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25th Ji.hlava International Documentary Film Festival

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A last year in 114 minutes
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A last year in 114 minutes
A last year in 114 minutes
A last year in 114 minutes

A last year in 114 minutes

director: Daniel Nicolae Djamo
original title: Un ultim an in 114 minute
country: Romania
year: 2014
running time: 114 min.

synopsis

The director captures the final year in the life of the woman who helped raise him, as age slowly gets the best of her. The simple filming style, in which neither the camera nor the protagonist ever leaves her flat, results in an unusually intense and extremely personal record of time passing and the relationship with a loved one. It’s a raw yet formal testament that sensitively manages to avoid any trace of sentimental kitsch, leading the viewer on an emotional journey of the everyday reality of Buni’s days and her mercilessly worsening physical and psychological condition.

DETAIL:
They put a pencil inside a tea package. I don’t know why someone would put the pencil in there. To keep a journal each time that you are drinking tea? I just don’t get it. In a tea for diabetes...

biography

Daniel Djamo is a PhD student at the School of Visual Arts in Bucharest. His filmography includes a number of short films. He often experiments with installations, video art and photography in his work. In 2013, he acted as curator at the George Enescu Art Biennale in Bucharest. He has received multiple awards for his artistic work.

more about film

director: Daniel Nicolae Djamo
cast: Ana Voicescu, Daniel Nicolae Djamo
producer: Daniel Nicolae Djamo
script: Daniel Nicolae Djamo
photography: Daniel Nicolae Djamo
editing: Daniel Nicolae Djamo
sound: Daniel Nicolae Djamo

other films in the section

Notorious Deeds
October 1989. A high school student in Bucharest is apprehended for pasting up anti-regime posters and is interred in a secret police building for a number of days. As a result, his family, loved ones, friends, and schoolmates are affected by restrictions. Twenty years later at their class reunion, an excursion begins into memories of that moment of shock etched forever into memory, but for each somewhat differently. Director Gabriel Tempea is more interested in exploring the subjective interpretation from the point of view of “talking heads” than the actual facts. A postmodern form of oral history based on the testimonies of those who have most of their lives ahead of them.“Based on personal, subjective and painstakingly detailed recollections of an exceptional occurrence, I attempted to provide a glimpse at the bigger picture of  atroubled historical period.” Gabriel Tempea

Notorious Deeds

Gabriel Tempea
Romania, Austria / 2015 / 68 min.
section: Between the Seas, First Lights
World Premiere
Noiseless, Desert Extras
Since the dawn of cinematography, the Moroccan city of Ouarzazate has been a lively center where extras for films with an Arabic theme are found in abundance. This poetic documentary, intentionally using acknowledged staging, shows how the electrifying energy of film flows through the local population. In this “game for real”, the filmmakers deconstruct film as an imitation of life, but one that becomes more than real for the interviewed film extras. This story presents the totality of moving images from a location where you would definitely never look for it."We are concerned about ideologies and fantasies that shape singular communities. In Noiseless we decided to build pictures with the extras of Ouarzazate to reflect on cinema's illusions." G. Lepore, Maciek and Michał Madracki

Noiseless, Desert Extras

Michał Mądracki, Maciej Madracki, Gilles Lepore
Poland, France, Morocco / 2017 / 64 min.
section: First Lights
European Premiere
(T)ERROR
Saeed “Shariff” Torres, a former Black Panther member, is now working for the FBI. His task is to discover signs of terrorism in American Muslim communities. This reportage captures the dimension of paranoia that exists in the USA’s security police in the best tradition of the American investigative reporting style. The director reveals undemocratic principles underpinning the functioning of American democracy.The attempt to uncover a crime before it occurs becomes an exercise in chasing phantoms, leads to a distortion of facts, and spreads feelings of fear amongst often innocent people.DETAIL:“Do you think your present right now is in any way related to your past?” “Well, I don't have a past, I don't even wanna make bring it back up. I really don't.”

(T)ERROR

David Felix Sutcliffe, Lyric R. Cabral
United States / 2015 / 84 min.
section: First Lights
Central European Premiere
Victoria
The hypnotic wasteland of Southern California is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo Antonioni, and the deep transcendence of Werner Herzog. It speaks to us through fragments of dialogues from iconic films, and yet it remains elusive and dissolves into abstract shapes, rhythms, and compositions. The landscape as a captivating and intangible, all-encompassing and insubstantial yet full emptiness becomes the means for the transgressive experience of two temporalities – the “real” time of people and the time of natural processes.„How much further do we have to go? I don't know. Not much further. That's what you said this morning. I sometimes say it all day. Really? You say it all day? We don't have much longer. We'll be there soon.“ L. Marxt

Victoria

Lukas Marxt
Austria / 2018 / 63 min.
section: Between the Seas
International Premiere
Empty Horses
Mihály Kertész (1886-1962) made more than 150 films, most of them as Michael Curtiz in the United States. He remains known thanks to one of them - the melodrama Casablanca (1942). Gábor Bódy (1946-1985), on the other hand, devoted his short life spent in Hungary creating experimental films, and his filmography is little known to the general public. In this untraditional documentary, we listen in on a conversation between these two directors as they discuss their experience with film work and its sense from somewhere beyond the imaginary cinematic afterlife. An associative collage of excerpts from classic Hollywood movies and the filmmakers’ own avant-garde works evokes not only questions connected with the history and theory of film, but also opens the personal dramas and inner conflicts of their creators.  “Our aim was to imagine a fictional conversation between two film directors, both classical masters but from very different cinematic worlds, all brought to life with rich images of poetic associations.” P. Lichter 

Empty Horses

Péter Lichter
Hungary / 2019 / 67 min.
section: Between the Seas
International Premiere
noimage
FilmKILLING looks at the violence that is permeating Guatemalan society like a cancer, using interviews with journalists and a social worker who looks after women who have been the victims of attacks. In this country, which spent most of the 20th century as a banana republic, the civil war may have ended long ago, but the population’s tendency towards violence has remained.

Evolution of Violence

Fritz Ofner
Austria / 2011 / 77 min.
section: Between the Seas
East European Premiere
Panoptic
Lebanese filmmaker Rana Eid’s documentary essay premiered in the Signs of Life section at the Locarno Film Festival, a film in which she captured her journey through Beirut while mourning the death of her father. In an attempt to understand her hometown, she decided to explore its very core – its underground. Because that was exactly how she de facto lived – in hiding, just as everyone else did during the 17-year-long civil war. The director’s personal journey, filled with atmospheric, auditory sensations (she doesn’t deny her years of sound work), reflects Lebanon’s troubled past, as well as its present and future prospects, on a whole different level. “Drawing into my own memories, Panoptic is both a historical document and the memoir of an ordinary citizen trying to understand the injustices we lived through in Lebanon over the past 40 years.” R. Eid

Panoptic

Rana Eid
Lebanon, United Arab Emirates / 2017 / 69 min.
section: First Lights
East European Premiere
I Am the People
January 2011 in Egypt was marked by anti-government demonstrations. While tens of thousands of protestors gathered in Cairo, poor villagers in the country’s south followed the tense situation on Tahrir Square on their TV screens and in the daily newspapers. It is from their perspective that this documentary captures the political changes in Egypt, from the toppling of President Mubarak to the election of Mohamed Morsi. The film reveals the villagers’ hopes and disappointments, and shows that despite the wild events, very little has actually changed in their lives.DETAIL:“If I were a judge in his trial, I’d immediately give him the death penalty.”

I Am the People

Anna Roussillon
France / 2014 / 110 min.
section: First Lights
World Premiere
The Haunted
The Turan tiger, a majestic symbol of the Central Asian landscape, has been extinct for several decades, but it lives on as a sacred symbol in the collective imagination of the local population. In her captivating film essay, Ismailova pays homage to this animal as she shows how firmly bound it is, in people’s minds, with the region’s history. The tiger is a spectre that emerges from the darkness and disappears again, the landscape is like a network of ruins buried under layers of the past. The collage of visual and audio fragments, accompanied by the filmmaker’s passionate commentary, shows that “real” history cannot be separated from shared ideas and dreams."The Haunted is an intimate video letter to the spirit of the extinct Turan tiger, which disappeared from Central Asia in the 20th century. Today, the tiger lives on in people’s collective memory." S. Ismailova

The Haunted

Saodat Ismailova
Norway, Uzbekistan / 2017 / 23 min.
section: Between the Seas
Central European Premiere
Call Me Marianna
At the center of this film stands an attractive forty-year-old woman who has decided to fulfill a lifelong dream at the cost of great sacrifice - to be herself. She alienated her parents and lost loved ones when she underwent a long-desired sex change. The film attempts to explain to viewers and help them understand the difficult decision that Marianna had to face. While in the first, staged, part of the film the woman comes to terms with her own past through autobiographical theater performance, in the second, documentary part of the film, she is, however, confronted with unexpected twists and precarious situations that fate has set before her.DETAIL:“I’ll finally be able to look at myself in the mirror naked and not feel disgusted by my own body. – There are men and women. There’s male and female. The world doesn’t really allow any third options.”

Call Me Marianna

Karolina Bielawska
Poland / 2015 / 75 min.
section: Between the Seas, First Lights
Czech Premiere
Butterflies
Young Alexei is openly homosexual. Although his peers have no problem with his sexual orientation, his mother is unable to accept it. This documentary portrait follows Alexei during summer break, as he spends time with his new lover Grisha, whom he met at a Tarkovsky festival. The film takes an unusual observational approach in that the camera is often right up against people’s bodies and faces during impassioned discussions, arguments, or testimony. As a result, the spontaneous and eccentric manner in which Alexei breaks down gender stereotypes are brought to the fore. “Making a movie always goes hand in hand with fear and shame. This is because the film just now learned to dive into the man. Untill now it only described. During the work on the film Butterflies I always thought about it.” Dmitry Kubasov

Butterflies

Dmitry Kubasov
Russia / 2016 / 79 min.
section: Between the Seas
World Premiere
The Blockade
The 2009 student strike at Zagreb University had several clear objectives – the struggle against the commercialisation of higher education, against tuitions, and for government subsidies. Soon, it spread throughout Croatia. This study of one blockade takes a look at democracy without a vertical hierarchy, its utopian spirit, and its fragile environment. As usual, power objectives and political roles win out over the students’ utopian visions. A film as a manifesto of autonomy, ideals, the seeds of democracy in practice, and history repeating itself.  

The Blockade

Igor Bezinović
Croatia / 2012 / 93 min.
section: Between the Seas
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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