Unknown

The filmmaker explores the principles of movement while dreaming, and constructs them outside of the world of dreams by inserting graphic elements into images from the real world and simulating the space of a computer game in the virtual world. As she passes through these fictional worlds, the main character takes on a real as well as animated form.

In this short film, animated natural objects express the artist’s inner world: an unending search for new ways to do projects, searching for hidden meanings, and overcoming the fear of experimentation. The film’s central motif is, however, synesthesia as experienced through the fusion of physical sensory perceptions.

A film essay based on the conflict between decorative shots from a bird’s eye perspective and three mechanical, linearly-connected monologues dissects the subconsciousness of an individual saturated with a multitude of differing choices, opinions, and possibilities in the numbers-driven age of digital media.

When represented using 3D computer graphics, private artefacts become symbols showing home not just as a collection of iconic objects but above all as the personal stories associated with them. Through the ritual of, for instance, putting on slippers, home can be defined as an intimate private sphere that this act is meant to protect.

What if in one of the possible versions of the future, is was not only material objects that were scarce commodities - but also water. The film examines a situation in which water becomes a luxury commodity and gradually awakens in us the fear of its possible shortage, one which could take place in the near future. The emotional aspects of the film are underscored by the melancholic music of Never Sol. “The video Edible Water Bottles speaks using current advertising language, which points to its utter emptiness.” A. Horová

This sound-generated animation gives the audible world an impressive visual form of moving geometric shapes or a starry sky. The Max For Live and Touch Designer visual programming languages turn an original soundtrack into space galaxies where the technical and the human, the earthly and the spiritual, and machines and poetry meet.

This intimate essay presents the inner experiences of pregnant woman before and during childbirth. As she tries to come to terms with physical pain and as she mentally processes the situation, more complex questions arise as well. A documentary record mixed with questions and visions that reflect the mind and brain of a birthing woman.

An archaeologically significant site diffuses its memory through levels of the myths, rituals, and folk tales in an essayist discourse on the forms of historical continuity. Absence of contact sound and minimalist music emphasizing the visual motifs of both alive and inanimate tracks in the landscape.

People’s limited view of the world often places the human perspective above the natural cycles. Visual details capture the egotism that often causes us to not see the essence of things, Together with an apt and uncompromising voiceover they call on us to become aware of the impact our actions have on our surroundings.

A video essay examining the consumption of information in the virtual environment and its influence on ethics and engagement. The subject wanders through an abandoned office building. Using reality broken down into pixels and the manifestation of text, he highlights the detachment, blindness, and alienation of man moving through social networks.

An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Behind the curtain of the film strip the concreteness of images appears and disappears again with varying levels of visuals shifts and deformations. The sounds of the film’s movement mix with voices that give the scenes context but nevertheless prevent a reconstruction of the fable. – The story dissolves, and during this layering we move further away from it ever being one.