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25th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Wet Dream

Wet Dream

director: Yun-tae Kim
country: South Korea
year: 1992
running time: 15 min.

synopsis

A voyeuristic evocation of a three-day funeral ritual presents death as a poetic and political affair. The phantasmagoric details of a dead body, hair, and human skin intersect erotically with intimacy, mystery, and fascination. Wet Dream is the haptic externalization of inner death in an oppressive society.

“The film was shot without a screenplay, I don't maintain continuity of time and space, characters or story in it. The result is internal images created by combining fantasy and film experimentation.” Kim Yun-tae


biography

Kim Yun-tae (1962) is South Korean director. He completed a film course led by German experimental filmmaker Christoph Janetzek. His films include the shorts Dowsing (1996), Video Ritual (1997) and The Name of the Night (2000).

more about film

director: Yun-tae Kim

other films in the section

I Am a Truck
The clip, one of twenty news clips that Kim made for the American Information Service shortly after the end of the Korean War, tells the story of a car. The vehicle speaks in a continuous monologue to the audience as it follows the process of its demise and rebirth. The components move from the junkyard to the car factory, where they are transformed into the metal interior of a new vehicle. We are not just following the story of the car, but that of the entire country as it recovers from the war and builds a new economy, led by businesses like Hyundai, a symbol of prosperity and national pride.“How will humanity make enough for three meals a day out of post-war poverty?”Kim Ki-young
personal program

I Am a Truck

Kim Ki-young
South Korea / 1953 / 18 min.
section: Transparent Landscape: South Korea
Czech Premiere
Factory Complex
Workers in Asian textile factories, flight attendants, and call center workers represent generations of mothers and daughters who have experienced the onset of neo-liberalism first-hand since the 1970s. Under the control of giants such as Samsung and Daewoo, they come to know the flip side of the dream of prosperity, which is also reflected in the surrealist René Magritte's Kiss of Lovers. The pair have their heads tangled in cloth, much like the heroines of the film, representing global blindness, and raises the question of whether only the exploited Third World workers are blind, or customers of e-shops and branded stores in the west as well.   “At the beginning of my career, I felt like a researcher, activist, social worker, or educator. Now I feel more like a funeral home employee.” Im Heung-soon
personal program

Factory Complex

IM Heung-soon
South Korea / 2014 / 95 min.
section: Transparent Landscape: South Korea
Czech Premiere
Shadow Flowers
This film has a 500 views limit. Ryun-hee is eager to return to her native North Korea, which she left in 2011 to seek medical treatment. Little did she know that crossing the border with South Korea would make her an enemy of the state and that she would find herself forced to live a life in exile for many years to come. She embarks on an endless struggle with the authorities, who prevent her from returning home to her husband, daughter, and aging parents. Other families that have been torn apart by the border across the Korean peninsula face similar problems as those of our heroine. Seung-jun Lee tells us the story of a Kafkaesque world of bureaucrats and high politics, which for decades has broken family ties and left feelings of emptiness and shadows of memories in people's hearts.   “I want viewers to forget about refugee stereotypes or misconceptions about North Korea. This story is not about which system is better or worse, but about being human.” Seung-jun Lee
personal program

Shadow Flowers

Seung-Jun Yi
South Korea / 2019 / 109 min.
section: Transparent Landscape: South Korea
East European Premiere
PRISMA
A cyclically awakening character or a show of both visual and sound errors are how Im deconstructs the pre-camera reality in his experimental film. The object of his interest is not the material world, but the power of the medium itself. The film appears as a living being, who with his mechanical limbs walks between the creator and the viewer. The medium as a divine algorithm decomposes reality and reassembles it. It dissolves the original meanings and floods things, places, and people with new collective beings.   "The traces of hidden time and dream were revived and playback eternally." PRISMA  
personal program

PRISMA

Cheol-min Im
South Korea / 2013 / 61 min.
section: Transparent Landscape: South Korea
Czech Premiere
Swing Diary
Nan Lee originally intended to make a documentary about Korean jazz when he became fascinated by the possibilities of improvisation and decided to make a film about life instead. A story about money, porn, and animated agony, it connects documentary and fiction and, with exaggeration and subversive energy, takes a look into the everyday life of a bored young man.   “The film shows how we subconsciously improvise on our journey through life and move to the rhythm of those around us.” Nan Lee
personal program

Swing Diary

Nan Lee
South Korea / 1996 / 13 min.
section: Transparent Landscape: South Korea
Czech Premiere
noimage
Following the modernization and industrialization of the country and the adoption of the Western model, Japan turned to annexed territory to cover the lack of resources on its own soil. Under the rule of the Japanese Empire, Korea thus became a stockpile of human labor and livestock.
personal program

Livestock Industry of Korea

South Korea / 1924 / 7 min.
section: Transparent Landscape: South Korea
Czech Premiere
An Escalator in World Order
This editorial essay composed of propaganda films and news stories criticises the development of US-Korean relations after the Second World War. Kyung-man Kim subtly emphasises the rhetoric of the celebratory documents and turns it on its head. A constellation of Korean and American statesmen creates a media image of South Korea as a war-torn country that rises from the ashes like the mythical phoenix and, with the help of its saviour the USA, transforms itself into an economic power. But all the celebratory ceremonies, military parades, and rhetorical performances of Reagan, Clinton, and Bush are just puppet theatres for obedient citizens of a country troubled by dictatorship and autocratic regimes.   “The collision and irony between faith and the world, the unbridgeable gap.” 
personal program

An Escalator in World Order

Kyung-man Kim
South Korea / 2012 / 115 min.
section: Transparent Landscape: South Korea
Re Dis Appearing
Words come and go like water. The flow of spoken French and English on the border of clarity resonates in static shots, filled with simple pictorial symbols. Speech is not the bearer of meaning but a poetic element, a symbol of cyclicality, the bearer of displacement and exile.   „If words are to be uttered, they would be from behind the partition. Unaccountable is distance, time to transport from this present minute. “ Theresa Hak Kyung Cha
personal program

Re Dis Appearing

Theresa Hak Kyung Cha
South Korea / 1977 / 3 min.
section: Transparent Landscape: South Korea
Czech Premiere
Ganymede
A poetic study based on a series of images taken of Jupiter’s moons that captures how a terrestrial world bathes in the light of the largest moon in our solar system. Light rays transform organic structures into dispersed abstract images. When we close our eyes, we see the cosmic dimension of our consciousness in this foggy landscape. "My work is based on traditional Korean painting and my experience with abstract painting." Youjin Moon
personal program

Ganymede

Youjin Moon
South Korea / 2016 / 9 min.
section: Transparent Landscape: South Korea
Czech Premiere
Global Groove
This key work of video art from the pre-Internet era presents the present saturated by sensory stimuli and its global dimension in a visionary way. The breathtaking psychedelic stream flows between avant-garde and the mass media, as well as among cultures. Allen Ginsberg, John Cage or Navajo, Korean and Nigerian artists ride the same wave.   “If we could compile a weekly TV festival made up of music and dance from every county, and distributed it free-of-charge round the world via the proposed common video market, it would have a phenomenal effect on education and entertainment.” Nam June Paik
personal program

Global Groove

Nam June Paik
South Korea / 1973 / 29 min.
section: Transparent Landscape: South Korea
Labor News No.1
The working class continues to be a victim of the cold war on both sides of the Korean Peninsula. While in the North it led to the establishment of a totalitarian regime, in the South, factory workers have become the target of anti-Communist propaganda and the modern-day slaves of gigantic government-backed corporations. Recordings of protests, television talk shows and songs about the fight against injustice present the wave of collective defiance that swept across the entire country in 1989. South Korean unions organized mass demonstrations in which the struggle was not for the Left or for the Right, but for democracy and the right to a dignified life.   “How much more we can get is not the whole issue. What is at stake is the problem of whether we could secure the foundation for humane lives, or go back to the lives of slaves.“ Labor News No. 1
personal program

Labor News No.1

Labor News Production
South Korea / 1989 / 74 min.
section: Transparent Landscape: South Korea
Planet of Snail
The deafblind poet knows reality only by touch, just like a snail. His slow haptic world of darkness and silence is as far removed from ordinary reality as life on an alien planet. However, this healing film does not represent existence in isolation and solitude as an oppressive existential drama, but as a lifelong therapy of darkness. Young-Chan does not reside on another planet - we are the ones who have distanced ourselves from within in an excess of visual and sound perceptions. A meditation on barriers and freedom cleanses the traces of civilization and opens the door to the elemental world of shapes, surfaces, movement, and the passage of time.   “People with disabilities are usually portrayed stereotypically as people who need our help and compassion. My film is different.” Seungjun Lee
personal program

Planet of Snail

Seung-jun Lee
South Korea, Japan, Finland / 2012 / 87 min.
section: Transparent Landscape: South Korea
Czech Premiere
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