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24th Ji.hlava International Documentary Film Festival

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Heidegger in Auschwitz
Heidegger in Auschwitz

Heidegger in Auschwitz

director: Martin Ježek
original title: Heidegger in Auschwitz
country: Czech Republic
year: 2016
running time: 50 min.

synopsis

Czech Joy - Out of competition

The German philosopher Martin Heidegger, one of the most important thinkers of the 20th century, goes on a tour of Auschwitz forty years after his death. He takes 2,500 photographs during his visit. On his way back, he visits Prague and his attention is caught by the tail end of a marathon, which conspicuously reminds him of a funeral. The following winter, his Jewish lover and another of the most important thinkers of the 20th century, Hannah Arendt, rises from the grave as well. With a 16mm camera in hand, she aimlessly wanders the area surrounding Heidegger’s chalet in Todtnauberg. She has visions of various motifs from the great philosopher’s central work, Being and Time. All is arranged in a strictly structural shape. Static in movement, kinetic in stillness.

“Oh, Germany! People laugh when they hear the talk that comes from your house. But anyone who sees you reaches for a knife.” M. Ježek

biography

Martin Ježek (1976) is one of the most distinctive representatives of Czech experimental structural film. He studied production and editing at FAMU. He has been shooting short documentary essays since 1999, when Foma again began making 8mm film. His films are a regular presence at the Ji.hlava IDFF, including original works, adaptations (A House Far Away, 2007) or so-called collective films (Second League, 2007).

more about film

director: Martin Ježek
photography: Martin Ježek, Jan Daňhel, Jakub Halousek, Evženie Brabcová
editing: Martin Ježek
sound: Martin Ježek

other films in the section

Never Happened
“The deed did not occur,” proclaimed Vladimir Mečiar in 1996 on the murder of businessman Róbert Remiáš, which likely had a political motive and with which the Prime Minister himself was likely involved. His infamous dictum is an attempt to negate a documentary that combines an investigative approach with original filmmaking. The director builds her film on interviews with key players in the Remiáš case but does not limit herself to an austere presentation of facts. Alternating different film formats, from black and white film to VHS, she evokes a period of crime and highlights the central theme of confrontation with the past. “I wanted to make a poetic political film. Engagé art should not give up on the style.” B. Berezňáková  
personal program

Never Happened

Barbora Berezňáková
Slovakia, Czech Republic / 2019 / 82 min.
section: Czech Joy
Czech Premiere
Vana - The Biggest Race Is the Life Itself
The Great Pardubice Steeplechase, broken bones, clinical death. The extreme life of the mercurial jockey, trainer, and steeplechase cyborg Josef Váňa is marked by an obstinate devotion to horses, racing, and a determination to take on any challenge. His rough personality and often choleric behaviour resonate with passion and business strategy. After a 15-year hiatus, the iron will of this legend of socialist racing tracks managed a comeback (even without the mythical Železník) and again took first place.  

Vana - The Biggest Race Is the Life Itself

Jakub Wagner
Czech Republic / 2012 / 86 min.
section: Czech Joy
World Premiere
Treating History
A Jesuit, an anarchist, a doctor, and a banking expert showed such civic courage that they were awarded a prize named after one of the most courageous men of 20th-century Czechoslovak politics – František Kriegel. Where lies the line beyond which human dignity is at risk? A meditation on human rights and the legacy of ideas, from unexpected points of view and in unexpected contexts. Anarchist Polák stands against loggers towards the end of the Šumava blockade. Except for a few important details, they agree on almost everything.

Treating History

Vít Janeček
Czech Republic / 2013 / 84 min.
section: Czech Joy
World Premiere
Enclosed World
This four-hour documentary – a compilation of Czech Television’s eponymous series – systematically charts life in prison and the associated societal circumstances. Through looking at human fates, on both sides of the bars, it explores imprisonment as something that, although often addressed in the media, is something with which most of us have no personal experience. Using the powerful stories of several individuals who are at different stages of their incarceration, the film presents not only a cross-sectional view of the current correctional system but also contemplations about guilt, punishment, justice, and whether an individual caught in the gears of a repressive system can actually remedy their behavior and change.“Enclosed world has undoubtedly been the longest, most demanding and most exhausting project I have worked on. I don’t know how many such things you can do in your life if you don’t slow down to survive. Maybe just one…” K. Žalud

Enclosed World

Karel Žalud
Czech Republic / 2018 / 229 min.
section: Czech Joy
World Premiere
Will the World Remember Your Name?
Fetal ultrasound screening. Tourists pointing their mobiles at themselves using selfie sticks. Mannequins in store windows. People walking down the street examining their reflections in glass storefronts. Photographing models for 3D printers. A series of commonplace scenes shows us the various forms of images and depiction with which we surround ourselves, which we use to observe ourselves, understand ourselves, and also form and archive ourselves. At the same time, the question asked in the film title points out how our attention is shifting from words to images. The issue is no longer whether the world will remember our name, but whether we can imprint our image into its memory. “In the main role: The ego.” M.-M. Kochová

Will the World Remember Your Name?

Marie-Magdalena Kochová
Czech Republic / 2017 / 17 min.
section: Czech Joy
World Premiere
Nekyia: Inner portrait of the poet Hradecky
Poet Daniel Hradecký is the main actor of of this inter-genre film about a journey into the depths of his own consciousness. The black and white documentary parable looks into the human soul with interplay of sounds and raw images. Several episodes take place in the rough landscape of North Bohemia, accompanied by dramatic music. Their narrative includes fragments of the poet’s texts and his memories, reconstructed in the film: Daniel starts a shift in a factory, or he meets the devil in the dark. The film maps the poet’s inner world, and sinks deeper and deeper to the bottom of the raw imagination with him. “Is the man who likes dreaming happy?” A. Hospodářský The protagonist of the film, Daniel Hradecký will be reading poems as well works of other author after the screening of the film on Friday 25.10 in 18:00 in the Café Etage. 
personal program

Nekyia: Inner portrait of the poet Hradecky

Albert Hospodářský
Czech Republic / 2019 / 25 min.
section: Czech Joy
World Premiere
Czech Journal: Don’t Take My Life
One day, documentary filmmaker Andrea Culková learned that she faced attachment of assets because of a minor error that she learned about too late. She thus became one of the many people to find themselves caught in a debt trap. In her contribution to the Czech Journalseries, Culková delves into an examination of the phenomenon of debt, debt recovery, and debt payments in Czech society from a personal as well as investigative viewpoint. She interviews various actors in the field, from debtors to the Minister of Justice, attends conferences of debt collectors, and explores how the issue is addressed in other countries."You can’t just take my film from me!!!!"

Czech Journal: Don’t Take My Life

Andrea Culková
Czech Republic / 2016 / 63 min.
section: Czech Joy
World Premiere
I Want You If You Dare
Single mother Martina raised twin girls, one of whom was born blind and the other with polio, leaving her disabled. Both children are now adults, and disabled Jana would love to leave her mother and live on her own in institutional living. And she would also like to experience sex, perhaps with a paid assistant. The documentary offers a brutally unsentimental view into the life of an impoverished rural family with two permanently disabled members. It delicately captures both everyday and exceptional situations, focusing mainly on the personal, emotional and relationship problems between the protagonists.  „The harder the fates I make films about, the more I appreciate when my heroes can laugh at them. And when I can make the audience laugh well, I am happy.” D. Smržová
personal program

I Want You If You Dare

Dagmar Smržová
Czech Republic / 2019 / 84 min.
section: Czech Joy
World Premiere
Moravia, O Fair Land III.
After centuries of oppression, the spirit of Moravian Slovakia (Slovácko) awakens to the rhythm of folk music and speed metal. A folk costumed zombie horror under the supervision of a modern Adam and Eva from a Czech TV quiz show mixes classical tragedy and ethnographic studies, biblical parable and low-brow genres. Petr Šprincl subverts the sacred myths, satirically revealing the dark foundations of social rituals against a background of folklore motifs. After nationalism and fascism, the subjects of the first two parts of this Moravian Epic, the series continues with variations on the Mrštík brothers’ play Maryša, imbued with Satanism.   „The Trilogy Moravia, Beautiful Land starts with belonging to tribe, folk costume and folklore, continues with the birth of the fascist of Slovácko and his defeat of the devil, and pagan inferno breaks out in the final volume.“ P. Šprincl
personal program

Moravia, O Fair Land III.

Petr Šprincl
Czech Republic / 2019 / 65 min.
section: Czech Joy
World Premiere
Is Everyone Right? Karel Floss and the Others.
A multi-portrait of the history of post-1989 Czech ideas and sensibilities, centered around left-wing Christian philosopher Karel Floss. Circling his ideas on God, truth, and politics like satellites are statements by strongly antithetical individuals including Milan Knížák, Ondřej Slačálek, Noam Chomsky, and Czech nationalist thinkers. Working with a subtle sense of irony, the film is openly inspired by the style of Karel Vachek as it makes use of semantic counterpoints, situational humor and aloof formal elements. The result is a kind of audiovisual riverbed for channeling the fury of a nation that recalls a child that is just learning to think and does not know what to relate to first, because in a certain sense, basically “everyone is right”.DETAIL:“That means that truth unifies, but it unifies without asking us to give up on differences. And so we fling ourselves into the trap of dogmatism – any position is dogmatic if it claims that if there exist truths, then these truths will not accept any differences.”

Is Everyone Right? Karel Floss and the Others.

Helena Všetečková
Czech Republic / 2015 / 124 min.
section: Czech Joy
World Premiere
The Dangerous World of Doctor Doleček (Czech version)
Kristýna Bartošová has approached the genre of documentary film portraits as a battlefield. This director, who has Bosnian roots, chose to film the story of the Czech doctor Rajko Doleček, who is a very enthusiastic defender of Ratko Mladić, the Serbian general accused of war crimes in the former Yugoslavia. In this undeniably moving work, shot with a hand-held camera with no attempt to conceal the presence of the film’s creators, the director, at first cautiously, but with increasing intensity, confronts Doleček about his controversial stance. At the same time, she must come to terms with the doctor’s unshakeable opinion.DETAIL:“I wanted to present a portrait of someone who denies genocide. When I first met Doleček, I thought it would be easy to condemn him. But is it not always easier to judge someone you do not know personally?”

The Dangerous World of Doctor Doleček (Czech version)

Kristýna Bartošová
Czech Republic / 2015 / 72 min.
section: Czech Joy
Czech Premiere
Life and Death in Tanvald - director’s cut
The town of Tanvald as a symbol for identifying current society-wide attitudes. The death of a young Roma spurs the filmmakers’ investigation into the incident’s true course of events. The mysteries of the country’s creeping xenophobia provide a key to understanding anti-Roma attitudes. Over the course of a year, we witness the transforming landscape of Czech nationalism and the social tectonics of the racial conflict of a twisted society. The self-analytical look at the schism between the two filmmakers provides a welcome debate on the ethical integrity of the documentary filmmaker. The filmmaker’s approach comes close to desecrating the sanctity of childhood innocence.

Life and Death in Tanvald - director’s cut

Vít Klusák, Filip Remunda
Czech Republic / 2013 / 57 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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