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24th Ji.hlava International Documentary Film Festival

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Dead End, rewind reversal

Dead End, rewind reversal

director: Björn Speidel
original title: Dead End, rewind reversal
country: Germany
year: 2016
running time: 11 min.

synopsis

This inventive experiment with a stereo 3D image follows a train track ending at a ruined bridge and then back again through the forest. The focus is on the spatial perception of diverse depictions of the journey laid side by side, captured with a film camera and confusing the eye of the viewer with various overlays and inversions of time levels.

“Stereo3D films shall be done such a kind that they make no – or another – sense if they where only in mono2D. What we know from flat filmmaking is no help. So filmmakers have to start from scratch again and spectators too.”

biography

Visual artist Björn Speidel (1976) explores the relationship between depiction, its content and sharing, and the use of film material or media. He also creates off-screen installations and explores technologies and methods of creating and perceiving stereoscopic 3D images. He teaches at the Berlin Film Institute, and is a member of the LaborBerlin art collective. In his work, he plays with the principles of offscreen, stereo 3D, and multi-dimensional images.

 

more about film

director: Björn Speidel
producer: Björn Speidel
sound: Christian Obermaier, Jochen Jezussek

other films in the section

Or / Or, Hawick, may 18
In the middle of the Teviot River in Scotland, the filmmaker saw a color in the sky like in the paintings of Gustav Klimt. He translates his amazement at this moment into fluid patterns of a digitally decomposed scene, all the way to its radical ending when the variously colored grids flowing on the screen like a calm horizon again dissolve into Klimt’s golden color. "Making films is opening my heart and letting the magical powers of life shine in my imagination to merge them in images. I try to thrill those who watch colour and time flow in my films." J. Perconte  

Or / Or, Hawick, may 18

Jacques Perconte
France / 2018 / 9 min.
section: Fascinations
World Premiere
Matters Of Time
A matrix of experiences and reflections from the author’s journeys between Berlin and Hiroshima was constructed by gushing together systems containing from 4 (or 2 times 2) to 625 (25x25) artist’s Facebook statuses in 7 identically long intervals of time. A suggestive accumulation of images evokes oversaturation in which the meaning and uniqueness of individual moments get lost. "There is a tension between past en presence I like to explore. Contemplating the riddles of cause and effect, may be. No text, no word, experience. Nothing logical within a conceptual framework." T. Mohr     
personal program

Matters Of Time

Thomas Mohr
Netherlands / 2019 / 12 min.
section: Fascinations
World Premiere
African Film School
Found 8mm home movies from safaris in South Africa and Zimbabwe in the 1960s – i.e., during the apartheid era. The filmmaker finds inspiration in Peter Kubelka’s avant-garde work Unsere Afrikareise and uses montage and editing to critically refl ect on the colonial representation of the African landscape. “Having lived in South Africa for almost a decade, I wanted to find an abstract way to reflect on my journey as a filmmaker and highlight my concerns regarding the visual misrepresentations of Southern Africa.” R. Horn

African Film School

Roger Horn
South Africa / 2017 / 5 min.
section: Fascinations
International Premiere
ENOLAEMEVAEL
This remake of Man Ray’s celebrated Emak Bakia (1926), which uses a cameraless method of creating hand-processed film images in high-contrast black-and-white, refers to the original film even in its subject matter as well: continuing with the motifs of death, it works with artifacts and documents from US drone attacks on Pakistani territory in 2015. Kathryn Ramey (1967) is an American filmmaker, anthropologist, and teacher at Emerson College in Boston. Through celluloid manipulation and hand developing film stock, she creates new audiovisual forms that search for points of intersection between anthropological studies and experimental film. Her works have received numerous awards at international festivals.“Combining experimental process - es with theoretical premises and anthropolo gy, my films and installations seek to deconsecrate the ‘real’ of conventional documentary and agitate the viewer to seek out subjugated narratives in dominant media culture.”  

ENOLAEMEVAEL

Kathryn Ramey
United States / 2016 / 7 min.
section: Fascinations
European Premiere
Time, why think about it?
The memories of old people at a senior care facility come to life in fragmentary recollections accompanied by photographs of them and their loved ones and the places and events they remember. The ephemeral nature of these memories is visualised by using painting to alter these images of the passing of time. Belgian artist Charlotte Dunker (1987) uses painting techniques in her films, and also experiments with light-sensitive materials. She works with silence as an opportunity for self-reflection and explores the changeable nature of truth in relation to cultural contexts. The Jihlava IDFF previously showed her film Jupiter Lolopop (2014), in which she used a mosaic of 3,564 paintings to bring to life microstories of everyday life.“This film was realized to gether with the residents of a retirement home through a series of workshops. It fo cuses on the notion of time through the use of family photographs.”

Time, why think about it?

Charlotte Dunker
Belgium / 2015 / 9 min.
section: Fascinations
World Premiere
Some Clouds Float Distant
A visual illustration of the process of remembering, when the mind associates the image of an object with similar images based on the person’s mental organization. These are more a reflection of his identity than an imprint of real things and events. “I’m interested in creating works that exist as experience themselves. I consider it necessary to implement the sensitive, the sensual, the experiential into the artwork: to appeal to an erotic of artwork.” G. E. Veloso

Some Clouds Float Distant

Gonzalo E. Veloso
Spain / 2017 / 6 min.
section: Fascinations
World Premiere
Requiem
This slow-moving film creates intensive experience of continuously nearly indiscernible - yet in the length of the whole film invariably distinct - changes of shadows, spaces and shapes carved by dark branches into the light mist that besets the statue-like steadiness of the thickening forest just to relinquish it the very next moment. “I wrote poems on the streets, wary of irresponsible parables of nature. The imagination of the street was pain and I loved it. But I still believe that the greatest subverbs are in nature.” M. Yi       
personal program

Requiem

Myun Yi
South Korea / 2019 / 11 min.
section: Fascinations
World Premiere
Shapes of Facts
Ghostly hills and inhospitable landscapes created by physically deformed newspapers are a critical allegory of the inner workings of the contemporary media world in which, beside journalists who still hold in esteem reliable and verified information, the voice of those crooking facts and creating parallel and alternative “realities” intensify by the day. “A fact is supposed to be specific and verifiable. The fact you are willing to accept makes your reality of this world. Watch out! There are many different versions of each fact.” Y. Nishimura
personal program

Shapes of Facts

Yoshiki Nishimura
Japan / 2019 / 10 min.
section: Fascinations
World Premiere
8th October 2016
The title of the film is the date on which the editorial staff of the Hungary´s largest opposition newspaper, Népszabadság, was fred. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context. “Our film is a simple political statement. It was made in two days, right after the shut-down of Népszabadság.” B. Máté, P. Lichter

8th October 2016

Péter Lichter, Bori Máté
Hungary / 2016 / 2 min.
section: Fascinations
European Premiere
Exhumation
Desire without its object is like an image made unrecognizable by cutting out its parts; by scratching away part of the visible image, the image becomes a hole sliced into a pained body, fumbling about for what is missing, seeking physical contact and tangible proof of co-existence.  ""Exhumation" is my interpretation of the reports of Dali's death mask recently. I worked to physically peel back layers of representation to reveal disintegrated memories of figures that once were." D. McIntyre  

Exhumation

Daniel McIntyre
Canada / 2018 / 8 min.
section: Fascinations
Central European Premiere
Synthetic-free
Wave follows wave. Real movements of the ocean, redrawn by computer-generated animation, flow into the picture frame in relation to real-time wind speeds, their visibility defined by natural light levels. The monotonous sound further emphasises the endless irregularity of the observed. “3D Computer Graphics have powers for making new images. They are mostly used for entertainment. However, they can surely be applied more to creating new methods and ideas for exploring experimental expressions.” Y. Nishimura

Synthetic-free

Yoshiki Nishimura
Japan / 2017 / 9 min.
section: Fascinations
World Premiere
Filipiniana
An ironic collage offers a reflection on lords and leaders, their gestures, attributes, characteristics, and deeds. The images, which oscillate between the credibility of archival footage and the artificiality of costume dramas on cardboard stage sets, become hyperboles of the typical attributes of power and engage in, are a radically rebellious play with punk expression. Khavn de la Cruz (1973) is a Philippine filmmaker, musician, and writer, a leading figure of the younger generation of Philippine cinema. He has helped produce 47 feature-length and 112 short films, and founded MOV, an international film, music, and literary festival in Quezon City. In addition to a number of feature-length films (Kamias: Memory of Forgetting, 1999, 2006 Jihlava IDFF; Manila in the Fangs of Darkness, 2008, 2008 Jihlava IDFF), a crosssection of his short films were presented at the 2006 Jihlava IDFF in the Translucent Beings section.“To reimage, rewrite, and reread my country’s bastard history, using dismembered icons and scenographies that both affirm and negate remembered mythology.”

Filipiniana

Khavn De La Cruz
Philippines / 2015 / 13 min.
section: Fascinations
European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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