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24th Ji.hlava International Documentary Film Festival

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IN MY SKIN
IN MY SKIN
IN MY SKIN
IN MY SKIN

IN MY SKIN

director: Anna-Sophia Richard
original title: IN MEINER HAUT
country: Germany
year: 2019
running time: 72 min.

synopsis

The theme of domestic violence is discussed in the public more often than before, but it still remains a burning issue victims are afraid to talk about. The director deals with the issue from an unusual perspective in a stylized documentary: she does not only describe the problem, but lets us experience it together with three female characters, using subjectifying methods based on testimonies of actual victims of domestic violence. Their inner voices describe how diffi cult it is to prevent or break up the relationship with the abuser. Then their actions suggest possible solutions.

“For women, home is the most dangerous place. This movie resulted from the desire to let women tell their stories shame free. The viewer experiences their journey.” A.-S. Richard

biography

Anna-Sophia Richard (1991) comes from the Dominican Republic, and she has studied arts and culture in Guatemala. She has gained her first work experience as a film producer and director. She made her first feature film IN MY SKIN (2019) after further studies at the German Filmakademie Baden Württemberg.

more about film

director: Anna-Sophia Richard
cast: Kristin Becker, Karmela Shako, Elisabeth Ehrlich, Michael Gerlinger, Patrick Joseph, Moritz Vierboom
producer: Astrid Schäfer
photography: Julia Hönemann
editing: Gürcan Cansever
music: Max Clouth, Douglas Greed
sound: Simon Peter

other films in the section

Notorious Deeds
October 1989. A high school student in Bucharest is apprehended for pasting up anti-regime posters and is interred in a secret police building for a number of days. As a result, his family, loved ones, friends, and schoolmates are affected by restrictions. Twenty years later at their class reunion, an excursion begins into memories of that moment of shock etched forever into memory, but for each somewhat differently. Director Gabriel Tempea is more interested in exploring the subjective interpretation from the point of view of “talking heads” than the actual facts. A postmodern form of oral history based on the testimonies of those who have most of their lives ahead of them.“Based on personal, subjective and painstakingly detailed recollections of an exceptional occurrence, I attempted to provide a glimpse at the bigger picture of  atroubled historical period.” Gabriel Tempea

Notorious Deeds

Gabriel Tempea
Romania, Austria / 2015 / 68 min.
section: First Lights
World Premiere
Connatural
This documentary, shot on black and white film, is an excruciating meditation on living close to death, which is nonetheless an inseparable part of life. Three generations of women live in one home, away from other people: an ageing mother, her two daughters, and her granddaughter. In long, slow shots, we see ordinary, regular actions that make up their day: braiding hair in the morning, cleaning the mother’s feet, reading the evening prayers. Lyrically stylized scenes depict their lives as an endless succession of moments of solitude, but which in their sequence and repetition gain strength, approaching analogy in the surrounding beautiful but inert nature.“Connatural stems from a need to express a series of emotions and thoughts related to the human condition. It delves into universal issues that are not usually represented as the experience of old age, everyday life and closeness to death.” J. Bellido

Connatural

Javier Bellido Valdivia
Peru / 2018 / 83 min.
section: First Lights
World Premiere
We Own the Crisis
Greece has been affected by a drawn-out financial crisis for the past several years. The protagonists of this documentary about state power and its impact on individuals comprise a three-member family living in the capital city. Georgia works six days a week; Panagiotis is unsuccessfully looking for a job; and their daughter, Basiliki, is about to graduate. They all live in a house originally owned by Panagiotis’ family. Thus far they have been lucky. Some Greeks have been forced to live in the streets after banks auctioned off their property. How this one family functions is an authentic example of a whole nation in distress. Whether explicitly on camera or concealed in their actions, we can see the helplessness in their daily lives."I think of the Athenians on the streets. I hear them say, 'A hopeless situation forces you to keep on hoping.' " R. Kaufmann

We Own the Crisis

Rebekka Kaufmann
Germany, Greece / 2018 / 65 min.
section: First Lights
International Premiere
The Nature of Things
This documentary essay explores the inner world of Angelo Santagostino, a man suffering from ALS, which has left him unable to perform the most basic functions or to communicate without the help of a special computer. The illness has permanently imprisoned him in a wheelchair, but he has maintained a rich inner life. The film conveys Angelo’s dreams, memories, and fantasies in scenes that evoke unfettered movement beyond normal horizons, whether it’s travelling through the universe, swimming underwater, or riding rides at a theme park. The symbolic contrast between his immobile body and his boundless spirit creates a portrait of a person who has maintained admirable dignity in the face of death.„Angelo has been the longest and shortest journey of my life, for sure the most beautiful.” 

The Nature of Things

Laura Viezzoli
Italy / 2016 / 68 min.
section: First Lights
East European Premiere
My Unknown Soldier
Documentarian Anna Kryvenko offers an unusual perspective on the 1968 occupation of Czechoslovakia. She conceived My Unknown Soldier as an audio-visual diary, through which she revisits the events of the time with rare archive material and her own commentary. Her great-uncle was a soldier in the occupying forces; he committed suicide shortly after his return from Czechoslovakia. Kryvenko’s own Ukrainian origin earns her first-hand experience of the Czechs’ deep-seated hatred of Russian-speaking people. The film therefore casts light on another unfortunate legacy of the August 1968 events in contemporary Czech, but also Ukrainian and Russian society."I don’t want to speak about general justice or truth. I would like to show that no truth can be definite. This is a story about how one becomes an “occupier” without intending to." A. Kryvenko

My Unknown Soldier

Anna Kryvenko
Czech Republic, Latvia, Slovakia / 2018 / 79 min.
section: First Lights
International Premiere
Yellowing
The Hong Kong protests of 2014 known as the “Umbrella Revolution” were an expression of some people’s dissatisfaction with the restrictive interventions in local affairs by the Chinese government. The protestors, primarily young people, rejected the limitations on local autonomy made by the communist government. In his first-person participant documentary, director Tze-woon Chan and his hand-held camera become a part of events in the island city. Over the course of 20 chapters (or “memos”), the film’s young protagonists express their feelings and views of the revolution whose cruel historical momentum rolled right over them.“Hearts might change before China’s assumed complete takeover. But I made Yellowing to document the Umbrella Movement, in the hope that our initial intent and belief might be remembered and be reminded of.”

Yellowing

Tze Woon Chan
Hong Kong SAR China / 2016 / 133 min.
section: First Lights
European Premiere
Instructions for Use of Jiří Kolář
Roman Štětina returns to the subject of radio in a documentary project created in collaboration with radio director Miroslav Buriánek. In documenting Buriánek and the members of the KLAS theater ensemble as they prepare a radio adaptation of Kolář’s poetry collection Instructions for Use, Štětina tries to explore radio directing as a distinctive but hidden artistic act. Without showing the viewer the final radio production, Štětina offers us a unique chance to witness the creative process involved in creating a radio adaptation. The voiceover features commentary on the events in the studio.“Speak, create, share geometrically. No slapped on layers of lyricism. Just sorrow and yearning. And respect the rule of the right angle.” (Miroslav Buriánek)

Instructions for Use of Jiří Kolář

Roman Štětina, Miroslav Buriánek
Czech Republic / 2016 / 130 min.
section: First Lights
World Premiere
Owner’s Portrait
A fable-like documentary composed of footage from different corners of the planet juxtaposes animals and humans like two separate yet connected universes. Virtually without speech, with a heavy emphasis on the audio component, it tells the story of an island of untamed cats and mysterious antennas that broadcast to the world on long-wave radio a call for liberation from the economic and social ties that bind us. Everywhere the radio waves reach, we see static shots of human bondage and animal freedom, and by linking these contrasting images, an Eisenstein-style montage emerges, with new cinematic meaning.„Everything started with an image in my head: a world without pets. That image became a documentary essay with a science fiction atmosphere, about freedom, work, domestic animals and societies in capitalism.“ J. Maito

Owner’s Portrait

Joaquín Maito
Argentina / 2018 / 80 min.
section: First Lights
World Premiere
Noiseless, Desert Extras
Since the dawn of cinematography, the Moroccan city of Ouarzazate has been a lively center where extras for films with an Arabic theme are found in abundance. This poetic documentary, intentionally using acknowledged staging, shows how the electrifying energy of film flows through the local population. In this “game for real”, the filmmakers deconstruct film as an imitation of life, but one that becomes more than real for the interviewed film extras. This story presents the totality of moving images from a location where you would definitely never look for it."We are concerned about ideologies and fantasies that shape singular communities. In Noiseless we decided to build pictures with the extras of Ouarzazate to reflect on cinema's illusions." G. Lepore, Maciek and Michał Madracki

Noiseless, Desert Extras

Michał Mądracki, Maciej Madracki, Gilles Lepore
Poland, France, Morocco / 2017 / 64 min.
section: First Lights
European Premiere
Aphasia
The brutal Belgian colonial policy, the Austrian oppression of the Balkans, and ethnic conflicts after the breakup of Yugoslavia – these seemingly unrelated historical episodes create one line of the documentary. In the film, history becomes a kind of speech, which often leads to the inability to formulate a complete sentence in the statements of a person suffering from loss of speech or speech disorder. In three acts, the film looks for words to describe and understand the existence of the museum of the Belgian colonial history, the hovering of Kurt Waldheim before the commission investigating his involvement in SS, and the infamous photograph of the Belgrade’s most popular DJ kicking the head of a dead woman. “Slavenka Drakulic once wrote that if we believe that the perpetrators are monsters it is because we would like to separate ‘us’ from ‘them’. Aphasia came as a result of questioning that distance.” J. Juresa
personal program

Aphasia

Jelena Jureša
Belgium / 2019 / 80 min.
section: First Lights
International Premiere
I Remember Nothing
As Tunisia experiences revolutionary unrest, Diane tries to come to terms with manic-depressive symptoms so intense that she nearly loses her memory. Five years later, she comes across the diverse records – photographs, diaries and home videos – that she kept during thi time of crisis. She then transforms these documentary materials into a tool by which she captures the seemingly lost fragments of memory. Nevertheless, her goal is not to weave these fragments into a holistic narrative, but to preserve their fluidity in order to present the chaotic events that made the chasm between the public and the private unimaginable."This is the story of a broken memory locked on a harddrive. I wanted to look at the pieces of the puzzle - footage, sounds. To face the black holes. Remember. Show the violence of this inner storm." D. S. Bouzgarrou

I Remember Nothing

Diane Sara Bouzgarrou
France / 2017 / 59 min.
section: First Lights
International Premiere
In Praise of Nothing
“A whistleblowing documentary parody about Nothing.” That is how the filmmakers describe In Praise of Nothing. In fact, Nothing is the only protagonist of this essay-like film. An ironic and unflinchingly critical monologue, delivered in simple rhymes and with the voice of Iggy Pop, accompanied by captivating and succinctly expressive footage shot by several dozen people all over the world with the assignment to “shoot nothing.” „A cinematic equivalent to Erasmus’s humanistic classic In Praise of Folly, in which Folly goes around the world arguing it is smarter to be mad than smart. 500 years later, it is Nothing who gets the main role.“ B. Mitić

In Praise of Nothing

Boris Mitic
Serbia, Croatia, France / 2017 / 78 min.
section: First Lights
Central European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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