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24th Ji.hlava International Documentary Film Festival

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Kiruna – A Brand New World
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Kiruna – A Brand New World
Kiruna – A Brand New World
Kiruna – A Brand New World
Kiruna – A Brand New World
Kiruna – A Brand New World

Kiruna – A Brand New World

director: Greta Stocklassa
original title: Kiruna – překrásný nový svět
country: Czech Republic
year: 2019
running time: 87 min.

synopsis

Apocalyptic depiction of an area literally engulfed by the mining industry is presented in this documentary that observes the eponymous northern Swedish city, part of which was abandoned due to activities in the nearby iron mine. The mining company’s management decided not to halt profitable mining activities and instead made the decision to move the residents of the threatened district. Using footage shot in the city inside the Arctic Circle and directly in the mines, the director has uncovered subtle film imagery, and using the stories of three protagonists now living in a bizarre inter-time, imaginatively addresses the topics of resettlement, tradition, and respect for a particular location.

“The dystopian story of Kiruna is about lost people looking for a home in an uprooted city. It shows the dark side of the advanced society, whether in Sweden or the Czech Republic.” G. Stocklassa

biography

Czech-Swedish director Greta Stocklassa (1993) studies documentary filmmaking at FAMU. She garnered attention with her short student films, studies of an artificial aortic valve Metal on Metal (2017) and a parade of postcards for International Women’s Day Views of Věra Bechyňová (2015), which was screened at the Visions du Reel festival along with her feature debut Kiruna.

more about film

director: Greta Stocklassa
producer: Veronika Kührová, Michal Kráčmer, Ondřej Šejnoha, Alena Müllerová, Tomáš Srovnal, Ludvík Bohadlo, Markéta Pášmová, Čestmír Vančura
script: Greta Stocklassa
photography: Stanislav Adam
editing: Hana Dvořáčková
sound: Pavel Jan

other films in the section

Milda
As the main representative of the Communist Party of Czechoslovakia, Milouš Jakeš was the most powerful man in the country. At ninety years old, he still evokes strong reactions in society today. The director joins Jakeš on a look back at his life, from his beginnings at the Baťa Works until his final expulsion from the party. The film is interspersed with period footage of anti-government protests being put down, and the former general secretary is also confronted with former dissidents or their descendants. This documentary portrait shows an almost ascetic old man with firm convictions regarding the rightness of the old order, which suited his austere nature.“Alone like an abandoned dog.” P. Křemen

Milda

Pavel Křemen
Czech Republic / 2017 / 70 min.
section: Czech Joy
World Premiere
Bo Hai
In his new work of docufiction, Vietnamese-born Czech director Dužan Duong continues to explore the life of the Czech Republic’s Vietnamese community. Bo Hai takes an intimate look at a young man who helps out at his father’s mini-market. By showing everyday situations, the films introduces us to the life of young Vietnamese who have lived most of their life in the Czech Republic and are losing touch with the culture of their parents but at the same time are prevented from becoming fully-fledged members of Czech society. Filmed primarily using longer static shots in real-life settings, Bo Hai recalls the approach of contemporary cinematic realists. At the same time, it is also a personal statement about the director’s generation. “#FilmfromMini-market” D. Duong

Bo Hai

Dužan Duong
Czech Republic / 2017 / 26 min.
section: Czech Joy
World Premiere
Instant Dreams
A film essay about the obsession with maintaining visual memory using Polaroid works as a historical excursion, a how-to manual, and a philosophical contemplation. Accompanied by a hypnotic soundtrack, the film reveals the magic of instant photography using the compelling nostalgic aesthetic of the time before digital photography.

Instant Dreams

Willem Baptist
Netherlands / 2017 / 91 min.
section: Doc Alliance Selection
Central European Premiere
A Volatile Tale
The unexpected birth of young birds frames this daily observation of a bird colony from the window of a flat in Rome. A poetic juxtaposition of human and bird life, of the search for god and a yearning for perfection, plays out on a minimalist stage of a few slanting rooftops. The footage of urban gulls, taken with a shaky handheld camera and intercut with shots of nuns from the neighbouring monastery, are mixed with poems, excerpts from novels and classical music. Only now and then – in a reflection in a window or from a seemingly banal conversation – do we learn anything about the people behind the camera.„Is life linear? Why should narration be. Our attentive eyes excite our thoughts. Let's follow them. A Volatile Tale proceeds through associations describing not the existing but the experience." C. Vestroni

A Volatile Tale

Carla Vestroni
Italy / 2017 / 44 min.
section: Opus Bonum
World Premiere
FREM
The film is a reaction to the current wave of post-humanist thinking caused by the development of technology and artifi cial intelligence as well as the climate crisis. The human species is beginning to realize its insignifi cance and transience, and human identity has found itself in a crisis. The fi lm FREM attempts to refl ect this feeling and creates a dehumanized and alienated view of landscape and nature beyond human perception of reality. Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical refl ection on the limits of anthropocentric thinking. "Making this film was an extreme experience, in every aspect, not only physical, since we shot in Antarctica. I had to think un-thinkable. Leave the prison of anthropomorphism behind. Stop being human." V. Čákanyová
personal program

FREM

Viera Čákanyová
Czech Republic, Slovakia / 2019 / 73 min.
section: Czech Joy
World Premiere
Nekyia: Inner portrait of the poet Hradecky
Poet Daniel Hradecký is the main actor of of this inter-genre film about a journey into the depths of his own consciousness. The black and white documentary parable looks into the human soul with interplay of sounds and raw images. Several episodes take place in the rough landscape of North Bohemia, accompanied by dramatic music. Their narrative includes fragments of the poet’s texts and his memories, reconstructed in the film: Daniel starts a shift in a factory, or he meets the devil in the dark. The film maps the poet’s inner world, and sinks deeper and deeper to the bottom of the raw imagination with him. “Is the man who likes dreaming happy?” A. Hospodářský The protagonist of the film, Daniel Hradecký will be reading poems as well works of other author after the screening of the film on Friday 25.10 in 18:00 in the Café Etage. 
personal program

Nekyia: Inner portrait of the poet Hradecky

Albert Hospodářský
Czech Republic / 2019 / 25 min.
section: Czech Joy
World Premiere
Expectant
If we look up the word "expectante" in a Spanish-English dictionary, we learn it is an adjective which can be translated as “expecting” or “biding one's time”. It is no accident this single-word title belongs to an disconcerting Peruvian film which takes its audience to a darkened city where a group of friends is spending an evening of leisure. Even though the neighborhood they live in is a relatively safe one, their locked doors and gates provide no more than an illusion of safety, which is a thought applicable world wide. The distant black-and-white camera through which the audience observes the plot seems to be biding its time for a chance to attack."I think cinema is about creating sensations and reaching out to a personal language as a way to manifest our vision as individuals." F. Rodriguez Rivero

Expectant

Farid Rodriguez Rivero
Peru, Portugal / 2018 / 77 min.
section: Opus Bonum
International Premiere
29 26
 The film 29 26 is an audiovisual recording of the thoughts and feelings of two sixteen-year-old and two nineteen-year-old girls, who in monologues reveal their concerns and ideas about the life they’ll lead in ten years. The director underscores their speech with stylized and realistic images of themselves, acquired under varying circumstances and on different materials, thus creating an original work of art connecting elements of multiple artistic areas that are close to the author. Long shots of the protagonists’ faces, captured in great detail, are highlighted with expressive illumination and interleaved with poetic, experimentally conceived passages.„‘The world grows with fear next to us‘“ - 29 26, tries to be an intimate and honest tribute/portrait about growing up. Together we create a new space, between performance and film hoping to remember who we were one day.“ P. Velho

29 26

Pedro Velho
Portugal / 2018 / 40 min.
section: Opus Bonum
World Premiere
Passengers
The film’s director sees her four protagonists as passengers along for the ride. She started to follow them just before they left the children’s home where they grew up, and spent the next six years following their lives. The return to a non-functioning family environment often also means the return to established patterns, lack of a future, and unstable social relations. The film is an indirect indictment of the country’s institutionalized care system, which manages to look after children as minors but fails to properly prepare them for the transition into adulthood.„What is it like to sit in the back seat of your life?“         

Passengers

Jana Boršková
Czech Republic / 2018 / 78 min.
section: Czech Joy
World Premiere
Lost Coast
The film follows the lives of fishermen and vacationers who, through community efforts and friendly cooperation, seek to improve the otherwise deserted shores of the South Moravian reservoir Nové Mlýny, whether for a family holiday or leisurely fishing. Due to bureaucratic machinations, however, they are forced to sell off their summer homes and leave this place full of nostalgia and memories for good. Discreetly observational camerawork reveals the ordinary hardships, difficulties and joys of ordinary people and, with humorous insight alternating with melancholy contemplation, recounts the story of the conflict between living human experience and the cold state apparatus.  “’It’s a pity - one beautiful era has come to an end… ’ Fisherman Saša”. J. Zykmund
personal program

Lost Coast

Jiří Zykmund
Czech Republic / 2019 / 78 min.
section: Czech Joy
World Premiere
Arms ready
Firearms are a multifaceted phenomenon in contemporary society. For some they are a symbol of power, for others they represent certainty, and for others still they are a source of danger. Barbora Chalupová interviews gun owners and people interested in a gun permit, and explores the availability (both legally and illegally) of firearms in the Czech Republic. Her film makes partial use of the internet as an unconventional narrative tool, but is otherwise a typical interview-style documentary. The filmmaker also explores legal gray areas related to homemade weapons.“You see, it’s more about finding out why to have one or not have one. A gun, I mean. Legal… Illegal… But maybe I am just protecting myself with this pilfered political manifesto, or creating an alibi for myself.“

Arms ready

Barbora Chalupová
Czech Republic / 2016 / 39 min.
section: Czech Joy
World Premiere
The Last Shift of Thomas Hisem
“I hope that all is okay and that you’ll get something out of this,” proclaims miner Tomáš Hisem at the start of his shift at Ostrava’s Paskov Mine, which he decided to document. Although we don’t see his face (the camera that he has smuggled into the mine is attached to his helmet), we hear his distinct local dialect as he inspects the dark and dusty tunnels and claustrophobic underground spaces that we walk and crawl through on all fours. With a sense of immediacy and in his own distinctive manner, he captures a particular place at a particular time – one day before the Paskov Mine is closed and 1,300 of his colleagues lose their jobs. “I’m shooting this so those city slickers in Prague can see the hard-ass work we do!” J. Andrš

The Last Shift of Thomas Hisem

Jindřich Andrš
Czech Republic / 2017 / 29 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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