Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

25th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
IN MY SKIN
IN MY SKIN
IN MY SKIN
IN MY SKIN

IN MY SKIN

director: Anna-Sophia Richard
original title: IN MEINER HAUT
country: Germany
year: 2019
running time: 72 min.

synopsis

The theme of domestic violence is discussed in the public more often than before, but it still remains a burning issue victims are afraid to talk about. The director deals with the issue from an unusual perspective in a stylized documentary: she does not only describe the problem, but lets us experience it together with three female characters, using subjectifying methods based on testimonies of actual victims of domestic violence. Their inner voices describe how diffi cult it is to prevent or break up the relationship with the abuser. Then their actions suggest possible solutions.

“For women, home is the most dangerous place. This movie resulted from the desire to let women tell their stories shame free. The viewer experiences their journey.” A.-S. Richard

biography

Anna-Sophia Richard (1991) comes from the Dominican Republic, and she has studied arts and culture in Guatemala. She has gained her first work experience as a film producer and director. She made her first feature film IN MY SKIN (2019) after further studies at the German Filmakademie Baden Württemberg.

more about film

director: Anna-Sophia Richard
cast: Kristin Becker, Karmela Shako, Elisabeth Ehrlich, Michael Gerlinger, Patrick Joseph, Moritz Vierboom
producer: Astrid Schäfer
photography: Julia Hönemann
editing: Gürcan Cansever
music: Max Clouth, Douglas Greed
sound: Simon Peter

other films in the section

God Straightens Legs
At the center of this observational documentary stands the director's mother, Renée, bedridden with an insidious disease. With respect for her mother’s devotional faith, the atheistic-minded filmmaker captures a woman who for religious reasons refused to undergo traditional chemotherapy and waits for a miracle between the walls of her bedroom . While outside the window of the woman's room life goes on day after day, the camera patiently follows the protagonist during her normal activities with which she whiles away the hours - watching TV, talking with friends, praying with a friend, meeting with nurses, as well as routinely cleaning the house."Dealing not only with the trauma of her diagnosis but also with societal reproach for her decision, I wanted to make a portrait of my mother without judgement, instead with empathy, curiosity and patience." J. Walinga

God Straightens Legs

Joële Walinga
Canada / 2018 / 67 min.
section: First Lights
International Premiere
Helena's Law
Documentary filmmaker Petra Nesvačilová’s study of the famous “Berdych Gang” focuses on police officer Helena Kahnová, but she also interviews other actors in the case, including the accused and the convicted. The resulting film is a mosaic that says less about the case or its background than it does about the people who exist on the edge of the law, and about their thoughts and motivations. Nesvačilová herself comes into contact with the criminal underworld and becomes an actor in her own film. She must decide whether it is safe to meet certain people, which leads her to consider questions related to the essence of crime and of good and evil in general.“I thought I was shooting a portrait of a brave police woman, but in the end I found myself in places that I had always been afraid of and that I only knew from the movies. The underworld. And now I see that this underworld is all around us – sometimes very, very close.”

Helena's Law

Petra Nesvačilová
Czech Republic / 2016 / 80 min.
section: First Lights
World Premiere
On the Edge of Freedom
Moscow and Kyiv. Angela and Vlad. Two young and talented people brought together by an unusual passion for the extravagant and public conquest of forbidden parts of the city. Tall buildings, underground tunnels or freight trains are the new pastimes of a young generation yearning to get out of the rut, escape a predictable future and find fame among their peers through risky “urbex” videos. At the same time, however, the logic of social networks is turning them into a commercial phenomenon that can bring them big money – but also compel them to engage in even crazier stunts. “This is urban exploration, baby!” “This is a portrait of a new generation we rarely hear about. It is a film about the human behind an extreme phenomenon.” A. M. Hopland

On the Edge of Freedom

Anita Mathal Hopland, Jens Lengerke
Denmark / 2017 / 74 min.
section: First Lights
Central European Premiere
Everything´s Gonna Be Fine
Producer Čestmír Kopecký had originally wanted to make a film about the changing face of Brno, but in the end director Robin Kvapil and co-writer Pavel Šplíchal created something more closely resembling Šplíchal’s ironic blog Prigl. In their “lovingly anarchistic” film, Brno forms the epicentre of a sarcastic look at Czech society. The naive and vacuous communist-era documentary with which Kvapil’s film opens gives way to the reporter’s bitter monologues right in front of the camera. These are intercut with acted sequences featuring Brno’s political elites, artists, and outcasts.“People say that Brno is the only joke that is inhabitable. The entire film follows this logic.” R. Kvapil

Everything´s Gonna Be Fine

Robin Kvapil
Czech Republic / 2017 / 71 min.
section: First Lights
World Premiere
The Things
Nearly 10 years after the conflict in Georgia, Georgian inhabitants of the Russian-occupied territory are still living in temporary camps, waiting to return home. Their dwellings are cookie-cutter houses. They brought only the few items that they managed to grab from their homes when fleeing from the occupation army. Equally austere, almost as empty as their provisional housing, they live their lives at the mercy of waiting for what is to come. In this meditative documentary, real relics of their past lives, everyday things brought from their original homes, are the most tangible manifestations of the irreversibility of time as measured by losses. “We attempted to reflect about war experience from particular perspective, to meet persons rather than statistics, to observe rather than inquire, to contemplate about something we all share - the attachments.” Nino Gogua

The Things

Nino Gogua
Georgia / 2016 / 62 min.
section: First Lights
World Premiere
Pill Junkies
In the 1980s, they fled from Poland to Sweden to find independence, but instead discovered the exact opposite. Tadeusz and Krystyna are addicted to legally distributed drugs. They form an ageing couple who are drawn together more by their common weaknesses and withdrawal symptoms than a mutual attraction. The safety net of the Swedish social system meanwhile dangerously tightens in around them in proportion to their increasing need for the drugs. This observational documentary filmed by Tadeusz’s son reveals, with an unusual intensity, a type of addiction that with bitter irony can be called legal. DETAIL:“For some people happiness is winning a million bucks or two. This ain’t happiness. Happiness is when someone can live an ordinary life.”

Pill Junkies

Bartosz Staszewski
Poland / 2014 / 76 min.
section: First Lights
World Premiere
Felvidek. Caught in between (English version)
In her documentary on Hungarian-Slovak relations, Vladislava Plančíková focuses on the word “felvidék”, which refers to the now non-existent northern part of Austro-Hungary. In a personal collage consisting of the stories of members of her Slovak-Hungarian family and of visual references to historical events, she follows the eventful and today often taboo history of the post-war fate of Hungarians on Slovak soil. The abstract topic grabs our interest not only through the witnesses’ testimony, but also by using thre novel technique of animating real objects, including a number of contemporary and modern photographs. DETAIL:“The word ‘Felvidék’ lives on today and evokes negative emotions, sometimes even fights. But for me it’s a magical place, a kind of Macondo, the place where I was born and raised. My home.”

Felvidek. Caught in between (English version)

Vladislava Plančíková
Czech Republic, Slovakia / 2014 / 75 min.
section: First Lights
Czech Premiere
Flotel Europa
In an emotionally gripping, deeply personal story about the loss of one’s childhood and a difficult adolescence in a politically unstable time, the director brings to life twenty-year-old memories from the time spent at the side of his mother, older brother, and hundreds of other refugees from war-torn Bosnia and Herzegovina. Together they awaited asylum in temporary housing on the Flotel Europa, which docked on the shores of Denmark in the early 1990s. The director incorporated archival video footage that the refugees themselves shot directly on the boat.DETAIL:“There were many good people, but the divisions caused by the war in Bosnia had slowly but surely settled in between us, refugees on Flotel Europa.”

Flotel Europa

Vladimir Tomić
Serbia, Denmark / 2015 / 71 min.
section: First Lights
Czech Premiere
Mittelmeer
A poetic documentary about the Mediterranean brings together a mosaic of images of the southern and the northern coast that the director, writer and poet Nathalie Quintane collected without traveling anywhere – they acquired them through hotel and other publicly accessible webcams. In this way, both of them walk the shores and beaches, rocks and ports, enhanced with the memories and conversations that JeanMarc shares with his son about the current problems of coastal countries. Suddenly the contrasts between the European, African and Middle Eastern shores of the sea are revealed. "Webcam images placed around the Mediterranean Sea don’t have any deepness. They are like an ideal illusion of a unique world. A film has perhaps a chance to say it.“ J.-M. Chapoulie

Mittelmeer

Jean-Marc Chapoulie
France / 2019 / 73 min.
section: First Lights
International Premiere
Gevar's Land
This portrait follows the daily life of Syrian Gevar, who left for France with his family and wants to apply for asylum in Reims, in the northeast of the country. Back in his homeland, Gevar’s passion was tending his garden and he is determined to pursue this hobby in a new place. He rents a small plot of land in the suburbs to spend time with his family. The film is not just about Gevar's passion for gardening, but it also shows from a completely different perspective the reality of war refugees’ lives in a new country and the hardships associated with applying for asylum, language barriers, and the difficulties with finding a job and supporting a family. "Gevar’s land explores the question: how do the land - by working it, by farming it - forge an organic tie between a man and a space ?" Q. Barhamji
personal program

Gevar's Land

Qutaiba Barhamji
France, Qatar / 2020 / 78 min.
section: First Lights
International Premiere
Cain´s Children
Three men, each from a different corner of Hungary. Their fates, their worldviews, and their living conditions differ, but they nonetheless have something in common: when they were very young, each of them killed someone and then suffered for years in prison. How do people who spent critical moments of their adolescence in the difficult conditions of a detention center come to terms with committing a crime and living their lives afterwards? As an answer, this film offers a chilling, visually compelling treatment of beings on the edge of society, whose crippled lives are cracked like the linoleum that one of their mothers futilely attempts to piece together in her crumbling home. DETAIL:People thought I was a psychopathic animal. But they didn’t laugh anymore.

Cain´s Children

Marcell Gerő
Hungary, France / 2014 / 104 min.
section: First Lights
East European Premiere
Boy of War
Artiom is 18 years old and has just one wish: to go to war and fight for his homeland, Ukraine. Everything else comes second. He dresses in camouflage, watches war videos online, and in his free time practices battle scenes with his friends. Or at least they think they are battle scenes. As a child, he only sees the surface of the war. And he has the bad luck that the fighting rages so tantalizingly close. This observational documentary is a fascinating study of the cult of war in a post-Soviet setting where those who succumb to the allure of battle are the least suitable and least predisposed to fighting – a fact perfectly illustrated by Artiom’s final struggle with the reality of war."War is not about weapons, tanks or bombs. War is in the mind of the soldiers, the leaders and the crowd. It excites theirs souls, captivate their lives, strikes their imagination…before destroying them. War is a state of mind." C. Clément-Delmas

Boy of War

Cyprien Clément-Delmas, Igor Kosenko
Germany, Czech Republic / 2018 / 79 min.
section: First Lights
World Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt