Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
The Dazzling Light of Sunset
play
The Dazzling Light of Sunset
The Dazzling Light of Sunset
The Dazzling Light of Sunset

The Dazzling Light of Sunset

director: Salomé Jashi
original title: Daisis Miziduloba
country: Georgia, Germany
year: 2016
running time: 74 min.

synopsis

On dilapidated theater stages, the secular rituals of contemporary Georgian society play out: weddings, fashion shows, beauty pageants, political elections. The static camera, which captures this emotionless choreography of ceremonies in wide-angle shots, contrasts with the dynamic pans of the small camera held by a television reporter whose energetic activities keep a local television station going. A series of carefully framed scenes from the events that Dariko chooses to present to her viewers is juxtaposed with images from inside the run-down television studio, which survives thanks to fees earned from reading obituaries.

“It fascinated me how small stories from small towns were so much more important than the big politics. And I wondered what these small stories were.” Salomé Jashi

biography

Salomé Jashi (1981) is a Georgian documentary filmmaker and cinematographer and the co-founder of the Sakdoc Film production company. She lives in Berlin. Her short film Speechless (2009, Jihlava IDFF 2009) is a silent commentary on the Russo-Georgian war. Bakhmaro (2011) was named best documentary from Central and Eastern Europe at Jihlava. The Dazzling Light of Sunset premiered at Visions du Réel, where it won the Regard Neuf Award for first and second films.

more about film

director: Salomé Jashi
producer: Urte Amelie Fink, Salomé Jashi, Gregor Streiber, Davit Sikharulidze
script: Salomé Jashi
photography: Goga Devdariani, Salomé Jashi, Tato Kotetishvili
editing: Derek Howard
sound: Davit Sikharulidze, Giorgi Khancheli, Ivane Gvaradze

other films in the section

Everything´s Gonna Be Fine
Producer Čestmír Kopecký had originally wanted to make a film about the changing face of Brno, but in the end director Robin Kvapil and co-writer Pavel Šplíchal created something more closely resembling Šplíchal’s ironic blog Prigl. In their “lovingly anarchistic” film, Brno forms the epicentre of a sarcastic look at Czech society. The naive and vacuous communist-era documentary with which Kvapil’s film opens gives way to the reporter’s bitter monologues right in front of the camera. These are intercut with acted sequences featuring Brno’s political elites, artists, and outcasts.“People say that Brno is the only joke that is inhabitable. The entire film follows this logic.” R. Kvapil

Everything´s Gonna Be Fine

Robin Kvapil
Czech Republic / 2017 / 71 min.
section: First Lights
World Premiere
Birthday
A lonely life made up of daily routine tasks is depicted in this documentary made by the director about his own mother. It’s her birthday – her husband has been dead for years and her children have forgotten her, with the exception of her son, who remains behind the camera. Despite this, the ageing woman cleans, cooks, and makes ready for a possible celebration. Cursory inspections of her mobile phone screen show that she would have been happy with just a phone message. Birthdays give new meaning to loneliness, just as the director cuts away various natural barriers of the camera image and amplifies the sound effects track to allow silence to emerge and envelop the main character."One day of any person is the summary of his life. What we feel in one day is the same for all our life. Nothing changes. Repetitions, Repetitions and Repetitions. Just like my mother on her birthday." H. Baydarov

Birthday

Hilal Baydarov
Azerbaijan / 2018 / 63 min.
section: Between the Seas
World Premiere
Like an Abortion, for the Very First Time
The Umbrella Movement was a wave of street protests that took place in Hong Kong from September to December 2014 as a reaction to oppressive practices of the Chinese government against the citizens of Hong Kong dissatisfied with planned changes in the electoral system. In her feature film debut, To Liu captured the citizens of the western part of Kowloon, Mong Kok, whose protests might not have been as visible as those of the leading activists, but were no less important. The documentary rhythmized by opening entries and darkening of the scene, much like the director’s first film, follows two characters, a master and an apprentice.„'We are the fucking losers. But at least we fought', Mongkok people." T. Liu

Like an Abortion, for the Very First Time

To Liu
Hong Kong SAR China / 2018 / 102 min.
section: First Lights
World Premiere
Owner’s Portrait
A fable-like documentary composed of footage from different corners of the planet juxtaposes animals and humans like two separate yet connected universes. Virtually without speech, with a heavy emphasis on the audio component, it tells the story of an island of untamed cats and mysterious antennas that broadcast to the world on long-wave radio a call for liberation from the economic and social ties that bind us. Everywhere the radio waves reach, we see static shots of human bondage and animal freedom, and by linking these contrasting images, an Eisenstein-style montage emerges, with new cinematic meaning.„Everything started with an image in my head: a world without pets. That image became a documentary essay with a science fiction atmosphere, about freedom, work, domestic animals and societies in capitalism.“ J. Maito

Owner’s Portrait

Joaquín Maito
Argentina / 2018 / 80 min.
section: First Lights
World Premiere
Opera about Poland
A travelogue collage in search of Polish identity in an uncertain world. A carefully composed dream about the unfound unity of nation, old injustices and moments of glory that fade away under the burden of petty thoughts and the fear of non-existent enemies. A selection of period footage, newspaper articles, and bitterly current citations from the internet, mixed with journal entries by the author Andrzej Stasiuk to create a personal reflection of events. The staged portraits of ordinary Poles set to a tension-filled disharmonic operatic soundtrack at first seems like a series of unrelated images and thoughts, but they slowly come together to form a portrait of the soul of the Polish nation."To begin the repair or therapy you need to be diagnosed. You need to see what mistakes have been made in the past. Or check if you are living with untrue myths and beliefs." P. Stasik

Opera about Poland

Piotr Stasik
Poland / 2017 / 41 min.
section: Between the Seas
International Premiere
Guests
Set in a remote Russian village located about hundered and sixty kilometres from Moscow, this observational documentary is focused on a group of loggers – illegal migrants from Tajikistan who came to Russia in the hope of finding work. Hired by Russian businesses, they live thousands of kilometres away from their families to whom they send their earnings. The uncompromising endless shots capture the simplicity of the lives of these seasonal workers, and the overall undisciplined style of the filming corresponds well to the unfriendly environment in which they must survive from day to day.DETAIL:“Yeah, well, life is tough. As they say – it's not a bed of roses. You have to live your life properly... Can you imagine how difficult it must be for our wives?”

Guests

Alexey Sukhovey
Russia, France, Germany / 2014 / 62 min.
section: Between the Seas
International Premiere
IN MY SKIN
The theme of domestic violence is discussed in the public more often than before, but it still remains a burning issue victims are afraid to talk about. The director deals with the issue from an unusual perspective in a stylized documentary: she does not only describe the problem, but lets us experience it together with three female characters, using subjectifying methods based on testimonies of actual victims of domestic violence. Their inner voices describe how diffi cult it is to prevent or break up the relationship with the abuser. Then their actions suggest possible solutions.“For women, home is the most dangerous place. This movie resulted from the desire to let women tell their stories shame free. The viewer experiences their journey.” A.-S. Richard
personal program

IN MY SKIN

Anna-Sophia Richard
Germany / 2019 / 72 min.
section: First Lights
International Premiere
Panoptic
Lebanese filmmaker Rana Eid’s documentary essay premiered in the Signs of Life section at the Locarno Film Festival, a film in which she captured her journey through Beirut while mourning the death of her father. In an attempt to understand her hometown, she decided to explore its very core – its underground. Because that was exactly how she de facto lived – in hiding, just as everyone else did during the 17-year-long civil war. The director’s personal journey, filled with atmospheric, auditory sensations (she doesn’t deny her years of sound work), reflects Lebanon’s troubled past, as well as its present and future prospects, on a whole different level. “Drawing into my own memories, Panoptic is both a historical document and the memoir of an ordinary citizen trying to understand the injustices we lived through in Lebanon over the past 40 years.” R. Eid

Panoptic

Rana Eid
Lebanon, United Arab Emirates / 2017 / 69 min.
section: First Lights
East European Premiere
Czech Journal: Teaching War
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.“In order to identify the reason for which people prepare for war in the name of peace, I have started to portray the rising military spirit in a kaleidoscopic image.”

Czech Journal: Teaching War

Adéla Komrzý
Czech Republic / 2016 / 69 min.
section: First Lights
World Premiere
The End and the Means
Massage, doing the laundry, grazing water buffalo, snake charmers, street jugglers and dentists, music and dance lessons. Through his humble contemplation on various expressions of people’s devotion to their work, Paweł Wojtasik shows the web of human activities that each have their fixed place within India’s caste society. Work is not a path out of poverty or towards wealth, but a form of Hindu meditation on the roots of human activity and established working techniques and rituals. Man is a machine controlled by a higher power. This observational documentary, filmed primarily in India’s oldest city, Varanasi, focuses on the sacred Ganges River as a source of all human endeavours. „I wanted to investigate the Indian idea that work can lead to liberation rather than alienation. As a film worker myself, I learned from the people I filmed – to be present with the whole body and mind.“ P. Wojtasik

The End and the Means

Pawel Wojtasik
United States, India, France / 2018 / 99 min.
section: Between the Seas
World Premiere
YOU (pl) and ME
The video diary of a young woman involved in a love affair captures the metamorphosis of life and love on the outskirts of the Austrian metropolis. We follow the movements of spirit and body, approaching parenthood and other internal and external changes through the viewfinder of an old camera and the accompanying commentary. Although the film works with only photos and sound, it is full of motion. It creates an intimate atmosphere in which we watch Nica and Ben go through the twists and turns that life brings, which look like the most common and natural life events.DETAIL:“Back then – before you. I had wanted it to stop. I wanted all of these indignities, putdowns, rejections, validity to intimacy, beneath this cloak of hot air called the modern ‘being’ – to stop.”

YOU (pl) and ME

Jasmin Hirtl
Austria / 2015 / 88 min.
section: Between the Seas
World Premiere
Paradise on Earth
Andrej Bán is a journalist and photographer who reports from areas in crises around the world, the likes of which include Kosovo, Georgia, Afghanistan, Ukraine and Haiti, where he constantly travels back and forth. A director of his decided to accompany him with a camera, and their intimate conversations intertwine throughout the film, revealing the reporter's internal professional and personal struggles. The documentary follows Andrej in cities destroyed by war or in refugee camps, during which it becomes clear that he's interested in a deeper look inside the causes of the confl icts as well as the oppressive situations their victims find themselves in.“People forgotten by people. With photographer, publicist, and friend Andrej Bán we discover stories of people, who were forced to leave their homes.” J. Vojtek
personal program

Paradise on Earth

Jaro Vojtek
Slovakia / 2019 / 78 min.
section: Between the Seas
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt