own in institutional living. And she would also like to experience sex, perhaps with a paid assistant. The documentary offers a brutally unsentimental view into the life of an impoverished rural family with two permanently disabled members. It delicately captures both everyday and exceptional situations, focusing mainly on the personal, emotional and relationship problems between the protagonists. 

„The harder the fates I make films about, the more I appreciate when my heroes can laugh at them. And when I can make the audience laugh well, I am happy.” D. Smržová

biography

The film’s name links it with Smržová’s (1966) earlier documentary Love Me If You Can (2016) about the sexuality of the disabled. The filmmaker explores disabled people and their families in other films such as Saving Edwards (2010) and The Hardest Choice (2010). She also directed the series GEN, Eye and The 13th Chamber as well as the documentary film War in the Memory of Women (2005).

more about film

director: Dagmar Smržová
producer: Miloš Lochman
photography: Adam Kruliš
editing: Adéla Špaljová
sound: Petr Neubauer

other films in the section

The Great Night
In the twilight of consumer democracy, priestesses of love come to life and wait for their customers. Prostitutes, sales clerks, warehouse workers, non-stop bars, dance clubs, musty flats. A subculture of insomnia that lives the eternal night. Unceasing dissatisfaction with one’s life and unfulfilled desires. The rhythm of the nocturnal life of consumption and rapid gain, soaked in amphetamine and cheep alcohol.Assembly-line production of gaming machines, tools for the consumption of human disorder and unhappiness. The lottery of prostitutes and nighttime wandering that defies angelic choirs of purity and modesty. Sonatas next to cheap hot dogs, shampoo, and the hopelessness of housing projects.

The Great Night

Petr Hátle
Czech Republic / 2013 / 72 min.
section: Czech Joy
World Premiere
Bo Hai
In his new work of docufiction, Vietnamese-born Czech director Dužan Duong continues to explore the life of the Czech Republic’s Vietnamese community. Bo Hai takes an intimate look at a young man who helps out at his father’s mini-market. By showing everyday situations, the films introduces us to the life of young Vietnamese who have lived most of their life in the Czech Republic and are losing touch with the culture of their parents but at the same time are prevented from becoming fully-fledged members of Czech society. Filmed primarily using longer static shots in real-life settings, Bo Hai recalls the approach of contemporary cinematic realists. At the same time, it is also a personal statement about the director’s generation. “#FilmfromMini-market” D. Duong

Bo Hai

Dužan Duong
Czech Republic / 2017 / 26 min.
section: Czech Joy
World Premiere
Vana - The Biggest Race Is the Life Itself
The Great Pardubice Steeplechase, broken bones, clinical death. The extreme life of the mercurial jockey, trainer, and steeplechase cyborg Josef Váňa is marked by an obstinate devotion to horses, racing, and a determination to take on any challenge. His rough personality and often choleric behaviour resonate with passion and business strategy. After a 15-year hiatus, the iron will of this legend of socialist racing tracks managed a comeback (even without the mythical Železník) and again took first place.  

Vana - The Biggest Race Is the Life Itself

Jakub Wagner
Czech Republic / 2012 / 86 min.
section: Czech Joy
World Premiere
Arms ready
Firearms are a multifaceted phenomenon in contemporary society. For some they are a symbol of power, for others they represent certainty, and for others still they are a source of danger. Barbora Chalupová interviews gun owners and people interested in a gun permit, and explores the availability (both legally and illegally) of firearms in the Czech Republic. Her film makes partial use of the internet as an unconventional narrative tool, but is otherwise a typical interview-style documentary. The filmmaker also explores legal gray areas related to homemade weapons.“You see, it’s more about finding out why to have one or not have one. A gun, I mean. Legal… Illegal… But maybe I am just protecting myself with this pilfered political manifesto, or creating an alibi for myself.“

Arms ready

Barbora Chalupová
Czech Republic / 2016 / 39 min.
section: Czech Joy
World Premiere
Faces of Meda
This film documenting the coexistence of filmmaker Veronika Janečková and arts patron Meda Mládková can be seen as a film about the making of a portrait documentary that was never made. Much of the footage used was taken without Mládková’s knowledge and captures her everyday meetings with the director, who briefly lived in her home in Washington during the course of filming. The film thus shows two different sides of Mládková – the public face, which she shows during “talking head” interviews, and the private face, which reveals minor everyday generational conflicts between an aging powerful woman and the young documentarian.DETAIL:“She had all the maladies. She was kind of fat, she wasn’t particularly pretty. I also think she had long hair. I told her, ‘You must lose 20 kilos.’ She managed to obtain her PhD in the States in just a year.”

Faces of Meda

Veronika Janečková
Czech Republic / 2015 / 50 min.
section: Czech Joy
World Premiere
Central Bus Station
Only recently, Tel Aviv’s Central Bus Station was still the largest in the world. But this oversized space only serves more than its original purpose to bring in masses of people who, confused by its complicated interior design, succumb to shopping fever. Over time this concrete monster, which won’t be easy to tear down, has become a temporary refuge for people on the margins of society – refugees, criminals, prostitutes. Like its main protagonist, the tourist guide Yonatan, the film’s director is fascinated by one of the wonders of the world of redundancy and the microcosm of the people who live here.“To me, the Central Bus Station is not only a strange place, but also a place where everyone can find a kind of home.” T. Elšík

Central Bus Station

Tomáš Elšík
Czech Republic / 2018 / 75 min.
section: Czech Joy
East European Premiere
#sandrainuganda
A Czech NGO invited Sandra Kisić, a twenty-six-year old influencer of Bosnian origin, to come to Uganda. She spent ten days in and about the town of Kabala. Besides the local citizens, she was accompanied by a Dutch volunteer who already was on her umpteenth mission. Sandra, on the other hand, saw poverty and technological backwardness for the first time in reality, not just on her cell phone that she practically did not put down. The director captures the clash of seemingly remote, yet equivalent worlds facing up global challenges as an impartial observer to emphasize numerous tragicomic paradoxes. “Instant soup can warm you up, but it won’t give you strength. We can look at Instagram in a similar way, or we can use it as a medium that can present the ‘old school documentary film’ to the younger audience.” F. Remunda

#sandrainuganda

Filip Remunda
Czech Republic / 2019 / 70 min.
section: Czech Joy
World Premiere
Citizen K.
In an era obsessed with identification, the art group Ztohoven undertook an experiment in order to see how much could be done with your own and with a borrowed identity. The group’s members ordered official ID cards using fake identities, trading identities by using passport photos created by morphing their faces together. Using their new identities, they then got married, travelled abroad, voted, and generally showed how difficult it is for the system to tell us apart. 

Citizen K.

Michal Dvořák
Czech Republic / 2012 / 72 min.
section: Czech Joy
World Premiere
Show!
A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

Show!

Bohdan Bláhovec
Czech Republic / 2013 / 69 min.
section: Czech Joy
World Premiere
We are epicenters of the earthquake
The earth is scorched; trees are dying; species are becoming extinct; rivers are drying up. Human interventions have thrown the ecosystem off balance. The irreversible changes will have a devastating impact. A trip of a young urban couple to the country provides a base for a spontaneous poetic contemplation on dried-up landscape and mankind's environmental grief. Nature has ceased to be a relaxing place. Looking at nature can cause anguish. In this film about contradictions of ecological awareness, the ability to articulate such grief, be it through a prosaic statement or poem, meets the inability to let go off one's thoughts and feelings, to think outside the box and act on it.
personal program

We are epicenters of the earthquake

Tomáš Hlaváček
Czech Republic / 2020 / 40 min.
section: Czech Joy
World Premiere
The Judge over the Czech Way
The documentary reflects on thirty years of renewed democracy by way of a court hearing, whose subject matter. The film brings together actors in the roles of the plaintiff, defense counsel and judge with real people who represent Czech society as spectators, witnesses and members of the jury. The film is clearly inspired by a court hearing regarding a two-generation dispute filmed by Czechoslovak Television in 1966. “The story of an idealism and naivety of one and rationality of others. Review of thirty years of a divided society, who did not know about it. ” R. Sedláček

The Judge over the Czech Way

Robert Sedláček
Czech Republic / 2019 / 84 min.
section: Czech Joy
World Premiere
Czech Journal: Don’t Take My Life
One day, documentary filmmaker Andrea Culková learned that she faced attachment of assets because of a minor error that she learned about too late. She thus became one of the many people to find themselves caught in a debt trap. In her contribution to the Czech Journalseries, Culková delves into an examination of the phenomenon of debt, debt recovery, and debt payments in Czech society from a personal as well as investigative viewpoint. She interviews various actors in the field, from debtors to the Minister of Justice, attends conferences of debt collectors, and explores how the issue is addressed in other countries."You can’t just take my film from me!!!!"

Czech Journal: Don’t Take My Life

Andrea Culková
Czech Republic / 2016 / 63 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt