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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
How to Stop Watching a Video That Never Ends
How to Stop Watching a Video That Never Ends

How to Stop Watching a Video That Never Ends

director: Jan Martinec
original title: How to Stop Watching a Video That Never Ends
country: Czech Republic, China, Taiwan
year: 2018
running time: 8 min.

synopsis

A film essay based on the conflict between decorative shots from a bird’s eye perspective and three mechanical, linearly-connected monologues dissects the subconsciousness of an individual saturated with a multitude of differing choices, opinions, and possibilities in the numbers-driven age of digital media.

biography

Jan Martinec (1984) is a graduate of the Prague Academy of Arts, Architecture and Design. An examination of his career reveals an interest in the relationship between the mechanical present-day and meager history, as well as the desire to explore the fragile spaces between documentary, experimental film, and narrative.

more about film

director: Jan Martinec
cast: Peiya 培雅李, Zachary Lemon
producer: Jan Martinec
script: Jan Martinec
photography: Jan Martinec
editing: Jan Martinec
sound: R2 蔡凯东

other films in the section

Life in Patterns
Domlátil’s short animated film shows the daily rhythms of life at a speed of twelve frames per second. He works with real objects that we use in our regular lives or that we pass by without noticing them. Working with the textures, patterns and symbols he finds on them, he creates a visual continuity.

Life in Patterns

Vojtěch Domlátil
Czech Republic / 2017 / 1 min.
section: Fascinations: Exprmntl.cz
Exhausted Sun
A mysterious cinematic poem about remembering a long-lost summer afternoon. Disturbing abstract details of natural elements permeate the metaphor of a children's game, passing in a contemplative vision of the spiritual essence of light and darkness, in which opposites eventually dissolve into units of primal matter.
personal program

Exhausted Sun

Tomas Rampula
Czech Republic / 2019 / 12 min.
section: Fascinations: Exprmntl.cz
World Premiere
And Then He Just Stopped
The author uses film as an art-therapy tool to cope with traumatizing experience of her own. Told from a child’s point of view, the story builds on the symbolism of both common and uncommon objects, a clay body, a writhing snake or a metal means of payment, projected into the narrative structure of repeating motifs.
personal program

And Then He Just Stopped

Alexandra Sihelská
Czech Republic / 2019 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
Abstract Horror
The philosophical dystopia presents warning outlines of the near future where modern technology will not be a sign of progress, but rather decline. Behind the layer of film images, there is a monster created by computer animation, whose abstract virtual body represents the invisible ideological administration.
personal program

Abstract Horror

Franz Milec
Czech Republic / 2019 / 19 min.
section: Fascinations: Exprmntl.cz
World Premiere
The Weather of Time
A metaphorical weather forecast portrays human emotions and sentiments in confrontation with contemporary social debates. The lightly satirical tone of the tv moderator’s presentation accompanies a video collage featuring a central motif of the Earth in which Africa is shrouded by clouds of existential questions and a spiritual crisis front threatens Europe.

The Weather of Time

Adéla Součková
Czech Republic / 2018 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Sequence
A melancholic metaphor depicts transportation links and the logistical construction of a futuristic view of a dark, sterile environment. Fluorescent machines and vehicles that serve man live their own lives until their last moment, when they fall into pieces of the material from which they were constructed.

Sequence

Jakub Korselt
Czech Republic / 2018 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
About-hair
Why do we have hairs, what is their purpose, what are they made of, and when did we stop loving them? The hybrid audiovisual essay with performative moments gives us various perspectives of the hair. Instructional video elements based on facts and macroscopic details are interspersed with staged and highly stylized scenes.
personal program

About-hair

Josefina Lubojacki
Czech Republic / 2019 / 17 min.
section: Fascinations: Exprmntl.cz
World Premiere
Dare Nativitatis
This intimate essay presents the inner experiences of pregnant woman before and during childbirth. As she tries to come to terms with physical pain and as she mentally processes the situation, more complex questions arise as well. A documentary record mixed with questions and visions that reflect the mind and brain of a birthing woman.

Dare Nativitatis

Eliška Cílková
Czech Republic / 2017 / 14 min.
section: Fascinations: Exprmntl.cz
World Premiere
There Is Something Behind The Sound
This sound-generated animation gives the audible world an impressive visual form of moving geometric shapes or a starry sky. The Max For Live and Touch Designer visual programming languages turn an original soundtrack into space galaxies where the technical and the human, the earthly and the spiritual, and machines and poetry meet.
personal program

There Is Something Behind The Sound

Julie Lupačová
Czech Republic / 2019 / 9 min.
section: Fascinations: Exprmntl.cz
World Premiere
Film as an Art Object. The Films of Stanislav Hora, 1980–2016
Fascinations: Exprmntl.cz - Out of competitionThe little-known Super 8mm films of Stanislav Hora (1959) from the 1980s are a little studied area of artistic film in our country. With his background in sculpture, Hora approaches film more as an artistic material – he uses it to animate the creation of sculptures, he draws on it, scratches and attacks its surface or uses it as a medium for art happenings. For Hora, film is a tool for expanding his artistic practice into other forms, a means for capturing visual processes or a kind of sculptural object. The Ji.hlava screenings are the premiere of newly digitized versions.Curator and author of the texts: Martin Blažíček (CAS FAMU)Digital reconstruction of the films: Lukáš Janičík, Emiliya VereshchaginaAudio mastering: Sara PinheiroThe films of Stanislav Hora were reconstructed at FAMU’s Centre for Audiovisual Studies thanks to the Academy of Performing Art’s institutional support for long-term conceptual development.Screening:BabraeCzechoslovakia, 1980, 6 min.Černý hadice / Black HoseCzechoslovakia, 1982, 3 min.Dobře posazená figura / Well-Positioned ModelCzechoslovakia, 1987, 3 min.Oko / EyeCzechoslovakia, 1987, 1 min.Pavouk / SpiderCzechoslovakia, 1987, 4 min.Kameny / StonesCzechoslovakia, 1987, 4 min.Fragment II – West BerlinCzechoslovakia, 1989, 6 min.FILCzech Republic, 2016, 5 min.

Film as an Art Object. The Films of Stanislav Hora, 1980–2016

90 min.
section: Fascinations: Exprmntl.cz
Buffer Zone Blues
The almost hallucinogenic whirlwind of virtual views of potential targets of a nuclear attack in a “buffer zone” shows the viewer an unpleasant proximity of total destruction, which threatened Czechoslovakia in the 1950s. The visuality of the film, reminiscent of direction finding, was created using the data from Google Maps.

Buffer Zone Blues

Franz Milec
Czech Republic / 2018 / 9 min.
section: Fascinations: Exprmntl.cz
European Premiere
Unknown
The experimental film Unknown presents prototypical urban motifs, such as public transport and escalators, transforming them into abstract black and grey fragments using rotoscope animation to the accompaniment of authentic sounds. Using these scenes, the filmmaker is trying to evoke in the viewer the subjective feeling of alienation in the anonymous environment of a city.

Unknown

Jakub Korselt
Czech Republic / 2017 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt