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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
On the Border
On the Border
On the Border
On the Border

On the Border

director: Yoshiki Nishimura
original title: On the Border
country: Japan
year: 2018
running time: 7 min.

synopsis

The filmmaker takes hundreds of photographs of ocean trash that has washed up on the shores of Japan and uses the photogrammetry technique to turn them into sculptures. When filmed in the virtual space, they become mementos of environmental irresponsibility and examples of the excesses of our affluent way of everyday life.

"Looking through the eyes of new technologies, we can have unexpected and incredible views of the reality." Y. Nishimura

 

biography

Japanese experimental filmmaker and producer Yoshiki Nishimura (1954) works primarily with computer animation and 3D graphics. His films, in which he explores and calls into question the boundaries between reality and the virtual world, ask us to expand our view of reality and cyberspace. The Ji.hlava IDFF has previously shown his films Mayhem (2016), Last 12 Minutes (2016), and Synthetic-Free (2017).

 

more about film

director: Yoshiki Nishimura
producer: Yoshiki Nishimura

other films in the section

Extrastellar Evaluations III : Entropy : 25800
The melancholic atmosphere of wandering a landscape scarred by kitschy disco rainbows and colorful illustrations opens up the possibility of an extra-planetary consciousness sending a message in which references to the laws of thermodynamics and Mayan symbolism encounter critical interpretations of an expected confrontation between humanity and the cosmos.   "‘IT‘ knows." Yin-Ju Chen

Extrastellar Evaluations III : Entropy : 25800

Yin-Ju Chen
Taiwan / 2018 / 17 min.
section: Fascinations
Central European Premiere
Places With Meaning
Microsoft created the Webdings font in 1997 as a successor to Wingdings, around which controversy had developed when it was discovered that certain sequences of characters possessed unwanted connotations. The film was made in Microsoft Word and transferred onto 16mm film.

Places With Meaning

Scott Fitzpatrick
Canada / 2012 / 3 min.
section: Fascinations
East European Premiere
Musical Landscape
This conceptual experience in which differences in color are translated into notes on a piano looks at the area surrounding the port of Marseille. The result is a musical composition created through an abstracted reflection of the nature, look, and visual diversity of a place where ships arrive and depart. "Through video artworks, I ruminate both on the notions of temporality and duality of digital arts - the interplay of the sound and the image - to build new realities to the world around us." J.-M. Rolland  

Musical Landscape

Jean-Michel Rolland
France / 2018 / 8 min.
section: Fascinations
East European Premiere
Shapes of Facts
Ghostly hills and inhospitable landscapes created by physically deformed newspapers are a critical allegory of the inner workings of the contemporary media world in which, beside journalists who still hold in esteem reliable and verified information, the voice of those crooking facts and creating parallel and alternative “realities” intensify by the day. “A fact is supposed to be specific and verifiable. The fact you are willing to accept makes your reality of this world. Watch out! There are many different versions of each fact.” Y. Nishimura
personal program

Shapes of Facts

Yoshiki Nishimura
Japan / 2019 / 10 min.
section: Fascinations
World Premiere
Exterior Extended
Thirty-six frames of 35mm film in dizzyingly rapid compositions create a study of the viewer’s spatial perception. Photographs taken in the ruins of a rural house always take the viewpoint from the inside out. A layering of compositions and negative and positives, sometime alternating, sometimes mixed together in order to create an illusion of changing depth and distance from the outside that we are forbidden from entering. The combination of the rectangles of the walls and windows in the tapering perspective creates horizons within horizons, thus building a completely new house on screen.

Exterior Extended

Siegfried Alexander Fruhauf
Austria / 2013 / 9 min.
section: Fascinations
Czech Premiere
Liquid Landscape
After spending two years studying and collecting images created using various wet development processes for 16mm film, Wang explores the visual forms of material fluidity in order to celebrate invisible micro- and macrostructures whose chimeras are laid bare in moving patterns.   "I am often inspired by the beauty of errors produced in analogue film production and use unwanted analogue visual noise and patterns, such as dust or watermarks to create imaginary cinematic landscapes." N. Wang

Liquid Landscape

Nan Wang
Netherlands / 2017 / 12 min.
section: Fascinations
Central European Premiere
The Sight
The landscape as seen anew by hand-manipulating the film stock gives rise to a geometry of trees and meadows. The soundtrack is subjected to similar chemical changes as the image. The film was made on the farm of Canadian director Philip Hoffman, where he hosts a workshop every summer at which beginning and experienced filmmakers learn to work with film material.The horizons created by the emulsion transform the row of trees into a forest with sporadic bursts of light from the sky, or into a blank spot on the film.

The Sight

Jeremy Moss
Canada, United States / 2012 / 4 min.
section: Fascinations
Central European Premiere
The Shifting Sands
Philosophical reflections on Israel blend into a personal struggle for identity: The filmmaker’s father came to the British Mandate of Palestine in 1946 as a Jewish refugee. The call for harmonic co-existence is imprinted in the falling grains from one image into another. Some of the scenes come from the documentary film Israel: Land of Destiny (1977, dir. Jacques Madvo).  "By constructing the film entirely with an optical printer, moving images and pictures are drawn to rhythm and meaning. The philosophical words of Martin Buber invokes the reflection upon the reality." M. Piller  

The Shifting Sands

Madi Piller
Canada / 2018 / 9 min.
section: Fascinations
European Premiere
I Would Leave Everything Here
The patient observation of the four seasons – daytime and nighttime events, manifestations of the natural elements, and the peacefulness of minimalist images – as seen through the window. A dramatic compilation of images into an extraordinary record of the ordinary flow of time. Croatian filmmaker, photographer, and audiovisual artist Ivan Faktor (1953) has been making art since 1975. In 1995, his film At Home was shown at the Venice Biennale, and he also represented his home country at the São Paulo Art Biennial. The Jihlava IDFF previously showed his film Self-Portrait (2006), in which a camera inside the filmmaker’s body records a journey through the human body in the form of abstract images, shadows, and rhythms.“... for here I would leave this earth and these stars, because I would take nothing with me from here, because I’ve lo oked into what‘s coming, and I d on‘t need anything from here.” (László Krasznahorkai)

I Would Leave Everything Here

Ivan Faktor
Croatia / 2016 / 11 min.
section: Fascinations
International Premiere
not even nothing can be free of ghosts
Made without a camera, using algorithms programmed to respond to the rhythm of light, this film explores the topology of dark space and tests the senses through vibrating light compositions whose rhythm of appearing and disappearing leaves a trace in the viewers’ minds even after they have left the darkness of the cinema. Austrian-born visual artist Rainer Kohlberger (1982) lives and works in Berlin. He creates experimental films, installations, and videos using algorithms to generate animations that he accompanies with life performance. He is a recipient of the ZKM AppArtAward for artistic innovation. His works test the limits of the viewer’s senses and play with the imperfection and subjectivity of human perception.“In my film, created out of ‘nothing’ with the help of algorithms, a constant pulse unveils materiality in a condition between being and non-being, since matter is merely vacuum fluctuations.”

not even nothing can be free of ghosts

Rainer Kohlberger
Austria, Germany / 2016 / 11 min.
section: Fascinations
Czech Premiere
Untitled, 1925
In high-contrast black-and-white images of nature and mountain villages, the filmmaker meditates on family origins and identity while traveling across the Andes along the same route taken in 1925 by her Jewish grandfather (a professional boxer originally from Romania) in order to acquire Peruvian citizenship, which 12 years later allowed him and his family to leave Europe. Peru native Madi Piller (1960) lives in Canada, where she works as an independent filmmaker, animator, and programmer and curator for the Toronto Animated Image Society (TAIS). Her abstract poetic films combine various cinematic styles and techniques and explore themes of memory, introspection, and the search for cultural identity.“Delving into memory and reflecting on territorial space, the film revisits a passage in life. By using 16mm high contrast film and by processing the silver essence of the film material resurfaced as a layer such as the hidden treasures of the Andes.”

Untitled, 1925

Madi Piller
Canada / 2016 / 9 min.
section: Fascinations
International Premiere
The Will
A meditative evocation of the South Korean “Candlelight Revolution” in the winter of 2016/17. The hybrid mosaic, in which archival and contemporary footage is altered by visual manipulation and performative moments, shows artifacts, situations, and gestures reflecting the desire for political change.  "The sense of vulnerability facing the unimaginable change made it only possible to borrow the quotations from the past and the future." S. Kim, J. Cho  

The Will

Jenny Cho, Sungeun Kim
South Korea / 2018 / 20 min.
section: Fascinations
World Premiere
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