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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Cinema Futures
Cinema Futures
Cinema Futures
Cinema Futures
Cinema Futures

Cinema Futures

director: Michael Palm
original title: Cinema Futures
country: Austria
year: 2016
running time: 125 min.

synopsis

A multi-genre collage consisting of variations on educational films, interviews with famous people (film theorist David Bordwell, director Christopher Nolan), and free-association poetry, Cinema Futures makes humorous use of a subversive and almost conspiratorial commentary. A meditation on the future of film in a world of digital platforms, this wild cinematic “ride” through a labyrinth of museums and archives to bring life classic cinematic and archival methods and contrast them with today’s ubiquitous virtuality. Does the death of celluloid also mean the death of film? Are we losing our audiovisual memory?

"A few years before a digitally presented film was exclusive. I disliked it. Scratches, dust and the noise of the silver belong to my formative movie experiences. But nostalgia is not an option."

biography

Austrian filmmaker and theorist Michael Palm (1965) studied editing and film and media studies. He has worked as an editor, sound technician, composer, and film critic, and has written numerous studies and articles in the fields of film theory, history, and aesthetics. He has been creating his own documentaries and experimental films since 2001, including Laws of Physics (2009) and Set in Motion (2012). Cinema Futures premiered at the 2016 Venice International Film Festival.

more about film

director: Michael Palm
producer: Ralph Wieser
script: Michael Palm
photography: Joerg Burger
editing: Michael Palm
sound: Hjalti Bager-Jonathansson

other films in the section

Birthday
A lonely life made up of daily routine tasks is depicted in this documentary made by the director about his own mother. It’s her birthday – her husband has been dead for years and her children have forgotten her, with the exception of her son, who remains behind the camera. Despite this, the ageing woman cleans, cooks, and makes ready for a possible celebration. Cursory inspections of her mobile phone screen show that she would have been happy with just a phone message. Birthdays give new meaning to loneliness, just as the director cuts away various natural barriers of the camera image and amplifies the sound effects track to allow silence to emerge and envelop the main character."One day of any person is the summary of his life. What we feel in one day is the same for all our life. Nothing changes. Repetitions, Repetitions and Repetitions. Just like my mother on her birthday." H. Baydarov

Birthday

Hilal Baydarov
Azerbaijan / 2018 / 63 min.
section: Between the Seas
World Premiere
TIMEBOX
Professor Ioan-Matei Agapi, an 80-year-old photographer and cameraman from Iași, Romania, owns a unique collection of 16mm films and photographs documenting almost fifty years of the city’s history. His daughter, also a filmmaker, has decided to make a film about her father's archives. In the unconventional surroundings of his old apartment, he reminisces about the past until one day Ioan is informed that he must leave or be evicted from home where he has spent the past 40 years. Ioan’s years of work suddenly transform into a huge burden, and the film unexpectedly changes into drama in which conflicts with city officials reveal old and hidden conflicts within the family. "The deepest thing I learned whilst doing this film is that we are stronger than we think we are." N. Agapi 

TIMEBOX

Nora Agapi
Romania / 2018 / 69 min.
section: Between the Seas
International Premiere
The Circle
They wanted to create an environmentally friendly and socially sustainable community. Twelve adults and six children began to live beyond traditional social order. However, environmentally conscious behavior and embedded physical work do not result in satisfaction from the social aspect of the community ideal. The need to communicate becomes the theme of the film and it is constantly translated visually into shots of circular interviews that show that mastered interpersonal relationships are an indispensable condition for the sustainability of the community and any functional society. The inevitable implosion is preceded by an archetypal story of a love triangle and the struggle for power.“My motivation for making this film lay in the interest in human psychology, behaviour that surfaces in a closed group is a big revelation. In order to save the world, we really need to start within.” M. Lillak
personal program

The Circle

Margit Lillak
Estonia / 2019 / 93 min.
section: Between the Seas
World Premiere
Christ Lives in Siberia
After the breakup of the Soviet Union, a Siberian policeman claimed to be the reincarnation of Jesus Christ, and together with his followers set up Sun City in remote Siberia as an outpost of Christian life. Over a decade later, a mother of four children decides to leave her husband and life in Saint Petersburg behind and heads east with her offspring. The expected classic denouement of this tale does not, however, come to pass. To the contrary - this purely observational documentary shows that the coexistence of the breakaway religious group is problematic in some aspects, but despite that, it is a functional way of life in today’s complicated world.DETAIL:“We have to work for the children, for the future. That’s the right way, then everything will turn out right. They won’t have to live through the convulsions, the tough times which we had. It can all be different for them.”

Christ Lives in Siberia

Arbo Tammiksaar, Jaak Kilmi
Estonia, Finland / 2015 / 85 min.
section: Between the Seas
International Premiere
Flotel Europa
In an emotionally gripping, deeply personal story about the loss of one’s childhood and a difficult adolescence in a politically unstable time, the director brings to life twenty-year-old memories from the time spent at the side of his mother, older brother, and hundreds of other refugees from war-torn Bosnia and Herzegovina. Together they awaited asylum in temporary housing on the Flotel Europa, which docked on the shores of Denmark in the early 1990s. The director incorporated archival video footage that the refugees themselves shot directly on the boat.DETAIL:“There were many good people, but the divisions caused by the war in Bosnia had slowly but surely settled in between us, refugees on Flotel Europa.”

Flotel Europa

Vladimir Tomić
Serbia, Denmark / 2015 / 71 min.
section: Between the Seas
Czech Premiere
Notorious Deeds
October 1989. A high school student in Bucharest is apprehended for pasting up anti-regime posters and is interred in a secret police building for a number of days. As a result, his family, loved ones, friends, and schoolmates are affected by restrictions. Twenty years later at their class reunion, an excursion begins into memories of that moment of shock etched forever into memory, but for each somewhat differently. Director Gabriel Tempea is more interested in exploring the subjective interpretation from the point of view of “talking heads” than the actual facts. A postmodern form of oral history based on the testimonies of those who have most of their lives ahead of them.“Based on personal, subjective and painstakingly detailed recollections of an exceptional occurrence, I attempted to provide a glimpse at the bigger picture of  atroubled historical period.” Gabriel Tempea

Notorious Deeds

Gabriel Tempea
Romania, Austria / 2015 / 68 min.
section: Between the Seas
World Premiere
The Winter Garden's Tale
Valentina Voronina, gardener and tenacious manager of a large conservatory, is fired after forty-five years on the job. Time is winning in its unequal battle with a lack of financing, a decaying building, and the approach of retirement age. The dilapidated conservatory reflects the weakening strength of its distinctive manager and visionary. The conviction that the plants will die if nobody looks after them, is intertwined with the appearance of esoterics and a shaman with a divining rod who discovers a spring of positive energy in front of the building’s entrance. Palm fronds rustle like a silent witness to the melancholic struggle against time and the relentlessness of decay. Another cruel winter is on the horizon. "It is built on its own internal rhythm without the author’s direct speech. Just rethought reality, placed in ironical and a little magic conditions with the main conflict between dreams and reality. " S. Mozgovyi

The Winter Garden's Tale

Simon Mozgovyi
Ukraine / 2018 / 75 min.
section: Between the Seas
World Premiere
THE GOOD DEATH
Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of her loved ones are interwoven with Janette’s story."Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa

THE GOOD DEATH

Tomáš Krupa
Slovakia, Czech Republic, Austria, France, Switzerland / 2018 / 83 min.
section: Between the Seas
World Premiere
Bojo Beach
Regular rushes of waves wash the Ghanaian coast, and a group of fishermen pulls their catch from the sea as they do every day. This short film depicts the labours of local fishermen in several chapters. Almost aescetically static cinematography and minimal editing during the fishermen’s work set it off from anything that could happen on the beach that day. Thanks to the slow pace, unintentional abstract compositions of the fishing nets end up in the picture, or a lonely mountain is traced in the background. The film’s atmosphere isn’t determined by people but rather by the rhythm of the sea, the colour of the sky, and the structure of the sand on Bojo Beach."The idea of being sat on the beach is always one of soaking up the atmosphere, breathing in the air, being contemplative, just watching things, just letting them happen. All this in a globalized world" E. Groen

Bojo Beach

Elke Groen
Austria / 2017 / 25 min.
section: Between the Seas
International Premiere
Looking for Mr. Dice
Many years ago, the film’s director and the man nicknamed Mr. Dice were best friends. In a whirlwind of parties, the famous musician and the influential banker were carried on a wave of the euphoria of wild capitalism after the collapse of the Soviet Union. The bank, however, led by Mr. Dice, went bankrupt and he disappeared without a trace with the money that his friends and clients had entrusted to him. Here begins the documentary search that leads us on an adventure from Latvia to the heat of Africa and far beyond the crime, guilt, and betrayal. It is also a search for the sense of deep friendship and the struggle with common sense and conventional moral categories. "I hope the film makes the audience to think what it really means "a true friendship” when money gets involved, as well as shows an ordinary man’s struggle through the abstract glory of diamonds." K. Roga
personal program

Looking for Mr. Dice

Kaspars Roga
Latvia / 2019 / 79 min.
section: Between the Seas
International Premiere
Monk of the Sea
Even today, seventy percent of the men in Thailand follow the old custom of spending at least a short part of their life as a Buddhist monk in a monastery. For Ball, the film’s protagonist, his two-week career as a monk is intended to serve as a symbolic steppingstone between his wild student life and more moderate adulthood. However, the reality of things is by far not so simple. Rafał Skalski’s staged documentary uses the example of Ball’s marginal experience to demonstrate the degree to which modern-day Thai society is based on the incompatibility between ascetic and hedonistic lifestyles, which the one-time transformation of the unrestrained young man into a monk cannot really conceal."To me, this is an instant kind of spirituality. We want to get a lot of things done in one go – quickly fall in love, make a career, be successful."

Monk of the Sea

Rafal Skalski
Poland, Germany / 2016 / 68 min.
section: Between the Seas
Czech Premiere
Steam on the River
Like the steam that silently appears and then disappears over a flowing river, the life of every human is just as fleeting, and this particularly applies in the case of artists. The transience of their fame is the main topic of this documentary, which provides a glimpse into the lives of three ageing jazzmen: trumpeter Laco Deczi, saxophonist Ľubomír Tamaškovič, and contrabass player Ján Jankeje, who fled from the Soviet-occupied Czechoslovakia to the West, where their stars shone alongside those of the world’s famous musicians. The reflective melancholy mood of the film, capturing the mist of fame just before it dissipates, is reflected in the overall relaxed, contemplative rhythm of the narrative.DETAIL:“Worldly fame – empty name... When the mist rises off the water, it exists only briefly and then disappears. The same applies to us humans. Each one of us spends some time here... and it is a bad idea to be in a hurry.”

Steam on the River

Filip Remunda, Robert Kirchhoff
Slovakia, Czech Republic / 2015 / 90 min.
section: Between the Seas
World Premiere
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