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24th Ji.hlava International Documentary Film Festival

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The Lust for Power
play
The Lust for Power
The Lust for Power
The Lust for Power
The Lust for Power
The Lust for Power
The Lust for Power
The Lust for Power

The Lust for Power

director: Tereza Nvotova, Tereza Nvotová
original title: Mečiar
country: Slovakia, Czech Republic
year: 2017
running time: 89 min.

synopsis

In recent Slovak history, there’s hardly a more significant figure than Vladimír Mečiar. Director Tereza Nvotová approaches him from several different directions. One is an interview that she conducted with him directly, another is his narrative monologue that presents Slovak history against the backdrop of his own family history, and finally through archival images of Mečiar’s public appearances in the media. Her film, accompanied by aerial images of the Slovak landscape as it appears today, poses the question of what Mečiar meant for the her generation, for society at the time, and for Slovakia in general.

“When I was 10-years-old, we´d make believe that we were E. T., Winnetou or Mečiar. Now I want to find out who he really was and what he has done to us and to our country because now I see the same story playing out all over the world.“ T. Nvotová

The film is being screened in cooperation with the Representation of the European Commission in the Czech Republic.

biography

Slovak director Tereza Nvotová (1988) graduated from FAMU and debuted her first feature length documentary Take It Jeasy!, a Czech production, at the 2008 Ji.hlava Film Festival. She also contributed to the Czech Television series Báječná léta bez opony (2009) about successful personalities of the post-communist era. This year she shot her fiction film debut Filthy, on the topic of rape.

more about film

director: Tereza Nvotova, Tereza Nvotová
producer: Zuzana Mistríková, Ľubica Orechovská, Tereza Polachová, Pavel Strnad, Kateřina Černá, Zuzana Mistríková, Ľubica Orechovská, Tereza Polachová, Pavel Strnad, Kateřina Černá, Johny Galvin
script: Tereza Nvotová, Josef Krajbich, Tereza Nvotova, Josef Krajbich, Barbora Námerová
photography: Martin Žiaran
editing: Josef Krajbich
music: PJONI -
sound: Radim Hladík jr.

other films in the section

A Volatile Tale
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A Volatile Tale

Carla Vestroni
Italy / 2017 / 44 min.
section: Opus Bonum
World Premiere
Until Porn Do Us Part
Eulália, a religious and conservative sixty-something woman, must come to terms with a difficult period in her life. Her son has emigrated to Germany, where is a gay porn star. Eulália spends ever more time on Facebook scanning his profile and writing long, mostly unread messages. This dramatically structured observational documentary touches on a number of contemporary issues, including the crisis of the traditional family, how social networks are changing interpersonal relationships, and society’s views of homosexuality and pornography. An unobtrusive look at the LGBT community, humility, and the strength of motherly love."God heard my prayers / He gave me a lovely son / I'll never trade him for anything / Not even for the biggest treasures / Even if I have to spend / My whole life suffering..." J. Pelicano

Until Porn Do Us Part

Jorge Pelicano
Portugal / 2018 / 90 min.
section: Opus Bonum
World Premiere
Carousel
A chrono-photographic visit to the museum in the age of its digital reproducibility. This is the director’s characterization of Carousel, a film that skirts the boundary between documentary and visual art. Using un-commented images, the film correlates the museum space, its visitors, and digital recording technology. Using changing film speeds, visitors become ghosts, their movement becoming the most fundamental element, dictated more by a need to document everything with the camera than a desire to actually view the exhibited objects. The film’s conclusion shows that the most remarkable exhibits at museums today are their visitors."You don't have to see. You don't have to feel. You don't have to share. You just have to follow the guide, turn around and admire." A.Gerber

Carousel

Arnaud Gerber
France, Germany / 2018 / 35 min.
section: Opus Bonum
World Premiere
Taego Ãwa
Tutawa Tuagaek, the ageing leader of the Ãwa, a Brazilian indigenous tribe, is one of the last survivors of the 1973 massacre of Indians in the Amazon jungle. This team of filmmaker-ethnographers records his everyday life in the company of young followers, to whom he is trying to pass on his experiences. The Indian community’s everyday rituals are contrasted with found photographs and video clips that offer rare evidence of the atrocities that Tutawa recounts. Different epochs and visual formats create a continuum that reveals the traumatic history of an oppressed people who have managed to survive despite all odds."The imagination is not only mediator between understanding and sensibility, it has its own dynamism, scheme free, organized bodies, constituted individuals, fixed identities, consolidated psyches."

Taego Ãwa

Henrique Borela, Marcela Borela
Brazil / 2016 / 75 min.
section: Opus Bonum
East European Premiere
The Wall
The Stalin Cult is once again gaining in strength in Russia. Every December 21st, the former Communist leader’s admirers gather to honor him on Red Square, at the site of his grave in the Kremlin Wall. In this observational documentary, the Russian director introduces the principle of “walking heads” – the majority of the footage consists of long takes showing the faces of the people waiting in line to place flowers and pay homage in front of a bust of Stalin. Accompanied by the sound of shuffling feet, a representative sample of various human types parades in front of our eyes, their faces reflecting almost a sacred reverence for a man who was responsible for the murder of several millions of their fellow citizens."Imagine thousands of Jews praying to Hitler’s grave. Impossible? How people can worship the one who annihilated them? In modern Russia we can witness a similar paradox." D. Bogolubov

The Wall

Dmitry Bogolubov
Russia / 2017 / 43 min.
section: Opus Bonum
World Premiere
A Long Farewell
After years of negotiations, a complex of apartment buildings on the edge of Seoul is heading inexorably for destruction. With the demolition impending, the residents of the buildings slated for destruction try to express what this place means to them. Raya Kim’s minimalist documentary is not built on an apocalyptic mood or kitschy sentiment, but is rather precisely presented in the contrasts between image and sound. Static shots of homes and the surrounding landscape present a portrait of a quiet, seemingly undisturbed everyday life, while detached voices of observers recount their often-dramatic personal experiences, not hiding the uncertainty of what comes next. „What do the actual residents think about the houses scheduled for reconstruction? As with all homes, there are many different forms of time and love.” R. Kim

A Long Farewell

Raya Kim
South Korea / 2017 / 72 min.
section: Opus Bonum
International Premiere
A Distant Echo
What can the landscape tell us about ancient history and how it is shaped? George Clark’s film essay explores this question through seemingly motionless images of the California desert accompanied by a minimalist chorale. This chosen form emphasizes the at first glance subtle shifts in the nature of the landscape, which becomes a stage for negotiations between an Egyptian archeologist and the members of a native tribe regarding the ancient graves hidden beneath the sand. The result is a multilayered tale that uncovers traces of the past, the ecology of the landscape, and cinematic history in locations that were once used to film Hollywood epics. “Existing in the resonance between ecological, cinematic and sonic domains, A Distant Echo explores the mythical continuity of sand as site for history, transformation and preservation. The things we cherish must sometimes be buried.”

A Distant Echo

George Clark
United Kingdom, United States / 2016 / 82 min.
section: Opus Bonum
World Premiere
Wishing you the same
The iconic book Europeana: A Brief History of the Twentieth Century by Patrik Ouředník, first published in 2001, has transformed the imagination of the French film-maker into an apocalyptic chronicle of the last century. A straightforward testimony of scientific rationality, which led the society to a spiritual crisis and resulted in six genocides, is accompanied with melancholic Mahlerian echoes of La Belle Époque when the world was just getting ready for the century that negated all humanity. The film raises the question whether Europe in post-history and post-humanity, sweetly anaesthetized to collective unconsciousness, will pretend as if nothing had happened. “I wanted to breathe life into Ourednik's amazing text and to present its visions on the screen. The purpose of the resulting film play is to make the viewer reflect on different aspects of humanity.” A. de Mezamat
personal program

Wishing you the same

Arnaud de Mezamat
France / 2019 / 95 min.
section: Opus Bonum
European Premiere
Vacancy
The camera observes an American motel along the main highway – just the way many of us imagine the United States. We follow four people inside the room at night, where they have been living in a kind of private purgatory for several years. Their sins are drugs, crime, and bad decisions. The slow flow of scenes and the occasionally blurred image create an atmosphere of being out of time and out of place – which probably just where these four people, incapable of breaking free from the vicious circle of apathy, feel themselves to be. The four documentary portraits combine to form a picture of the depressing life of people nurturing a tiny flame of hope. „,I have been to hell and / back. / And let me / tell you / It was / wonderful‘ (from Louise Bourgeois work)“ A. Kandy Longuet

Vacancy

Alexandra Kandy Longuet
Belgium / 2018 / 80 min.
section: Opus Bonum
World Premiere
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Beyond the One

Anna Marziano
France, Italy, Germany / 2017 / 53 min.
section: Opus Bonum
European Premiere
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Apocalyptic depiction of an area literally engulfed by the mining industry is presented in this documentary that observes the eponymous northern Swedish city, part of which was abandoned due to activities in the nearby iron mine. The mining company’s management decided not to halt profitable mining activities and instead made the decision to move the residents of the threatened district. Using footage shot in the city inside the Arctic Circle and directly in the mines, the director has uncovered subtle film imagery, and using the stories of three protagonists now living in a bizarre inter-time, imaginatively addresses the topics of resettlement, tradition, and respect for a particular location. “The dystopian story of Kiruna is about lost people looking for a home in an uprooted city. It shows the dark side of the advanced society, whether in Sweden or the Czech Republic.” G. Stocklassa
personal program

Kiruna – A Brand New World

Greta Stocklassa
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section: Opus Bonum
Czech Premiere
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