Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
The River Escapes
play
The River Escapes
The River Escapes
The River Escapes
The River Escapes

The River Escapes

director: Eduardo Makoszay
original title: O Rio Escapa
country: Mexico, Brazil
year: 2019
running time: 9 min.

synopsis

An essay on exploitation of homes of native inhabitants and the behaviour of colonists breaks out into an anti-capitalist political pamphlet resulting in divergent horizontal and vertical motifs of a critical analysis of liberal cosmopolitan elites toward life space as a single-use, expandable commodity, contradicting its displaceable character.

"To build other worlds, one needs not to abandon western mind-structure but to transduce it with local, specific and ancient notions. This film is the beginning of a quest towards that realization." E. Makoszay Mayén     

biography

Mexican-born independent artist Eduardo Makoszay Mayén (1992) finished filmmaking studies at university in Mexico City. His authorial projects are positioned on the frontier of documentary and science fiction film. He has participated in many workshops and festivals including Jihlava IDFF where his film Wind Shaped Rocks (2017) was screened.

more about film

director: Eduardo Makoszay
producer: Eduardo Makoszay Mayén

other films in the section

La Notte Salva
Tiny animals of different kinds were filmed by night and then magnified under semi-transparent spherical glasses. The activity of constantly moving organisms subjected to magnification results in unexpected images of unrest, changeability, migration and creativity in altering shapes. „La notte salva is a path of sensations that attempts to gather around its nature without revealing it, without opening itself to any human language.“ G. Boccassini
personal program

La Notte Salva

Giuseppe Boccassini
Germany, Italy / 2019 / 12 min.
section: Fascinations
World Premiere
Wanderlust Iteration #1
64 trees in a valley are presented in 3D, becoming both the object and space for every eye – exteriorized on the basis of various principles. The filmmaker continues to explore various possible approaches to spatial representation of creates ingeniously thrilling wanderings among images. "Stereo3D films shall be done of such a kind that they make no - or another - sense than if they where only in mono2D. What we know from flat filmmaking is no help." B. Speidel  

Wanderlust Iteration #1

Björn Speidel
Germany / 2018 / 9 min.
section: Fascinations
World Premiere
I Would Leave Everything Here
The patient observation of the four seasons – daytime and nighttime events, manifestations of the natural elements, and the peacefulness of minimalist images – as seen through the window. A dramatic compilation of images into an extraordinary record of the ordinary flow of time. Croatian filmmaker, photographer, and audiovisual artist Ivan Faktor (1953) has been making art since 1975. In 1995, his film At Home was shown at the Venice Biennale, and he also represented his home country at the São Paulo Art Biennial. The Jihlava IDFF previously showed his film Self-Portrait (2006), in which a camera inside the filmmaker’s body records a journey through the human body in the form of abstract images, shadows, and rhythms.“... for here I would leave this earth and these stars, because I would take nothing with me from here, because I’ve lo oked into what‘s coming, and I d on‘t need anything from here.” (László Krasznahorkai)

I Would Leave Everything Here

Ivan Faktor
Croatia / 2016 / 11 min.
section: Fascinations
International Premiere
The Shifting Sands
Philosophical reflections on Israel blend into a personal struggle for identity: The filmmaker’s father came to the British Mandate of Palestine in 1946 as a Jewish refugee. The call for harmonic co-existence is imprinted in the falling grains from one image into another. Some of the scenes come from the documentary film Israel: Land of Destiny (1977, dir. Jacques Madvo).  "By constructing the film entirely with an optical printer, moving images and pictures are drawn to rhythm and meaning. The philosophical words of Martin Buber invokes the reflection upon the reality." M. Piller  

The Shifting Sands

Madi Piller
Canada / 2018 / 9 min.
section: Fascinations
European Premiere
Concrete Cinema
Working with the principle of concrete music, the filmmaker layers and meticulously overlays images into such a mightiness that it creates abstract compositions of memories, thus exploring how they progressively change thanks to the selective nature of memory and the possible resolution of the digital medium. The work of Japanese filmmaker and programmer Makino Takashi (1978) is influenced by London’s Brothers Quay, and is marked by an eclectic approach that makes use of video art and a diverse range of cinematic techniques. Takashi sees the image and musical soundtrack as equal components in his work. His film Generator (2012) won the Tiger Award at the Rotterdam International Film Festival.“The challenge was to start from the concrete, go to the abstract, and then use the abstract to create a concrete abstractness.”

Concrete Cinema

Makino Takashi
Japan, Netherlands / 2015 / 24 min.
section: Fascinations
Czech Premiere
Domus
This portrait of architect Carlo Mollino looks at the vision of organizing space, buildings or sculptures. Contours and surfaces, as well as the absence present in crossed-out notes, crumpled sketches and the shapes and textures of material and scratched patters of houses, construct a rhythmic collage of expressions to the landscape. “By way of story, C. Mollino pledged himself to his craft and foreshadowed a brilliant lifetime of architecture. In telling this story, Domus configures its author’s own intentions, transposed from architecture and housed within cinema.” R. Vermette

Domus

Rhayne Vermette
Canada / 2017 / 15 min.
section: Fascinations
International Premiere
Exhumation
Desire without its object is like an image made unrecognizable by cutting out its parts; by scratching away part of the visible image, the image becomes a hole sliced into a pained body, fumbling about for what is missing, seeking physical contact and tangible proof of co-existence.  ""Exhumation" is my interpretation of the reports of Dali's death mask recently. I worked to physically peel back layers of representation to reveal disintegrated memories of figures that once were." D. McIntyre  

Exhumation

Daniel McIntyre
Canada / 2018 / 8 min.
section: Fascinations
Central European Premiere
Biblion
A visual study of the book as a medium and cultural artefact. Parallel images analyse books from the point of view of appearance and material with the film plunging into the depths of their microscopic fabric while, at the opposite end of the spectrum, the variety of their surfaces, textures, fonts and shapes blossoms into structured volumes ordered on a bookshelf. “Born from observing the phenomena of quietly vanishing old book stores, our work first became an exploration of the medium of the book itself, and then grew in to something more haunting.” E. Tammi, S. Ekström  
personal program

Biblion

Saara Ekström, Eero Tammi
Finland / 2019 / 13 min.
section: Fascinations
World Premiere
Firefly
A performative film that compiles close-up shots of concentrated faces with abstract images converging towards a distinct point of light and geometric shots of dancing figures to create an associative image of fireflies, which in Cuban mythology represent ghosts, echoes of fires, or souls passing in the night. “Through collaborative processes and experimentation, I make films that allow a sensory experience, expanding the spectator’s perception of the social/political/cultural/personal phenomenon portrayed.” C. Claremi 
personal program

Firefly

Claudia Claremi
Cuba / 2019 / 17 min.
section: Fascinations
World Premiere
The Pit
Contemporary and archival footage of the Berkeley Pit, an open pit copper mine in Montana – today filled with contaminated water – is chemically altered using poisonous substances from this water containing copper, arsenic, cadmium, zinc, and sulfuric acid in order to call attention to the destructive consequences of mining. “The film shows the destructive consequences of mine waste through a variety of photochemical processes using the same contaminants found in the water of the pit.“ J. Gerlach
personal program

The Pit

Jona Gerlach
United States / 2019 / 10 min.
section: Fascinations
European Premiere
When You Awake
A scary yet funny tale about the journey to collective unconsciousness via experiments with hypnosis through a collage of found footage from instructional, documentary, and fictional films, layered with themes of personal experiences and frustrations, reflections on social stereotypes and desires, and images of wild or strange animate and inanimate nature. Jay Rosenblatt (1955), American independent filmmaker and trained psychotherapist, is the creator of over thirty films in which he examines the nature and limits of the human psyche and emotions. He has received over a hundred various awards for his work. In addition to teaching, he also organizes the San Francisco Jewish Film Festival. His films I Just Wanted To Be Somebody (2006), Four Questions for a Rabbi (2008), and I Used to Be a Filmmaker (2003) have been screened at the Jihlava IDFF.“When You Awake was a pleasure to create, and hopefully that will come across to the audience. It was a nice departure for me since it is more playful than many of my films.”

When You Awake

Jay Rosenblatt
United States / 2016 / 12 min.
section: Fascinations
Czech Premiere
Liquid Landscape
After spending two years studying and collecting images created using various wet development processes for 16mm film, Wang explores the visual forms of material fluidity in order to celebrate invisible micro- and macrostructures whose chimeras are laid bare in moving patterns.   "I am often inspired by the beauty of errors produced in analogue film production and use unwanted analogue visual noise and patterns, such as dust or watermarks to create imaginary cinematic landscapes." N. Wang

Liquid Landscape

Nan Wang
Netherlands / 2017 / 12 min.
section: Fascinations
Central European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt