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24th Ji.hlava International Documentary Film Festival

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27 Times Time
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27 Times Time

27 Times Time

director: Annick Ghijzelings
original title: 27 fois le temps
country: Belgium
year: 2016
running time: 73 min.

synopsis

Documentary filmmaker Annick Ghijzelings used her visit to Polynesia to shoot a personal meditation on the phenomenon of time. She slowed down the smooth flow of time in order to consider, in 27 short fragments, the various ways time can be represented. She does so by combining poetic narrative with images of the past and slow-motion shots of nature and local life. Gradually, she puts together a multilayered image of time that questions the boundaries between art, science, and philosophy, between advanced civilization and native cultures, and between the past, present, and future.

"The stories never subscribe to explanations or expert digressions. They are off-camera, barely pronounced, they are whispered in our ear like a secret between friends that beckons sharing."

biography

In her work, Belgian director and writer Annick Ghijzelings (1965) explores the inconspicuous traces of time that survive despite the ineluctable flow of time. In her primarily short film essays such as The Very Minute, Unfinished (2010) she explores the subject at hand using her rich knowledge of science and philosophy as well as her experiences from traveling in the Third World.

more about film

director: Annick Ghijzelings
producer: Annick Ghijzelings, Javier Packer-Comyn
script: Annick Ghijzelings
photography: Annick Ghijzelings
editing: Annick Ghijzelings
music: Herman Martin
sound: Annick Ghijzelings

other films in the section

Ming of Harlem: Twenty One Storeys in the Air
Despite the outrage and indignation of his fellow New Yorkers, Antoine Yates and his animal friends – a 250-kilo Bengal tiger and a two-meter-long alligator – spent several years living together in his Harlem flat. Warnell’s investigative film essay on the relationship between humanity and animality takes Yates’s statements from the time when the public learned of his cohabiting with dangerous animals, and juxtaposes them with poetic footage of the predators moving freely around his flat. The director is less interested in the sensational case from 2003 than in exploring more universal and intimate aspects of people’s communication with animals, and their behavior in a domesticated setting.DETAIL:“People really don’t understand, like, when they took him away is, like is almost, like, taken a part of me away. It’s like cut to a piece your soul. Part of me is just gone.”

Ming of Harlem: Twenty One Storeys in the Air

Phillip Warnell
United Kingdom, United States, Belgium / 2014 / 71 min.
section: Opus Bonum
East European Premiere
The Lust for Power
In recent Slovak history, there’s hardly a more significant figure than Vladimír Mečiar. Director Tereza Nvotová approaches him from several different directions. One is an interview that she conducted with him directly, another is his narrative monologue that presents Slovak history against the backdrop of his own family history, and finally through archival images of Mečiar’s public appearances in the media. Her film, accompanied by aerial images of the Slovak landscape as it appears today, poses the question of what Mečiar meant for the her generation, for society at the time, and for Slovakia in general. “When I was 10-years-old, we´d make believe that we were E. T., Winnetou or Mečiar. Now I want to find out who he really was and what he has done to us and to our country because now I see the same story playing out all over the world.“ T. NvotováThe film is being screened in cooperation with the Representation of the European Commission in the Czech Republic.

The Lust for Power

Tereza Nvotova
Slovakia, Czech Republic / 2017 / 89 min.
section: Opus Bonum
World Premiere
The End of Time
From Swiss scientists who seek to probe regions of time we cannot see in a 27-kilometre long tunnel, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island, to a Hindu funeral rite near the place of Buddha’s enlightenment, Mettler explores our perception of time, the nature of time. “What is time? When no one asks me, then I know. Was I to explain it to someone, only then I don’t.” (St. Augustine)

The End of Time

Peter Mettler
Canada, Switzerland / 2012 / 109 min.
section: Opus Bonum
Entrance to the End
A dark psycho-ethnographic journey of Maria von Hausswolff and Anne Gry F. Kristensen into the depths of the jungle of the human subconsciousness. The footage from the Panama rainforest was shot on 16mm and all sound was recorded on cassette tapes. The film is a subconscious reaction to Ruggero Deodato's Cannibal Holocaust, an ultraviolent Italian film from the 1970s, as well as to all romanticizing depictions of nature as a place of harmony which is in balance with both itself and its inhabitants. Balancing between imagination and reality, this work is on of the most uncompromising films at this year's festival."The film is a mysterious poem-like journey through an eerie jungle where the viewer get to meet all kinds of creatures and spirits, living and dead. It's shot on a 16mm bolex camera accompanied by sounds recorded on analogue tapes.“ M. Von Hausswolff, A. G. Friis Kristensen 

Entrance to the End

Anne Gry Friis Kristensen, Maria Von Hausswolff
Denmark, Sweden / 2018 / 33 min.
section: Opus Bonum
World Premiere
Metaphysics and Democracy
On average, our eyes remained fixed on an advertisement for six seconds. Advertisements are probably the most common ideological channel that we encounter in visible form. Director Luis Ortiz has based his documentary film on this contrast à la thèse. The visual aspect of the film is made up of 57 one-minute static views of advertising. The soundtrack features texts that challenge the existence of ideology as such (the Borges story Tlön, Uqbar, Orbis Tertius) and draws attention to the fact that we often confuse it with ontology (the critics of neoliberalism, such as Ignacio Ramonet and Noam Chomsky).“In times of political extremism I find it necessary to ask which mechanisms undermine democracy in the so called modern societies, then new progressive answers are needed to confront the simplistic discourses from the right.” 

Metaphysics and Democracy

Luis Ortiz
Germany, Colombia / 2016 / 59 min.
section: Opus Bonum, First Lights
World Premiere
Did You Wonder Who Fired the Gun?
In 1946, S.E. Branch clearly shot Bill Spann, a black man, in Alabama. One story of many, it can be said, but this time it’s being unraveled by the great-nephew of the murderer through this political and aesthetically distinctive film essay. During the investigation, he constantly ran in to obstacles, due not only to the prevailing racism, but also the inevitable reflection of his own connection with history. A montage of black and white memories of places, endless drives through red sunsets, and agitating tunes brings the work together in the best southern Gothic tradition, in which “the past is never dead. It’s not even past.” (W. Faulkner)„This time I offered my love and my labor to a film that I wished somehow to be corrective. A film about the worst of my family.” T. Wilkerson

Did You Wonder Who Fired the Gun?

Travis Wilkerson
United States / 2017 / 90 min.
section: Opus Bonum
Central European Premiere
Czech Journal: Teaching War
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.“In order to identify the reason for which people prepare for war in the name of peace, I have started to portray the rising military spirit in a kaleidoscopic image.”

Czech Journal: Teaching War

Adéla Komrzý
Czech Republic / 2016 / 69 min.
section: First Lights
World Premiere
Fonja
Ten juvenile delinquents from the largest detention institution in Madagascar have joined a four-month workshop to learn working with a film camera, editing, creating simple cinematic tricks, and telling their own stories. The camera became a tool for them to grasp the new reality, allowing them to express themselves freely despite the isolation they live in. The film presents a sincere testimony about life in a strictly hierarchical, closed community as perceived by the young film-makers who were given the opportunity not only to discover and develop their creative potential, but also make new friends. “I want to reach out and spread the great spirit and creativity of this strong group, the emerging young filmmakers of the Antanimora prison in Madagascar, to inspire and create wonder amongst others.” L. Zacher
personal program

Fonja

Ravo Henintsoa Andrianatoandro, Lovatiana Desire Santatra, Sitraka Hermann Ramanamokatra, Jean Chrisostome Rakotondrabe, Erick Edwin Andrianamelona, Elani Eric Rakotondrasoa, Todisoa Niaina Sylvano Randrialalaina, Sitrakaniaina Raharisoa, Adriano Raharison Nantenaina, Alpha Adrimamy Fenotoky, Lina Zacher
Madagascar, Germany / 2019 / 80 min.
section: Opus Bonum
World Premiere
Notorious Deeds
October 1989. A high school student in Bucharest is apprehended for pasting up anti-regime posters and is interred in a secret police building for a number of days. As a result, his family, loved ones, friends, and schoolmates are affected by restrictions. Twenty years later at their class reunion, an excursion begins into memories of that moment of shock etched forever into memory, but for each somewhat differently. Director Gabriel Tempea is more interested in exploring the subjective interpretation from the point of view of “talking heads” than the actual facts. A postmodern form of oral history based on the testimonies of those who have most of their lives ahead of them.“Based on personal, subjective and painstakingly detailed recollections of an exceptional occurrence, I attempted to provide a glimpse at the bigger picture of  atroubled historical period.” Gabriel Tempea

Notorious Deeds

Gabriel Tempea
Romania, Austria / 2015 / 68 min.
section: First Lights
World Premiere
The Road Back
The Road Back is a documentary journey to a time and place that have long been considered lost. The main character tries to find a lost village near a former international railway line where his recently deceased mother spent her youth. The past merges with the present as the filmmaker mixes archival films and close-ups of nature with old photographs. In fact, this blending of two media with different relationships to time forms the basis for discovering not only the relicts of the past that lie hidden beneath layers of contemporary phenomena, but also the unstoppable flow of seemingly unchanging time.“The Road Back incorporates the characteristics of home videos in narrative schemes. In the hope to create a personified and intimate film, based on the directness of home video.”

The Road Back

Wouters Maurits
Belgium / 2016 / 31 min.
section: Opus Bonum
World Premiere
Touch
A highly subjective film essay that highlights the constructed nature of any work of art and of perception in general. After many years, a man returns home to New York’s Chinatown, where he recounts the story of his life and that of his dying mother in two languages. A film full of radical transitions between silence and words.“Chinatown is divided into two overlapping tribes: the watchers and the watched.” “I wanted to be photographer. I became a librarian cataloguing other people‘s lives, while secretly inventing my own.”

Touch

Shelly Silver
United States / 2013 / 68 min.
section: Opus Bonum
East European Premiere
differently, Molussia
Industriální kolosy, louky a moře, práce strojů a lidí. Statické pohledy na krajinu více či méně poznamenanou člověkem doprovází zpěv ptáků, ruch dálnice, štěkot psů, bouře a déšť. Osm alegorických příběhů předčítaných z románové fikce Guntera Anderse na pozadí krajiny, měnící se v kontrastu tónů základních barev a černé, spoluvytváří snový obraz totalitárního státu Molussie – dobové reakce na sílící nacismus, která neztratila nic na své aktuálnosti.  

differently, Molussia

Nicolas Rey
France / 2011 / 78 min.
section: Opus Bonum
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