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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

JEAN LUC NANCY

director: Antoinette Zwirchmayr
original title: JEAN LUC NANCY
country: Austria
year: 2018
running time: 5 min.
World Premiere

synopsis

A miniature inspired by the leading contemporary French philosopher. The fragility of examining the possibilities of uniqueness and subordination in relation to something different. Objects here do not function as symbols; a crystal pendulum and anonymous figures highlight the multitude of loopholes and fundamental non-discursiveness of expressing delicate subjectivities.

"The film is about the duality of one’s search for their own individuality versus the desire to belong." A. Zwirchmayr

 

biography

Austrian artist Antoinette Zwirchmayr (1989) studied video art, Romance languages, photography, and film. She creates minimalist video installations, documentary essays, and short films, which work with an alienated depiction of the human body and which take on the form of personal testimonies. Her work often explores social issues.

 

more about film

producer: Antoinette Zwirchmayr
photography: Antoinette Zwirchmayr
sound: Matthias Peyker

other films in the section

The Image that Spits, the Eye that Accumulates
The color of skin and of film become the center of discourse: The filmmaker’s mixed-race background is reflected in imprints of the landscape and ruptures within it, but also in the color of the faded Kodachrome film, whose typical visual characteristics have dissolved in time. Hues are barely visible and only with difficulty capture the image of a body that does not fall into any clear categories.  "Where does film fail or resist us? Working on celluloid I make images which affirm mixed race culture and the cultural in between." R. Storr  
personal program

The Image that Spits, the Eye that Accumulates

Rhea Storr
United Kingdom / 2018 / 11 min.
section: Fascinations
World Premiere
Lviv Intervision
A found footage reminiscence of the beginnings of Ukrainian TV broadcast in 1957 and the first 20 years of its operations, when the first factory for manufacturing televisions began operating in Lviv, presents not only programs broadcast at that time, but also the way television transformed the household and family structures. "Despite it’s archival form, our film is not about the soviet past but today’s virtuality - a dramatic story of the the gaze and the sedation of a newly emerged TV-spectator, which continues until now." A. Onufrienko, S. Menzelevskyi, E. Parvulesco  
personal program

Lviv Intervision

Anna Onufrienko, Elias Parvulesco, Stanislav Menzelevskyi
Ukraine / 2018 / 14 min.
section: Fascinations
International Premiere
The Shifting Sands
Philosophical reflections on Israel blend into a personal struggle for identity: The filmmaker’s father came to the British Mandate of Palestine in 1946 as a Jewish refugee. The call for harmonic co-existence is imprinted in the falling grains from one image into another. Some of the scenes come from the documentary film Israel: Land of Destiny (1977, dir. Jacques Madvo).  "By constructing the film entirely with an optical printer, moving images and pictures are drawn to rhythm and meaning. The philosophical words of Martin Buber invokes the reflection upon the reality." M. Piller  
personal program

The Shifting Sands

Madi Piller
Canada / 2018 / 9 min.
section: Fascinations
European Premiere
Soar
A digital miniature in which the form into which the image is deconstructed emphasizes the things we leave in our wake – trajectories of movement, actions, decisions, gestures. This guide of the traces we leave behind dissolves into a depiction of the things that remain; the simple visual approach raises the imperative of understanding the consequences of the movements of mind, body, and things. "Choreography of an imaginary journey 
Color / 7 minutes 40" P. Bokanowski
personal program

Soar

Patrick Bokanowski
France / 2018 / 8 min.
section: Fascinations
Central European Premiere
Field of Infinity
Inspired by Italian Renaissance art, the filmmaker transforms news reports of protests in the Gaza Strip into a painting of people and the landscape, as if the boundaries of fields and meadows were a place for overcoming political limitations and the ability of an expansive viewpoint presented the ideal of inhabiting the visible.  "The struggle for liberation intertwines with nature rejuvenation, creating an array of reflections." G. Silberstein  
personal program

Field of Infinity

Guli Silberstein
United Kingdom / 2018 / 5 min.
section: Fascinations
European Premiere
Mold
The image of a city broken down into a series of planes of view rolls towards us, its echoes enabling us to fill in the imaginary whole. This urban symphony of minimalism builds up a panoramic view into the distance while calling into question reality by visualizing the overcrowding of the urban environment.  "Life is surprisingly simple. Because all human beings are in a moment of repetition of the irreversible destiny of nature. Everything is only a trace and disappears." M. Yi
personal program

Mold

Myun Yi
South Korea / 2018 / 3 min.
section: Fascinations
World Premiere
Wax and Feathers
A sensitive, impressive collage of intimate reflections, detailed observations, fragments of memories, and visual and musical allusions conducts an imaginary dialogue about how memory works and identity construction with a father who died a year earlier."What is a film if not collective dreaming made by conscious minds. Symbolism and myths are present in both dreams and films and rely on our memory and imagination for relating to the produced imagery." M. Lizides   
personal program

Wax and Feathers

Marios Lizides
Cyprus, United Kingdom / 2018 / 15 min.
section: Fascinations
World Premiere
The Bed and the Street
Protests against austerity measures, read as an expression of resistance to the state, are intermingled with an expression of intimate consonance. A demonstration of connection, this essayistic collage blurs the boundaries between private and public as it reflects on the politics of co-existence. "What if the revolution started at home, in the micro-politics of hand to hand, of our kitchen life, our bedroom life? If we said no to the old models of family, could we bring together bed and street?" M. Hoolboom, H. Frise  
personal program

The Bed and the Street

Mike Hoolboom, Heather Frise
Canada / 2018 / 5 min.
section: Fascinations
World Premiere
Nutrition Fugue
This ironic found-footage collage created from raw footage originally shot for the Közért (“For the Public”) retail chain, a state-run network of shops in Hungary during communism, shows the problems of eating and nutrition in state-run economies, lives and images. "35 mm reels of socialist food advertisements were put in the soil to rot and decay." P. Lichter  
personal program

Nutrition Fugue

Péter Lichter
Hungary / 2018 / 4 min.
section: Fascinations
World Premiere
Or / Or, Hawick, may 18
In the middle of the Teviot River in Scotland, the filmmaker saw a color in the sky like in the paintings of Gustav Klimt. He translates his amazement at this moment into fluid patterns of a digitally decomposed scene, all the way to its radical ending when the variously colored grids flowing on the screen like a calm horizon again dissolve into Klimt’s golden color. "Making films is opening my heart and letting the magical powers of life shine in my imagination to merge them in images. I try to thrill those who watch colour and time flow in my films." J. Perconte  
personal program

Or / Or, Hawick, may 18

Jacques Perconte
France / 2018 / 9 min.
section: Fascinations
World Premiere
The Sun Quartet, part 1: Sun Stone
The use traditional multiple exposure techniques combine with the search for formal similarities to create a lyrical work in which the outlines of rivers and plants merge together and vibrant colors alternate in a constant rhythm of overlapping and multiplication. "Colectivo Los Ingrávidos arises from the need to dismantle the audiovisual grammar that the aesthetic-television-cinematic corporativism has used to guarantee the diffusion of one audiovisual ideology." Colectivo Los Ingrávidos  
personal program

The Sun Quartet, part 1: Sun Stone

Colectivo Los Ingrávidos
Mexico / 2017 / 8 min.
section: Fascinations
East European Premiere
Extrastellar Evaluations III : Entropy : 25800
The melancholic atmosphere of wandering a landscape scarred by kitschy disco rainbows and colorful illustrations opens up the possibility of an extra-planetary consciousness sending a message in which references to the laws of thermodynamics and Mayan symbolism encounter critical interpretations of an expected confrontation between humanity and the cosmos.   "‘IT‘ knows." Yin-Ju Chen
personal program

Extrastellar Evaluations III : Entropy : 25800

Yin-Ju Chen
Taiwan / 2018 / 17 min.
section: Fascinations
Central European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt
UPP
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