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24th Ji.hlava International Documentary Film Festival

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Peasant Common Sense
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Peasant Common Sense
Peasant Common Sense
Peasant Common Sense
Peasant Common Sense
Peasant Common Sense
Peasant Common Sense

Peasant Common Sense

director: Zuzana Piussi, Vít Janeček
original title: Selský rozum
country: Czech Republic
year: 2017
running time: 73 min.

synopsis

Originally, this film – which made waves in Czech society – was supposed to be about Czech agriculture and about the factors that have the greatest impact on it. But one of the most important factors turned out to be the entrepreneurial and political activities of Andrej Babiš. A documentary with elements of investigative journalism, the film follows journalists Zuzana Vlasatá and Jakub Patočka as they uncover Babiš’s business style and its impact on society and the environment. Through inventive editing, framing and the use of animation, the film goes beyond a mere presentation of facts to create an original report, made using various tools of the cinematic medium.

“The government must by guided by peasant common sense!” Z. Piussi

biography

In films such as The Crying of Angels (2005, Ji.hlava IDFF 2005) and Fragile Identity (2012, Ji.hlava IDFF 2012), Zuzana Piussi (1971) has explored various issues faced by Slovak society. Leading Czech documentarian Vít Janeček (1970) explored spirituality in Ivetka and the Mountain (2008, Ji.hlava IDFF 2008) and contemporary social issues in Race to the Bottom (2011, Ji.hlava IDFF 2011).

more about film

director: Zuzana Piussi, Vít Janeček
cast: Bohumír Rada, Zuzana Vlasatá, Jakub Patočka, Táňa Králová, Jaroslav Boček, František Tomášek, Jana Moravcová, Josef Středula, Jan Rambousek
producer: Petr Kubica, Vít Janeček
script: Vít Janeček, Zuzana Piussi
photography: Zuzana Piussi, Vít Janeček
editing: Vít Janeček, Zuzana Piussi
sound: Luka Šuto

other films in the section

Attention Economy: 39 Minutes After the Presidential Election
Petr Salaba’s film is a mosaic of videos that use different perspectives to record the actors and witnesses of the incident widely discussed in the media and related to re-electing Miloš Zeman the President of the Czech Republic at the end of January 2018. The film image, divided into several frames with parallel events, is a voyeuristic view of the exacerbated situation that occurred shortly after Zeman’s press conference at the congress Top Hotel in Prague. The journalists and film documentarists present at the press conference got into conflict with Zeman’s aggressive supporters after a man collapsed in the lounge. “We have to find the positive Nash equilibrium. wikipedia.org/wiki/Nash_equilibrium” P. Salaba

Attention Economy: 39 Minutes After the Presidential Election

Petr Salaba
Czech Republic / 2018 / 8 min.
section: Czech Joy
World Premiere
FREM
The film is a reaction to the current wave of post-humanist thinking caused by the development of technology and artifi cial intelligence as well as the climate crisis. The human species is beginning to realize its insignifi cance and transience, and human identity has found itself in a crisis. The fi lm FREM attempts to refl ect this feeling and creates a dehumanized and alienated view of landscape and nature beyond human perception of reality. Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical refl ection on the limits of anthropocentric thinking. "Making this film was an extreme experience, in every aspect, not only physical, since we shot in Antarctica. I had to think un-thinkable. Leave the prison of anthropomorphism behind. Stop being human." V. Čákanyová
personal program

FREM

Viera Čákanyová
Czech Republic, Slovakia / 2019 / 73 min.
section: Czech Joy
World Premiere
Helena's Law
Documentary filmmaker Petra Nesvačilová’s study of the famous “Berdych Gang” focuses on police officer Helena Kahnová, but she also interviews other actors in the case, including the accused and the convicted. The resulting film is a mosaic that says less about the case or its background than it does about the people who exist on the edge of the law, and about their thoughts and motivations. Nesvačilová herself comes into contact with the criminal underworld and becomes an actor in her own film. She must decide whether it is safe to meet certain people, which leads her to consider questions related to the essence of crime and of good and evil in general.“I thought I was shooting a portrait of a brave police woman, but in the end I found myself in places that I had always been afraid of and that I only knew from the movies. The underworld. And now I see that this underworld is all around us – sometimes very, very close.”

Helena's Law

Petra Nesvačilová
Czech Republic / 2016 / 80 min.
section: Czech Joy
World Premiere
Traces, Fragments, Roots
A museum of rotting apples, a Christmas tree shedding its needles, a splintered tree trunk, maggots crawling over a honeycomb… The sound of a falling apple hitting the ground, speech classes, Christian sermons, the baaing of sheep… Images and sound continuously come into contact with each other in the twenty-minute film Prints, Shards, Roots, presenting creative encounters between the human world and nature. The film could be termed an experiment, but it is more of an evocative lyrical series of images and sounds, which gain power through the effective shots taken with a 16mm camera. The beauty of the decaying natural items that is consistently called is set against a backdrop of human artefacts, which is slightly indifferent but no less mysterious.“‘I really don’t know what’s wrong with it, no matter how much water I add, it’s still too runny.’ I once ran into this sentence somewhere – it’s about mixing mortar – and I like it more and more.”

Traces, Fragments, Roots

Květa Přibylová
Czech Republic / 2016 / 20 min.
section: Czech Joy
World Premiere
Nekyia: Inner portrait of the poet Hradecky
Poet Daniel Hradecký is the main actor of of this inter-genre film about a journey into the depths of his own consciousness. The black and white documentary parable looks into the human soul with interplay of sounds and raw images. Several episodes take place in the rough landscape of North Bohemia, accompanied by dramatic music. Their narrative includes fragments of the poet’s texts and his memories, reconstructed in the film: Daniel starts a shift in a factory, or he meets the devil in the dark. The film maps the poet’s inner world, and sinks deeper and deeper to the bottom of the raw imagination with him. “Is the man who likes dreaming happy?” A. Hospodářský The protagonist of the film, Daniel Hradecký will be reading poems as well works of other author after the screening of the film on Friday 25.10 in 18:00 in the Café Etage. 
personal program

Nekyia: Inner portrait of the poet Hradecky

Albert Hospodářský
Czech Republic / 2019 / 25 min.
section: Czech Joy
World Premiere
Feral
Charlie Soukup is a Czech underground songwriter and Charter 77 signatory. He emigrated in the early 1980s, and has spent the last several decades living on his own in the Australian outback as a hermit and Buddhist. Documentary filmmaker Jiří Holba sought Soukup out on his large property in the bush, where he builds secret shelters and lives away from civilization. The film, which Holba shot entirely alone on location, presents spontaneous conversations and situations that fully capture Soukup’s distinctive charisma. The film’s series of monologues are a kind of stream of thoughts that are part mad rambling and part insightful observations on life. “I’m interested in a film as a poem, a touch of life, a wave of a magic wand, a sudden burst of a spark in the infinite darkness, a solution of a puzzle. No beginning, no end, everything in a compact space. And love.” J. Holba

Feral

Jiří Holba
Czech Republic / 2018 / 72 min.
section: Czech Joy
World Premiere
Sólo
Martín Perano is a young Argentinean piano virtuoso and composer whose life has been turned upside-down by mental illness. He spent the past few years in the largest psychiatric hospital in South America, El Borda in Buenos Aires. After his release he returned to the nearly empty house of his parents, where his biggest concern was to learn to live without walls and to go back to the piano, which he played every day in the institute. The director patiently observes Martín’s return; in interviews with his loved ones, he learns more about Martín’s past, lyrically approaching the inner workings of a person obsessed with creation, capable of taking strength from their own hypersensitivity. “The other patients sat in respectful silence listening to this curious sonata of fingers rapping the table. After a few minutes, Martín finished playing. Strong emotions could be read in the eyes of his audience, as though they had been listening to real music.” A. Benki
personal program

Sólo

Artemio Benki
Czech Republic, France, Argentina, Austria / 2019 / 84 min.
section: Czech Joy
Czech Premiere
Normal Autistic Film
Children with autism don’t suffer from an incurable disease. They suffer because they are neurodiverse in a world set up for neurotypicals. With that perspective, Miroslav Janek embarks on a series of live meetings with a number of children and young adults who have been diagnosed with Asperger’s syndrome. He gives them the opportunity to express freely their relationship with the world and with themselves, as well as what sets them apart from “normal”. We find that he’s brought us into the company of fun, fascinating people who often suffer because they are labelled as “disabled”. This excursion into the world of autism redefines the seemingly firm boundaries between “otherness” and normality.“Now let’s talk about Asperger syndrome. What Asperger’s knows how to do. The standard form of Asperger’s syndrome, the milder version, which is what I have, is able to find friends. But the more severe version can’t. He has no friends.”

Normal Autistic Film

Miroslav Janek
Czech Republic / 2016 / 90 min.
section: Czech Joy
Two Roads
The Jedlička Institute music class currently known as The Tap Tap band was founded 21 years ago by Šimon Ornest to give people with handicaps an opportunity to succeed outside of their daily institutional care. An observing and attentive camera captured the evolution of the personalities of several of the musicians over the course of several years. The attractive energy of the film which is exceptional in its approach to its theme as it avoids the usual compassionate sentiment stems from the relationships among the musicians and between them and their band leader, the motor of the action, whose work improves the public image of people with handicaps in an unorthodox way. “Even if it was hard for me at first, I was trying to make a film in a similar way that the band members are putting up with their destinies: with no sentiment, pointless pity or political correctness involved, yet with a touch of pitch black humour.” R. Síbrt
personal program

Two Roads

Radovan Síbrt
Czech Republic / 2019 / 80 min.
section: Czech Joy
World Premiere
One Last Time in the Fields
A filmed explication and a discovered script, composed of melodies and images for a film that was once supposed to be made. In the beginning was Bohuslav Martinů’s cantata Kytice – or rather, its part titled “Man and Death”, a musical adaptation of Sušil’s collection of folk poetry. Inspired by it, writer and painter Ivan Matoušek created an eschatological still-life that then influenced his novel The Ego. This path is followed not just by the story of the film’s creation but by the film itself, a brief depiction of man on the road towards death, moving slowly amidst a waving field. Images become a parable of our own mortality. “You can only quote yourself in your own work.” P. Havlík

One Last Time in the Fields

Přemysl Havlík
Czech Republic / 2017 / 54 min.
section: Czech Joy
World Premiere
llllllIIIIl
The film’s title can be seen as an anti-captcha, a text that is easily machine-read but difficult for people to understand. Working in the style of a documentary essay, the film considers the problem of the autocracy of machines. Apocalyptic visions inspired by the film The Terminator are projected onto the reality of destructive protests against the G20 Summit, whose catalyst, means and outcome are statistical analyses of behavioural models realized using the computers and telephones in our pockets. A collage of original images, commented graphs and internet garbage. For the full viewing experience, please have your smartphone ready. “This text can’t be longer than 200 characters. That’s 60 more than a tweet by Donald Trump.” P. Salaba

llllllIIIIl

Petr Salaba
Czech Republic / 2017 / 27 min.
section: Czech Joy
World Premiere
Heidegger in Auschwitz
Czech Joy - Out of competitionThe German philosopher Martin Heidegger, one of the most important thinkers of the 20th century, goes on a tour of Auschwitz forty years after his death. He takes 2,500 photographs during his visit. On his way back, he visits Prague and his attention is caught by the tail end of a marathon, which conspicuously reminds him of a funeral. The following winter, his Jewish lover and another of the most important thinkers of the 20th century, Hannah Arendt, rises from the grave as well. With a 16mm camera in hand, she aimlessly wanders the area surrounding Heidegger’s chalet in Todtnauberg. She has visions of various motifs from the great philosopher’s central work, Being and Time. All is arranged in a strictly structural shape. Static in movement, kinetic in stillness. “Oh, Germany! People laugh when they hear the talk that comes from your house. But anyone who sees you reaches for a knife.” M. Ježek

Heidegger in Auschwitz

Martin Ježek
Czech Republic / 2016 / 50 min.
section: Czech Joy
Czech Premiere
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