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24th Ji.hlava International Documentary Film Festival

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Winter / Miracle
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Winter / Miracle
Winter / Miracle
Winter / Miracle

Winter / Miracle

director: Gustavo Beck, Željka Suková
original title: Zimsko čudo
country: Croatia, Denmark, Brazil
year: 2012
running time: 60 min.

synopsis

This allegorical docufiction provides the viewer with a lightly meditative and at the same time modern impression of the Christian holiday while paying witness to the transformation of the sacral space and the holiday’s religious message. The film’s anonymous protagonists from opposite sides of the world discuss the paths of their faith in this visually stylised and stylistically edited film.

Czech viewers will be entranced by the final church crossover: The wild beach scene is underscored by the song Crazy for You, Jesus, which can be heard at gathering of the Czech sect known as the Triumphal Centre of Faith. The film itself concludes at just such a gathering. 

more about film

director: Gustavo Beck, Željka Suková
cast: Željka Suková, Tajči Čekada, Gustavo Beck, Midi Lidi
producer: Aleš Suk, Gustavo Beck
photography: Aleš Suk, Lucas Barbi
music: Schinichiro Koizumi
sound: Zoran Medved

other films in the section

The Things
Nearly 10 years after the conflict in Georgia, Georgian inhabitants of the Russian-occupied territory are still living in temporary camps, waiting to return home. Their dwellings are cookie-cutter houses. They brought only the few items that they managed to grab from their homes when fleeing from the occupation army. Equally austere, almost as empty as their provisional housing, they live their lives at the mercy of waiting for what is to come. In this meditative documentary, real relics of their past lives, everyday things brought from their original homes, are the most tangible manifestations of the irreversibility of time as measured by losses. “We attempted to reflect about war experience from particular perspective, to meet persons rather than statistics, to observe rather than inquire, to contemplate about something we all share - the attachments.” Nino Gogua

The Things

Nino Gogua
Georgia / 2016 / 62 min.
section: Between the Seas
World Premiere
The Last Self-portrait
Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers."I’ve long felt that through documentary filmmaking I can’t say what I want to, what calls out to me. I’ve butted against internal and external boundaries that have paralyzed me as a documentarian. " M. Kuboš

The Last Self-portrait

Marek Kuboš
Slovakia / 2018 / 72 min.
section: Between the Seas
International Premiere
The End and the Means
Massage, doing the laundry, grazing water buffalo, snake charmers, street jugglers and dentists, music and dance lessons. Through his humble contemplation on various expressions of people’s devotion to their work, Paweł Wojtasik shows the web of human activities that each have their fixed place within India’s caste society. Work is not a path out of poverty or towards wealth, but a form of Hindu meditation on the roots of human activity and established working techniques and rituals. Man is a machine controlled by a higher power. This observational documentary, filmed primarily in India’s oldest city, Varanasi, focuses on the sacred Ganges River as a source of all human endeavours. „I wanted to investigate the Indian idea that work can lead to liberation rather than alienation. As a film worker myself, I learned from the people I filmed – to be present with the whole body and mind.“ P. Wojtasik

The End and the Means

Pawel Wojtasik
United States, India, France / 2018 / 99 min.
section: Between the Seas
World Premiere
My Granny from Mars
Babushka Zina is originally Ukrainian, but because of the current political situation she has remained in Russian-occupied Crimea. Separated from her family, she lives in a forgotten seaside town while trying to decide whether to stay or to leave. The sounds of Russian contemporary music and folk songs add to the atmosphere of her exile town, which is seen through a sensitive lens filled with sentimentality. But the consequences of the unsatisfactory political situation are ever-present in this place, which is like a different planet. The way in which the director records Zina’s relationship to her friends and family betrays a deep respect for this old woman, her life wisdom, and her experiences."After the annexation of Crimea my old Ukranian granny Zina had to face the fact of living on a 'new planet'. For many reasons, the time has come for her to make a crucial decision." A. Mihalkovich

My Granny from Mars

Alexander Mihalkovich
Belarus, Ukraine, Estonia / 2018 / 83 min.
section: Between the Seas
World Premiere
The Last Black Sea Pirates
A documentary film with a dramatic arc illustrating the fairy-tale notion that “true treasure is not made of gold but is found in the human heart”. In his almost carnival-like film, the Bulgarian director shows the lives of a group of outsiders living on the shores of the Black Sea, dreaming of finding a legendary pirate treasure. The beach where most of the film takes place is located in an area known as Karadere – one of the last places in Bulgaria with natural beaches, untouched dunes and saltwater marshes.

The Last Black Sea Pirates

Svetoslav Stoyanov
Bulgaria / 2013 / 72 min.
section: Between the Seas
Czech Premiere
Abdul & Hamza
The feelings of rootlessness and life concerns that prey on thousands of African and Middle Eastern refugees migrating to Europe resonate in this minimalist documentary about two young Somali emigrants. On the path to a better future, they have found temporary shelter in an abandoned house in the mountains near the Serbian-Romanian border. The camera simulates the perspective of an inconspicuous impartial observer capturing moments that often lack any action, but are still full of internal tension arising from the feelings of uncertainty that the silently waiting men cannot escape.DETAIL:“My friend, everyone who has kids is a lucky man. And what’s the situation with your family? – My three children and my wife are waiting for me. It’s great that they are together.”

Abdul & Hamza

Marko Grba Singh
Serbia / 2015 / 49 min.
section: Between the Seas
Central European Premiere
The Circle
They wanted to create an environmentally friendly and socially sustainable community. Twelve adults and six children began to live beyond traditional social order. However, environmentally conscious behavior and embedded physical work do not result in satisfaction from the social aspect of the community ideal. The need to communicate becomes the theme of the film and it is constantly translated visually into shots of circular interviews that show that mastered interpersonal relationships are an indispensable condition for the sustainability of the community and any functional society. The inevitable implosion is preceded by an archetypal story of a love triangle and the struggle for power.“My motivation for making this film lay in the interest in human psychology, behaviour that surfaces in a closed group is a big revelation. In order to save the world, we really need to start within.” M. Lillak
personal program

The Circle

Margit Lillak
Estonia / 2019 / 93 min.
section: Between the Seas
World Premiere
The Waiting Point
The collective memory of a nation accumulates at a bus stop in Rijeka. Croatians wait aimlessly for a figurative Godot, as the flow of time is illustrated by the decreasing number of cigarettes in boxes along with the departure of the buses. Rijeka is like a crossroads, where the lives of the local community meet those of tourists passing through. The director steps into the black-and-white reality of Croatia with the invisibility of an objective observer. His footage shows people waiting for the bus as a metaphor for Croatians’ endless waiting for change. 

The Waiting Point

Maša Drndić
Croatia / 2013 / 43 min.
section: Between the Seas
Central European Premiere
Sea Tomorrow
This observational documentary examines the disappearance of the Aral Sea and attempts at its restoration. At the location where the majority of maps and atlases show a large, majestic body of water, Katerina Suvorova finds only a largish pond and an arid wasteland, filled with the rusting remnants of wrecks waiting for scrap metal collectors. Shots of the enigmatic landscape, consisting of endless expanses of sand and dust, are alternated with captivating details. Just as fascinating is the strong will and faith of the people who have stayed in this inhospitable environment, such as old gardener, fishermen, and a hydrobiologist. They hope that the sea will return, they are fighting to save it, and they all hope for a better tomorrow. “I see people of the Aral region as a collective image of the last survivors on Earth. Their stories prove that even when the last shuttle abandons our racked planet, there will be people who stay and prefer correction of errors of the past to uncertainty of the future.” Katerina Suvorova

Sea Tomorrow

Yekaterina Suvorova
Kazakhstan, Germany / 2015 / 88 min.
section: Between the Seas
East European Premiere
365 days, also known as a Year
Day after day, images of film life in the author's collage glued together from fragments of feature films flow at a frame rate in which the date of the day appears in various forms. The original jigsaw puzzle shows what one year of diverse film footage might look like. The selection of scenes by calendar key is an interesting probe into the history of cinematography in different countries, a showcase of moods and diverse styles of film narration. The link between the selected scenes is a certain urgency connected with the realization of a specific date, whether such a date denotes a historical milestone or a simple act of brushing one’s teeth. „365 Days' can be perceived simply as a recycled fiction story. As a video essay it discovers meaning of calendar dates for cinema and invites to think about life, memory and time.“ D. Bondarchuk 
personal program

365 days, also known as a Year

Dmytro Bondarchuk
Ukraine / 2019 / 99 min.
section: Between the Seas
International Premiere
Christ Lives in Siberia
After the breakup of the Soviet Union, a Siberian policeman claimed to be the reincarnation of Jesus Christ, and together with his followers set up Sun City in remote Siberia as an outpost of Christian life. Over a decade later, a mother of four children decides to leave her husband and life in Saint Petersburg behind and heads east with her offspring. The expected classic denouement of this tale does not, however, come to pass. To the contrary - this purely observational documentary shows that the coexistence of the breakaway religious group is problematic in some aspects, but despite that, it is a functional way of life in today’s complicated world.DETAIL:“We have to work for the children, for the future. That’s the right way, then everything will turn out right. They won’t have to live through the convulsions, the tough times which we had. It can all be different for them.”

Christ Lives in Siberia

Arbo Tammiksaar, Jaak Kilmi
Estonia, Finland / 2015 / 85 min.
section: Between the Seas
International Premiere
Not my Land
Allotment gardens near an international airport. Their ownership is unclear. Ethnic Russians living in the Baltic republics. Following in the footsteps of a documentary photographer, the filmmakers reveal the complicated modern history of Estonia as a country with a large Russian minority. They do so on a stage measuring several square kilometres in size. The aging gardeners are like squatters in the house of history. Beneath our feet is soil that is not theirs; over our heads, planes fly to countries they cannot visit; on all sides they are surrounded by a nation that doesn’t want them in their house.

Not my Land

Aljona Surzhikova
Estonia / 2013 / 52 min.
section: Between the Seas
Central European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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