synopsis
This artistic portrait of the sculptor Hugo Demartini draws on the aesthetics of faded commonplaceness and peripheries: it is conceived as a wordless collage of object-based and figurative motifs from the studio and the adjoining courtyard, accompanied by the rhythmic music of the period. The film opens with the motto: “I like the rusty sheet metal nailed to my neighbour’s gate, or the old clockwork mechanism I found in a rubbish tip.” The title is explained at the end: “Robčerace is a made-up word that doesn’t commit you to anything.” The film is a third-year documentary exercise.
biography
Evžen Plítek (1938) studied documentary filmmaking (1961–65, graduated in 1966) and worked as a documentary film director; he received an award at AFO Olomouc for his short film
Svět pro všechny (
A World for Everyone, 1982), which explored the legacy of ethnographer A. V. Frič. He occasionally worked as a screenwriter and dramaturge on feature film projects (František Fenič’s
Zvláštní bytosti [
Strange Creatures], 1989).
film details
| director: | Evžen Plítek |
| producer: | Lukáš Hanzal |
Film at festival
| premiere type: | The film already had its Czech Premiere |
| festival edition: | 2026 |
| section: | FAMU 80 |
| language: | No Dialogue |
| colour: | Black and white |
Info
| director: | Evžen Plítek |
| original title: | Robčerace |
| country: | Czechoslovakia |
| year: | 1964 |
| running time: | 6 min. |