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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf
Solos for Members of Parliament
Solos for Members of Parliament
Solos for Members of Parliament
Solos for Members of Parliament

Solos for Members of Parliament

director: Tereza Bernátková
original title: Sóla pro poslance a senátory
country: Czech Republic
year: 2018
running time: 34 min.

synopsis

Twenty-one politicians reply to the question of how they view the Czech Republic’s future. The survey, built on the democratic principles of equality and freedom of speech, provides the same conditions for all of the interviewees and presents their uncensored and complete responses. However, this raw materials provides more testimony regarding the present than the future, as it unmasks the faces MPs and senators present to the public and demonstrates the rhetorical means they use to expand political power. Freedom is a double-edged sword depending on whose hands hold it. The same applies to media as a tool used for disseminating propaganda as well as for undermining it.

“The film shows the people behind mandates, trying to approach them on the condition that they have to approach us.  To what extent is a different form of public meetings with politicians possible? To what extent are other worlds possible?” T. Bernátková

biography

Tereza Bernátková (1986) is a student of the Documentary Film Department at FAMU. Her films thus far include In Love With (My Own) State (2014, Ji.hlava IDFF 2014), he bachelor’s degree film Techsquat (2015, Ji.hlava IDFF 2015), and Jamal's Own Images from the Prison (2016). In them, the filmmaker explores the relationship between the individual and the system, and the transparency between the political and civil sectors.

more about film

director: Tereza Bernátková
producer: Tomáš Šimon
editing: Mariana Kozáková
music: Filip Johánek

other films in the section

Enclosed World
This four-hour documentary – a compilation of Czech Television’s eponymous series – systematically charts life in prison and the associated societal circumstances. Through looking at human fates, on both sides of the bars, it explores imprisonment as something that, although often addressed in the media, is something with which most of us have no personal experience. Using the powerful stories of several individuals who are at different stages of their incarceration, the film presents not only a cross-sectional view of the current correctional system but also contemplations about guilt, punishment, justice, and whether an individual caught in the gears of a repressive system can actually remedy their behavior and change.“Enclosed world has undoubtedly been the longest, most demanding and most exhausting project I have worked on. I don’t know how many such things you can do in your life if you don’t slow down to survive. Maybe just one…” K. Žalud
personal program

Enclosed World

Karel Žalud
Czech Republic / 2018 / 229 min.
section: Czech Joy
World Premiere
Czech Journal: Don’t Take My Life
One day, documentary filmmaker Andrea Culková learned that she faced attachment of assets because of a minor error that she learned about too late. She thus became one of the many people to find themselves caught in a debt trap. In her contribution to the Czech Journalseries, Culková delves into an examination of the phenomenon of debt, debt recovery, and debt payments in Czech society from a personal as well as investigative viewpoint. She interviews various actors in the field, from debtors to the Minister of Justice, attends conferences of debt collectors, and explores how the issue is addressed in other countries."You can’t just take my film from me!!!!"

Czech Journal: Don’t Take My Life

Andrea Culková, Filip Remunda, Vít Klusák, Jakub Halousek
Czech Republic / 2016 / 63 min.
section: Czech Joy
World Premiere
Batalives
Tomáš Baťa created unique factory production in the middle of a town that he had built for his employees complete with civic infrastructure. In line with this philosophy, the Baťa brothers set up dozens satellite town reminiscent of Zlín all over the world. Some of them still serve their original purpose, others stand as mere reminders of the famous factories. Poetic episodes take place in standard terrace houses that provide a video clip backdrop for young Croatians or symbolize the life devoted to Baťa in Batadorp, Netherlands. Five protagonists from different continents tell their overlapping stories influenced by the Baťa system. ‘Baťa’s motivational motto “Today a Dream, Tomorrow Reality”, painted in large letters on the wall that divided the factory from the town, has always seemed incredibly sad to me. It would be much better to live according to a motto “Today Reality, But Tomorrow a Dream”.’ K. Zalabáková

Batalives

Karolina Zalabáková, Petr Babinec
Czech Republic / 2017 / 75 min.
section: Czech Joy
World Premiere
llllllIIIIl
The film’s title can be seen as an anti-captcha, a text that is easily machine-read but difficult for people to understand. Working in the style of a documentary essay, the film considers the problem of the autocracy of machines. Apocalyptic visions inspired by the film The Terminator are projected onto the reality of destructive protests against the G20 Summit, whose catalyst, means and outcome are statistical analyses of behavioural models realized using the computers and telephones in our pockets. A collage of original images, commented graphs and internet garbage. For the full viewing experience, please have your smartphone ready. “This text can’t be longer than 200 characters. That’s 60 more than a tweet by Donald Trump.” P. Salaba

llllllIIIIl

Petr Salaba
Czech Republic / 2017 / 27 min.
section: Czech Joy
World Premiere
Arms ready
Firearms are a multifaceted phenomenon in contemporary society. For some they are a symbol of power, for others they represent certainty, and for others still they are a source of danger. Barbora Chalupová interviews gun owners and people interested in a gun permit, and explores the availability (both legally and illegally) of firearms in the Czech Republic. Her film makes partial use of the internet as an unconventional narrative tool, but is otherwise a typical interview-style documentary. The filmmaker also explores legal gray areas related to homemade weapons.“You see, it’s more about finding out why to have one or not have one. A gun, I mean. Legal… Illegal… But maybe I am just protecting myself with this pilfered political manifesto, or creating an alibi for myself.“

Arms ready

Barbora Chalupová
Czech Republic / 2016 / 39 min.
section: Czech Joy
World Premiere
FC Roma
A chronicle of the FC Roma football club, whose members have to persuade the other - “gadjo” - teams in the third league to play against them, transforms into an excursion through the various types of everyday Czech xenophobia. The filmmakers’ inconspicuous, observational approach gives a voice to the charismatic coaches, who, with a healthy ironic worldview, comment on a society that gives them virtually no chance. The dialogue of the various protagonists is the most prominent feature of this stirring, yet hopeless sounding documentary. Racism proves to be absurd, often unintentionally comical, but often also chilling.“Hitler doesn’t belong on the playing field.”

FC Roma

Tomáš Bojar, Rozálie Kohoutová, Evženie Brabcová
Czech Republic / 2016 / 76 min.
section: Czech Joy
The Way the President Departs
The compilation documentary The Way the President Departstakes us back to the events surrounding the presidential elections in Czechoslovakia in 1992 that led to the dissolution of the federal republic. The film, which uses clips from Czechoslovak Television and Original Videojournal, focuses on the first elections, in which the sole candidate was Václav Havel. It is Havel himself who is the focus of the film. We see primarily his immediate reactions to the changing situation around the elections, whether those intended for the public or expressed within his circle of advisors. In addition to observations of an important Czech politician, the film evokes public life in the 1990s.“I am sure that for today’s audiences, this behind-the-scenes look at politics will be interesting and stimulating, and they will be surprised at how dramatically the political scene has changed.”

The Way the President Departs

Pavel Kačírek
Czech Republic / 2016 / 51 min.
section: Czech Joy
World Premiere
Love Me If You Can
In other countries, sexual assistance for disabled people is an established concept, but it is only just getting started in the Czech Republic. Documentarian Dagmar Smržová approaches the subject in a style reminiscent of the films of Erika Hníková. She has chosen three handicapped men and one trained sexual assistant, and follows them in everyday situations, casually asking them various questions. The film explores a subject that, although it is a serious social issue, the public has either ignored or finds controversial. Above all, however, she offers a sensitive look at the intimate lives of people living with disabilities.“... we cannot choose whether we are born good looking or not so good looking, strong or weak and that’s why we should reach out and help each other with things one can and the other can’t do – including making love…”

Love Me If You Can

Dagmar Smržová, Adéla Špaljová
Czech Republic / 2016 / 63 min.
section: Czech Joy
World Premiere
Everything Has Its Own Time
Viola Ježková’s experimentally conceived film presents real time and cinematic time as something woven into one image. The image layers are often layered over one another, and the audio tracks are intermixed. This very personal documentary is a poetic exploration of memory, consciousness and future expectations as inexorably joined by reality. Filing by before our eyes (before the cinematographic gaze) are scenes from the past and images of everyday life; in the voiceover, inner voices recite fragments of long-ago dialogues between those who have left us but have not left us alone. “How to come to terms with loss? How to treat the remains? How to understand the meaning of memories? When we enter a picture, we leave the frame. We meet ideas of images. And through this encounter we gain a new image – an image for the future.” V. Ježková

Everything Has Its Own Time

Viola Ježková
Czech Republic / 2017 / 29 min.
section: Czech Joy
World Premiere
We Can Do Better
As the personal advisor to presidential candidate Michal Horáček, documentary filmmaker Robin Kvapil recorded from behind the scenes of the campaign from autumn 2016. He filmed using anything he could get his hands on - camera, mobile phone, notebook computer. The film, co-directed by Radim Procházka, was an attempt to capture an authentic portrait of Horáček’s election campaign, presenting his team’s tactics, interactions with both supporters and opponents, with journalists, and with opposing candidates. With an awareness that they had most likely lost the election, but that there was still a long path ahead of them, Kvapil presented a reflection of their teamwork, commenting on their individual steps.„Documentarist as a presidential campaign adviser. ‚Nothing‘ and ‚I don‘t know‘ can not win over lies and hatred. The truth scares.“ R. Kvapil „Hustler, Trasher, Zjeman and Troll in the film about the backstage of democracy.“ R. Procházka
personal program

We Can Do Better

Robin Kvapil, Radim Procházka
Czech Republic / 2018 / 74 min.
section: Czech Joy
World Premiere
Feral
Charlie Soukup is a Czech underground songwriter and Charter 77 signatory. He emigrated in the early 1980s, and has spent the last several decades living on his own in the Australian outback as a hermit and Buddhist. Documentary filmmaker Jiří Holba sought Soukup out on his large property in the bush, where he builds secret shelters and lives away from civilization. The film, which Holba shot entirely alone on location, presents spontaneous conversations and situations that fully capture Soukup’s distinctive charisma. The film’s series of monologues are a kind of stream of thoughts that are part mad rambling and part insightful observations on life. “I’m interested in a film as a poem, a touch of life, a wave of a magic wand, a sudden burst of a spark in the infinite darkness, a solution of a puzzle. No beginning, no end, everything in a compact space. And love.” J. Holba
personal program

Feral

Jiří Holba
Czech Republic / 2018 / 72 min.
section: Czech Joy
World Premiere
The End of Light
On a most real stage of all, a director of this hybrid film lets an unreal story flow. While Croatian nationalists stage a protest in front of the Rijeka theatre against its art director Oliver Frljić (a well-known figure to Czechs, among others), on a nearby island of Goli otok, amateur actors rehearse a surrealistic performance. Dilapidated buildings of a former concentration camp, secretly erected by Tito’s régime to hold political prisoners, serve as props of a Lynch-like scene in which smeared-faced actors become objects in the waxworks of their own dreams. The world of imagination and the world of bleak reality start moving away from each other.“Call to me and I will answer you and tell you great and unsearchable things you do not know. Jeremiah 33:3” A. Suk
personal program

The End of Light

Aleš Suk
Croatia / 2018 / 62 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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